Iratxe Jaio and Klaas van Gorkum's installation ‘Work in Progress’ in the process of being acquired by ARTIUM, Vitoria-Gasteiz


Above and below: Installation views of "Work in progress" in the exhibition "The Margins of the Factory", ADN Platform, 25 January–30 April 2014. Video (14’ 22”), 739 polyurethane sculptures, and 47 moulds. Produced with support from the Eremuak program of the Basque Government and from Centrum Beeldende Kunst Rotterdam. Courtesy of the artists. Photos: Roberto Ruiz.






We are very happy to know that Iratxe Jaio and Klaas van Gorkum's installation ‘Work in Progress’ (2013) is in the process of being acquired by ARTIUM, Centro Museo Vasco de Arte Contemporáneo in Vitoria-Gasteiz, Basque Country. The piece is on display as part of the exhibition ‘ARTres. El museo como deba ser’ (March 2–August 26, 2018).

Work in Progress’ was one of the two works included in their solo exhibition "The Margins of the Factory" presented at ADN Platform in January 2014, and curated by Latitudes.






Work in Progress’ immerses itself in the manufacturing industry of Markina-Xemein, the rural Basque village where Jaio comes from. A video documents the mass-production of rubber car parts, following the pieces from the assembly line in a worker-owned factory to subcontracted workshops where informal workers finish them by hand.

Several of these workers are employed by the artists to cast hundreds of replicas of small modernist sculptures. These are displayed on mass-produced shelving to evoke the “Chalk Laboratory” of Basque sculptor Jorge Oteiza (1908–2003), a fierce critic of the commodification of art. 

 Exhibition leaflet. Pdf downloadable here.

Latitudes previously collaborated with Jaio and van Gorkum in the exhibition cycle ‘Amikejo’ presented throughout 2011 in MUSAC, León, when they exhibited ‘Producing time between other things’ (2011), a work specially produced for the occasion, and also included in the above-mentioned show "The Margins of the Factory" in 2014.

—> Photographs of the exhibition.
—> Exhibition leaflet (pdf).
—> Exhibition reviews.
—> Video on ‘Producing time between other things’ (2011)



RELATED CONTENT:




Last chance to read the August 2016 Monthly Cover Story "Fermínlandia"


Last chance to read the August 2016 Monthly Cover Story "Fermínlandia" on www.lttds.org (after August 2016 it will be archived here)

"
Five years ago, in August 2011, Fermín Jiménez Landa initiated the surrender, conquest and defence of a small nameless island using the power of music. With the help of local fishermen he had taken a portable generator, two tripod-mounted loudspeakers, and an mp3 player out into the Aegean Sea and planted the equipment on this uninhabited Greek island. Its new national anthem played again and again until the batteries ran out. You can just make out the two loudspeakers sitting atop the grassy rock in this photograph by Fermín." Continue reading...

Cover Stories' are published on a monthly basis on Latitudes' homepage to highlight past, present or forthcoming projects, research, exhibitions or field trips related to our activities. 


Related content:
  • Archive of Cover Stories.
  • Cover Story, July 2016: Through the grapevine – Rasmus Nilausen’s Soups & Symptoms 3 July 2016
  • Last days! Cover Story and exhibition of José Antonio Hernández-Díez: techno-pop, death and resurrection (20 June 2016)
  • Cover Story, May 2016: Material histories – spilling the beans at the CAPC musée d’art contemporain de Bordeaux (10 May 2016)
  • Cover Story, March 2016: José Antonio Hernández-Díez: The sacred heart of the matter (3 March 2016
  • Cover Story, February 2016: Sarah Ortmeyer, Towering allusions (9 Febrero 2016)




Latitudes' limited edition tote bags presented in the Asia Art Archive's exhibition "A short history of the art book bag (and the things that go in them)"


We are delighted that from August 24 (and until October 24), Latitudes' limited edition tote bags by Lawrence Weiner, Haegue Yang, Ignasi Aballí and Mariana Castillo Deball, will be presented in Hong Kong as part of Asia Art Archive (AAA)'s exhibition 15th anniversary programme "15 Invitations | a short history of the art book bag".

Organised by AAA Public Programmes Curator Ingrid Chu, the show explores the international phenomenon of the 'art book bag' in "a short history of the art book bag (and the things that go in them)". The exhibition features 'the things that go in them'—art publications, magazines, and related ephemera—alongside a vast array of these popular totes in the AAA Library. Chu has invited artists, curators, art book fair organisers, and print and online publishers to provide insight into the changing modes of knowledge production and circulation, and their influence on the recent art of Asia through Field Notes.

Latitudes' totes are presented under 'Sites for Art', the first of five categories that structure the show – others being 'Carriers of Knowledge', 'Markers of Access', 'Badges of Dissent', 'Goods of Desire'). Courtesy of Asia Art Archive.
 
Each Latitudes' tote is accompanied by a publication that relates to each artist: Lawrence Weiner will contain the leaflet of his 2008 exhibition at Fundació Suñol, Haegue Yang will include the publication which features an essay by Max Andrews' of Latitudes; Ignasi Aballí's tote will include his 2009 publication 'Nothing, Or Something' inside and Mariana Castillo Deball will have 'Amikejo', the exhibition catalogue of the 2011 cycle one of which presented works by Castillo Deball and Irene Kopelman.

Installation view of a short history of the art book bag (and the things that go in them) exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.

Zine for "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.
 
 Installation view of 'Carriers of Knowledge' section in "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.
 
 Installation view of 'Badges of Dissent' section in "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.

 Installation view of 'Goods of Desire' section in "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.



RELATED CONTENT:

Lead Facilitators, Curating Lab 2014–Curatorial Intensive, National University of Singapore (11–14 June), symposium (14 June, 15–17h) and field trip to Hong Kong (16–20 June)
30 May 2014

A day at Hong Kong's Asia Art Archive, 31 January 2013, 8 July 2013

"Archive as Method: An Interview with Chantal Wong, Hammad Nasar and Lydia Ngai" of the Asia Art Archive, Hong Kong. Final #OpenCurating interview 1 May 2013
 
Latitudes' Open Day at Spring Workshop on 2 February 2013 9 February 2013

 
Archive of social media posts related to "Incidents of Travel" tours and photo-documentation. 



This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
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Latitudes | www.lttds.org 





25 January 2014: Opening of the solo exhibition 'The Margins of the Factory' by Iratxe Jaio & Klaas van Gorkum at ADN Platform, Sant Cugat del Vallès (Barcelona)

The Margins of the Factory, a solo exhibition by the Rotterdam-based duo Iratxe Jaio & Klaas van Gorkum curated by Latitudes will open on Saturday 25 January 2014, as part of ADN Galería and ADN Platform's exhibitions programme. 


Opening programme:

12h: Opening at ADN Galería (c/ Enric Granados 49, Barcelona). Exhibition: “This is not Just Fucking Business” by Carlos Aires
13:15h: Buses depart from ADN Galería towards ADN Platform (Avda. Can Roquetas, Sant Cugat del Vallès). To book a seat in the bus: [email protected] / 93 451 0064

14h: Arrival at ADN Platform and light lunch. Exhibitions: Micro-actions of Emergency #2 [Curated by Colectivo de vuelta y vuelta (Claudia Segura & Inés Jover)] and The Margins of the Factory by Iratxe Jaio & Klaas van Gorkum [Curated by Latitudes].
14:15h: 15 min. voice and instrumental performance by Nathaniel Robin Mann, as part of The Margins of the Factory
16/16:30h: Buses return from ADN Platform (Sant Cugat) towards ADN Galería (Barcelona).

The Margins of the Factory presents two recent projects by Iratxe Jaio & Klaas van Gorkum that are motivated by their interest in art's relationship with labour. Each explores sculptural form and manufacturing processes from the perspective of artists who have not usually made objects. Jaio & van Gorkum undertake what are in part sociological investigations by documenting the local, marginal effects of the displacement of manufacturing industries over the last two generations with the emergence of the global market. Emerging from the artists' personal history and implicating the direct effects of their own vocation as well as work they ask of others, the projects are moreover complicit in asking what kind of industriousness brings value and what political life objects might have.


The exhibition opening will also feature a performance by British “avant-folk” musician Nathaniel Robin Mann, developed in collaboration with Jaio & van Gorkum around the raw footage of Work in Progress and the tradition of work song. Mann interprets the Basque popular song “Oi Peio Peio” – a dialogue between a woman worker and her cruel boss, who insists that she carries on working throughout the night. First collected in Cancionero Popular Vasco in 1918, the song was popularized by singer–songwriter Mikel Laboa, founder of “Ez Dok Amairu” (“No Thirteen”), the cultural movement of Basque poets, musicians and artists whose name was a suggestion of sculptor Jorge Oteiza. 

Installation of Producing time in between other things. Courtesy of the artists. Photo: MUSAC.

Central to Producing time in between other things (2011) is a selection of wooden objects made by retired factory worker Jos van Gorkum – Gorkum’s grandfather – which the artists documented in the homes of his relations, friends and former neighbours across the Netherlands. During this process, the artists located the original lathe on which these items had been crafted and began to teach themselves woodturning. The forms which they made as they worked at learning a hobby become the means to support the display of the original objects, presented alongside three videos and photography

Still from the video "Work in Progress". Courtesy of the artists.

Work in Progress (2013) immerses itself in the manufacturing industry of Markina-Xemein, the rural Basque village where Jaio comes from. A video documents the mass-production of rubber car parts, following the pieces from the assembly line in a worker-owned factory to subcontracted workshops where informal workers finish them by hand. Several of these workers are employed by the artists to cast hundreds of replicas of small modernist sculptures. These are displayed on mass-produced shelving to evoke the "Chalk Laboratory" of Basque sculptor Jorge Oteiza, a fierce critic of the commodification of art. 

Visit adnplatform:
Avda. Can Roquetas (corner with Victor Hugo)
08173 Sant Cugat del Vallès
[email protected]
Tel. (+34) 93 451 00 64
By appointment only

Location map

Download the A3 invite-as-poster-as-leaflet of the exhibition (Spanish & English versions). 

Producing time in between other things was produced as part of the Latitudes-curated Amikejo exhibition season at MUSAC, León, in 2011, supported in part by the Mondriaan Foundation (now Mondriaan Fonds). Work in Progress was produced with support from the Eremuak program of the Basque Government and from the Centrum Beeldende Kunst Rotterdam.

Related content:  
"Focus Interview: Iratxe Jaio & Klaas van Gorkum", frieze, Issue 157, September 2013 (14 October 2013).



This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




Conferencia dentro del ciclo "Oficios de la cultura", Aula Cultura OBS Caja Mediterráneo, c/ Salzillo 7, Murcia, 17 de octubre, 20h. Entrada gratuita.

Publicación del ciclo expositivo 'Amikejo' (Mousse Publishing, 2012).
  
Mariana Cánepa Luna de Latitudes discutirá el rol del comisario a partir de tres proyectos recientes de Latitudes. Estos casos de estudio trazan enfoques de índole editorial (The Last Newspaper, New Museum, Nueva York (2010)); como organización participante (las dos ediciones del festival No Soul for Sale: A Festival of Independents en X Initiative, Nueva York (2009) y en Tate Modern (2010)); y en un ciclo expositivo anual ('Amikejo', MUSAC, León (2011)).

Este ciclo de conferencias mensuales analiza las diferentes profesiones que operan en el campo del arte contemporáneo, presentando aspectos que caracterizan la labor del crítico, el comisario, el productor cultural, el investigador y los responsables de espacios independientes. + info...


Ciclo co-dirigido por Ana G. Alarcón, Isabel Durante y Pablo Lag, componentes del grupo curatorial Primer Escalón


Fotodocumentación de la conferencia aquí.


'The Last Newspaper' exhibition catalogue, New Museum, New York, 2010–11.

Lecture within the cycle "Cultural Professions", Aula de Cultura Caja Mediterráneo, Murcia, 17 October, 20h. Free.



Mariana Cánepa Luna of Latitudes will discuss the role of the curator in the context of three of Latitudes' recent projects. These case studies trace Latitudes' approach in an editorial context (The Last Newspaper, New Museum, New York (2010)); a year-long exhibition series ('Amikejo', MUSAC, León (2011)) and as an invited organisation (the two editions of No Soul for Sale: A Festival of Independents in X Initiative, New York (2009) and Tate Modern (2010)).

This cycle of monthly conferences centres on different professions within contemporary art, discussing aspects that characterise the practice of a cultural producer, a critic, a curator, a researcher and a member of an independent art space.
+ info...

Cycle co-directed by Ana G. Alarcón, Isabel Durante and Pablo Lag, from the curatorial group
Primer Escalón.

UPDATE: Photodocumentation of the lecture here. 

All photos: Latitudes | www.lttds.org


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Latitudes' "out of office" photo album 2011–2012

This is the fourth consecutive year (see 2009-10, 2010-11 and 2011-12 posts) we say goodbye to the 2011–12 season with an 'out of office' post with some unseen and 'behind the scenes' moments lived in the past 11 months. 

Happy holidays/felices vacaciones readers! More Latitudes' via Facebook (http://www.facebook.com/LTTDS) and Twitter (@LTTDS). 

– Latitudes | www.lttds.org


22 September 2011: Back to the future. transfering the mp3 file of the new anthem commissioned by Fermín Jiménez Landa onto a cassette. Images of their show here.

21 September 2011: Lee Welch and Fermín Jiménez Landa talk about their show to MUSAC's staff.

21 September 2011: Newly framed works by Lee Welch (top left) and photos by Fermín Jiménez Landa (right).

22 September 2011: Watching concrete dry (Lee Welch and Fermín Jiménez Landa's exhibition plinths/bordermarks).

23 September 2011: Final rehearsal of La Cena band in the Laboratorio 987 space. Opening performance of 'Himno Nacional' here.

 Permission to parade through the streets and squares of León's centre on the 24th September.

  24 September 2011: Fermín Jiménez Landa (camera) Lee Welch (video recording) the "Himno Nacional" 'pasacalles' parade around the streets of León.
 12 October 2011: Finding 'The Last Newspaper' displayed at Walter König's bookstore while browsing for nice books during Frieze Art Fair, London.

13 November 2011: Jorge Satorre fixing one of the posters of the show, before we take off to discuss his and Erick Beltráns' project 'Modelling Standard', an interview that was published in the February issue of Atlántica magazine.

January 2012: Testing, testing... 'The Dutch Assembly' programme available for smartphones.

 18 January: "Café con...Latitudes". Informal talk with Hangar artists-in-residence. Photo: Hangar. Latitudes has been part of Hangar's Programming Comitee between 2010–13.

31 January 2012: Premis GAC 2012 award ceremony at MACBA's atrium. Mariana Cánepa of Latitudes' was part of this year's jury.

2 February 2012: "...y desde el 'backstage'" (leer aquí) de Vanessa Graell en el suplemento 'Tendències', El Mundo.

6 February 2012: Demonstration to pressure politicians to change their minds about stopping the plan for the Canòdrom to be the future Centre of Contemporary Art in Barcelona. The windows were whitewashed as it is done with unused facilities.

Artists whitewashing the Canòdrom windows. 

 12 February 2012: "Mataró Chauffeur Service" mangled at Matadero, Madrid.

13 February 2012, ARCOmadrid: Installing vinyls and posters for each of the The Dutch Assembly hourly talks, readings, artists presentations, performances, book launches, in conversations and screenings throughout the five days of the fair. See list here (and some audiorecordings). Download full programme details here.

'The Dutch Assembly' was well connected.


13 February 2012: The Dutch Assembly 'Superstructure' space by Jasper Niens and Thijs Ewalts. On the picture, the choir performance 'Care' by Rory Pilgrim, presented by De Hallen, Haarlem.


16 February 2012: Latitudes introducing Ann Demeester, Director, and Nathalie Hartjes, coordinator of the Gallerist Programme at De Appel, presented a round table discussion with (left to right): Jeanine Hofland (Jeanine Hofland Contemporary Art, Amsterdam), Rebeca Blanchard (NoguerasBlanchard, Barcelona) and Helga de Alvear (Helga de Alvear, Madrid) around the profession of the gallerist. Photo: Haco de Ridder.

Álvaro Calleja profiles The Dutch Assembly: "Un Puente entre dos naciones'/'a bridge between two nations" en el  ABCDArco, 16 February 2012.


February: At last...Lara Almarcegui's monograph is here! Edited by Latitudes. 

 16 March: Good morning Sharjah! Part one of the March Meeting report here.

Sharjah lunch with curator and 'El Cultural' critic, Javier Hontoria.

17 March: Latitudes' presentation on residencies (for artists and curators) during Sharjah's fifth March Meeting, which focused on 'Working with Artists and Audiences on Commissions and Residencies'. Latitudes' panel titled "Minding the Gap: the Critical Role of Smaller Organisations" had presentations by Hu Fang (Vitamin Creative Space, China) and Daniella Rose King (MASS Alexandria, Egypt), and was chaired by Samar Martha (ArtSchool Palestine, Palestine). More photos here. Photo: Posted during the conference on the Twitter account of @lamyaalsuwaidi

Glitzy souvenirs from Dubai, anyone? See more images of Dubai's trip.

 23 March 2012: Last day in the Emirates. Visiting Sheikh Zayed Grand Mosque in Abu Dhabi, one of the world's largest mosques. Read more on our trip to the Emirates on the blog (part 1, part 2 and part 3). 

 29 March (29M): General Strike in Spain. Many more demonstrations to come...

22 April: One of this year's exhibitions highlights: Xavier Le Roy's "Retrospective" at Fundació Antoni Tàpies, Barcelona. On the finissage, children almost stole the show joining performers.


Here, father (performer) and son, performing together in the finissage.

10 April 2012: The happy moment of receiving copies of a Amikejo, a book we have been working on most of the winter. See images of the book here.

31 May: Manifesta 9 curator Cuauhtémoc Medina with artist Jeremy Deller. See Latitudes' photo report of Manifesta 9.

31 May: With Lara Almarcegui while she explains her work included in Manifesta 9, Genk. (see more pictures of Manifesta 9, here).

2 June: Visit to the drielandenpunt for a remote book launch. This is the apex of the triangle-shaped borders of what was Amikejo.

2 June: Friends that come to a booklaunch in a remote place, the drielandenpunt ("Three-Country Point") in Dutch, or Dreiländereck ("Three-Country Corner") in German, or Trois Frontières ("Three Borders") in French." More images here. Photo: Klaas van Gorkum

 6 June 2012: Welcome to Germany! Brussels–Kassel train journey. A little German snack at Köln's Hauptbahnhof.

 6 June: A German, a Dane and and English man meet and greet in a square. (gallerist Johann König, artist Tue Greenfort and Max Andrews' of Latitudes in Friedrichtplatz, Kassel). See Latitudes' documenta (13) photo report here.

7 June: Launch of Maria Loboda's book at Karlsaue Park with music, smoke and a pyramid of ice with 750 litres of champagne. See Latitudes' documenta (13) photo report here.

9 June: "Spain is dead" sign posted opposite Kassel's Fridericianum the day Spanish Ministry of Economy De Guindos, announced the financial "bail out".
8 June 2012: Chance meeting with Mr Weiner and Mr Weiner's tote bag in Kassel, good memories of our 2008 'The Crest of a Wave'.

15 June: Visiting lecturers, Máster en Arte, Museología y Crítica Contemporáneas, Universidad de Santiago de Compostela. The session was preceded by an evening conference at CGAC on "The Curatorial Contract: Analogies and case studies". Photo: Pedro de Llano.

 16 June: Almejas, berberechos and cold beer in Santiago de Compostela. Galicia calidade! 



 19 July: iPad-photodocumenting Haegue Yang's piece produced for "Sense and Sustainability", Urdabai Arte 2012.

 Tangle of 2012 press and work passes.

All photos: Latitudes | www.lttds.org (except when noted otherwise in the caption of the photo). 

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




2 June 2012: Book launch and exploration of former Amikejo

On June 2, after having visited Manifesta 9, we took the route towards the Belgian city of Kelmis-La Calamine, nearby the German and Dutch border, where we planned to launch the 'Amikejo' publication (Mousse Publishing, 2012) later that day.
Entrance to Kelmis-La Calamine. Trying to match today with the archive material included in the publication.

"The International Office for Travelling Merchants (‘Senpaga Internacia Oficejo por Komerco-Vojagxistoj’) was located in the Bergerhoff Hotel." (Hotel Bergerhoff was located on Luikerstraat, formerly Hasardstraat, in the place which today accommodates the ‘Select’ Café in Kelmis.)" in Ryszard Żelichowski, "Neutral Moresnet and Amikejo – The Forgotten Children of the Congress of Vienna", one of the texts in 'Amikejo' (Mousse Publishing, 2012. Edited by Latitudes). 

"There were as many as 135 registered Esperantists in a population then numbering four thousand. The Esperantists enjoyed the right to have two free Esperanto lessons in a primary school on Kerkstraat, which was a present to the city from the Vieille Montagne mining company. [Mr Charles] Schriever gave four lessons of Esperanto a week for children in his house on Kapelstraat, where there was a book shop with literature in Esperanto. The house also functioned as an office for the local Esperanto group and the venue for its meetings. The Esperantists’ guest houses were marked with a green star on their facades and the caption ‘Esperanta Gasttablo’; some of them survive to this day. 

What is now Park Hotel in Kelmis, built in 1843, was once the Vieille Montagne Director’s villa. Situated in a beautiful private park and with a huge ball-room, it was presented to the Esperantists by Charles Timmerhaus, the penultimate Director of the company, in 1907." in Ryszard Żelichowski, "Neutral Moresnet and Amikejo – The Forgotten Children of the Congress of Vienna", one of the texts in 'Amikejo' (Mousse Publishing, 2012. Edited by Latitudes). 

Finding our way around Kelmis-La Calamine. 
 Welcome to Kelmis–La Calamine.
Façade of the Geuldalmuseum, Göhltalmuseum or Musée de la Vallée de la Gueule (how confusing) on Maxst. 9, Kelmis/Neu-Moresnet, Belgium. Info here. A copy of the publication 'Amikejo' (Mousse Publishing, 2012. Edited by Latitudes) was donated to the museum's archive on our visit.
 Detail of the topological map of the area. In red the Drielandenpunt, towards Aachen, where we'd be going after visiting the museum.
Map of the triangular-shapped territory of Neutral Moresnet (Amikejo) in yellow and green.
First floor: Introduction to Neutral Moresnet, the first Esperanto state. Those who spoke Esperanto wore a green star (verda stelo). In the picture avid Esperantists Dr. Wilhelm Molly and french professor Gustave Roy, who in 1908 founded the first esperanto state (Amikejo, place of friendship in Esperanto) in Neutral-Moresnet. Summary of its history here.
 Wonderful panels explaining the history of Amikejo, its streets, founders, borders, flag, postcards, maps, stamps, coins, certificates, letters, lyrics of the anthem, coat of arms...
One of the original border markers.
Views of Kelmis–La Calamine and its surroundings.
Flora and fauna of the mining area.
All sorts of graphics and mineral samples of the Limburg mining area.
Stone and mineral samples displayed on pink silk, on yellow and baby blue.
Driving towards Vaals and the Drielandenpunt and going under the viaduct.
Arrived. "The Vaalserberg is also the location of the tripoint between Germany, Belgium and the Netherlands and its summit is therefore referred to as Drielandenpunt ("Three-Country Point") in Dutch, or Dreiländereck ("Three-Country Corner") in German, or Trois Frontières ("Three Borders") in French." (from Wikipedia).
 A small mention of Neutral Moresnet (1815–1919, which in 1908 changed its name to Amikejo). Between this period, the location was a quadripoint, bordering also Neutral Moresnet. See progress of the borders here.
The Drielandenpunt today.
Vaalserberg ("Mount Vaals") is 322.7 metres hill and the highest point in the European part of the Netherlands. It used to be like this.
Visitors reading about the drienlandenpunt's history and geographical situation.
 Tower from where one can observe Germany, The Netherlands and Belgium from on high.
Behind the publication the land where Amikejo was. This might be better understood here.
The 'Amikejo' book resting on the Drielandenpunt (the apex of the triangle-shaped borders of what was Amikejo). The green lines mark the borders of Germany (whole top), The Netherlands (triangle to the left) and Belgium (to the right). 
 All images: Latitudes | www.lttds.org




Conferencia "El contrato curatorial: analogías y casos de estudio". Jueves 14 Junio a las 20h, CGAC, Santiago de Compostela

 'The Last..." los diez números semanales que conforman el catálogo final de la exposición "The Last Newspaper" (New Museum, 2010). 
Foto: Latitudes | www.lttds.org

| ES |

"El contrato curatorial: analogías y casos de estudio" analiza modelos extraídos de personajes de la cultura popular así como la terminología legal que pueden ayudarnos a definir algunos de los códigos éticos y profesionales que se establecen entre artistas y comisarios. A través del proyecto editorial 'The Last Newspaper' realizado por Latitudes en el New Museum en el 2010, se especulará sobre dicha relación y sobre como ésta dialoga con el público como participante del proceso curatorial. 

Conferencia organizada en colaboración con el Máster en Arte, Museología y Crítica Contemporáneas, Universidad de Santiago de Compostela, donde Latitudes será profesor invitado el viernes 15 Junio, y donde discutirá algunos de sus proyectos incluídos No Soul for Sale (en X Initiative y en Tate Modern), Portscapes, Campus y Amikejo

CGAC (Centro Galego de Arte Contemporánea)
Rúa Valle Inclán s/n
15704 Santiago de Compostela
T: 981 546619 


Commissioner Gordon calls Batman: the institutional alliance with those operating outside the law.

| UK |

 The lecture "The curatorial contract: analogies and case studies" draws from popular culture and legal terminology to help define some of the ethical and professional codes at work between artists and curators. Through the editorial project 'The Last Newspaper' developed by Latitudes at the New Museum in 2010, the presentation will speculate on this relationship and how it dialogues with the public-as-participant.

Conference organised in collaboration with the Máster en Arte, Museología y Crítica Contemporáneas where on June 15, Latitudes will be visiting lecturers and discuss a range of their projects including No Soul for Sale (at X Initiative and at Tate Modern), Portscapes, Campus and Amikejo.

CGAC (Centro Galego de Arte Contemporánea)
Rúa Valle Inclán s/n
15704 Santiago de Compostela
T: 981 546619 


All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




Newsletter #44 – June 2012


In June

Launch of the publication 'Amikejo' at the border tri-point (drielandenpunt) where the Netherlands, Belgium and Germany meet, Saturday 2 June, 17h.

Lecture "The curatorial contract: analogies and case studies", Centro Galego de Arte Contemporaneo (CGAC), Thursday 14 June, 20h, and visiting lecturers, Máster en Arte, Museología y Crítica Contemporáneas, Universidad de Santiago de Compostela, Friday 15 June.

+ info:






Launch of the publication 'Amikejo' at the border tri-point (drielandenpunt) where the Netherlands, Belgium and Germany meet, 2 June, 17h


| UK |

Coinciding with the opening days of Manifesta 9, Latitudes will launch the publication 'Amikejo' at the border marker which represents the apex of the former Neutral Moresnet-Amikejo at Vaalserberg. This tripoint (drielandenpunt) that joins the Netherlands, Belgium and Germany, was once a four-border-point before Neutral Moresnet was absorbed in Belgium. 

Confused? Then read Ryszard Żelichowski's essay included in the publication titled "Neutral Moresnet and Amikejo – The Forgotten Children of the Congress of Vienna" which offers an overview of how Neutral Moresnet (the state 'renamed' Amikejo in 1908) came into existence.

The publication accompanies the year-long cycle of exhibitions that took place at the Laboratorio 987, the project space of MUSAC, León, thoughout 2011, with exhibitions by Pennacchio Argentato (29 January–3 April 2011); Iratxe Jaio & Klaas van Gorkum (9 April–12 June 2011); Uqbar (Irene Kopelman & Mariana Castillo Deball) (25 June–11 September 2011); Fermín Jiménez Landa & Lee Welch (24 September 2011–15 January 2012).

Editor: Latitudes
Publisher & Distribution: Mousse Publishing
Format: 22.5 x 15.5cm, 216 pp, hardcover
Texts: Giorgio Agamben, Theo Beckers, Latitudes, Prof. Peter Osborne, Georges Pérec, Prof. Dr. Menno Schilthuizen, Ryszard Zelichowski
Language: English and Spanish
ISBN: 9788896501832
Price: 26 Euro
Purchase via Mousse (Milan) or Motto (Berlin).

Photos: Latitudes
| ES |

Coincidiendo con la inauguración de Manifesta 9, Latitudes presentará la publicación 'Amikejo' en el trifinio (drielandenpunt) en el que convergen las fronteras de los Países Bajos, Bélgica y Alemania, y que antaño fue un punto cuadrifinio antes de que Neutral Moresnet-Amikejo fuese finalmente absorbido por Bélgica.

¿Confuso? Lee el texto "Moresnet Neutral y Amikejo: los hijos olvidados del Congreso de Viena" del Prof. Ryszard Żelichowski que se incluye en la publicación y que repass la historia de Neutral Moresnet (el estado 'rebautizado' Amikejo en 1908).
La publicación acompaña el ciclo de exposiciones que tuvo lugar en el Laboratorio 987, el espacio proyectual del MUSAC, León, a lo largo del 2011, con exposiciones de Pennacchio Argentato (29 enero–3 abril 2011); Iratxe Jaio & Klaas van Gorkum (9 abril–12 junio 2011); Uqbar (Irene Kopelman & Mariana Castillo Deball) (25 junio–11 septiembre 2011); Fermín Jiménez Landa & Lee Welch (24 septiembre 2011–15 enero 2012).

Edita: Latitudes
Publica & Distribuye: Mousse Publishing
Formato: 22.5 x 15.5cm, 216 pp, tapa dura
Textos: Giorgio Agamben, Theo Beckers, Latitudes, Prof. Peter Osborne, Georges Pérec, Prof. Dr. Menno Schilthuizen, Ryszard Zelichowski
Idioma: inglés y español
ISBN: 9788896501832
Precio: 26 Euro
Compra via Mousse (Milan) o Motto (Berlin).

Más fotos de la publicación aquí.

Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




RECUERDA: Presentación de la publicación 'Amikejo': Martes 22 Mayo, 20h en Múltiplos (c/ Lleó 6, 08001 Barcelona)


NOTA DE PRENSA

Presentación de la publicación 'Amikejo' editada por Mousse Publishing en colaboración con MUSAC.

Martes 22 Mayo, 20h
Múltiplos (c/ Lleó 6, 08001 Barcelona)

Presentación a cargo de Fermín Jiménez Landa (artista) y Latitudes (editores y comisarios del ciclo expositivo 'Amikejo').

La publicación concluye el ciclo de exposiciones 'Amikejo', que a lo largo del 2011 ha incluído muestras de Pennacchio Argentato; Iratxe Jaio & Klaas van Gorkum; Uqbar (Irene Kopelman & Mariana Castillo Deball y Fermín Jiménez Landa & Lee Welch en el Laboratorio 987, el espacio proyectual del Museo de Arte Contemporáneo de Castilla y León (MUSAC). (+ info...)

El volumen incluye textos sobre cada proyecto escritos por los comisarios del ciclo, así como reimpresiones de Giorgio Agamben ("Notas sobre el gesto", 1996) y Georges Perec (extractos de "Especies de espacios y gestos Otras Piezas", 1974 ), vistas de las exposiciones y biografías de los artistas participantes.
 

Además cuenta con una serie de ensayos de académicos y científicos especialmente escritos para la ocasión:

Peter Osborne (Profesor de Filosofía moderna y director del Centro de investigación de filosofía europea moderna de la Kingston University London) con el texto ‘Fragmentos del futuro': Notas sobre el espacio proyecto" que se centra en peculiar idea de la 'sala de proyectos', espacio que se caracteriza por ser total en su idoneidad para un determinado tipo de temporalización: la temporalización del proyecto. ¿Cuál es su distintiva espacialización?, Y ¿cómo le afecta la codificación específicamente artística de un proyecto?.

Ryszard Zelichowski (Profesor y Director de Investigaciones Científicas en el Instituto de Estudios Políticos de la Academia Polaca de Ciencias) contribuye con el texto "Neutral Moresnet y Amikejo - Los niños olvidados del Congreso de Viena" ofrece una visión general de cómo Moresnet Neutral (el estado rebautizado como 'Amikejo' en 1908) llegó a existir.

Theo Beckers (Ex-profesor de Estudios de Ocio de la Universidad de Tilburg y en la actualidad miembro del cuerpo docente del Centro de Sostenibilidad de Tilburg y profesor visitante de la Academia china de ciencias)** escribe el texto "El tiempo libre. Auge y caída de un proyecto social", en el que rastrea la relación de la sociedad occidental con el trabajo y el tiempo, desde Séneca el Joven, a través del auge de las fábricas y de los 'Principios de Administración Científica' (1911) de Frederick Winslow Taylor, hasta la actual confusión hoy en día entre trabajo y ocio.

Menno Schilthuizen (Científico de investigación en NCB Naturalis, Cátedra para la biodiversidad de los insectos en la Universidad de Groningen y Profesor asociado en la Universidad de Leiden) escribe "Sobre las imágenes especulares en la naturaleza: cómo formas idénticas pueden ser totalmente distintas", principio que se refleja en la exposición del dúo Uqbar entorno a la quiralidad: en animales y plantas asimétricas, a veces ambas formas especulares existen lado a lado, pero a veces sólo existe una de ellas y el otro es "prohibido".


Título: Amikejo
Edita: Latitudes
Publica y distribuye: Mousse Publishing en colaboración con MUSAC
Fecha publicación: Abril 2012
Formato: 22.5x15.5cm, 216 págs, tapa dura
Idioma: inglés/español
Distribuye: Mousse Publishing
ISBN: 9788896501832
Precio: 26 Euros
Compra online

La publicación estará disponible durante la presentación.

Múltiplos es una librería y distribuidora independiente de Barcelona especializada en libros de artistas.


All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




SAVE THE DATE: Presentation of the publication 'Amikejo' with artist Fermín Jiménez Landa. Tuesday 22 May, 20h at Múltiplos, Barcelona

All photos: Latitudes | www.lttds.org

Latitudes will present the publication together with 'Amikejo' artist Fermín Jiménez Landa, who will discuss the project presented together with Lee Welch for the final exhibition of the cycle. Jiménez Landa will discuss one of the works, 'Himno Nacional' (2011), in which a marching band was commissioned to compose and play a new national anthem. Composed in the most archaic tradition, markedly romantic, military and patriotic, the anthem enacted a parodic attempt to reach a futile objective: the conquering of a small island in the Aegean Sea through invasion-by-sound.

The publication accompanies the cycle of four exhibitions by Pennacchio Argentato (29 January–3 April 2011); Iratxe Jaio & Klaas van Gorkum (9 April–12 June 2011); Uqbar (Irene Kopelman & Mariana Castillo Deball) (25 June–11 September 2011); Fermín Jiménez Landa & Lee Welch (24 September 2011–15 January 2012) that took place at the Laboratorio 987, the project space of MUSAC, León, thoughout 2011. (+ info...) 

Editor: Latitudes 

Publisher & Distribution: Mousse Publishing 

Format: 22.5 x 15.5cm, 216 pp, hardcover 

Texts: Giorgio Agamben, Theo Beckers, Latitudes, Peter Osborne, Georges Pérec, Menno Schilthuizen, Ryszard Zelichowski 

Language: English and Spanish 

ISBN: 9788896501832 
Price: 26 Euro 

The publication will be available for purchase during the presentation
Múltiplos is an independent bookshop that specialises in artists publications.





Pennacchio Argentato's show "Conversion" at Wilkinson Gallery, London

Below images of "Conversion" the recently opened solo show of Amikejo artists Pennacchio Argentato. The exhibition is on view in the Upper Gallery of Wilkinson gallery in London until 17 June 2012.

General view of the exhibition.

General view of the exhibition.
'Set in the Same Universe', 2012. Acrylic resin, print transfer (200 × 95 × 45 cm) 
'West End', 2012. Aluminium, cord (Dimensions variable)
(Wall) 'Shield#0 – #00001', 2012. Acrylic resin, iron, print transfer, bike hooks (130 × 92 × 40 cm), (Right, free standing) 'Set in the Same Universe', 2012. Acrylic resin, print transfer (200 × 95 × 45 cm) 
'FAQ', 2012. Plexiglas, digital projection (35×70 cm). All images: Courtesy the artists and Wilkinson Gallery, London

(Excerpts from the gallery press release):

"Conversion" presents sculptures as free standing agents, hanging off the wall and suspended from the ceiling. As if overcome by a crisis of aesthetic register, a stylistic battle takes place between the artworks’ broad formal references, ranging from minimalist tendencies and optical illusion, to gothic font text paired with “new age” video.

Cast in acrylic resin from the front glass of a car, the artists characterize the four shield-like sculptures Shield#0- #00001 as troops deployed in a row, prepared for battle. According to the artists’ selfdevised system, all matter, including the artists’ themselves, are convertible entities; this conversion is likewise reflected in our daily lives, whether it be in terms of converting file formats or currency.
 
FAQ operates as a sculpture illuminated by a video projection of mathematical fractals abstracted into an array of shifting lights, colors and forms. Acting as a visual anchor, it only but alludes to the presence of answers, instead manifesting as a form of light amusement or distraction. In formal contrast, sculptures such as Long Bones, placed at the entrance to the gallery, as well as West End, a ladder sculpture suspended from the ceiling, adopt a more tectonic composition.
 
The incandescent photographic flames that optically engulf the freestanding sculpture, Set in the same universe function as the fuel that formally unites the subsequent artworks in the exhibition. Taken from a larger image of civil riots found in recent news, the sculpture acts as a centripetal force within the exhibition by introducing an element of reality into the fictional discourse and diversit of styles that are otherwise present in the gallery.

50-58 Vyner Street
London E2 9DQ
Wednesday to Saturday: 11–18h
Sunday: 12–18h




FAQ: Where can I find the publications edited by Latitudes?

We often receive enquiries from folks interested in purchasing our publications. As editors (or contributors) we only hold a few copies, which over the years have been mostly entirely gifted to colleagues and donated to expand institutional archives.

MACBA’s Centre d'Estudis i Documentació (MACBA Study Centre) and The Banff Centre Library (Banff, Canada) hold reference copies of all of our publications – including the 2006 publication 'Land, Art: A Cultural Ecology Handbook' (out of print); exhibition catalogues such as Amikejo (2011), 'Greenwashing. Environment: perils, promises and perplexities' (2008) and The Last Newspaper (2010), the monograph 'Lara Almarcegui, Projects 1995–2010’ (2010) publications accompanying projects such as Ignasi Aballí's Nothing or Something (2009), Simon Fujiwara's Museum of Incest (2009), Mataró Chauffeur Service (2010), Campus (2011) or Portscapes' (2010) limited edition which includes Jan Dibbets' DVD with his commissioned film '6 hours tide object with correction of perspective' (1969–2009); exhibition booklets of the exhibition 'Exposition International...' at Meessen de Clercq in Brussels, and that dedicated to Lawrence Weiner 2008 exhibition at Fundació Suñol.

MACBA's library also holds two further references: a recording of the conversation we organised as part of our #OpenCurating research with Dia Art Foundation Curator, Yasmil Raymond in 2013, later published as the #7 in the download-free edition; and Charley Independents, the issue that appeared coinciding with our participation in the second iteration of the festival 'No Soul for Sale' launched at TATE Modern in 2010. 

Below is a list of all our publications and links to the distributors from where you can purchase them:

'Amikejo' (Mousse Publishing, 2012)
+ info on the exhibition series.

'Lara Almarcegui, Projects 1995–2010' (Archive Books, 2011/12)
+ info on the publication
 
Roman Keller & Christina Hemauer, 'United Alternative Energies: Christina Hemauer & Roman Keller' (The Århus Art Building, 2011)
+ info on the exhibition

Martí Anson and Latitudes,'Mataró Chauffeur Service' (Save As...Publications, 2011)
Available via La Central (stores in Barcelona & Madrid)
+ photos 
+ info on the project

'The Last Newspaper' (Latitudes & The New Museum, 2010)
Available via Motto Distribution (Berlin) and La Central (stores in Barcelona & Madrid). Special edition (in the box) available via the New Museum store (New York)
+ photos
+ info on the exhibition

'Portscapes' (SKOR / The Port of Rotterdam, 2009)
Available via Motto Distribution (Berlin) and La Central (stores in Barcelona & Madrid)
+ photos 
+ info on the commissioning series

Simon Fujiwara, 'The Museum of Incest' (Archive Books, 2009)
Available via Archive Books (Berlin) and La Central (stores in Barcelona & Madrid)
+ photos
+ info on the exhibition


'Greenwashing. Environment: Perils, Promises and Perplexities' (The Bookmakers Ed. / Archive Books, 2008)
+ photos
+ info on the exhibition

Three of our earlier publications are out of print:
'Land, Art. A Cultural Ecology Handbook' (Arts Council England & Royal Society of Arts, 2006)
Out of print. Available for consultation at MACBA's library.
+ photos
+ info on the publication


UOVO #14 (The Bookmakers Ed., 2007)
Out of print. Available for consultation at MACBA's library.
+ photos
+ info on the publication

Ignasi Aballí, 'Nothing, or Something' (Today Art Museum, 2009)
+ photos
+ info on the exhibition

All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)




When did we start being 'Contemporary'? Peter Osborne's MACBA lecture

Peter Osborne lecture at MACBA, 12 April 2012. Photo: Latitudes
Yesterday at MACBA, Peter Osborne made a sparkling analysis of the emergence of 'contemporary' as a fully critical art term. Starting from the "decisive and devastating" hinge of Tino Sehgal's 2005 "This is So Contemporary", Osborne, the Professor of Modern European Philosophy at Kingston University London, asked what it implies to be making a claim to being 'contemporary' beyond being "the up-to-date", the "new".

Tracing a genealogy of 'contemporary' from its first emergence in post-war Britain, with the founding of the Institute of Contemporary Art in London in 1946 ("to be contemporary in 1946 was very avant-garde!") through The Boston Museum of Modern Art changing its name to become the Institute of Contemporary Art in 1948, he charted how it disengaged from the 'modern', yet was then eclipsed by the 'postmodern' as the term of choice for the condition of the new in the 1980s. 'Contemporary', he argued, found its feet as a term of "disjunctive temporality" which also provided space for the 'repressed' modernities of the "event-concept transmedia tradition" (Fluxus, Dada, etc.). Whereas the questions asked of the Modern work of art is "What does this negate?", one asks of the Contemporary work "When did the present of this work begin?".

"The present began in 1989, because previously the present began in 1945", concluded Osborne (dismissing Giorgio Agamben's 'What is the Contemporary?' as "weak" along the way), noting that publishers Phaidon would not allow any pre-1945 works by Duchamp to be illustrated in his "Conceptual Art" as the series was about contemporary art.

Yet, surely different geo-political contexts propose different contemporaneities? Osborne talked about a philosophical and cultural debate in Japan asking 'has the post-war ended yet?' Similarly from a Spanish perspective, we might ask ourselves when did our present begin? After Franco's death in 1975? In 1979?

Latitudes promotional tie-in: With similar philosophical and art-historical aplomb Osborne presents his thoughts on the ubiquity of the term 'project' in contemporary art in his essay for the Latitudes-edited Amikejo, accompanying the exhibition series at MUSAC's, Laboratorio 987."The idea of ‘project space’ is a peculiar one insofar as it characterizes a type of space wholly by its appropriateness for a particular kind of temporalization: the temporalization of the project. What is the distinctive spatialization corresponding to this? And how is it affected by the specifically artistic coding of a project? This essay will reflect upon these questions from the standpoint of both their philosophical structure and the historical development of project space as a type of art space."
  
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)

Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




Mousse Publishing and MUSAC release the publication 'Amikejo' edited by Latitudes

 Publication in front of MUSAC's façade, León. Photo: Carlos Ordás.

The publication concludes the 2011 exhibition cycle 'Amikejo' curated by Latitudes, which included exhibitions by Pennacchio Argentato; Iratxe Jaio & Klaas van Gorkum; Uqbar (Irene Kopelman & Mariana Castillo Deball and Fermín Jiménez Landa & Lee Welch at the Laboratorio 987, the project space of the Museo de Arte Contemporáneo de Castilla y León (MUSAC).

Inside the publication: section dedicated to Pennacchio Argentato.

As advanced in previous posts, the publication includes essays by:  

Peter Osborne (Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy at Kingston University London) text "‘Fragments of the future’: Notes on project space" centres on the idea of ‘project space’ as a peculiar one insofar as it characterizes a type of space wholly by its appropriateness for a particular kind of temporalization: the temporalization of the project. What is the distinctive spatialization corresponding to this? And how is it affected by the specifically artistic coding of a project?; 

Ryszard Żelichowski (Professor and Director for Scientific Research at the Institute of Political Studies of the Polish Academy of Sciences) text "Neutral Moresnet and Amikejo – The Forgotten Children of the Congress of Vienna" offers an overview of how Neutral Moresnet (the state 'renamed' Amikejo in 1908) came into existence; 

Pages with Ryszard Zelichowski's essay on the history of Neutral Moresnet/Amikejo.

Theo Beckers (Former Professor of Leisure Studies at Tilburg University and currently faculty member of the Tilburg Sustainability Center and Visiting Professor of the Chinese Academy of Sciences) text "Free time. The rise and fall of a social project" traces western society’s relation to work and time, from Seneca the Younger, through the rise of the factory and Frederick Winslow Taylor's 'The Principles of Scientific Management' (1911), to today's blurring of labour and leisure; 

Pages with Theo Beckers' essay.

Menno Schilthuizen (Research scientist at NCB Naturalis, an endowed chair for Insect Biodiversity at the University of Groningen and an Associate Professor at Leiden University) contributed a text "On Mirror Images in Nature: How Identical Forms Can Be Completely Different" reflects on Uqbar's exhibition centered on chirality: on how in asymmetric animals and plants, sometimes both mirror-image forms exist side by side, but sometimes only one exists, the other being "forbidden"; 
 
Pages dedicated to Uqbar and to Prof. Dr. Menno Schilthuizen's essay.
as well as texts on each project by exhibition curators Latitudes, reprints by Giorgio Agamben ('Notes on Gesture', 1996) and Georges Perec (excerpts from "Species of Spaces and Other Pieces Gesture", 1974), installation views and biographies of the participating artists.

Pages with Georges Perec's reprint.
Pages with installation views of Pennacchio Argentato's exhibition.
Pages with spanish translations.

More info on the exhibition series, and photos of the shows by Pennacchio Argentato, Iratxe Jaio & Klaas van Gorkum, Uqbar (Irene Kopelman & Mariana Castillo Deball) and Fermín Jiménez Landa & Lee Welch (see performance)

'Amikejo' publication, beginning to end. Photos: Mousse Publishing

Title: Amikejo
Edited by: Latitudes
Publisher & Distributor: Mousse Publishing
Format: 22.5x15.5cm, 216 pp., hardcover
Language: English and Spanish
Publication date: April 2012 
ISBN: 9788896501832
Price: 26 Euros





Newsletter #40 – January / enero 2012


Newsletter en Español  |  Newsletter in English

FORTHCOMING... 
'The Dutch Assembly / Asamblea de los Países Bajos', ARCOmadrid, 15–19 February 2012, Madrid (+ info...)
Follow us on Twitter: #NLAssembly


LAST CHANCE! UNTIL 15 JANUARY 2012...
'Amikejo: Fermín Jiménez Landa & Lee Welch', fourth and final exhibition of the cycle 'Amikejo' at the Laboratorio 987, Museo de Arte Contemporáneo de Castilla y León, León,
24 September 2011–15 January 2012.    
Follow us on Twitter: #amikejo


RECENT BLOG POSTS... 
Further update: Contents of the forthcoming publication 'Amikejo' – Available in late January 2012 (21 December 2011); Resolución Convocatoria 2012 de Artes visuales y Tutorial de la Sala d'Art Jove (7 December 2011)...

For more info go to:





Further update: Contents of the forthcoming publication 'Amikejo' – Available in April 2012

We are currently finalising and proof-reading the 'Amikejo' publication (see previous posts here and here), which concludes the year-long exhibition cycle at the Laboratorio 987, MUSAC (Fermín Jiménez Landa & Lee Welch's show is on view until 15 January 2012). The volume will be available in Spring 2012 and will be distributed by Mousse Publishing.

Below an excerpt of Theo Beckers's essay 'Free time: The rise and fall of a social project', commissioned by 'Amikejo' artists Iratxe Jaio and Klaas van Gorkum to complement the publication section dedicated to their multi-part project 'Producing time in between other things' (2011), which revolves around the changing values of labour and property:


"Have you ever heard the story of the African fisherman? In the early light of dawn, he would set out to sea in his little boat, fish for a few hours, return to port, sell his catch and then spend the rest of the day in the shade of a tree on the beach, contemplating the meaning of life and other pleasant thoughts. An economist from the World Bank appeared one day and asked him why he didn’t take advantage of all that spare time by fishing longer, and going further out to sea with a larger boat. This would bring in more fish and thus more profit. In the long run, this would enable the fisherman to buy more and even bigger boats, and even hire people to do the work for him. Eventually, he could make so much money that he wouldn’t need to work anymore and could afford to lie on the beach the whole day. At which the fisherman laughed and asked the economist, “Why would I go through all that trouble?” The history of Western society’s relationship with time clearly illustrates, however, that it is the economist who had the last laugh, not the fisherman."


Theo Beckers was Professor of Leisure Studies at Tilburg University and is now on the faculty of the Tilburg Sustainability Center, the Netherlands, and Visiting Professor at the Chinese Academy of Sciences, Beijing. Translated from the Dutch by Klaas van Gorkum.


Further publication details:



Title | Título 

'Amikejo'



Editor | Edita

Latitudes



Publisher & Distributor | Publica y distribuye


Mousse Publishing and MUSAC



Format | Formato 


22,5x15,5cm, 216 pp., hardcover
 


Language | Idiomas 


English/Spanish

 

Editorial Coordination | Coordinación editorial

Latitudes and Carlos Ordás
 



Production | Producción

Bruna Roccasalva 


Graphic design | Diseño gráfico

Studio Mousse — Marco Fasolini, Fausto Giliberti, Andrea Novali, Francesco Valtolina
 
 


Texts | Textos

Giorgio Agamben, Theo Beckers, Latitudes, Prof. Peter Osborne, Georges Perec, Prof. Dr. Menno Schilthuizen, Ryszard Zelichowski
 


Translation | Traducción

Marzena Beata Guzowska (Polish—English); Klaas van Gorkum (Dutch—English); e-verba (English—Spanish)
 
   


Copy-editing | Correcciones

Latitudes

Johanna Bishop
English proof-reading of Ryszard Zelichowski’s text (unabridged version) Martin Blaszk
 
   


Distribution | Distribución

Mousse Publishing
 
 


Printing and binding | Impresión y encuadernación

Grafiche Artigianelli, Brescia
 
   


Print-run | Tiraje

1,200 copies
  



ISBN

9788896501832




Details of the forthcoming 'Amikejo' exhibition catalogue published by Mousse Publishing

Poster of the exhibition cycle. Designed by Latitudes.


We are now editing the 'Amikejo' final publication to be released by Mousse Publishing in Spring 2012. The 200-page-publication will include essays by:

Peter Osborne (Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy at Kingston University London);
Ryszard Żelichowski (Professor and Director for Scientific Research at the Institute of Political Studies of the Polish Academy of Sciences);
Theo Beckers (Former Professor of Leisure Studies at Tilburg University and currently faculty member of the Tilburg Sustainability Center and Visiting Professor of the Chinese Academy of Sciences);
Prof. Dr. Menno Schilthuizen (Research scientist at NCB Naturalis, an endowed chair for Insect Biodiversity at the University of Groningen and an Associate Professorship at Leiden University)

amongst others, as well as texts on each exhibition by Latitudes.

In the meantime some images of the exhibitions on Latitudes' flickr, including the final exhibition 'Amikejo: Fermín Jiménez Landa & Lee Welch', on view at the Laboratorio 987, MUSAC, until 15 January 2012. More soon!




All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)





Newsletter #37 - October/octubre 2011


Newsletter en Español | Newsletter in English

THIS MONTH...

Participation in the symposia 'Antimonuments: Critique of Public Space', Espai d'Art Contemporani de Castelló, Saturday 22 October 2011. Coordinated by Ángela Molina and with the participation of Iria Candela (Assistant Curator, Tate Modern, London), Patricia Esquivias (artist, Madrid), Latitudes (independent curators, Barcelona) and Racons Públics (curator/architect, Barcelona).


UNTIL 15 JANUARY 2012...
'Amikejo: Fermín Jiménez Landa & Lee Welch', fourth and final exhibition of the cycle 'Amikejo' at the Laboratorio 987, Museo de Arte Contemporáneo de Castilla y León, León,
24 September 2011–15 January 2012

Read article by Bea Espejo (El Cultural, 2 August 2011) related to the artists' work and their collaborative working process (in Spanish).

Follow #amikejo

FROM THE ARCHIVE...

Coinciding with the first anniversary of the beginning of 'The Last Newspaper' exhibition at the New Museum (6 October 2010–9 January 2011), readers are now be able to flick through the pages of the exhibition catalogue via Issuu: #0 Contents + Index; #1 The Last Post; #2 The Last Gazette; #3 The Last Register; #4 The Last Star-Ledger; #5 The Last Monitor; #6 The Last Observer; #7 The Last Evening Sun; #8 The Last Journal; #9 The Last Times; #10 The Last Express.

Read the first issue 'The Last Post':


...The rest (#2 to 10 plus #0 with Contents+Index) now available on Issuu!






Opening performance: 'Himno Nacional' (2011) by Fermín Jiménez Landa & Lee Welch in the context of their exhibition 'Amikejo' at the Laboratorio 987, MUSAC

Pasacalles de la Agrupación Musical La Cena por León. Foto: Latitudes | www.lttds.org

'Himno Nacional' (National Anthem, 2011)
A project by Fermín Jiménez Landa & Lee Welch
24 September 2011 at 13:30h (centre of León) and 19.30h (MUSAC)
In the context of 'Amikejo' exhibition cycle at the Laboratorio 987, MUSAC 

"In the context of 'Amikejo' – an exhibition cycle on micro-nations, historical anomalies, common endeavours and optimism – a León marching band has been invited to compose a new national anthem. Composed in the most archaic tradition, markedly romantic, military and patriotic, the anthem enacts a parodic attempt to reach a futile objective: the conquering of a small island in the Aegean Sea through invasion-by-sound.

Forming a journey loop from León to the island and back again, the musical representation of nationhood becomes an end in itself. During the exhibition opening, the 65+ musicians of the Agrupación Musical La Cena paraded through the streets of León (Plaza San Marcelo, Plaza Don Gutierre; Plaza San Martín; Plaza de Regla (in front of the cathedral); and Palacio de Botines) in what could be seen as a playful, ceremonial or military action, and perform an anthem that is familiar in its musical idiom and yet is completely unidentifiable".
  – Fermín Jiménez Landa

Anthem composed by: Juan Ramón Solla Santos, musical director, Agrupación Musical La Cena, León. 



All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)




24 Septiembre, 19h: Inauguración última exposición del ciclo anual 'Amikejo' con Fermín Jiménez Landa & Lee Welch, Laboratorio 987, MUSAC, León. 19.30h: Performance 'Himno Nacional' de Jiménez Landa.

El sábado 24 de Septiembre a las 19h inaugurará la última exposición del ciclo anual 'Amikejo' comisariada por Latitudes. La exposición presentará el trabajo de Fermín Jiménez Landa (1979, Pamplona) y Lee Welch (1975, Louiseville, EEUU) quienes no se conocían antes de que se les invitara a participar en el ciclo. Como si fuera una cuestión de diplomacia internacional, los artistas han tenido que entenderse mutuamente tanto en lo personal como en lo artístico antes de emitir una declaración conjunta, según lo acordado y negociado. Jiménez Landa y Welch han escogido establecer su colaboración en torno a la noción de “micro-nación” y los recursos que definen la soberanía: fronteras, sellos o himnos nacionales

En MUSAC presentan un conjunto de elementos algunos de los cuales se advierten directamente en el Laboratorio 987, mientras que otros documentan fenómenos en lugares remotos, o existen únicamente en la imaginación. Una estructura similar a una plataforma, junto con esculturas que adoptan la forma de portales o hitos fronterizos, crea espacios y herramientas para el encuentro y el debate, además de albergar otras obras bidimensionales y de vídeo. + info...

Eventos inauguración:

Sábado 24 de septiembre, 13:30 h.
'Himno nacional', 2011
Duración aproximada: 60'

A menudo se dice que lo más relevante de un trabajo es el proceso. 'Himno Nacional' (2011) se incorpora y se desdobla en varios elementos, historias y anécdotas. Enmarcado en 'Amikejo', un proyecto expositivo entorno a micro-naciones, anomalías históricas, empresas en común y optimismo, se ha invitado a una popular banda de música de León a que componga un nuevo himno nacional realizado a la más arcaica de las maneras: con un sabor marcadamente romántico, militar y patriótico. El himno se presenta con un objetivo paródico y fútil: la conquista de una pequeña isla situada en el mar Egeo mediante la imposición sonora del himno.

Con un viaje de ida y vuelta, de León a la isla y de la isla a León, la representación musical se convierte en una celebración en sí misma. Durante la inauguración, 65 músicos de la banda desfilarán por las calles de León en lo que podría parecer ser una acción lúdica, conmemorativa o militar, tocando un himno que resulta reconocible en su lenguaje musical y, sin embargo, es totalmente irreconocible.Fermín Jiménez Landa

La banda Agrupación Musical La Cena interpretará el nuevo himno nacional en cinco puntos del casco antiguo de León, entre los cuales se desplazará acompañándose únicamente con la sección de percusión. La banda iniciará su recorrido en la Plaza San Marcelo (13:30 h) prosiguiendo a la Plaza Don Gutierre; Plaza San Martín; Plaza de Regla (frente a la catedral) y finalizará en la Plaza San Marcelo (frente al Palacio de Botines).

A las 19.30h volverán a interpretar el himno en el hall del MUSAC.

Stills video 'Himno Nacional. Conquista de una isla mediante la colocación de un equipo de sonido con un generador de energía limitada emitiendo un himno nacional compuesto por una banda musical de León. (2011) de Fermín Jiménez Landa. Cortesía del artista.
| UK |

The final exhibition of the year-long cycle 'Amikejo' will open on Saturday 24th, 19h, at the Laboratorio 987 space in MUSAC. The exhibition will show new works produced collaboratively by Fermín Jiménez Landa (Pamplona, Spain, 1979) & Lee Welch (Louisville, USA, 1975). Jiménez Landa and Welch did not know each other before the invitation to participate in Amikejo. As if engaged in international diplomacy, the artists have had to understand each other personally and artistically before issuing what might be regarded as a joint statement based on what they have agreed and negotiated, in the form of an exhibition. Jiménez Landa and Welch have chosen to establish their collaboration in relation to the notion of the micronation and devices which delineate sovereignty – borders, stamps, anthems, and so on.

Their works in MUSAC comprise a constellation of diverse performative, discursive, interactive and displayed elements, some of which are directly apparent in the Laboratorio 987 , while others document occurrances at remote locations, or exist only in the imagination. A platform-like structure and sculptures that take the form of portals or border markers constitute spaces and tools for assembly and discussion as well as hosting further two-dimensional and video works. + info...


OPENING EVENTS:

Saturday 24 September, 13:30 h
'Himno Nacional' (National Anthem, 2011) by Fermín Jiménez Landa
Duration: approx. 1h

It is often said that the best thing about a work of art is the process leading up to it. In the case of 'National Anthem' (2011) the work incorporates and unfolds many other elements, histories and anecdotes. In the context of 'Amikejo' – an exhibition project on micro-nations, historical anomalies, common endeavours and optimism – a León marching band has been invited to compose a new national anthem. In the most archaic tradition, markedly romantic, military and patriotic, the anthem enacts a parodic attempt to reach a futile objective: the conquering of a small island in the Aegean Sea through invasion-by-sound.

Forming a journey loop from León to the island and back again, the musical representation of nationhood becomes an end in itself. During the exhibition opening, 65 musicians will parade through the streets of León in what could be seen as a playful, ceremonial or military action, and will perform an anthem that is familiar in its musical idiom and yet is completely unidentifiable.Fermín Jiménez Landa

13.30h: The band Agrupación Musical La Cena will parade through five points of the old town of León playing the new anthem starting at Plaza San Marcelo (13:30 h) and thereafter proceed to the Plaza Don Gutierre; Plaza San Martín; Plaza de Regla (in front of the cathedral); and finalise at the Plaza San Marcelo (in front of the Palacio de Botines).

19.30 h: Parade of the anthem at MUSAC's atrium.


Stills video 'Himno Nacional. Conquista de una isla mediante la colocación de un equipo de sonido con un generador de energía limitada emitiendo un himno nacional compuesto por una banda musical de León. (2011) de Fermín Jiménez Landa. Cortesía del artista.
Síguenos / Follow us: #amikejo y aquí / and here.

Exhibition made possible by the contribution of the Mondriaan Foundation, Amsterdam.




 
Avenida de los Reyes Leoneses, 24
24008 León
T: +34 987 09 00 00; F: +34 987 09 11 11

Martes–Viernes / Tue–Fri: 10–15 / 17–20h
Sábado y Domingo / Sat–Sun: 11–15/ 17–21h
Lunes: cerrado / Monday: closed




Newsletter #36 – September/septiembre 2011


LAST DAYS...

'Amikejo: uqbar (Irene Kolpelman & Mariana Castillo Deball',
Laboratorio 987, 2011 season guest curated by Latitudes, MUSAC, León. Until 11 September.


OPENING 24 SEPTEMBER...


'Amikejo: Fermín Jiménez Landa & Lee Welch', fourth and final exhibition of the exhibition cycle 'Amikejo' at the Laboratorio 987, Museo de Arte Contemporáneo de Castilla y León, León,
24 September 2011–15 January 2012. Opening: Saturday 24 September.

Read article by Bea Espejo (El Cultural, 2 August 2011) related to the artists' work and their working process.



www.youtube.com/LatitudesVideos
www.flickr.com/photos/lttds/




SAVE THE DATE: 24 September opening final 'Amikejo' show with Fermín Jiménez Landa & Lee Welch, Laboratorio 987, MUSAC, León

Invitation for 'Amikejo' exhibition. Photo: Fermín Jiménez Landa & Lee Welch.

Fermín Jiménez Landa (1979, Pamplona, Spain. Lives in Valencia/Pamplona, Spain) & Lee Welch (1975, Louisville, USA. Lives in Rotterdam, The Netherlands) did not know each other before the invitation to participate in Amikejo. As if engaged in international diplomacy, the artists have had to understand each other personally and artistically before issuing what might be regarded as a joint statement based on what they have agreed and negotiated, in the form of an exhibition.
Jiménez Landa and Welch have chosen to establish their collaboration in relation to the notion of the micronation and devices which delineate sovereigntyborders, stamps, anthems, and so on. Their project refers to other historical episodes in addition to Amikejo itself as well as taking inspiration from methodologies which combine fixed parameters with improvisation, such as the directing technique of filmmaker John Cassavetes.

Their works in MUSAC comprise a constellation of diverse performative, discursive, interactive and displayed elements, some of which are directly apparent in the Laboratorio 987, while others document occurrances at remote locations, or exist only in the imagination.

A platform-like structure and sculptures that take the form of portals or border markers constitute spaces and tools for assembly and discussion as well as hosting further two-dimensional and video works. A marching band from León was recruited to compose and perform a national anthem for a new autonomous island state and the founding of this micronation has been documented in video and photography. Companioning this, a series of letters have been sent by the artists using stamps from Moresnet, the republic which anteceded Amijeko.
Jiménez Landa’s and Welch’s joint endeavour considers how art can produce new understanding, memories and communicative possibilities together with an audience.


A catalogue by Mousse Publishing companioning the '
Amikejo' series will be launched in early 2012, following the conclusion of the exhibition cycle.
_

Museo de Arte Contemporáneo de Castilla y León (MUSAC)
Avenida de los Reyes Leoneses, 24

24008 León, SPAIN

www.musac.es




Photo gallery of Uqbar's 'Amikejo' exhibition, on view until 11 September at the Laboratorio 987, MUSAC, León



In the third instalment of the
Amikejo exhibition cycle, uqbar (Irene Kopelman & Mariana Castillo Deball) explore the idea of working together as a subject in itself. The “interchanges, mutations, transmutations, metamorphosis and contaminations that working together entails ... the hybrids we create together, not belonging to one or the other but rather creating an in between zone”, as the artists have described.

The exhibition at the Laboratorio 987 is based on the principal of chirality or ‘handedness’. Chirality is a property of an object that is not superimposable on its mirror image. Human hands are perhaps the most recognizable example of chirality: the left hand is a non-superimposable mirror image of the right hand. Cases of chirality can be found in many different organisms in nature, such as in the twisted petals of certain orchids, shells and fish scales.

General view of the exhibition. Photo: Imagen MAS. Courtesy: the artists and MUSAC, León.

The exhibition is composed of a spiral staircase, which serves as a viewpoint for other artifacts and objects. Uqbar creates a psychedelic chiral ecosystem, featuring hanging papier-mâché epiphyte sculptures and enlarged stone microfossils, as well as “Banyan tree drawings, a video of a chemical reaction, fables among non-humans and drawings of hybrid creatures”.

Watch the video interview with Uqbar about their work in the exhibition:


Via youtube

ABOUT THE ARTISTS

Uqbar is an occasional collaboration between artists Mariana Castillo Deball & Irene Kopelman initiated in 2005. Its practice has led to sculptural installations, seminars and publications, and frequently involves the cooperation of individuals outside the artistic field, including scientists and writers. Uqbar’s projects are often sparked by an oblique investigation into a particular repository of knowledge, and following Jorge Luis Borges (whose fictional place Uqbar lends its name to the foundation) they approach a world through an abundance of possible of meanings and possible histories. Fuga di Un Piano (2009) for Manifesta 7, Rovereto, Italy, for example, took the International Center for the study of Futurism as its point of departure, by presenting in part a future archive of some imagined sculptural creations of a speculative creative automaton.

Uqbar projects include Principle of Hope, Manifesta 7, Rovereto, Italy; Zeno Reminder, Cabinet Magazine Space / Performa 09, New York (2009); Principle of Hope, Manifesta 7, Rovereto, Italia (2008); Transacciones Filosóficas, Museo Astronómico de Córdoba, Argentina (2007); Blackmarket for Useful Knowledge and Non-Knowledge, 10th International Istanbul Biennial (2007); A for Alibi, Utrecht University Museum, Utrecht & De Appel, Amsterdam (2006–8).


'Amikejo' is an exhibition cycle of four exhibitions guest curated by Latitudes, taking place in January, April, June and September 2011 at the Laboratorio 987, MUSAC. A catalogue by Mousse Publishing companioning the exhibition series will be launched in 2012 following the conclusion of the cycle.

Follow us on #amikejo and on Latitudes' website.

Exhibition kindly supported by the Mondriaan Foundation, Amsterdam.




MUSAC
Avenida de los Reyes Leoneses, 24
24008 León, ES
Tue–Fri: 10–15 / 17–20h; Sat–Sun: 11–15/ 17–21h. Monday closed.





Latitudes 'out of office' photo album 2010–11 season

Following a tradition started in 2009 (see the 2010 post) we say goodbye to the 2010-11 season with an 'out of office' post with some unseen and 'behind the scenes' moments of the last 11 months. Happy holidays/felices vacaciones!

– Latitudes | www.lttds.org

 17 September 2010: Opening of 'Antes que todo' at the Centro de Arte Dos de Mayo, Móstoles (Madrid). Latitudes contributed artist entries to the exhibition catalogue (+ images)

20 September 2010: BCN-NYC. Ahead are 11 intense weeks of hard work as a partner organisation of 'The Last Newspaper' exhibition, for which Latitudes produced a weekly newspaper in a live situation from the New Museum galleries for 10 consecutive weeks. Weekly blogs and videos of each newspaper (now 'The Last Newspaper' exhibition catalogue): #1 The Last Post; #2 The Last Gazette; #3 The Last Register; #4 The Last Star-Ledger; #5 The Last Monitor; #6 The Last Observer; #7 The Last Evening Sun; #8 The Last Journal; #9 The Last Times; #10 The Last Express. (+ images)
 
25 September 2010: Studio visit with Ester Partegàs (+ images). Partegàs was the 'advertising department' in the 10 tabloid newspaper series edited by Latitudes for 'The Last Newspaper'.

early October: Final touches to 'The Last Newspaper' exhibition curated by Richard Flood and Benjamin Godsill. Show opened 6 October 2010. (+ installation images)

21 October 2010: Presentation of 'Vic Cambrils Barcelona...' project at the Midway Contemporary Art's library, Minneapolis. A selection of 50 self- and micro-published books and paper editions by Catalan artists, designers, curators... (+ images)
  22 October 2010: Yves Klein gala dinner at the Walker Art Center, Minneapolis.

13 November 2010: final checks of issue #7 'The Last Evening Sun' with the brilliant TLN part-time staffers Janine Armin and Greg Barton. (+ images of the exhibition)

18 November 2010: 'The Last...' graphic designers Chad Kloepfer and Joel Stillman discussing with New Museum's Daniel Thiem and Latitudes' the final bits & pieces of 'The Last Newspaper' catalogue.

24 November 2010: Issue #8 'The Last Journal' delivered! Won-der-ful cover by Fernando Bryce.

late November 2010: Checking the headlines of 'The Last Times' (#9) featuring Peter Piller, Robert Gober, Andrea Bowers, Angel Nevarez & Valerie Tevere amongst others.
 Late November: The board is almost filled with the weekly mini-posters with 'The Last...' headlines. Underneath pictures of the team that made TLN possible.

10 December 2010: This is how 10 weeks of full-time work look like when you pile them up.
  10 December 2010: Packaging the 10 newspapers + cover/index with New Museum's Daniel Thiem and the ever helpful Irina Chernyakova.

early January 2011: Delivery of our copies of 'The Last Newspaper' to our home, what-a-moment! (+ images)

19 January 2011: Installing with Christina Hemauer and Roman Keller their solo show at the Aarhus Art Building, Centre for Contemporary Art, Århus, Denmark. (+ images)

Roman & Christina installing 'End of Life - Contribution to the inefficiency of poetry' (2010). They know what they are doing!
 21 January 2011: Leaving our cozy temporary homes before the opening of the exhibition.

26 January 2011: The crates are here! First installation of 'Amikejo: Pennacchio/Argentato' at the Laboratorio 987, MUSAC. (+ images)

Placing one of Pennacchio Argentato's slabs with the installation crew.

Amikejo wonderful helpers Pilar and Maria from the Escuela de Arte Superior de Conservación y Restauración de Bienes Culturales, León. Gracias for being there!

Final touches... Filming a short interview with Pennacchio/Argentato at the Laboratorio 987, MUSAC. You can watch it here.
 21 February 2011: Delivery of Martí Anson's works in Meessen de Clercq, Brussels, for the exhibition 'Expositition International des Arts...' (+ images)

Unpacking Martí Anson's furniture, trying to make sense of their parts.

Unpacking bits and pieces of Sarah Ortmeyer's VITRINE MAURICE (2011).

Lunch break with Maria Loboda, Martí Anson and Max of Latitudes. Eating delicious baguettes from next door's deli.

Placing Maria Loboda's new pieces in the Wunderkammer.

Charlotte Moth's nine photographic prints before being installed.

23 February: Placing Martí Anson's furniture on the (finally dry) platform.

2 March 2011: Studio visit with Iratxe Jaio and Klaas van Gorkum in Rotterdam deciding the display of their forthcoming exhibition at the Laboratorio 987, MUSAC. Above: home-made maquette of the Laboratorio. (+ images)

2 March 2011: Klaas van Gorkum grandfather's lathe in action in the artists' studio (+ info)
 2 March 2011: Trying out different displays and selecting the objects made by Klaas van Gorkum's grandfather for the exhibition, would they all fit in the platform?

3 March 2011: Laying out each page of the forthcoming publication 'Lara Almarcegui. Projects 1995-2010' in the artist studio in Rotterdam.

5 April 2011: Installation day 1 of Iratxe Jaio & Klaas van Gorkum show at the Laboratorio 987.
Tricky part: placing the platform on the wooden legs manufactured by the artists using Jos van Gorkum's lathe.

Klaas discussing with über-fabulous 'Amikejo' coordinator Carlos Ordás, 'Amikejo' helpers Pilar and Maria and the technicians from Artefacto how to install the photographs on the wall.

8 April 2011: Press conference at the Laboratorio 987 (+ info)
 9–13 May 2011: Week-long seminar with A-Study participants discussing curatorial practices. Photo: Gerda Kochanska.
 20 May 2011: Studio visit with Lee Welch at Piet Zwart in Rotterdam, to discuss his ideas for the final Amikejo show (opening 24 September) at the Laboratorio 987 in collaboration with Fermín Jiménez Landa.

early June 2011: Navigating Venice by vaporetto... (photo tour Giardini, Arsenale and Eventi Collaterali)

early June: and navigating Venice by foot...
 
21 June 2011: Unwrapping Irene Kopelman's sculptures to be exhibited as part of Uqbar's exhibition, the third chapter of Amikejo at Laboratorio 987, MUSAC.

22 June 2011: Irene Kopelman and Mariana Castillo Deball unwrapping Mariana's sculptures.

23 June 2011: Installing Uqbar, stairs going up and down...

24 June 2011: Final piece to install. Mariana and Irene Kopelman giving 'left, right, up...' instructions to Artefacto crew member. (+ images)

25 June 2011: Uqbar presents their show to the press and museum staff.

29 June 2011: Third day of 'Campus'. Participants chat outside and look at the project vinyls placed on the façade. (+ images)

4–8 July 2011, week #1 with Libia Castro and Ólafur Ólafsson. Mapping participants to ideas, mapping ideas to participants.

4–8 July 2011, week #1 with Libia Castro and Ólafur Ólafsson. Ólafur and Antoine see the world in 3D.

11–15 July 2011, week #2 with Renata Lucas.

18–21 July 2011, week #3 with Peter Piller.

18–22 July 2011: Mariana invited by the Mondriaan visitors programme to tour Amsterdam, Rotterdam and Utrecht's galleries, museums, art centers and artist studios. Above poster campaign signed by 'Disgruntled Dutch Artists' posted in several institutions in relation to the HUGE change Dutch arts will suffer due to unprecedented cuts. (+ images)

25–29 July 2011, week #4 with Adrià Julià.

29 July 2011, 19.30h: Display of the projects and ideas-in-the-making developed during 'Campus'. After 5 weeks of group talks, video screenings, tutorials and production, a one-month exhibition opens at Espai Cultural Caja Madrid, the same space occupied by 'Campus' during the last five weeks.

All photos: Latitudes | www.lttds.org (except when noted in the photo caption).




Opening 25 June, 17h: 'Amikejo: uqbar (Irene Kopelman & Mariana Castillo Deball)', exhibition cycle 'Amikejo', Laboratorio 987, MUSAC, León


Calipso, 2011. Courtesy: uqbar.

Opening: Saturday 25 June, 17h.

For
Amikejo, uqbar (Irene Kopelman & Mariana Castillo Deball) will explore the idea of working together as a subject in itself. The “interchanges, mutations, transmutations, metamorphosis and contaminations that working together entails ... the hybrids we create together, not belonging to one or the other but rather creating an in between zone”, as the artists have described. 


The exhibition at the Laboratorio 987 will be based on the principal of chirality or ‘handedness’. Chirality is a property of an object that is not superimposable on its mirror image. Human hands are perhaps the most recognizable example of chirality: the left hand is a non-superimposable mirror image of the right hand. Cases of chirality can be found in many different organisms in nature, such as in the twisted petals of certain orchids, shells and fish scales. 

The exhibition will be composed of a spiral staircase, which will serve as a viewpoint for other artifacts and objects. Uqbar will create a psychedelic chiral ecosystem, featuring hanging papier-mâché epiphyte sculptures and enlarged stone microfossils, as well as “Banyan tree drawings, a video of a chemical reaction, fables among non-humans and drawings of hybrid creatures”.


Zeno Reminder, Cabinet Magazine Space / Performa 09, New York (2009). Courtesy the artists.

ABOUT THE ARTISTS

Uqbar is an occasional collaboration between artists Mariana Castillo Deball & Irene Kopelman initiated in 2005. Its practice has led to sculptural installations, seminars and publications, and frequently involves the cooperation of individuals outside the artistic field, including scientists and writers. Uqbar’s projects are often sparked by an oblique investigation into a particular repository of knowledge, and following Jorge Luis Borges (whose fictional place Uqbar lends its name to the foundation) they approach a world through an abundance of possible of meanings and possible histories. Fuga di Un Piano (2009) for Manifesta 7, Rovereto, Italy, for example, took the International Center for the study of Futurism as its point of departure, by presenting in part a future archive of some imagined sculptural creations of a speculative creative automaton.

Uqbar projects include Principle of Hope, Manifesta 7, Rovereto, Italy; Zeno Reminder, Cabinet Magazine Space / Performa 09, New York (2009); Principle of Hope, Manifesta 7, Rovereto, Italia (2008); Transacciones Filosóficas, Museo Astronómico de Córdoba, Argentina (2007); Blackmarket for Useful Knowledge and Non-Knowledge, 10th International Istanbul Biennial (2007); A for Alibi, Utrecht University Museum, Utrecht & De Appel, Amsterdam (2006–8).
Forthcoming and final 'Amikejo' exhibition: Fermín Jiménez Landa & Lee Welch (24 September 2011–15 January 2012).

'Amikejo' is an exhibition cycle of four exhibitions guest curated by Latitudes, taking place in January, April, June and September 2011 at the Laboratorio 987, MUSAC.







Exhibition supported by the Mondriaan Foundation, Amsterdam.


PRESS

Read press release from MUSAC or download press images.

For further information please contact Izaskun Sebastián at [email protected]
MUSAC
Avenida de los Reyes Leoneses, 24
24008 León, ES
Tue–Fri: 10–15 / 17–20h; Sat–Sun: 11–15/ 17–21h. Monday closed.




Newsletter #34 - Junio/June 2011


LAST DAYS...

'Amikejo: Iratxe Jaio & Klaas van Gorkum',
Laboratorio 987, 2011 season guest curated by Latitudes, MUSAC, León. Until 12 June.


IN JUNE...


'Amikejo: uqbar (Irene Kopelman and Mariana Castillo Deball)', third part of the exhibition cycle 'Amikejo' at the Laboratorio 987, Museo de Arte Contemporáneo de Castilla y León, León, 25 June–11 September. Opening: Saturday 25 June, 6pm.


'Campus': a free, temporary and non-credited art school, Espai Cultural Caja Madrid, 27 June–28 August 2011.

28 & 30 June 2011: Conferences 'Alrededor de 'Campus': Cuatro casos de estudio para la educación artística'. (28 June, 19-21h,
Auditorio Espai Cultural Caja Madrid) Bartomeu Marí on the Rijksakademie, Amsterdam; Jennifer Teets on SOMA, México DF; (30 June, 19-21h, exhibition space, Espai Cultural Caja Madrid) Carles Guerra on The Mountain School of Arts, Los Angeles and Nikolaus Hirsch on the Städelschule, Frankfurt. Espai Cultural Caja Madrid, Plaça Catalunya 9, Barcelona. Programme (in Spanish): http://bit.ly/kZ12vD



www.youtube.com/LatitudesVideos
www.flickr.com/photos/lttds/




Video entrevista a Iratxe Jaio y Klaas van Gorkum sobre su exposición 'Amikejo' en el Laboratorio 987, MUSAC, León



Video entrevista en castellano con subtítulos en inglés.

Segundo capítulo del ciclo 'Amikejo': Iratxe Jaio & Klaas van Gorkum
Laboratorio 987, Museo de Arte Contemporáneo de Castilla y León
9 Abril – 12 Junio 2011
Para el segundo capítulo de 'Amikejo', Iratxe Jaio y Klaas van Gorkum presentan un proyecto en torno a los valores cambiantes del trabajo y la propiedad, examinando las posibles lecturas alternativas, tanto políticas como personales, de un mismo legado cultural.

Citando a los propios artistas: “El abuelo de Klaas era de una generación que consideraba que el ‘tiempo libre’ debía invertirse en algo productivo. Al jubilarse, encargó a sus antiguos compañeros del taller que le forjaran un torno para poder dedicarse a tornear la madera. A una edad avanzada, pudo completar su modesta pensión vendiendo los frutos de su afición a la comunidad que conformaba su red social en aquel momento. A su muerte, dejó a su hijo una caja de puros llena de recortes de revistas, bocetos y patrones de diversos objetos que se podían fabricar con madera torneada, con la idea de que en algún momento pudieran ser de utilidad.
Jaio and van Gorkum han tomado el contenido de esta caja como punto de partida para una exploración conceptual y reflexiva de la idea de la producción artística. Durante el último año, han rastreado lo que queda del legado del abuelo de Gorkum, Jos van Gorkum (1911–1996) y han podido localizar casi ochenta artículos en las casas de una extensa red de familiares, amigos y antiguos vecinos a lo largo y ancho de los Países Bajos.

La exposición presenta una selección de unos
treinta utensilios domésticos realizados por Jos van Gorkum –entre los que se encuentran candeleros, cuencos, ensaladeras, pies de lámpara y pedestales– acompañados de fotografías tomadas en el contexto doméstico original donde se encontraba cada uno de los objetos seleccionados. Los artistas también han podido recuperar la torneadora original con la que se fabricaron los artículos y la han vuelto a poner en marcha. Documentando cada paso del proceso en video, han realizado una serie de experimentos de torneado, vinculando sus acciones físicas en tanto que artistas (y diletantes profesionales) con la productividad del obrero industrial jubilado.

Los resultados de este proceso se incorporaran a la instalación como elementos de apoyo de la plataforma en la que se exhiben los objetos originales. Además, tres monitores muestran una película corporativa de la fábrica de hélices Lipps en la que Jos van Gorkum trabajó hasta su jubilación; el torno en el que los artistas han producido las 49 bases de madera torneada que soportan la plataforma expositiva; y por último el proceso de digitalización de los recortes de revistas, dibujos y plantillas para realizar objetos de madera guardados en una caja de puros que Jos van Gorkum legó a su hijo al morir. (+ info...)

Página web serie expositiva 'Amikejo' y
fotografías exposición.




Vistas exposición 'Amikejo: Iratxe Jaio & Klaas van Gorkum', Laboratorio 987, MUSAC, León

Vista exposición en el Laboratorio 987. Fotos: Iratxe Jaio & Klaas van Gorkum

Segundo capítulo del ciclo 'Amikejo': Iratxe Jaio & Klaas van Gorkum
Laboratorio 987, Museo de Arte Contemporáneo de Castilla y León
9 Abril – 12 Junio 2011


Para el segundo capítulo de 'Amikejo', Iratxe Jaio y Klaas van Gorkum presentan un proyecto en torno a los valores cambiantes del trabajo y la propiedad, examinando las posibles lecturas alternativas, tanto políticas como personales, de un mismo legado cultural. Citando a los propios artistas: “El abuelo de Klaas era de una generación que consideraba que el ‘tiempo libre’ debía invertirse en algo productivo. Al jubilarse, encargó a sus antiguos compañeros del taller que le forjaran un torno para poder dedicarse a tornear la madera. A una edad avanzada, pudo completar su modesta pensión vendiendo los frutos de su afición a la comunidad que conformaba su red social en aquel momento. A su muerte, dejó a su hijo una caja de puros llena de recortes de revistas, bocetos y patrones de diversos objetos que se podían fabricar con madera torneada, con la idea de que en algún momento pudieran ser de utilidad.

Jaio and van Gorkum han tomado el contenido de esta caja como punto de partida para una exploración conceptual y reflexiva de la idea de la producción artística. Durante el último año, han rastreado lo que queda del legado del abuelo de Gorkum, Jos van Gorkum (1911–1996) y han podido localizar casi ochenta artículos en las casas de una extensa red de familiares, amigos y antiguos vecinos a lo largo y ancho de los Países Bajos.

La exposición presenta una selección de unos treinta utensilios domésticos realizados por Jos van Gorkum –entre los que se encuentran candeleros, cuencos, ensaladeras, pies de lámparas y pedestales– acompañados de fotografías tomadas en el contexto doméstico original donde se encontraba cada uno de los objetos seleccionados. Los artistas también han podido recuperar la torneadora original con la que se fabricaron los artículos y la han vuelto a poner en marcha. Documentando cada paso del proceso en video, han realizado una serie de experimentos de torneado, vinculando sus acciones físicas en tanto que artistas (y diletantes profesionales) con la productividad del obrero industrial jubilado. Los resultados de este proceso se incorporaran a la instalación como elementos de apoyo de la plataforma en la que se exhiben los objetos originales. Además, tres monitores muestran una película corporativa de la fábrica de hélices Lipps en la que Jos van Gorkum trabajó hasta su jubilación; el torno en el que los artistas han producido las 49 bases de madera torneada que soportan la plataforma expositiva; y por último el proceso de digitalización de los recortes de revistas, dibujos y plantillas para realizar objetos de madera guardados en una caja de puros que Jos van Gorkum legó a su hijo al morir. (+ info...)



Detalle exposición en el Laboratorio 987. Fotos: Iratxe Jaio & Klaas van Gorkum

SOBRE LOS ARTISTAS


Pareja artística desde 2001, Iratxe Jaio & Klaas van Gorkum emplean el video, las acciones, el soporte publicado y la instalación para crear proyectos en los que exploran la capacidad de obrar del individuo y las comunidades en el contexto de climas sociales y políticos concretos. Varios de sus proyectos han abordado el fenómeno del urbanismo y los barrios periféricos de España. Marcha Zombi Barakaldo (2008) consistió en una acción desarrollada en un centro comercial de un barrio obrero del País Vasco, en la cual un grupo de vecinos se disfrazaba de zombies – seres sin alma incapaces de integrarse en el tejido social – y formaban una procesión que se entremezclaba con los clientes. En Plaatselijke verordening (Ordenanza municipal) (2010) los artistas localizaron seis de las vallas publicitarias que instala el ayuntamiento de Rotterdam de cara a las elecciones para colgar propaganda electoral. Tras sustituirlas por nuevas estructuras y trasladar las antiguas al espacio expositivo, mostraban documentos sobre la pugna territorial y pictórica entablada por despegar sus carteles y lograr mayor proyección.


Iratxe Jaio (Markina-Xemein, País Vasco, 1976) & Klaas van Gorkum (Delft, Holanda, 1975). Viven y trabajan en Rotterdam, Holanda. Entre sus proyectos individuales se cuentan 'Quédense dentro y cierren las ventanas / Stay inside. Close windows and doors', producido por consonni, Bilbao, y el Ayuntamiento de Utrecht (2008); 'Let me hold your hand', Centre for Visual Introspection, Bucarest (2008) y 'Meanwhile, in the living room...', Centro Cultural Montehermoso, Vitoria-Gasteiz. Han participado, entre otras, en las muestras colectivas 'The People United Will Never Be Defeated', TENT Center for Contemporary Art, Rótterdam (2010); 'Gure Artea 2008', Sala Rekalde, Bilbao (2008); 'Wij waren in Overvecht / We were in Overvecht', Centraal Museum, Utrecht (2008) y 'Radiodays', De Appel, Ámsterdam (2005). www.parallelports.org




Newsletter #32 – April/Abril 2011



THIS MONTH...

'Amikejo: Iratxe Jaio & Klaas van Gorkum',
Laboratorio 987, 2011 season guest curated by Latitudes, MUSAC, León. 9 April - 12 June 2011. Opening: 9 April, 5pm.

LAST DAYS...


Guest curators of the Laboratorio 987 2011 season, MUSAC, León: inaugural exhibition 'Amikejo: Pennacchio Argentato', on view until 3 April 2011 – see installation views here.

'Christina Hemauer & Roman Keller: United Alternative Energies', Aarhus Art Building, Århus, Denmark, on view until 3 April 2011
– see installation views here.

'Exposition Internationale des Art Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne' showing works by Kasper Akhøj; Martí Anson; Maria Loboda; Charlotte Moth and Sarah Ortmeyer. Meessen De Clercq, Brussels, Belgium, on view until 16 April 2011 - see installation views here

IN MAY...

Publication launch and discussion with the artist, 'Lara Almarcegui. Projects 1995–2010' (edited by Latitudes, published by Archive Books, Berlin), 19 May at 8pm, TENT, Rotterdam + info...


IN JUNE...


'Campus': a free, temporary and non-credited art school, Espai Cultural Caja Madrid, 27 June–28 August 2011 - application form and guidelines here.


Latitudes' web www.lttds.org
Facebook page here
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Exhibition views of 'Amikejo: Pennacchio Argentato', Laboratorio 987, MUSAC, León, Spain 29 January – 27 March 2011



Amikejo (‘place of great friendship’ in Esperanto) is a series of four exhibitions taking place throughout 2011 at MUSAC’s Laboratorio 987 and structured around relational and spatial twinning. These artistic pairings involve various modes of binomial friendships – couples in life, dedicated duos, intermittent work partners, as well as new allies (+info...)

For the first of four exhibitions at the
Laboratorio 987 neapolitan duo Pennacchio Argentato present a new installation based on expectations about performativity and interactivity in exhibition spaces. By transforming the exhibition space into an interior akin to an abstract fitness gymnasium, the duo frame their own activity as young artists alongside that of Amikejo by addressing the ideas of leisure and overproduction, a continuation to their recent research on apparent fakery, alternative economies and geometric abstraction.

A series of rough concrete ‘muscular’ sculptures, of dimensions that immediately relate to the human form. These seemingly promise engagement through, as the artists describe, they offer ‘different postures and gestures’ without leading to any specific mode of exercise. The unresponsive and non-receptive sculptures attempt to represent a kind of pleasure in suspenseful endurance or ‘abstract fatigue’, as the artists have termed it, a style which is set apart from acting and from making.


Alongside this seemingly inactive machinery, a companion sculpture focusses more specifically on body building. Images of former professional bodybuilder Arnold Schwarzenegger proudly revealing his muscles prompts us to consider, within the context of an art space, a self-made aesthetics based on pose and theatricality.


Marisa Argentato (born Naples, Italy, 1977) & Pasquale Pennacchio (born Caserta, Italy, 1979). Live and work in Berlin and Naples). Solo exhibitions include: 'Five o’clock shadows', T293, Rome (2010); 'The New Boring', Midway Contemporary Art, Minneapolis (2010); 'Landings 4', Landings, Vestfossen, Norway (2010); 'Do It Just', Galerie Opdahl, Berlin (2009); 'Estate', T293, Naples (2007) and 'Blind Date', Viafarini, Milan (2002). Group exhibitions include: 'SI - Sindrome Italiana', Magasin, Centre National d'Art Contemporain de Grenoble, Grenoble (2010); 'Dude, where's my Career?', MMK Zollamt / Portikus, Frankfurt (2009); 'A long time ago, last night', Gallery Kortil, Rijeka, Croatia (2008); 'Aspen Project' (Part III), Neue Alte Brücke, Frankfurt am Main (2007); 'Cinema infinito / Neverending Cinema', Galleria Civica d’Arte Contemporanea, Trento (2006).


MUSAC - Museo de Arte Contemporáneo de Castilla y León
Avenida de los Reyes Leoneses, 24 - 24008 León
www.musac.es

Tuesday– Friday: 10–15 / 17–20h; Saturday and Sunday: 11–15/ 17–21h; Mondays closed


Photos: Latitudes | www.lttds.org (unless credited otherwise)




'Amikejo: Pennacchio Argentato' inaugura el 29 Enero junto con otras 5 exposiciones en MUSAC, León

6 nuevas exposiciones en MUSAC a partir 29 Enero 2011. Cortesía: MUSAC

El
29 enero MUSAC inaugura 6 exposiciones: La misión y los misioneros de Georges Adéagbo (Comisario: Octavio Zaya en colaboración con Stephan Köhler); Desaparecidos de Gervasio Sánchez (Comisaria: Sandra Balsells); El molesto asunto de Akram Zaatari (Comisario: Juan Vicente Aliaga); Un modo de organización alrededor del vacío. Brumaria Works#3 Expanded Violences (Comisario: Agustín Pérez Rubio) y Un editor independiente y libre se posiciona del lado de los artistas cneai = Centre National de l’Edition et de l’Art Imprimé (Comisaria: María Inés Rodríguez), y 'Amikejo: Pennacchio Argentato' en el Laboratorio 987 (Comisariado: Latitudes) +info.

Invitaciones de las 6 exposiciones que inauguran en MUSAC el 29 Enero 2011.

El Laboratorio 987 de MUSAC inicia una nueva etapa en su programación. Cada año MUSAC invitará a un pequeño número de comisarios a presentar un proyecto anual para la sala de proyectos del museo, con la premisa de desarrollar una propuesta conceptual a través de cuatro exposiciones en el Laboratorio 987.

Reverso invitación de 'Amikejo: Pennacchio Argentato' (29 Enero–27 Marzo 2011)

Amikejo, la serie inaugural de esta nueva etapa, está comisariada por Latitudes. Amikejo está estructurada en cuatro exposiciones conceptualizadas entorno a los nexos relacionales y espaciales. Amikejo ('lugar de amistad' en Esperanto), se fundó sobre el anhelo de propiciar una comunicación internacional más efectiva mediante el lenguaje sintético del Esperanto. Este territorio 'neutral' en forma de cuña de 3,5 km2 situado entre los Países Bajos, Bélgica y Prusia (entorno a una importante mina de zinc) existió entre 1816 y 1920. Tras la Primera Guerra Mundial, Alemania renunció a sus pretensiones sobre el territorio en disputa y consecuentemente Amikejo-Moresnet desapareció del mapa, y fue absorbido por Bélgica, si bien las balizas fronterizas siguen visibles a día de hoy. Este episodio-lugar, y en última instancia fracaso, fue una síntesis única de cartografía, lengua, nación, política, economía y subjetividad brinda sus fronteras conceptuales y se ha designado como ubicación gemela al Laboratorio 987 durante esta temporada.

Para la primera exposición, 'Amikejo: Pennacchio Argentato' (29 Enero–27 Marzo 2011), el dúo napolitano Pennacchio Argentato presentará una instalación de nueva producción basada en las expectativas de teatralidad e interactividad en los espacios expositivos. Al transformar el espacio del Laboratorio 987 en interior semejando a un gimnasio absurdo y abstracto, el dúo entronca su propia actividad artística con el proyecto Amikejo, abordando las ideas de ocio, interactividad y sobreproducción, trabajo y el no-trabajo.

+info sobre la temporada aquí y aquí.

Programación y calendario de '
Amikejo':

·
Pennacchio Argentato (29 Enero–27 Marzo)
·
Iratxe Jaio & Klaas van Gorkum (9 Abril–12 Junio)
·
Uqbar Foundation (Mariana Castillo Deball & Irene Kopelman) (25 Junio–11 Septiembre)
·
Fermín Jiménez Landa & Lee Welch (24 Septiembre–15 Enero 2012)






Museo de Arte Contemporáneo de Castilla y León (MUSAC)
Avenida de los Reyes Leoneses, 24
24008 León, Spain
(T) +34 987 09 00 00
(F) +34 987 09 11 11
[email protected]
www.musac.es




Newsletter #29 – January/enero 2011


LAST WEEK...
'The Last Newspaper' exhibition at the New Museum continues until 9 January. As a partner organisation Latitudes edited the exhibition catalogue over the course of 10 weeks from a micro-newsroom installed in the exhibition space. The catalogue is now available from the New Museum Store ($15, $13.50 for museum members).

IN JANUARY 2011...
Curators of the exhibition 'Christina Hemauer & Roman Keller: United Alternative Energies', Aarhus Art Building, århus, Denmark, 22 January–3 April 2011.
Opening: 21 January, 5pm.

Curators of the Laboratorio 987 2011 season,
MUSAC, León: inaugural exhibition 'Amikejo: Pennacchio Argentato' (29 January–27 March 2011), opening on Saturday 29th together with MUSAC's exhibitions: The Mission and the Missionaries by Georges Adéagbo, Desaparecidos by Gervasio Sánchez, The Uneasy Subject by Akram Zaatari, and Un modo de organización alrededor del vacío. Brumaria Works#3 Expanded Violences.

IN FEBRUARY 2011...
Professional Encounters, 'Curating Emerging Artists', ARCOMadrid 2011, 18 February.

ALSO IN FEBRUARY 2011...
'Exposition Internationale des Art Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne', Meessen De Clercq, Brussels, Belgium, 24 February–7 April 2011.


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Previous newsletter here
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Newsletter #28 - December 2010


ONGOING...
Latitudes' editorial residency as part of
'The Last Newspaper' exhibition at the New Museum has just concluded (see photos of the newspaper here + documentation archive here. The exhibition however, continues until 9 January 2011.

ALSO ONGOING...
'Vic Cambrils Barcelona...A Library Project' for Midway Contemporary Art, Minneapolis, on view until 23 December 2010. Photo gallery here

IN JANUARY 2011...
Curators of the exhibition 'Christina Hemauer & Roman Keller: United Alternative Energies', Aarhus Art Building, Arhus, Denmark, 22 January–3 April 2011.


IN FEBRUARY 2011...
Curators of the Laboratorio 987 2011 season: 'Amikejo' MUSAC, León. First exhibition: 'Amikejo: Pennacchio Argentato' (29 January–27 March 2011), opening on Saturday 29th together with
MUSAC's exhibitions: The Mission and the Missionaries by Georges Adéagbo, Desaparecidos by Gervasio Sánchez, The Uneasy Subject by Akram Zaatari, and Un modo de organización alrededor del vacío. Brumaria Works#3 Expanded Violences.

ALSO IN FEBRUARY 2011...
Professional Encounters, 'Curating Emerging Artists', ARCOMadrid 2011, 18 February.


Check Latitudes' web www.lttds.org for further info
Facebook page here
Twitter here
Flickr photosets here
Previous newsletter here
Youtube Latitudes Channel




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