Cover Story – June 2017: "Moth light—Absent Forms"


The June 2017 Monthly Cover Story ""Moth light—Absent Forms"" is now up on www.lttds.org after June it will be archived here

"The Latitudes-curated Exposition Internationale des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne opened at Meessen De Clercq, Brussels, in February 2011. More a series of five interlinked solo presentations than a conventional thematic group exhibition, it featured the work of Kasper Akhøj, Martí Anson, Maria Loboda, Charlotte Moth and Sarah Ortmeyer." Continue reading

Cover Stories' are published on a monthly basis on Latitudes' homepage and feature past, present or forthcoming projects, research, writing, artworks, exhibitions, films, objects or field trips related to our curatorial activities. 

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Cover Story, February 2016: Sarah Ortmeyer, Towering allusions



The February 2016 Cover Story is dedicated to Sarah Ortmeyer's piece VITRINE MAURICE (2011) presented as part of the group show Exposition Internationale des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne at Meessen De Clercq, Brussels.

 
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'Sad Eis' by Sarah Ortmeyer in Meessen de Clercq and "Force Justify (Part 2)" by Lucy Skaer at Tulips & Roses, Brussels

'Sad Eis' (Sad Ice), Sarah Ortmeyer's first solo show in Meessen de Clercq (1 June–14 July 2012) is  "an exhibition on ritualized happiness" as described in the exhibition guide. 

During the opening night, the artist treated guests to liquorice, fennel and wasabi ice cream as well as cocktails made of Riesling wine with lavender ice cream

 
View of 'LASSO LADEN' - An abandoned ice cream parlor. 
Eighteen silver, black and wooden ice cream parlor stools, one silver chair and two golden locks.

 View of the installation 'SAD EIS' - Monolithic ice cream displays that look like sad, chubby teenagers.
Five ice cream cones painted in Signal White, Silk Grey, Traffic Grey A,
Traffic Grey B, Dusty Grey, Telegrey 4 and Platinum Grey.
147 x 60 x 60 cm each cone.

View of the installation of MILLI VANILLI
Formally virginally white towels covered in sweet sauce.
Organic ice cream on towel: Vanilla, Strawberry, Rasperry, Currant, Pistacchio and Mango.


MARRY ME ME - Wedding cake stands as bland and grey as an anti-rainbow.
Wedding cake stands of 2, 3, 4, 5 and 7 storages.
Dimensions variable.

BOW BOUQUET - A bouquet composed of cones and exotic silk, a reminiscent of Kurt Cobain and Courtney Love’s pajama wedding.
Flowers: Purple and rosé orchids
Cones: Cono Fiore, Cono Pralinex Cocco, Cono Pralinex Bianco Grande,
Cono Pralinex Nero Grande, Big Fun, Maxi Cone and Trottole.
circa 170 x 100 cm.

LA FIN - An ice cream parlor left behind with four bar tables and one tabletop.
One tabletop and four ice cream parlor bar tables.
Dimensions variable.

KISS KUSS - A room filled with aniconic carpets and tender, empty kisses.
Carpets of different colours: grey, anthracite, beige, eggshell white.
Dimensions variable.
  
 In the Wunderkammer space: 'PETER WEISS' - A white, damp, fresh and heartbreakingly canny laundry room.
Thirty-one washed towels. 

Ortmeyer was one of the five artists that participated in Latitudes' exhibition 'Exposition Internationale des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne' that took place between February and April 2011, also at Meessen de Clercq.

Abdijstraat 2A / Rue de l'Abbaye
B-1000 Brussels
BELGIUM


Lucy Skaer's solo show 'Force Justify (Part 2)' (24 May–16 June 2012) at Tulips & Roses:
  
[From the press sheet]
The ship of fools is an archetype based on the Narrenschiff by Sebastian Brandt, a medieval book in which a ship full of fools set sai to a fools utopia Narragonia.

Starting from a woodcut illustration from the book, I have made a work that inhabits and performs the allegory. (...) First the image was carved in to the floor of the K21 museum in Düsseldorf, and a large print was made from it. The floor was then lifted and moved, rearranged and reprinted in a scrambled form. The original ballast from the Düsseldorf ship was transformed from its shape as copies of Brancusi's Newborn sculptures to instead match the tile shapes from the floor of Tulips & Roses.

This "second part of 'Force Justify' the tile pattern was again replicated in a series of woven sails, rigged up in the space giving a thwarted ability to move forward. This absurdist sense of agency is typical of the project, a series of misuses of objects and ideas to make immediately appealing stop gaps."



The Good Ship Blank and Ballast (Force Justified), 2010-2012
Woven fabric, Re-cast Aluminium (Dimensions variable)

(...) The sculptures were made out of 98 aluminium copies of Brancusi's Newborn sculpture. These copies were melted down and recast to fit the ornament of the gallery's floor. The notion of 'ballast' implies something that is shaped entirely by its function - simply being dumb weight - without any necessity of representational qualities.

Liquidity in the Mind of the Fool, 2012
Glass, Enamel on copper, Tin, Bronze, Fossils, Shells, Coins, Books (Dimensions variable).

"Liquidity in the Mind of the Fool contains small Brancusi's Newborn sculptures now tumbled and submerged in melted glass or enveloped in Tin. Visible through a melted red glass panel is the original image of the woodcut, now transformed in to a specially printed secure bank note. One of the sculptures is made up of badly minted coins, which present a balance between material and symbolic, with the validating stamp sliding from the face of the metal disc."

See images of Skaer's 'Force Justify (Part 1)', also at Tulips & Roses.

19, rue de la Clé
1000 – Brussels
BELGIUM

Images 1–9: Courtesy of Sarah Ortmeyer and Meessen de Clercq. 
Images 10–13: Courtesy of Lucy Skaer and Tulips & Roses, Brussels. 




Newsletter #31 - March/Marzo 2011



FORTHCOMING IN APRIL 2011...

'Amikejo: Iratxe Jaio & Klaas van Gorkum',
Laboratorio 987, 2011 season guest curated by Latitudes, MUSAC, León. 9 April - 12 June 2011. Opening: 9 April

EXHIBITIONS CURRENTLY ON VIEW...


Guest curators of the Laboratorio 987 2011 season, MUSAC, León: inaugural exhibition 'Amikejo: Pennacchio Argentato', on view until 27 March 2011 – see installation views here.

'Christina Hemauer & Roman Keller: United Alternative Energies', Aarhus Art Building, Århus, Denmark, on view until 3 April 2011
– see installation views here.

'Exposition Internationale des Art Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne' showing works by Kasper Akhøj; Martí Anson; Maria Loboda; Charlotte Moth and Sarah Ortmeyer. Meessen De Clercq, Brussels, Belgium, on view until 16 April 2011 - see installation views here


Latitudes' web www.lttds.org
Facebook page here
Twitter here
Flickr photosets here
Youtube Latitudes Channel
Previous newsletters here




Newsletter #30 - February 2011


IN FEBRUARY 2011...
Professional Encounters, 'Curating Emerging Artists', ARCOMadrid 2011, 18 February.


ALSO IN FEBRUARY 2011...
'Exposition Internationale des Art Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne' showing works by Kasper Akhøj; Martí Anson; Maria Loboda; Charlotte Moth and Sarah Ortmeyer. Meessen De Clercq, Brussels, Belgium, 25 February–16 April 2011. Opening: 24 February, 18-21h.

ONGOING EXHIBITIONS...
'Christina Hemauer & Roman Keller: United Alternative Energies', Aarhus Art Building, Århus, Denmark, on view until 3 April 2011
– see installation views here.

Curators of the Laboratorio 987 2011 season,
MUSAC, León: inaugural exhibition 'Amikejo: Pennacchio Argentato', on view until 27 March 2011 – see installation views here.


Latitudes' web www.lttds.org
Facebook page here
Twitter here
Flickr photosets here
Youtube Latitudes Channel
Previous newsletters here




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