Last chance to read the August 2016 Monthly Cover Story "Fermínlandia"


Last chance to read the August 2016 Monthly Cover Story "Fermínlandia" on www.lttds.org (after August 2016 it will be archived here)

"
Five years ago, in August 2011, Fermín Jiménez Landa initiated the surrender, conquest and defence of a small nameless island using the power of music. With the help of local fishermen he had taken a portable generator, two tripod-mounted loudspeakers, and an mp3 player out into the Aegean Sea and planted the equipment on this uninhabited Greek island. Its new national anthem played again and again until the batteries ran out. You can just make out the two loudspeakers sitting atop the grassy rock in this photograph by Fermín." Continue reading...

Cover Stories' are published on a monthly basis on Latitudes' homepage to highlight past, present or forthcoming projects, research, exhibitions or field trips related to our activities. 


Related content:
  • Archive of Cover Stories.
  • Cover Story, July 2016: Through the grapevine – Rasmus Nilausen’s Soups & Symptoms 3 July 2016
  • Last days! Cover Story and exhibition of José Antonio Hernández-Díez: techno-pop, death and resurrection (20 June 2016)
  • Cover Story, May 2016: Material histories – spilling the beans at the CAPC musée d’art contemporain de Bordeaux (10 May 2016)
  • Cover Story, March 2016: José Antonio Hernández-Díez: The sacred heart of the matter (3 March 2016
  • Cover Story, February 2016: Sarah Ortmeyer, Towering allusions (9 Febrero 2016)




Latitudes' "out of office" photo album 2011–2012

This is the fourth consecutive year (see 2009-10, 2010-11 and 2011-12 posts) we say goodbye to the 2011–12 season with an 'out of office' post with some unseen and 'behind the scenes' moments lived in the past 11 months. 

Happy holidays/felices vacaciones readers! More Latitudes' via Facebook (http://www.facebook.com/LTTDS) and Twitter (@LTTDS). 

– Latitudes | www.lttds.org


22 September 2011: Back to the future. transfering the mp3 file of the new anthem commissioned by Fermín Jiménez Landa onto a cassette. Images of their show here.

21 September 2011: Lee Welch and Fermín Jiménez Landa talk about their show to MUSAC's staff.

21 September 2011: Newly framed works by Lee Welch (top left) and photos by Fermín Jiménez Landa (right).

22 September 2011: Watching concrete dry (Lee Welch and Fermín Jiménez Landa's exhibition plinths/bordermarks).

23 September 2011: Final rehearsal of La Cena band in the Laboratorio 987 space. Opening performance of 'Himno Nacional' here.

 Permission to parade through the streets and squares of León's centre on the 24th September.

  24 September 2011: Fermín Jiménez Landa (camera) Lee Welch (video recording) the "Himno Nacional" 'pasacalles' parade around the streets of León.
 12 October 2011: Finding 'The Last Newspaper' displayed at Walter König's bookstore while browsing for nice books during Frieze Art Fair, London.

13 November 2011: Jorge Satorre fixing one of the posters of the show, before we take off to discuss his and Erick Beltráns' project 'Modelling Standard', an interview that was published in the February issue of Atlántica magazine.

January 2012: Testing, testing... 'The Dutch Assembly' programme available for smartphones.

 18 January: "Café con...Latitudes". Informal talk with Hangar artists-in-residence. Photo: Hangar. Latitudes has been part of Hangar's Programming Comitee between 2010–13.

31 January 2012: Premis GAC 2012 award ceremony at MACBA's atrium. Mariana Cánepa of Latitudes' was part of this year's jury.

2 February 2012: "...y desde el 'backstage'" (leer aquí) de Vanessa Graell en el suplemento 'Tendències', El Mundo.

6 February 2012: Demonstration to pressure politicians to change their minds about stopping the plan for the Canòdrom to be the future Centre of Contemporary Art in Barcelona. The windows were whitewashed as it is done with unused facilities.

Artists whitewashing the Canòdrom windows. 

 12 February 2012: "Mataró Chauffeur Service" mangled at Matadero, Madrid.

13 February 2012, ARCOmadrid: Installing vinyls and posters for each of the The Dutch Assembly hourly talks, readings, artists presentations, performances, book launches, in conversations and screenings throughout the five days of the fair. See list here (and some audiorecordings). Download full programme details here.

'The Dutch Assembly' was well connected.


13 February 2012: The Dutch Assembly 'Superstructure' space by Jasper Niens and Thijs Ewalts. On the picture, the choir performance 'Care' by Rory Pilgrim, presented by De Hallen, Haarlem.


16 February 2012: Latitudes introducing Ann Demeester, Director, and Nathalie Hartjes, coordinator of the Gallerist Programme at De Appel, presented a round table discussion with (left to right): Jeanine Hofland (Jeanine Hofland Contemporary Art, Amsterdam), Rebeca Blanchard (NoguerasBlanchard, Barcelona) and Helga de Alvear (Helga de Alvear, Madrid) around the profession of the gallerist. Photo: Haco de Ridder.

Álvaro Calleja profiles The Dutch Assembly: "Un Puente entre dos naciones'/'a bridge between two nations" en el  ABCDArco, 16 February 2012.


February: At last...Lara Almarcegui's monograph is here! Edited by Latitudes. 

 16 March: Good morning Sharjah! Part one of the March Meeting report here.

Sharjah lunch with curator and 'El Cultural' critic, Javier Hontoria.

17 March: Latitudes' presentation on residencies (for artists and curators) during Sharjah's fifth March Meeting, which focused on 'Working with Artists and Audiences on Commissions and Residencies'. Latitudes' panel titled "Minding the Gap: the Critical Role of Smaller Organisations" had presentations by Hu Fang (Vitamin Creative Space, China) and Daniella Rose King (MASS Alexandria, Egypt), and was chaired by Samar Martha (ArtSchool Palestine, Palestine). More photos here. Photo: Posted during the conference on the Twitter account of @lamyaalsuwaidi

Glitzy souvenirs from Dubai, anyone? See more images of Dubai's trip.

 23 March 2012: Last day in the Emirates. Visiting Sheikh Zayed Grand Mosque in Abu Dhabi, one of the world's largest mosques. Read more on our trip to the Emirates on the blog (part 1, part 2 and part 3). 

 29 March (29M): General Strike in Spain. Many more demonstrations to come...

22 April: One of this year's exhibitions highlights: Xavier Le Roy's "Retrospective" at Fundació Antoni Tàpies, Barcelona. On the finissage, children almost stole the show joining performers.


Here, father (performer) and son, performing together in the finissage.

10 April 2012: The happy moment of receiving copies of a Amikejo, a book we have been working on most of the winter. See images of the book here.

31 May: Manifesta 9 curator Cuauhtémoc Medina with artist Jeremy Deller. See Latitudes' photo report of Manifesta 9.

31 May: With Lara Almarcegui while she explains her work included in Manifesta 9, Genk. (see more pictures of Manifesta 9, here).

2 June: Visit to the drielandenpunt for a remote book launch. This is the apex of the triangle-shaped borders of what was Amikejo.

2 June: Friends that come to a booklaunch in a remote place, the drielandenpunt ("Three-Country Point") in Dutch, or Dreiländereck ("Three-Country Corner") in German, or Trois Frontières ("Three Borders") in French." More images here. Photo: Klaas van Gorkum

 6 June 2012: Welcome to Germany! Brussels–Kassel train journey. A little German snack at Köln's Hauptbahnhof.

 6 June: A German, a Dane and and English man meet and greet in a square. (gallerist Johann König, artist Tue Greenfort and Max Andrews' of Latitudes in Friedrichtplatz, Kassel). See Latitudes' documenta (13) photo report here.

7 June: Launch of Maria Loboda's book at Karlsaue Park with music, smoke and a pyramid of ice with 750 litres of champagne. See Latitudes' documenta (13) photo report here.

9 June: "Spain is dead" sign posted opposite Kassel's Fridericianum the day Spanish Ministry of Economy De Guindos, announced the financial "bail out".
8 June 2012: Chance meeting with Mr Weiner and Mr Weiner's tote bag in Kassel, good memories of our 2008 'The Crest of a Wave'.

15 June: Visiting lecturers, Máster en Arte, Museología y Crítica Contemporáneas, Universidad de Santiago de Compostela. The session was preceded by an evening conference at CGAC on "The Curatorial Contract: Analogies and case studies". Photo: Pedro de Llano.

 16 June: Almejas, berberechos and cold beer in Santiago de Compostela. Galicia calidade! 



 19 July: iPad-photodocumenting Haegue Yang's piece produced for "Sense and Sustainability", Urdabai Arte 2012.

 Tangle of 2012 press and work passes.

All photos: Latitudes | www.lttds.org (except when noted otherwise in the caption of the photo). 

Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




RECUERDA: Presentación de la publicación 'Amikejo': Martes 22 Mayo, 20h en Múltiplos (c/ Lleó 6, 08001 Barcelona)


NOTA DE PRENSA

Presentación de la publicación 'Amikejo' editada por Mousse Publishing en colaboración con MUSAC.

Martes 22 Mayo, 20h
Múltiplos (c/ Lleó 6, 08001 Barcelona)

Presentación a cargo de Fermín Jiménez Landa (artista) y Latitudes (editores y comisarios del ciclo expositivo 'Amikejo').

La publicación concluye el ciclo de exposiciones 'Amikejo', que a lo largo del 2011 ha incluído muestras de Pennacchio Argentato; Iratxe Jaio & Klaas van Gorkum; Uqbar (Irene Kopelman & Mariana Castillo Deball y Fermín Jiménez Landa & Lee Welch en el Laboratorio 987, el espacio proyectual del Museo de Arte Contemporáneo de Castilla y León (MUSAC). (+ info...)

El volumen incluye textos sobre cada proyecto escritos por los comisarios del ciclo, así como reimpresiones de Giorgio Agamben ("Notas sobre el gesto", 1996) y Georges Perec (extractos de "Especies de espacios y gestos Otras Piezas", 1974 ), vistas de las exposiciones y biografías de los artistas participantes.
 

Además cuenta con una serie de ensayos de académicos y científicos especialmente escritos para la ocasión:

Peter Osborne (Profesor de Filosofía moderna y director del Centro de investigación de filosofía europea moderna de la Kingston University London) con el texto ‘Fragmentos del futuro': Notas sobre el espacio proyecto" que se centra en peculiar idea de la 'sala de proyectos', espacio que se caracteriza por ser total en su idoneidad para un determinado tipo de temporalización: la temporalización del proyecto. ¿Cuál es su distintiva espacialización?, Y ¿cómo le afecta la codificación específicamente artística de un proyecto?.

Ryszard Zelichowski (Profesor y Director de Investigaciones Científicas en el Instituto de Estudios Políticos de la Academia Polaca de Ciencias) contribuye con el texto "Neutral Moresnet y Amikejo - Los niños olvidados del Congreso de Viena" ofrece una visión general de cómo Moresnet Neutral (el estado rebautizado como 'Amikejo' en 1908) llegó a existir.

Theo Beckers (Ex-profesor de Estudios de Ocio de la Universidad de Tilburg y en la actualidad miembro del cuerpo docente del Centro de Sostenibilidad de Tilburg y profesor visitante de la Academia china de ciencias)** escribe el texto "El tiempo libre. Auge y caída de un proyecto social", en el que rastrea la relación de la sociedad occidental con el trabajo y el tiempo, desde Séneca el Joven, a través del auge de las fábricas y de los 'Principios de Administración Científica' (1911) de Frederick Winslow Taylor, hasta la actual confusión hoy en día entre trabajo y ocio.

Menno Schilthuizen (Científico de investigación en NCB Naturalis, Cátedra para la biodiversidad de los insectos en la Universidad de Groningen y Profesor asociado en la Universidad de Leiden) escribe "Sobre las imágenes especulares en la naturaleza: cómo formas idénticas pueden ser totalmente distintas", principio que se refleja en la exposición del dúo Uqbar entorno a la quiralidad: en animales y plantas asimétricas, a veces ambas formas especulares existen lado a lado, pero a veces sólo existe una de ellas y el otro es "prohibido".


Título: Amikejo
Edita: Latitudes
Publica y distribuye: Mousse Publishing en colaboración con MUSAC
Fecha publicación: Abril 2012
Formato: 22.5x15.5cm, 216 págs, tapa dura
Idioma: inglés/español
Distribuye: Mousse Publishing
ISBN: 9788896501832
Precio: 26 Euros
Compra online

La publicación estará disponible durante la presentación.

Múltiplos es una librería y distribuidora independiente de Barcelona especializada en libros de artistas.


All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




Mousse Publishing and MUSAC release the publication 'Amikejo' edited by Latitudes

 Publication in front of MUSAC's façade, León. Photo: Carlos Ordás.

The publication concludes the 2011 exhibition cycle 'Amikejo' curated by Latitudes, which included exhibitions by Pennacchio Argentato; Iratxe Jaio & Klaas van Gorkum; Uqbar (Irene Kopelman & Mariana Castillo Deball and Fermín Jiménez Landa & Lee Welch at the Laboratorio 987, the project space of the Museo de Arte Contemporáneo de Castilla y León (MUSAC).

Inside the publication: section dedicated to Pennacchio Argentato.

As advanced in previous posts, the publication includes essays by:  

Peter Osborne (Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy at Kingston University London) text "‘Fragments of the future’: Notes on project space" centres on the idea of ‘project space’ as a peculiar one insofar as it characterizes a type of space wholly by its appropriateness for a particular kind of temporalization: the temporalization of the project. What is the distinctive spatialization corresponding to this? And how is it affected by the specifically artistic coding of a project?; 

Ryszard Żelichowski (Professor and Director for Scientific Research at the Institute of Political Studies of the Polish Academy of Sciences) text "Neutral Moresnet and Amikejo – The Forgotten Children of the Congress of Vienna" offers an overview of how Neutral Moresnet (the state 'renamed' Amikejo in 1908) came into existence; 

Pages with Ryszard Zelichowski's essay on the history of Neutral Moresnet/Amikejo.

Theo Beckers (Former Professor of Leisure Studies at Tilburg University and currently faculty member of the Tilburg Sustainability Center and Visiting Professor of the Chinese Academy of Sciences) text "Free time. The rise and fall of a social project" traces western society’s relation to work and time, from Seneca the Younger, through the rise of the factory and Frederick Winslow Taylor's 'The Principles of Scientific Management' (1911), to today's blurring of labour and leisure; 

Pages with Theo Beckers' essay.

Menno Schilthuizen (Research scientist at NCB Naturalis, an endowed chair for Insect Biodiversity at the University of Groningen and an Associate Professor at Leiden University) contributed a text "On Mirror Images in Nature: How Identical Forms Can Be Completely Different" reflects on Uqbar's exhibition centered on chirality: on how in asymmetric animals and plants, sometimes both mirror-image forms exist side by side, but sometimes only one exists, the other being "forbidden"; 
 
Pages dedicated to Uqbar and to Prof. Dr. Menno Schilthuizen's essay.
as well as texts on each project by exhibition curators Latitudes, reprints by Giorgio Agamben ('Notes on Gesture', 1996) and Georges Perec (excerpts from "Species of Spaces and Other Pieces Gesture", 1974), installation views and biographies of the participating artists.

Pages with Georges Perec's reprint.
Pages with installation views of Pennacchio Argentato's exhibition.
Pages with spanish translations.

More info on the exhibition series, and photos of the shows by Pennacchio Argentato, Iratxe Jaio & Klaas van Gorkum, Uqbar (Irene Kopelman & Mariana Castillo Deball) and Fermín Jiménez Landa & Lee Welch (see performance)

'Amikejo' publication, beginning to end. Photos: Mousse Publishing

Title: Amikejo
Edited by: Latitudes
Publisher & Distributor: Mousse Publishing
Format: 22.5x15.5cm, 216 pp., hardcover
Language: English and Spanish
Publication date: April 2012 
ISBN: 9788896501832
Price: 26 Euros





Further update: Contents of the forthcoming publication 'Amikejo' – Available in April 2012

We are currently finalising and proof-reading the 'Amikejo' publication (see previous posts here and here), which concludes the year-long exhibition cycle at the Laboratorio 987, MUSAC (Fermín Jiménez Landa & Lee Welch's show is on view until 15 January 2012). The volume will be available in Spring 2012 and will be distributed by Mousse Publishing.

Below an excerpt of Theo Beckers's essay 'Free time: The rise and fall of a social project', commissioned by 'Amikejo' artists Iratxe Jaio and Klaas van Gorkum to complement the publication section dedicated to their multi-part project 'Producing time in between other things' (2011), which revolves around the changing values of labour and property:


"Have you ever heard the story of the African fisherman? In the early light of dawn, he would set out to sea in his little boat, fish for a few hours, return to port, sell his catch and then spend the rest of the day in the shade of a tree on the beach, contemplating the meaning of life and other pleasant thoughts. An economist from the World Bank appeared one day and asked him why he didn’t take advantage of all that spare time by fishing longer, and going further out to sea with a larger boat. This would bring in more fish and thus more profit. In the long run, this would enable the fisherman to buy more and even bigger boats, and even hire people to do the work for him. Eventually, he could make so much money that he wouldn’t need to work anymore and could afford to lie on the beach the whole day. At which the fisherman laughed and asked the economist, “Why would I go through all that trouble?” The history of Western society’s relationship with time clearly illustrates, however, that it is the economist who had the last laugh, not the fisherman."


Theo Beckers was Professor of Leisure Studies at Tilburg University and is now on the faculty of the Tilburg Sustainability Center, the Netherlands, and Visiting Professor at the Chinese Academy of Sciences, Beijing. Translated from the Dutch by Klaas van Gorkum.


Further publication details:



Title | Título 

'Amikejo'



Editor | Edita

Latitudes



Publisher & Distributor | Publica y distribuye


Mousse Publishing and MUSAC



Format | Formato 


22,5x15,5cm, 216 pp., hardcover
 


Language | Idiomas 


English/Spanish

 

Editorial Coordination | Coordinación editorial

Latitudes and Carlos Ordás
 



Production | Producción

Bruna Roccasalva 


Graphic design | Diseño gráfico

Studio Mousse — Marco Fasolini, Fausto Giliberti, Andrea Novali, Francesco Valtolina
 
 


Texts | Textos

Giorgio Agamben, Theo Beckers, Latitudes, Prof. Peter Osborne, Georges Perec, Prof. Dr. Menno Schilthuizen, Ryszard Zelichowski
 


Translation | Traducción

Marzena Beata Guzowska (Polish—English); Klaas van Gorkum (Dutch—English); e-verba (English—Spanish)
 
   


Copy-editing | Correcciones

Latitudes

Johanna Bishop
English proof-reading of Ryszard Zelichowski’s text (unabridged version) Martin Blaszk
 
   


Distribution | Distribución

Mousse Publishing
 
 


Printing and binding | Impresión y encuadernación

Grafiche Artigianelli, Brescia
 
   


Print-run | Tiraje

1,200 copies
  



ISBN

9788896501832




Newsletter #38: November/noviembre 2011


Newsletter en Español  |  Newsletter in English



UNTIL 15 JANUARY 2012...
'Amikejo: Fermín Jiménez Landa & Lee Welch', fourth and final exhibition of the cycle 'Amikejo' at the Laboratorio 987, Museo de Arte Contemporáneo de Castilla y León, León,
24 September 2011–15 January 2012

Read article by Bea Espejo (El Cultural, 2 August 2011) related to the artists' work and their collaborative working process (in Spanish).

Follow #amikejo


RECENT BLOG POSTS...


 
FROM THE ARCHIVE...

'Exposition Internationale des Art Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne', Meessen De Clercq, Brussels, Belgium, 25 February–16 April 2011. With the participation of Kasper Akhøj (1976, Copenhagen, Denmark. Lives in New York, US); Martí Anson (1967, Mataró, Spain. Lives there); Maria Loboda (1979, Kraków, Poland. Lives in London, UK); Charlotte Moth (1975, Carshalton, UK. Lives in Paris, France); Sarah Ortmeyer (1980, Frankfurt am Main, Germany. Lives there). See photos of the exhibition.






Update: Contents of the forthcoming publication 'Amikejo' to be realised in January 2012 by Mousse Publishing

Photo: Courtesy Musée de la Vallée de la Greule
As announced on our previous post, we are currently editing the forthcoming catalogue 'Amikejo', which concludes the exhibition cycle that has taken place at the Laboratorio 987 in MUSAC, León.

One of the main essays (aside that by Prof. Peter Osborne around the philosophical and the historical development of the 'project space' as a type of art space) is that by Prof. Ryszard Żelichowski, Director for Scientific Research at the Institute of Political Studies of the Polish Academy of Sciences, titled "Neutral Moresnet and Amikejo – The Forgotten Children of the Congress of Vienna", which narrates the story of the small state Neutral Moresnet which, in 1908 became the first Esperanto state and changed its name to 'Amikejo' ('a place of great friendship' in Esperanto).

Below an excerpt of what's to come...
Upon Napoleon’s defeat in 1814, the victorious coalition faced the need to introduce a new order in Europe. European citizens could gain entirely new borders for the states they inhabited; first and foremost however, the coalition saw hope for the improvement of the terms of their nation’s existence. The Congress of Vienna had to deal with these challenges while reconciling the often contradictory expectations of both big and small states.One such challenge was posed by an area of what had been the Aubel canton during the French Empire, which today is part of the Belgian municipality of Kelmis. This territory – more precisely a small part of it – wedged between what is today Belgium and Germany enjoyed a certain amount of independence for over a century, and had many attributes of a sovereign state: its own anthem, flag, currency, and postage stamps. This mini-state, Neutral Moresnet (1816–1919), has been mostly forgotten by historiography, and almost two hundred years since its creation, I would like to commemorate the extraordinary fortune of this tiny piece of land at the heart of Western Europe.

Title: 'Amikejo'
Edited by: Latitudes
Publisher & Distributor: Mousse Publishing and MUSAC
Format: 22,5x15,5cm, 200 pp, hardcover
Language: English/Spanish
Print run: 1,200
Date of publication: Spring 2012


Follow the project on Latitudes' Twitter #Amikejo




Details of the forthcoming 'Amikejo' exhibition catalogue published by Mousse Publishing

Poster of the exhibition cycle. Designed by Latitudes.


We are now editing the 'Amikejo' final publication to be released by Mousse Publishing in Spring 2012. The 200-page-publication will include essays by:

Peter Osborne (Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy at Kingston University London);
Ryszard Żelichowski (Professor and Director for Scientific Research at the Institute of Political Studies of the Polish Academy of Sciences);
Theo Beckers (Former Professor of Leisure Studies at Tilburg University and currently faculty member of the Tilburg Sustainability Center and Visiting Professor of the Chinese Academy of Sciences);
Prof. Dr. Menno Schilthuizen (Research scientist at NCB Naturalis, an endowed chair for Insect Biodiversity at the University of Groningen and an Associate Professorship at Leiden University)

amongst others, as well as texts on each exhibition by Latitudes.

In the meantime some images of the exhibitions on Latitudes' flickr, including the final exhibition 'Amikejo: Fermín Jiménez Landa & Lee Welch', on view at the Laboratorio 987, MUSAC, until 15 January 2012. More soon!




All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)





Newsletter #37 - October/octubre 2011


Newsletter en Español | Newsletter in English

THIS MONTH...

Participation in the symposia 'Antimonuments: Critique of Public Space', Espai d'Art Contemporani de Castelló, Saturday 22 October 2011. Coordinated by Ángela Molina and with the participation of Iria Candela (Assistant Curator, Tate Modern, London), Patricia Esquivias (artist, Madrid), Latitudes (independent curators, Barcelona) and Racons Públics (curator/architect, Barcelona).


UNTIL 15 JANUARY 2012...
'Amikejo: Fermín Jiménez Landa & Lee Welch', fourth and final exhibition of the cycle 'Amikejo' at the Laboratorio 987, Museo de Arte Contemporáneo de Castilla y León, León,
24 September 2011–15 January 2012

Read article by Bea Espejo (El Cultural, 2 August 2011) related to the artists' work and their collaborative working process (in Spanish).

Follow #amikejo

FROM THE ARCHIVE...

Coinciding with the first anniversary of the beginning of 'The Last Newspaper' exhibition at the New Museum (6 October 2010–9 January 2011), readers are now be able to flick through the pages of the exhibition catalogue via Issuu: #0 Contents + Index; #1 The Last Post; #2 The Last Gazette; #3 The Last Register; #4 The Last Star-Ledger; #5 The Last Monitor; #6 The Last Observer; #7 The Last Evening Sun; #8 The Last Journal; #9 The Last Times; #10 The Last Express.

Read the first issue 'The Last Post':


...The rest (#2 to 10 plus #0 with Contents+Index) now available on Issuu!






Opening performance: 'Himno Nacional' (2011) by Fermín Jiménez Landa & Lee Welch in the context of their exhibition 'Amikejo' at the Laboratorio 987, MUSAC

Pasacalles de la Agrupación Musical La Cena por León. Foto: Latitudes | www.lttds.org

'Himno Nacional' (National Anthem, 2011)
A project by Fermín Jiménez Landa & Lee Welch
24 September 2011 at 13:30h (centre of León) and 19.30h (MUSAC)
In the context of 'Amikejo' exhibition cycle at the Laboratorio 987, MUSAC 

"In the context of 'Amikejo' – an exhibition cycle on micro-nations, historical anomalies, common endeavours and optimism – a León marching band has been invited to compose a new national anthem. Composed in the most archaic tradition, markedly romantic, military and patriotic, the anthem enacts a parodic attempt to reach a futile objective: the conquering of a small island in the Aegean Sea through invasion-by-sound.

Forming a journey loop from León to the island and back again, the musical representation of nationhood becomes an end in itself. During the exhibition opening, the 65+ musicians of the Agrupación Musical La Cena paraded through the streets of León (Plaza San Marcelo, Plaza Don Gutierre; Plaza San Martín; Plaza de Regla (in front of the cathedral); and Palacio de Botines) in what could be seen as a playful, ceremonial or military action, and perform an anthem that is familiar in its musical idiom and yet is completely unidentifiable".
  – Fermín Jiménez Landa

Anthem composed by: Juan Ramón Solla Santos, musical director, Agrupación Musical La Cena, León. 



All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)




24 Septiembre, 19h: Inauguración última exposición del ciclo anual 'Amikejo' con Fermín Jiménez Landa & Lee Welch, Laboratorio 987, MUSAC, León. 19.30h: Performance 'Himno Nacional' de Jiménez Landa.

El sábado 24 de Septiembre a las 19h inaugurará la última exposición del ciclo anual 'Amikejo' comisariada por Latitudes. La exposición presentará el trabajo de Fermín Jiménez Landa (1979, Pamplona) y Lee Welch (1975, Louiseville, EEUU) quienes no se conocían antes de que se les invitara a participar en el ciclo. Como si fuera una cuestión de diplomacia internacional, los artistas han tenido que entenderse mutuamente tanto en lo personal como en lo artístico antes de emitir una declaración conjunta, según lo acordado y negociado. Jiménez Landa y Welch han escogido establecer su colaboración en torno a la noción de “micro-nación” y los recursos que definen la soberanía: fronteras, sellos o himnos nacionales

En MUSAC presentan un conjunto de elementos algunos de los cuales se advierten directamente en el Laboratorio 987, mientras que otros documentan fenómenos en lugares remotos, o existen únicamente en la imaginación. Una estructura similar a una plataforma, junto con esculturas que adoptan la forma de portales o hitos fronterizos, crea espacios y herramientas para el encuentro y el debate, además de albergar otras obras bidimensionales y de vídeo. + info...

Eventos inauguración:

Sábado 24 de septiembre, 13:30 h.
'Himno nacional', 2011
Duración aproximada: 60'

A menudo se dice que lo más relevante de un trabajo es el proceso. 'Himno Nacional' (2011) se incorpora y se desdobla en varios elementos, historias y anécdotas. Enmarcado en 'Amikejo', un proyecto expositivo entorno a micro-naciones, anomalías históricas, empresas en común y optimismo, se ha invitado a una popular banda de música de León a que componga un nuevo himno nacional realizado a la más arcaica de las maneras: con un sabor marcadamente romántico, militar y patriótico. El himno se presenta con un objetivo paródico y fútil: la conquista de una pequeña isla situada en el mar Egeo mediante la imposición sonora del himno.

Con un viaje de ida y vuelta, de León a la isla y de la isla a León, la representación musical se convierte en una celebración en sí misma. Durante la inauguración, 65 músicos de la banda desfilarán por las calles de León en lo que podría parecer ser una acción lúdica, conmemorativa o militar, tocando un himno que resulta reconocible en su lenguaje musical y, sin embargo, es totalmente irreconocible.Fermín Jiménez Landa

La banda Agrupación Musical La Cena interpretará el nuevo himno nacional en cinco puntos del casco antiguo de León, entre los cuales se desplazará acompañándose únicamente con la sección de percusión. La banda iniciará su recorrido en la Plaza San Marcelo (13:30 h) prosiguiendo a la Plaza Don Gutierre; Plaza San Martín; Plaza de Regla (frente a la catedral) y finalizará en la Plaza San Marcelo (frente al Palacio de Botines).

A las 19.30h volverán a interpretar el himno en el hall del MUSAC.

Stills video 'Himno Nacional. Conquista de una isla mediante la colocación de un equipo de sonido con un generador de energía limitada emitiendo un himno nacional compuesto por una banda musical de León. (2011) de Fermín Jiménez Landa. Cortesía del artista.
| UK |

The final exhibition of the year-long cycle 'Amikejo' will open on Saturday 24th, 19h, at the Laboratorio 987 space in MUSAC. The exhibition will show new works produced collaboratively by Fermín Jiménez Landa (Pamplona, Spain, 1979) & Lee Welch (Louisville, USA, 1975). Jiménez Landa and Welch did not know each other before the invitation to participate in Amikejo. As if engaged in international diplomacy, the artists have had to understand each other personally and artistically before issuing what might be regarded as a joint statement based on what they have agreed and negotiated, in the form of an exhibition. Jiménez Landa and Welch have chosen to establish their collaboration in relation to the notion of the micronation and devices which delineate sovereignty – borders, stamps, anthems, and so on.

Their works in MUSAC comprise a constellation of diverse performative, discursive, interactive and displayed elements, some of which are directly apparent in the Laboratorio 987 , while others document occurrances at remote locations, or exist only in the imagination. A platform-like structure and sculptures that take the form of portals or border markers constitute spaces and tools for assembly and discussion as well as hosting further two-dimensional and video works. + info...


OPENING EVENTS:

Saturday 24 September, 13:30 h
'Himno Nacional' (National Anthem, 2011) by Fermín Jiménez Landa
Duration: approx. 1h

It is often said that the best thing about a work of art is the process leading up to it. In the case of 'National Anthem' (2011) the work incorporates and unfolds many other elements, histories and anecdotes. In the context of 'Amikejo' – an exhibition project on micro-nations, historical anomalies, common endeavours and optimism – a León marching band has been invited to compose a new national anthem. In the most archaic tradition, markedly romantic, military and patriotic, the anthem enacts a parodic attempt to reach a futile objective: the conquering of a small island in the Aegean Sea through invasion-by-sound.

Forming a journey loop from León to the island and back again, the musical representation of nationhood becomes an end in itself. During the exhibition opening, 65 musicians will parade through the streets of León in what could be seen as a playful, ceremonial or military action, and will perform an anthem that is familiar in its musical idiom and yet is completely unidentifiable.Fermín Jiménez Landa

13.30h: The band Agrupación Musical La Cena will parade through five points of the old town of León playing the new anthem starting at Plaza San Marcelo (13:30 h) and thereafter proceed to the Plaza Don Gutierre; Plaza San Martín; Plaza de Regla (in front of the cathedral); and finalise at the Plaza San Marcelo (in front of the Palacio de Botines).

19.30 h: Parade of the anthem at MUSAC's atrium.


Stills video 'Himno Nacional. Conquista de una isla mediante la colocación de un equipo de sonido con un generador de energía limitada emitiendo un himno nacional compuesto por una banda musical de León. (2011) de Fermín Jiménez Landa. Cortesía del artista.
Síguenos / Follow us: #amikejo y aquí / and here.

Exhibition made possible by the contribution of the Mondriaan Foundation, Amsterdam.




 
Avenida de los Reyes Leoneses, 24
24008 León
T: +34 987 09 00 00; F: +34 987 09 11 11

Martes–Viernes / Tue–Fri: 10–15 / 17–20h
Sábado y Domingo / Sat–Sun: 11–15/ 17–21h
Lunes: cerrado / Monday: closed




Newsletter #36 – September/septiembre 2011


LAST DAYS...

'Amikejo: uqbar (Irene Kolpelman & Mariana Castillo Deball',
Laboratorio 987, 2011 season guest curated by Latitudes, MUSAC, León. Until 11 September.


OPENING 24 SEPTEMBER...


'Amikejo: Fermín Jiménez Landa & Lee Welch', fourth and final exhibition of the exhibition cycle 'Amikejo' at the Laboratorio 987, Museo de Arte Contemporáneo de Castilla y León, León,
24 September 2011–15 January 2012. Opening: Saturday 24 September.

Read article by Bea Espejo (El Cultural, 2 August 2011) related to the artists' work and their working process.



www.youtube.com/LatitudesVideos
www.flickr.com/photos/lttds/




SAVE THE DATE: 24 September opening final 'Amikejo' show with Fermín Jiménez Landa & Lee Welch, Laboratorio 987, MUSAC, León

Invitation for 'Amikejo' exhibition. Photo: Fermín Jiménez Landa & Lee Welch.

Fermín Jiménez Landa (1979, Pamplona, Spain. Lives in Valencia/Pamplona, Spain) & Lee Welch (1975, Louisville, USA. Lives in Rotterdam, The Netherlands) did not know each other before the invitation to participate in Amikejo. As if engaged in international diplomacy, the artists have had to understand each other personally and artistically before issuing what might be regarded as a joint statement based on what they have agreed and negotiated, in the form of an exhibition.
Jiménez Landa and Welch have chosen to establish their collaboration in relation to the notion of the micronation and devices which delineate sovereigntyborders, stamps, anthems, and so on. Their project refers to other historical episodes in addition to Amikejo itself as well as taking inspiration from methodologies which combine fixed parameters with improvisation, such as the directing technique of filmmaker John Cassavetes.

Their works in MUSAC comprise a constellation of diverse performative, discursive, interactive and displayed elements, some of which are directly apparent in the Laboratorio 987, while others document occurrances at remote locations, or exist only in the imagination.

A platform-like structure and sculptures that take the form of portals or border markers constitute spaces and tools for assembly and discussion as well as hosting further two-dimensional and video works. A marching band from León was recruited to compose and perform a national anthem for a new autonomous island state and the founding of this micronation has been documented in video and photography. Companioning this, a series of letters have been sent by the artists using stamps from Moresnet, the republic which anteceded Amijeko.
Jiménez Landa’s and Welch’s joint endeavour considers how art can produce new understanding, memories and communicative possibilities together with an audience.


A catalogue by Mousse Publishing companioning the '
Amikejo' series will be launched in early 2012, following the conclusion of the exhibition cycle.
_

Museo de Arte Contemporáneo de Castilla y León (MUSAC)
Avenida de los Reyes Leoneses, 24

24008 León, SPAIN

www.musac.es




Photo gallery of Uqbar's 'Amikejo' exhibition, on view until 11 September at the Laboratorio 987, MUSAC, León



In the third instalment of the
Amikejo exhibition cycle, uqbar (Irene Kopelman & Mariana Castillo Deball) explore the idea of working together as a subject in itself. The “interchanges, mutations, transmutations, metamorphosis and contaminations that working together entails ... the hybrids we create together, not belonging to one or the other but rather creating an in between zone”, as the artists have described.

The exhibition at the Laboratorio 987 is based on the principal of chirality or ‘handedness’. Chirality is a property of an object that is not superimposable on its mirror image. Human hands are perhaps the most recognizable example of chirality: the left hand is a non-superimposable mirror image of the right hand. Cases of chirality can be found in many different organisms in nature, such as in the twisted petals of certain orchids, shells and fish scales.

General view of the exhibition. Photo: Imagen MAS. Courtesy: the artists and MUSAC, León.

The exhibition is composed of a spiral staircase, which serves as a viewpoint for other artifacts and objects. Uqbar creates a psychedelic chiral ecosystem, featuring hanging papier-mâché epiphyte sculptures and enlarged stone microfossils, as well as “Banyan tree drawings, a video of a chemical reaction, fables among non-humans and drawings of hybrid creatures”.

Watch the video interview with Uqbar about their work in the exhibition:


Via youtube

ABOUT THE ARTISTS

Uqbar is an occasional collaboration between artists Mariana Castillo Deball & Irene Kopelman initiated in 2005. Its practice has led to sculptural installations, seminars and publications, and frequently involves the cooperation of individuals outside the artistic field, including scientists and writers. Uqbar’s projects are often sparked by an oblique investigation into a particular repository of knowledge, and following Jorge Luis Borges (whose fictional place Uqbar lends its name to the foundation) they approach a world through an abundance of possible of meanings and possible histories. Fuga di Un Piano (2009) for Manifesta 7, Rovereto, Italy, for example, took the International Center for the study of Futurism as its point of departure, by presenting in part a future archive of some imagined sculptural creations of a speculative creative automaton.

Uqbar projects include Principle of Hope, Manifesta 7, Rovereto, Italy; Zeno Reminder, Cabinet Magazine Space / Performa 09, New York (2009); Principle of Hope, Manifesta 7, Rovereto, Italia (2008); Transacciones Filosóficas, Museo Astronómico de Córdoba, Argentina (2007); Blackmarket for Useful Knowledge and Non-Knowledge, 10th International Istanbul Biennial (2007); A for Alibi, Utrecht University Museum, Utrecht & De Appel, Amsterdam (2006–8).


'Amikejo' is an exhibition cycle of four exhibitions guest curated by Latitudes, taking place in January, April, June and September 2011 at the Laboratorio 987, MUSAC. A catalogue by Mousse Publishing companioning the exhibition series will be launched in 2012 following the conclusion of the cycle.

Follow us on #amikejo and on Latitudes' website.

Exhibition kindly supported by the Mondriaan Foundation, Amsterdam.




MUSAC
Avenida de los Reyes Leoneses, 24
24008 León, ES
Tue–Fri: 10–15 / 17–20h; Sat–Sun: 11–15/ 17–21h. Monday closed.





SAVE THE DATE: 9 April 2011, 5pm. Opening of the second part of 'Amikejo' with Iratxe Jaio & Klaas van Gorkum, Laboratorio 987, MUSAC, León

Photo: 'Amikejo' advert in Extra Babelia, El País, 19 March 2011

'Amikejo' exhibition season:
Pennacchio Argentato: 29 January–3 April

Iratxe Jaio & Klaas van Gorkum: 9 April–12 June

Uqbar Foundation: 25 June–11 September

Fermin Jiménez Landa & Lee Welch: 24 September–15 January 2012

Throughout 2011 Latitudes is the guest curator of the exhibition season at the Laboratorio 987, titled 'Amikejo'. The series is structured around relational and spatial twinning and presents the work of four collaborative couples, involving various modes of binomial friendships – couples in life, dedicated duos, intermittent work partners and new allies.


The series encompasses a further register of doubling prompted by the relation with a specific remote location: Amikejo. In 1908, the territory then known as Neutral Moresnet located between the Netherlands, Belgium and Prussia, proclaimed itself to be the world's first Esperanto state becoming 'Amikejo' ('place of great friendship' in Esperanto). The association of the exhibition series to 'Amikejo' not only implicates the spatial functions of the ‘neutral’ spaces of art and the special characteristics of museum project spaces, yet also establishes a similitude with the desire to institute a shared and effective means of communication, between participants and with the world.

The first exhibition presented a new production by the Neapolitan duo Pennacchio Argentato, which included a group of rough 'muscular' sculptures. Together with poster images of former bodybuilder Arnold Schwarzenegger and a structure of metal bars, the space evoked an unreceptive gymnasium in which an abstract body was called upon to perform and exhibit itself.

Above: Installation views exhibition 'Amikejo: Pennacchio Argentato' at Laboratorio 987.
Courtesy the artists. Photos: Latitudes | www.lttds.org


For the second chapter of the exhibition series, Rotterdam-based artists Iratxe Jaio and Klaas van Gorkum present a project around the changing values of labour and property, examining alternative personal and political readings of common cultural heritage. As the artists have explained, “Klaas’s grandfather belonged to a generation for whom ‘free time’ should be spent doing something productive. When he retired, he had his former colleagues at the factory weld together a lathe for him, so that he could take up woodturning. In old age, he was able to augment his modest pension by selling the products of his hobby to the community that formed his social network at that time. When he died, he left his son a cigar box filled with magazine clippings, sketches and blueprints of different objects made by turning wood, with the idea that it might come in handy some day.”

Jaio and van Gorkum have taken the contents of this box as the point of departure for a conceptual and reflexive exploration of the notion of artistic production. During the previous year they have been tracing what is left of the legacy of Gorkum’s grandfather, Jos van Gorkum (1911–1996), locating almost eighty items in the homes of an extended network of family, friends and former neighbours across the Netherlands. A selection of around thirty of these handcrafted artefacts – including candlestick holders, bowls, lamp bases, stands for houseplants and gavels – have been borrowed from their owners to be displayed in the exhibition at MUSAC, and are shown alongside photographs of these objects in their original home environment. (
+ info...)

Photos: Courtesy of the artists. www.parallelports.org

MUSAC
Avenida de los Reyes Leoneses, 24
24008 León, SPAIN (MAP)




SAVE THE DATE: 'Amikejo: Pennacchio Argentato', Laboratorio 987, MUSAC, León. Opening: Saturday 29 January

Amikejo: Pennacchio/Argentato (29 January–27 March 2011)
Amikejo: Iratxe Jaio & Klaas van Gorkum (9 April–12 June 2011)
Amikejo: Uqbar Foundation (25 June–11 September 2011)
Amikejo: Fermin Jiménez Landa & Lee Welch (24 September 2011–15 January 2012)

| UK |

Amikejo is a series of four exhibitions at the Laboratorio 987 of MUSAC that is structured around relational and spatial twinning.
These artistic pairings involve various modes of binomial friendships – couples in life, dedicated duos, intermittent work partners, as well as new allies. The artist partnerships involve an overall 50–50 split of male and female practitioners, as well as Spanish-speaking and foreign origins.

The series encompasses a further register of doubling prompted by a critical reflection on the conditions and expectations of a ‘project space’ such as Laboratorio 987 within today’s contemporary art museum. Such a site is typically annexed from a hosting institution, independent yet attached, with the understanding that different, more ad-hoc and agile laws apply. Nonconformist and at the same time authorized, and following spatial theories such as Michel Foucault’s ‘heterotopia’, a project space is a typology that is neither here nor there.

Shadowing Robert Smithson’s concept of the ‘non-site’ (an indoor artwork physically and mentally paired with an outdoor site), the Laboratario 987 space has been assigned a relation with a specific remote location for the 2011 season: Amikejo.

Amikejo was an anomalous in-between state which never entirely existed, and was founded on a desire to foster more effective international communication through the synthetic language Esperanto. Following treaties of the early 19th Century, a tiny 3½ km2 wedge of land between the Netherlands, Belgium and Prussia was established as a neutral area because of an important zinc mine. In 1908 the 2,500 identity-less citizens of Neutral Moresnet, as it was known, declared it to be the world’s first Esperanto state: Amikejo (‘place of great friendship’ in Esperanto). A national anthem was constituted and stamps and a flag were designed. Yet in the wake of the first World War, Germany relinquished its claim to the disputed territory, and Amikejo-Moresnet disappeared from the map as it became part of Belgium, although border markers still exist to this day. This episode-place, between pragmatic and conceptual borders of cartography, language, nationhood, and subjectivity, is entreated as a twin site to Laboratorio 987 and lends its name and symbolic implications to the exhibition series.

For the first exhibition of the season, Neapolitan duo Pennacchio Argentato will present a new installation based on an exhibition's expectations of performance and interactivity. By transforming the
Laboratorio 987 space into an absurd and abstracted gym, the duo will frame their own activity by addressing the ideas of leisure and overproduction.
Marisa Argentato (born Naples, Italy, 1977) & Pasquale Pennacchio (born in Caserta, Italy, 1979). Live and work in Naples and Berlin. Solo exhibitions include: 'Five o’clock shadows', T293, Rome; 'The New Boring', Midway Contemporary Art, Minneapolis (2010); 'Landings 4', Landings, Vestfossen, Norway (2010); 'Do It Just', Galerie Opdahl, Berlin (2009); 'Estate', T293, Naples (2007) and 'Blind Date', Viafarini, Milan (2002). Group exhibitions include 'SI - Sindrome Italiana', Magasin, Centre National d'Art Contemporain de Grenoble, Grenoble (2010); 'Dude, where's my Career?', MMK Zollamt / Portikus, Frankfurt (2009); 'A long time ago, last night', Gallery Kortil, Rijeka, Croatia (2008); Aspen Project (Part III), Neue Alte Brücke, Frankfurt am Main (2007); 'Cinema infinito / Neverending Cinema', Galleria Civica d’Arte Contemporanea, Trento (2006).

Iratxe Jaio (born Markina-Xemein, Basque Country, 1976) & Klaas van Gorkum (born Delft, the Netherlands, 1975). Live and work in Rotterdam, the Netherlands. Solo projects include 'Quédense dentro y cierren las ventanas/ Stay inside. Close windows and doors', produced by consonni, Bilbao, and the municipality of Utrecht (2008); 'Let me hold your hand', Centre for Visual Introspection, Bucharest (2008) and 'Meanwhile, in the living room...', Centro Cultural Montehermoso, Vitoria-Gasteiz. Group exhibitions include 'The People United Will Never Be Defeated', TENT Center for Contemporary Art, Rotterdam (2010); 'Gure Artea 2008', Sala Rekalde, Bilbao (2008); 'Wij waren in Overvecht / We were in Overvecht', Centraal Museum, Utrecht (2008) and 'Radiodays', De Appel, Amsterdam (2005).

Uqbar Foundation [Mariana Castillo Deball (born 1975, Mexico City, Mexico) & Irene Kopelman (born 1976, Córdoba, Argentina)]. Live and work in Amsterdam, the Netherlands. Uqbar Foundation projects include 'Zeno Reminder', Cabinet Magazine Space / Performa 09, New York (2009);
'Principle of Hope', Manifesta 7, Rovereto, Italy (2008); 'Transacciones Filosóficas', Museo Astronómico de Córdoba, Argentina (2007); 'Blackmarket for Useful Knowledge and Non-Knowledge', 10th International Istanbul Biennial (2007); 'A for Alibi', Utrecht University Museum, Utrecht & De Appel, Amsterdam (2006–8).

Fermín Jiménez Landa (born Pamplona, Spain, 1979. Lives in Valencia, Spain) & Lee Welch (born Louisville, USA, 1975. Lives in Rotterdam, the Netherlands).
Jiménez Landa's solo exhibitions include 'No muy a menudo, ni muy poco', Galería Valle Ortí, Valencia (2010); 'Actos oficiales', Sala Montcada, Caixaforum, Barcelona (2008). Group shows include 'Welcome Home', Galería Moisés Pérez de Albéniz, Pamplona (2010); 'Kairós: Moments de Claredat', Sala Muncunill, Terrassa, Spain (2009); 'Nostalgia del futuro', Centro del Carmen, Valencia; 'Creación Injuve 09', Cículo de Bellas Artes, Madrid (2009); 'Entornos próximos', Artium, Vitoria-Gasteiz (2006).

Solo exhibitions by Lee Welch include 'At the still point of the turning world', Galway Arts Centre, Galway (2009); and 'Never Odd or Even and other pieces', The LAB, Dublin (2008). Group exhibitions include 'We have the final proof', Andreiana Mihail Gallery, Bucharest; Clifford Irving Show, Kadist Art Foundation, Paris (2009); work.in.space, Connaught House, Dublin (2009); 'It’s not for reading. It’s for making', FormContent, London (2009); 'Non-knowledge', Project Arts Centre, Dublin (2008); and 'Play', Draíocht Arts Centre, Dublin (2008).


Pennacchio Argentato, view of the exhibition 'Five o'clock shadows', T293 Rome.
Courtesy of the artist and T293, Naples.
| ES |
Amikejo: Pennacchio/Argentato (29 Enero–27 Marzo 2011)
Amikejo: Iratxe Jaio & Klaas van Gorkum (9 Abril–12 Junio 2011)
Amikejo: Uqbar Foundation (25 Junio–11 Septiembre 2011)
Amikejo: Fermin Jiménez Landa & Lee Welch (24 Septiembre 2011–15 Enero 2012)

Amikejo es una serie de cuatro exposiciones en el Laboratorio 987 del MUSAC estructurada entorno al hermanamiento relacional y espacial. Estas parejas artísticas implican distintos modos de amistades binomiales - parejas de vida, dedicados dúos, socios intermitentes y nuevos aliados. Las colaboraciones se dividen en un 50% de profesionales masculinos y un 50% femeninos, así como una mezcla equitativa de orígenes de hispanos y extranjeros.

La serie incluye además un registro adicional de desdoblamiento a raíz de una reflexión crítica sobre las condiciones y expectativas que genera un espacio museístico destinado a proyectos como es el Laboratorio 987. Este lugar normalmente figura como anexo de la institución anfitriona, independiente y al mismo tiempo adjunto, con el entendimiento de que leyes diferentes o ritmos más ágiles son aplicables. Partiendo de las teorías acerca de la ‘heterotopia’ de Foucault, este ‘project space’ no es ni aquí ni allí. Siguiendo la teoría del ‘non-site’ (una obra de arte está vinculada física y mentalmente con un sitio al aire libre) de Robert Smithson, se planteará una relación del Laboratorio 987 con una ubicación remota y al mismo tiempo específica:
Amikejo.
Amikejo (‘lugar de gran amistad’ en Esperanto) fue un anómalo estado que nunca existió del todo, fundado con el deseo de fomentar una comunicación internacional más eficaz a través de un idioma sintético, el Esperanto. A raíz de los tratados de principios del siglo XIX, una pequeña cuña de 3,5 km2 de terreno entre los Países Bajos, Bélgica y Prusia se fundó como Moresnet Neutral gracias a los intereses que surgieron entorno a una importante mina de cinc. En 1908 sus 2,500 ciudadanos apátridas, se autodeclararon como el primer estado Esperanto: Amikejo. Se creó un himno nacional y se diseñaron sellos y una bandera. Sin embargo, a raíz de la primera guerra mundial, Alemania renunció a su derecho al territorio en disputa y Moresnet Neutro/Amikejo, desapareció del mapa y se convirtió en parte de Bélgica, aunque los límites de su frontera todavía existen hoy en día. Este episodio, entre las fronteras de lo pragmático y lo conceptual de la cartografía, del idioma, la nacionalidad y la subjetividad, se convertirá en un sitio hermanado al Laboratorio 987 y prestará su nombre y las implicaciones simbólicas a la temporada de exposiciones del 2011 del MUSAC.

Marisa Argentato (Nápoles, Italia, 1977) & Pasquale Pennacchio (Caserta, Italia, 1979). Viven y trabajan en Nápoles y Berlin. Exposiciones individuales incluyen:
'Five o’clock shadows', T293, Rome; 'The New Boring', Midway Contemporary Art, Minneapolis (2010); 'Landings 4', Landings, Vestfossen, Norway (2010); 'Do It Just', Galerie Opdahl, Berlin (2009); 'Estate', T293, Naples (2007) and 'Blind Date', Viafarini, Milan (2002). Group exhibitions include 'SI - Sindrome Italiana', Magasin, Centre National d'Art Contemporain de Grenoble, Grenoble (2010); 'Dude, where's my Career?', MMK Zollamt / Portikus, Frankfurt (2009); 'A long time ago, last night', Gallery Kortil, Rijeka, Croatia (2008);Aspen Project (Part III), Neue Alte Brücke, Frankfurt am Main (2007); 'Cinema infinito / Neverending Cinema', Galleria Civica d’Arte Contemporanea, Trento (2006).

Iratxe Jaio (Markina-Xemein, País Basco, 1976) & Klaas van Gorkum (Delft, Holanda, 1975). Viven y trabajan en Róterdam,
Holanda. Exposiciones individuales incluyen: 'Quédense dentro y cierren las ventanas/ Stay inside. Close windows and doors', produced by consonni, Bilbao, and the municipality of Utrecht (2008); 'Let me hold your hand', Centre for Visual Introspection, Bucharest (2008) and 'Meanwhile, in the living room...', Centro Cultural Montehermoso, Vitoria-Gasteiz. Group exhibitions include 'The People United Will Never Be Defeated', TENT Center for Contemporary Art, Rotterdam (2010); 'Gure Artea 2008', Sala Rekalde, Bilbao (2008); 'Wij waren in Overvecht / We were in Overvecht', Centraal Museum, Utrecht (2008) and 'Radiodays', De Appel, Amsterdam (2005).

Uqbar Foundation [Mariana Castillo Deball (1975, México DF, México) & Irene Kopelman (1976, Córdoba, Argentina)]. Viven y trabajan en Amsterdam, Holanda.
Proyectos de Uqbar Foundation incluyen: 'Zeno Reminder', Cabinet Magazine Space / Performa 09, New York (2009);
'Principle of Hope', Manifesta 7, Rovereto, Italy (2008); 'Transacciones Filosóficas', Museo Astronómico de Córdoba, Argentina (2007); 'Blackmarket for Useful Knowledge and Non-Knowledge', 10th International Istanbul Biennial (2007); 'A for Alibi', Utrecht University Museum, Utrecht & De Appel, Amsterdam (2006–8).

Fermín Jiménez Landa (Pamplona, 1979. Vive en Valencia) & Lee Welch (Louisville, Estados Unidos, 1975. Vive en Róterdam, Holanda).
Exposiciones individuales de Jiménez Landa incluyen: 'No muy a menudo, ni muy poco', Galería Valle Ortí, Valencia (2010); 'Actos oficiales', Sala Montcada, Caixaforum, Barcelona (2008). Exposiciones colectivas incluyen: 'Welcome Home', Galería Moisés Pérez de Albéniz, Pamplona (2010); 'Kairós: Moments de Claredat', Sala Muncunill, Terrassa, Spain (2009); 'Nostalgia del futuro', Centro del Carmen, Valencia; 'Creación Injuve 09', Cículo de Bellas Artes, Madrid (2009); 'Entornos próximos', Artium, Vitoria-Gasteiz (2006).
Exposiciones individuales de Lee Welch incluyen: 'At the still point of the turning world', Galway Arts Centre, Galway (2009); y 'Never Odd or Even and other pieces', The LAB, Dublin (2008). Exposiciones colectivas incluyen: 'We have the final proof', Andreiana Mihail Gallery, Bucharest; Clifford Irving Show, Kadist Art Foundation, Paris (2009); work.in.space, Connaught House, Dublin (2009); 'It’s not for reading. It’s for making', FormContent, Londres (2009); 'Non-knowledge', Project Arts Centre, Dublin (2008); and 'Play', Draíocht Arts Centre, Dublin (2008).



Museo de Arte Contemporáneo de
Castilla y León (MUSAC)
Avenida de los Reyes Leoneses, 24
24008 León, Spain
(T) +34 987 09 00 00
(F) +34 987 09 11 11
[email protected]

www.musac.es




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