Cover Story – June 2017: "Moth light—Absent Forms"


The June 2017 Monthly Cover Story ""Moth light—Absent Forms"" is now up on www.lttds.org after June it will be archived here

"The Latitudes-curated Exposition Internationale des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne opened at Meessen De Clercq, Brussels, in February 2011. More a series of five interlinked solo presentations than a conventional thematic group exhibition, it featured the work of Kasper Akhøj, Martí Anson, Maria Loboda, Charlotte Moth and Sarah Ortmeyer." Continue reading

Cover Stories' are published on a monthly basis on Latitudes' homepage and feature past, present or forthcoming projects, research, writing, artworks, exhibitions, films, objects or field trips related to our curatorial activities. 

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January 2016 Monthly Cover Story: Kasper Akhøj's Eileen Gray’s E.1027


NEW YEAR / 
NEW MONTH / 
NEW MONTHLY COVER STORY /

The January "Cover Story" features a black-and-white photo by Danish artist Kasper Akhøj taken from the living room of Eileen Gray's E.1027, the seaside villa built at Roquebrune-Cap-Martin, France, in the late 1920s. The image is part of the series 'Welcome (TO THE TEKNIVAL)' that Kasper has been working on since 2008 examining the process of restoration and the convoluted history of this icon of modern architecture. On January 16, Kasper will open a solo show at Ellen de Bruijne PROJECTS, Amsterdam. A publication designed by Copenhagen-based designer Anni's will include an essay by Latitudes’s Max Andrews.

We first got to know Kasper in 2007 in the United Arab Emirates. Kasper was there installing 'Autoxylopyrocycloboros' (2006) for Simon Starling as part of Sharjah Biennial 8, while we were there curating the biennial’s symposium. Four years later, in 2011, we were delighted to include Kasper’s work in the Latitudes’ group show Exposition International des Art Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne (International Exhibition of Modern Decorative and Industrial Arts & Art and Technology in Modern Life) at Meessen De Clercq, Brussels, in 2011. Here he presented a slideshow which centred on the ‘Abstracta’ display system, originally designed by the Danish architect and designer Poul Cadovious in the 1960s. 

Happy 2016! 



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Exhibition views: 'Exposition internationale des arts décoratifs et industriels modernes & des arts et techniques dans la vie moderne', until 16 April

'Exposition internationale des arts décoratifs et industriels modernes & des arts et techniques dans la vie moderne', February 25 – April 16, 2011, Meessen de Clercq, Brussels, Belgium

'EXPOSITION INTERNATIONALE DES ARTS DÉCORATIFS ET INDUSTRIELS MODERNES & DES ARTS ET TECHNIQUES DANS LA VIE MODERNE' With works by: Kasper AKHØJ, Martí ANSON, Maria LOBODA, Charlotte MOTH and Sarah ORTMEYER
25 February–16 April 2011
 

Meessen de Clercq, Rue de l’Abbaye 2a
B-1000 Brussels, Belgium

The Exposition Internationale des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne (International Exhibition of Modern Decorative and Industrial Arts & Art and Technology in Modern Life) presents projects by five contemporary visual artists which engage with specific instances of modernity as represented through industrial or domestic design. A world-famous tower, a street, a range of furniture, a modular display system, and textile patterns, have been metaphorically taken apart before being reconstituted, sometimes literally, through artistic practices and personal affiliations which incorporate historical research, travel, tribute and scenography, for example.

Running counter to the modernist spirit of rationality, clarity and empiricism, the artists’ often playful engagements deal with anecdotal, subjective, and frequently deliberately imprecise applications. Their projects engage with disciplines traditionally outside of the domain of the visual arts, and in doing so they invite a renegotiation of a design’s intended use, and an interest in the point at which apparent aesthetic surplus or redundancy modifies or reconstructs an object’s meaning or efficacy. The artists’ works furthermore operate with a heightened awareness or awkwardness of their being exhibited (and alongside a synthesized ‘period’ exhibition title taken from conjoining the names of the Paris Worlds’ Fairs from 1925 and 1937). Theatricality and commercial or museological display strategies are the restraints and releases, or the actual subject, of the artists’ articulations. (+ info...)

All photos: Philippe de Gobert




Newsletter #31 - March/Marzo 2011



FORTHCOMING IN APRIL 2011...

'Amikejo: Iratxe Jaio & Klaas van Gorkum',
Laboratorio 987, 2011 season guest curated by Latitudes, MUSAC, León. 9 April - 12 June 2011. Opening: 9 April

EXHIBITIONS CURRENTLY ON VIEW...


Guest curators of the Laboratorio 987 2011 season, MUSAC, León: inaugural exhibition 'Amikejo: Pennacchio Argentato', on view until 27 March 2011 – see installation views here.

'Christina Hemauer & Roman Keller: United Alternative Energies', Aarhus Art Building, Århus, Denmark, on view until 3 April 2011
– see installation views here.

'Exposition Internationale des Art Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne' showing works by Kasper Akhøj; Martí Anson; Maria Loboda; Charlotte Moth and Sarah Ortmeyer. Meessen De Clercq, Brussels, Belgium, on view until 16 April 2011 - see installation views here


Latitudes' web www.lttds.org
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Installing 'Exposition Internationale des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne' at Meessen De Clercq


Opening: Thursday 24 February 2011, 6–9pm.
With works by Kasper Akhøj (1976, Copenhagen, Denmark. Lives in New York, US); Martí Anson (1967, Mataró, Spain. Lives there); Maria Loboda (1979, Kraków, Poland. Lives in London, UK); Charlotte Moth (1975, Carshalton, UK. Lives in Paris, France) and Sarah Ortmeyer (1980, Frankfurt am Main, Germany. Lives there).

The Exposition International des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne (International Exhibition of Modern Decorative and Industrial Arts & Art and Technology in Modern Life) presents projects by five contemporary visual artists which engage with specific instances of modernity as represented through industrial or domestic design. A world-famous tower, a street, a range of furniture, a modular display system, and textile patterns, have been metaphorically taken apart before being reconstituted, sometimes literally, through artistic practices and personal affiliations which incorporate historical research, travel, tribute and scenography, for example. (+ info...)


Meessen De Clerq
Abdijstraat 2a Rue de l'Abbaye
1000 Brussels, BELGIUM
Tuesday to Saturday 11am – 6pm
T: +32 (0) 2 644 34 54
E: [email protected]
W: www.meessendeclercq.be


Installation pictures: Latitudes | www.lttds.org




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