Opening: June 29, 2017 (7pm)
With:
A.J. Aalders, Lara Almarcegui, Maria Thereza Alves, Félix Arnaudin, Amy
Balkin, Alessandro Balteo-Yazbeck in collaboration with Media Farzin,
Bernd Becher and Hilla Becher, Étienne Denisse, Hubert Duprat, Giulio
Ferrario, Ângela Ferreira, Anne Garde, Ambroise-Louis Garneray, Terence
Gower, Rodney Graham, Ilana Halperin (also at the Université de
Bordeaux’s zoology department), Marianne Heier, Christina Hemauer and
Roman Keller, Lucas Ihlein and Louise Kate Anderson, Jannis Kounellis,
Martín Llavaneras, Erlea Maneros Zabala, Nicholas Mangan, Fiona Marron,
Alexandra Navratil, Xavier Ribas, Alfred Roll, Amie Siegel, Lucy Skaer,
Alfred Smith, Rayyane Tabet, Pierre Théron, Pep Vidal, Alexander Whalley
Light, Stuart Whipps (also at the Musée des Beaux-Arts) as well as
documents and objects lent by the archives of the CAPC, the Archives
Bordeaux Métropole, the Archives départementales de la Gironde, and the
geology collection of the UFR Sciences de la Terre et de la Mer,
Université de Bordeaux.
With contributions from more than 30 artists, “4.543 billion. The matter of matter” is a major exhibition that addresses works of art, collections and cultural histories in relation to ecological processes and a geological scale of time. It presents a continuum of materials and temporal landscapes – films, works on paper, photographs, sculptures, documents, and other meaningful things – and springs from the CAPC building’s former life as a warehouse for colonial commodities whose limestone walls were once deep in the ground and whose wooden beams were once part of a forest.
A central proposal of the exhibition is that works of art are part of geophysical history as much as art history. “4.543 billion” attempts to take into account both a micro-local and a planetary perspective, and to rethink some of the histories of art as fragments of broader narratives about the Earth and how our place in it has been represented. What is at stake when art and museums take on greater temporal and material awareness? How might they move beyond a spatial framework of “think globally, act locally”, to “think historically, act geologically”?
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The exhibition is the CAPC contribution to the cultural season Paysages Bordeaux 2017. Within the framework of “4.543 billion”, Latitudes will lead the month-long residency programme “Geologic Time” at the Banff Centre for Arts and Creativity, Alberta, Canada, in September 2017.
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