The July 2018 Monthly Cover Story "No Burgers for Sale" is now up on Latitudes' homepage: www.lttds.org
"In 1983, a Burger King opened on New York’s Governors Island, then a U.S. Coast Guard base. It was the first franchise to serve beer. After scoffing a Whopper combo, officers and enlisted men could enjoy a round of golf, play bingo, go to the movies, or throw balls at the adjacent bowling alley. In 1999, this Burger King featured in issue 615 of ‘The Amazing Spider-man’. After almost two centuries operating as a federal or military facility, the Island was vacated in 1996, and the Burger King shut up shop. The remnants were photographed in 2003 by Andrew Moore and Lisa Kereszi."
No burgers were on sale though, just wooden pretzels!
—> Continue reading
—> Project photo documentation
—> After July 2018 it will be archived here.
Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial activities.
- Archive of Monthly Cover Stories
- Cover Story—June 2018: Near-Future Artworlds Curatorial Disruption Foresight Group 4 June 2018
- Cover Story – May 2018: "Shadowing Roman Ondák" 7 May 2018
- Cover Story – April 2018: "Cover Story—April 2018: Dates, 700 BC to the present: Michael Rakowitz" 3 April 2018
- Cover Story – March 2018: "Armenia's ghost galleries" 6 March 2018
- Cover Story – February 2018: Paradise, promises and perplexities 5 February 2018
- Cover Story – January 2018: I'll be there for you, 2 January 2018
- Cover Story – December 2017: "Tabet's Tapline trajectory", 4 December 2017
- Cover Story – November 2017: "Mining negative monuments: Ângela Ferreira, Stone Free, and The Return of the Earth", 1 November 2017
- Cover Story – October 2017: Geologic Time at Stanley Glacier 11 October 2017
- Cover Story – September 2017: Dark Disruption. David Mutiloa's 'Synthesis' 1 September 2017
- Cover Story – August 2017: Walden 7; or, life in Sant Just Desvern 1 August 2017
- Cover Story – July 2017: 4.543 billion 3 July 2017
- Cover Story – June 2017: Month Light–Absent Forms 1 June 2017
- Cover Story – May 2017: S is for Shale, or Stuart; W is for Waterfall, or Whipps 1 May 2017
- Cover Story – April 2017: Banff Geologic Time 3 April 2017
- Cover Story – March 2017: Time travel with Jordan Wolfson 1 March 2017
On Saturday 3 October at 8pm, High&Low Bureau will talk about their practice in relation to the subjects in the film programme. They will be joint by 'Scenographies' curator, Clare Butcher.
All photos: Latitudes (except when noted otherwise in the photo caption)
Publication "A Chronology of Energy- and Art-Related Developments (2013, ongoing)" edited by Christina Hemauer and Roman Keller
Last week we received a copy of the wonderful publication by Zürich-based artists Christina Hemauer and Roman Keller, with whom we have collaborated twice in the past, on the Portscapes commission series in 2009 (see photos of project here and a 'making of' video here) and on their solo exhibition 'United Alternative Energies' in 2011 in Kunsthal Århus, Denmark.
Christina Hemauer and Roman Keller maintain the thesis that throughout history, culture and energy have been reciprocal entities: technological change determines cultural achievements and vice versa.
Latitudes contributed six entries, those of 1901 (Giacomo Balla's "Street Light"), 1956 (Atsuko Tanaka's "Electric Dress"), two entries for 1972 (Victor Grippo's "Energy of a Potato" and Gustav Metzger's "Project for Stockholm (phase 1)", ca. 1987 (Fischli & Weiss's "The Way Things Go") and 2003 (Simon Starling's "Tabernas Desert Run").
The book was made possible by a Dr. Georg und Josi Guggenheim-Stiftung 2012 grant.
Christina Hemauer & Roman Keller
182 pages, 20 x 27 cm, in two colours, linen binding
CHF 38 / EUR 30
All photos: Latitudes (except when noted otherwise in the photo caption)
Conferencia "El contrato curatorial: analogías y casos de estudio". Jueves 14 Junio a las 20h, CGAC, Santiago de Compostela
"El contrato curatorial: analogías y casos de estudio" analiza modelos extraídos de personajes de la cultura popular así como la terminología legal que pueden ayudarnos a definir algunos de los códigos éticos y profesionales que se establecen entre artistas y comisarios. A través del proyecto editorial 'The Last Newspaper' realizado por Latitudes en el New Museum en el 2010, se especulará sobre dicha relación y sobre como ésta dialoga con el público como participante del proceso curatorial.
CGAC (Centro Galego de Arte Contemporánea)
15704 Santiago de Compostela
T: 981 546619
| UK |
The lecture "The curatorial contract: analogies and case studies" draws from popular culture and legal terminology to help define some of the ethical and professional codes at work between artists and curators. Through the editorial project 'The Last Newspaper' developed by Latitudes at the New Museum in 2010, the presentation will speculate on this relationship and how it dialogues with the public-as-participant.
Conference organised in collaboration with the Máster en Arte, Museología y Crítica Contemporáneas where on June 15, Latitudes will be visiting lecturers and discuss a range of their projects including No Soul for Sale (at X Initiative and at Tate Modern), Portscapes, Campus and Amikejo.
CGAC (Centro Galego de Arte Contemporánea)
Rúa Valle Inclán s/n
15704 Santiago de Compostela
T: 981 546619
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
MACBA’s Centre d'Estudis i Documentació (MACBA Study Centre) and The Banff Centre Library (Banff, Canada) hold reference copies of all of our publications – including the 2006 publication 'Land, Art: A Cultural Ecology Handbook' (out of print); exhibition catalogues such as Amikejo (2011), 'Greenwashing. Environment: perils, promises and perplexities' (2008) and The Last Newspaper (2010), the monograph 'Lara Almarcegui, Projects 1995–2010’ (2010) publications accompanying projects such as Ignasi Aballí's Nothing or Something (2009), Simon Fujiwara's Museum of Incest (2009), Mataró Chauffeur Service (2010), Campus (2011) or Portscapes' (2010) limited edition which includes Jan Dibbets' DVD with his commissioned film '6 hours tide object with correction of perspective' (1969–2009); exhibition booklets of the exhibition 'Exposition International...' at Meessen de Clercq in Brussels, and that dedicated to Lawrence Weiner 2008 exhibition at Fundació Suñol.
MACBA's library also holds two further references: a recording of the conversation we organised as part of our #OpenCurating research with Dia Art Foundation Curator, Yasmil Raymond in 2013, later published as the #7 in the download-free edition; and Charley Independents, the issue that appeared coinciding with our participation in the second iteration of the festival 'No Soul for Sale' launched at TATE Modern in 2010.
Below is a list of all our publications and links to the distributors from where you can purchase them:
'Greenwashing. Environment: Perils, Promises and Perplexities' (The Bookmakers Ed. / Archive Books, 2008)
Out of print. Available for consultation at MACBA's library.
More images of the fifth March Meeting and other related events on our Flickr.
All photos: Latitudes | www.lttds.org (except where noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Latitudes participates in the fifth annual March Meeting organised by Sharjah Art Foundation, 17–19 March 2012, Dar Al Nadwa, Heritage Area, Sharjah
The March Meeting and related events are free and open to the public. Registration is recommended at [email protected] Read more here.
March Meetings 2012
Dar Al Nadwa, Heritage Area
United Arab Emirates
Participation in the symposia 'Antimonuments: Critique of Public Space', Espai d'Art Contemporani de Castelló, Saturday 22 October 2011. Coordinated by Ángela Molina and with the participation of Iria Candela (Assistant Curator, Tate Modern, London), Patricia Esquivias (artist, Madrid), Latitudes (independent curators, Barcelona) and Racons Públics (curator/architect, Barcelona).
'Amikejo: Fermín Jiménez Landa & Lee Welch', fourth and final exhibition of the cycle 'Amikejo' at the Laboratorio 987, Museo de Arte Contemporáneo de Castilla y León, León, 24 September 2011–15 January 2012.
Read article by Bea Espejo (El Cultural, 2 August 2011) related to the artists' work and their collaborative working process (in Spanish).
FROM THE ARCHIVE...
Read the first issue 'The Last Post':
Participación en el simposio 'Antimonumentos: Crítica en el Espacio Público', Espai d'Art Contemporani de Castelló, Sábado 22 Octubre 2011
10.30 h: Ángela Molina Climent, Organizadora del simposio: 'ANTIMONUMENTOS: CRÍTICA EN EL ESPACIO PÚBLICO'
Más allá de su papel como sitey depósito de obras de arte, el museo como instrumento cultural –que se ha ido desarrollando paralelamente a la museización de la propia cultura– es una institución normalizadora y disciplinaria. Como repositorios de objetos del pasado, los museos dan sentido a la historia, pero también construyen activamente las relaciones entre la producción de la subjetividad y la producción de objetos materiales. Durante los últimos años, con la tendencia a fusionar los lugares de producción y exhibición (lugares discursivos), todo el aparato institucional que rodea a la obra participa en la creación de nuevos valores y significados estéticos. El activismo y el arte han transformado sus estrategias para producirgrupos de artivistas favorables a una concepción educativa y participativa de la institución. En este simposio, artistas, comisarios, historiadores y urbanistas hablarán de la necesidad de una crítica independiente desde el espacio público, con el fin de perturbar una cultura dominante que depende de un sistema de valores y líneas de autoridad aparentemente incólumes.
Ángela Molina Climent es Licenciada en Filología Española y doctora en Teoría de la Literatura y Literatura Comparada por la Universitat Autònoma de Barcelona (UAB), ejerció la crítica de arte en el suplemento de cultura del diario ABChasta 2000. Desde 2001 colabora en las secciones de arte y literatura de los suplementos culturales Babeliay Quadern (El País), y en publicaciones especializadas (LARS, Revista de Libros). Ha dirigido la revista de arte y pensamiento Art&Co, y es especialista en teoría feminista y estudios de género. Editora del libro Los Lugares de la Crítica(Ed. Universidad Pública de Navarra, 2011) y autora de La máquina de las solterasde próxima publicación (Ed. Periférica).
11 h: Iria Candela: 'LATINOAMÉRICA: LA CALLE COMO EXPERIMENTO'
El arte en Latinoamérica de las dos últimas dos décadas viene ensayando formas de intervención poético-políticas en la ciudad que difieren de las prácticas subversivas y anti-institucionales de las dos décadas anteriores, caracterizadas por el represivo contexto de las dictaduras. Estas nuevas formas se insertan en los diversos procesos de democratización y desdemocratización que experimenta el continente, cuestionando ciertos modelos culturales de la globalización y apuntando nuevos desafíos en el interfaz entre estética y política. Se discutirán algunos ejemplos destacados, como las intervenciones recientes de Héctor Zamora en Bogotá o Regina José Galindo en Guatemala.
Iria Candela es curadora adjunta en la Tate Modern de Londres desde 2009, donde ha trabajado en exposiciones de artistas como Theo van Doesburg, Gabriel Orozco, Alejandro Cesarco y, actualmente, Tacita Dean y Roy Lichtenstein, entre otros. Es doctora en Historia del Arte por la Universidad Autónoma de Madrid y máster en Arte Moderno por Columbia University de Nueva York.Autora de los libros Sombras de Ciudad. Arte y transformación urbana en Nueva York 1970-1990 (Alianza, 2007) y Joan Miró(Tate, 2011), ha realizado la edición crítica del catálogo Francesc Torres. Da Capo(Macba, 2009). Ha escrito sobre arte para publicaciones como The Burlington Magazine, Lápiz,Tate EtcyEl País, y ha impartido ponencias en las universidades de Harvard, Oxford y Sorbonne. Miembro del Comité de Adquisiciones Latinoamericanas de la colección de la Tate, actualmente ultima la publicación de un libro sobre arte contemporáneo en América Latina.
Patricia Esquivias observa Castellón a la distancia y reflexionará en torno a su identidad geográfica. Compuesto de pequeños monólogos dirigidos a una señora alemana, que ocupa en la obra el papel de censora, Liebe Frauexpone los problemas que supone hablar de realidades estrambóticas. Al igual que en otros trabajos de la serie Folklore(videos seudoeducativos sobre España), la artista elaborará exquisitas asociaciones entrelazando referencias personales, cotidianas e históricas. En Liebe Frau, Esquivias llevará un paso más allá la naturaleza subjetiva de su trabajo, y pondrá en evidencia la limitación del lenguaje para explicar ciertas idiosincracias.
Patricia Esquivias nació en Caracas y creció en Madrid. Estudió arte en Londres y San Francisco. En Madrid trabajó junto con Manuela Moscoso en la programación de los29enchufes. Desde el 2005 trabaja en video y ha expuesto sus trabajos entre otros en Madrid (Museo Nacional Reina Sofía, Galería Maisterravalbuena, Centro de Arte Dos de Mayo), Alemania (Frankfurter Kunstverein, 5th Berlin Biennale), Nueva York (White Columns, Murray Guy, New Museum), Italia (Arcos Museum, Artissima) y en Inglaterra (East International, Royal College of Art). Actualmente disfruta de una beca en la Akademie Schloss Solitude en Stuttgart.
|'Making of' de Jan Dibbets '6 hours tide object with correction of perspective' (2009).|
Con la participación de diez artistas de diversos países (Lara Almarcegui, Bik van der Pol, Jan Dibbets, Marjolijn Dijkman, Fucking Good Art, Ilana Halperin, Roman Keller and Christina Hemauer, Paulien Oltheten, Jorge Satorre y Hans Schabus (web: Maria Barnas (poesía) y Markus Miessen (entrevistas)), el proyecto Portscapesexaminó las implicaciones físicas y conceptuales de los nuevos horizontes del Maasvlakte 2, la extensión de la zona portuaria e industrial de Róterdam, la más extensa de Europa, que entre el 2008 y 2013 robará 2.000 hectáreas de terreno al mar. Portscapes giró entorno al leitmotifitinerarios y destinaciones, creando proyectos de escala y temporalidad variable (performances, excursiones, esculturas efímeras y proyecciones), con la intención de desarrollarse como una guía de la zona portuaria que se extiende a lo largo 40 kilómetros. En el simposio se analizarán cuatro proyectos de Portscapes, los realizados por Jan Dibbets, Jorge Satorre, Lara Almarcegui y Cyprien Gaillard (no realizado), y se pondrá en cuestión la noción de anti-monumento y específicamente las negociaciones y retos que se plantearon a nivel artístico y curatorial.
Latitudeses una oficina curatorial independiente dirigida por Max Andrews y Mariana Cánepa Luna, fundada en el 2005 y con sede en Barcelona. En el 2009 comisariaron Portscapes, una serie de diez proyectos públicos en el Puerto de Róterdam producidos en el contexto de la expansión del puerto, la zona portuaria e industrial más extensa de Europa. Latitudes ha participado en el festival de organizaciones independientes NO SOUL FOR SALE(X Initiative, Nueva York, 2009 y Tate Modern, Londres, 2010); fue organización asociada en la exposición The Last Newspaper, New Museum, Nueva York (2010–11) para la que publicó un periódico semanal durante la exposición. Durante la temporada 2011 ha comisariado el ciclo Amikejoen el Laboratorio 987, MUSAC, León.
17.15h: Racons Públics (Sara Dauge y Alejandro Giménez): "ARTE Y MICROCIRUGÍA URBANA"
Sara Dauge es historiadora urbana. Estudió en la Universidad de París Panthéon Sorbonne. En su doctorado investigó las formas de sociabilidad en Barcelona desde 1833 hasta 1844. Se dedicó a la investigación histórica y urbana dentro del despacho de arquitectura, urbanismo y paisaje de Beth Gali, Barcelona. Fue comisaria de la exposición Urbanismo y ocio en la Barcelona de 1850, casa Elizalde, Barcelona 1999. Desde 1998 en colaboración con Alejandro Giménez se dedica al comisariado y coordinación del concursode participación ciudadana Racons Públics, organizado en Barcelona en 2004 y 2010 porel FAD (Foment de les arts i del disseny) y con el apoyo del Ayuntamiento de Barcelona. Desde 2006 es secretaria ponente de la comisión de esculturas del Ayuntamiento de Barcelona, encargada de establecer un diálogo entre el arte contemporáneo y el espacio público.
18.30h: MESA REDONDACON LA PARTICIPACIÓN DE TODOS LOS PONENTES
INSCRIPCIÓN AL SIMPOSIO
Robert Smithson's 'Broken Circle/Spiral Hill Revisited' (1971–2011) and The Land Art Contemporary programme
The project will continue in 2012–13, with a series of 'assignments' to contemporary artists "a number of artists will be set the assignment of creating a work in the spirit of Smithson, whereby the landscape is viewed as a continual process that is constantly in a state of transformation due to the interaction between man and nature", to be curated by SKOR's curators Nils van Beek and Theo Tegelaers. + info...
Land Art Contemporary is an initiative of STICHTING LACDA, Drenthe, a foundation established in 2011 by the Sanders-Ten Holte family. The program has been made possible thanks to (content and financial) support from SKOR | Foundation for Art and Public Domain, Province of Drenthe, European Agricultural Fund for Rural Development: Europe Investing in Rural Areas (LEADER), Municipality of Coevorden, Municipality of Emmen, Cultuurfonds BNG and the Sanders-Ten Holte family.
We received the beautiful DVD/Book of 'A Road not Taken', the film by Swiss artists Christina Hemauer and Roman Keller – see trailer here – narrating the story of President Jimmy Carter's solar panels installed on the roof of the the White House in 1979. Latitudes collaborated with the duo during Portscapes, Rotterdam (2009) and most recently in February this year, curated their solo exhibition 'United Alternative Energies' in Arhus, Denmark – see images.
"This symbolic installation was taken down in 1986 during the Reagan presidency. In 1991, Unity College, an environmentally-minded centre of learning in Maine acquired the panels and later installed them on their cafeteria roof. In 'A Road not Taken', the artists travel back in time and, following the route the solar panels took, interview those involved in the decisions regarding these panels as well as those involved in the oil crisis of the time. They also look closely at the way this initial installation presaged our own era." (from the website http://www.roadnottaken.info)
The documentary just won the Golden Sun Award Best Documentary at The International Environmental Film Festival (FICMA), Barcelona. Congratulations Roman and Christina!
The DVD/Book is now available worldwide through their web and other bookstores. Some data:
UPC: 6 34479 99963 5
DVD Region Code: No Zone
Running Time: 66 min.
Rating: no rating
Package Type: Hardcover book in slim DVD case size (192 x 135 x 10 mm, 7.4 x 5.3 x 0.4 “), cellophane wrapped
Number of discs: 1 DVD-5
Directors: Christina Hemauer | Roman Keller
Original Language: English
Closed Captioned: yes
Subtitles: German, French, Italian, Spanish, Chinese and English
Aspect Ratio: 16:9
Audio Format: Dolby stereo
Bonus: 24 min.
All photos of the pages: Latitudes | www.lttds.org
Proyecto producido por Jorge Satorre para 'Portscapes' (2009) expuesto en la exposición colectiva 'Fat Chance to Dream', Maisterravalbuena, Madrid
Cortesía del artista y Labor, México DF.
El próximo 2 abril, la galería Maisterravalbuena inaugura la exposición 'Fat Chance to Dream', comisariada por Tania Pardo con motivo de la iniciativa Jugada a 3 bandas. La exposición incluye dos guaches (véase arriba) de Jorge Satorre, producidos en el contexto de 'Portscapes', la serie de proyectos producidos con motivo de la ampliación del puerto de Rotterdam, Holanda, encargados por la autoridad portuaria en el 2009 y comisariados por Latitudes.
"...Éste es el caso del proyecto ‘The Erratic. Measuring Compensation’ (2009–10) realizado en el contexto de una serie de proyectos iniciados con motivo de la ampliación del puerto de Róterdam, Holanda. En una granja en Erica, al norte del país, Satorre encontró un bloque errático  de 3 toneladas que se desplazó hasta allí durante la última glaciación. Después de un largo y complejo proceso de trámites y análisis geológicos, Satorre lo devolvió al sur de Suecia, de donde vino originalmente según el estudio científico. Este ‘gesto geológico al inverso’ se convierte en un acto de restitución simbólica dadas las complejas medidas de compensación medioambiental que se están implementando en la ampliación de puerto, así como el uso de cinco millones de toneladas de bloques escandinavos que se están utilizando para la construcción de nuevos diques. En la exposición del proyecto Satorre presentó dos dibujos a modo de storyboards del viaje de la piedra a su nuevo emplazamiento y un dibujo a modo de guión con ‘gestos compensatorios’ que han tenido lugar en la historia."
El proyecto se presentó recientemente en Labor, México DF, aunque es la primera vez que se presenta en España.
Entrada blog del proyecto | Galería de fotos | Cronología 'Portscapes'
'Making of' del proyecto (video de Het Kader):
Simon Fujiwara's 'The Incest Museum: A Guide' is available from Archive Books/Archive Journal. The publication is related to his 'The Incest Museum' project and performance lecture. Fujiwara is presenting the performance in New York with Public Art Fund on 10 November, 6.30pm (John Tishman Auditoriu, 66 West 12th Street, between 5th and 6th Avenues).
'Portscapes' (see inside the publication box) is also available from SKOR's stand, placed in the 'Dutch Pavilion' section. 'Portscapes' was an evolving series of newly commissioned projects produced and presented throughout 2009 alongside the construction of Rotterdam's [51° 55' N 4° 29' E] Maasvlakte 2 – the extension to Europe's largest seaport and industrial area.
Participating artists & writers: Lara Almarcegui, Bik van der Pol, Jan Dibbets, Marjolijn Dijkman, Fucking Good Art, Ilana Halperin, Christina Hemauer & Roman Keller, Paulien Oltheten, Jorge Satorre, Hans Schabus (website: Maria Barnas (poetry) and Markus Miessen (interviews)).
The New York Art Book Fair
5–7 November 2010
Happy holidays/felices vacaciones!
– Latitudes | www.lttds.org
Performance 'The Museum of Incest' by Simon Fujiwara, 19 September 2009, Hangar, Barcelona, programmed as part of Vena (por la).
Conference 'Producir, Exponer, Interpretar (Estrategias y conflictos en la práctica curatorial hoy)', Matadero Madrid, 25–27 September: Conference break with some of the speakers: in the back (left to right) Tania Pardo, Sergio Rubira, Iván López Munuera.
October 2009: Site visit to Meessen de Clercq gallery, Brussels, a forthcoming Latitudes-curated exhibition will open there in February 2011
On 18th October 2009 and as part of Frieze Projects, Max Andrews of Latitudes participated in Fia Backström's project 'Studies in Leadership - The Review' at invitation of Filipa Oliveira and Miguel Amado. Four art critics and writers – Amado, Michele Robecchi, J. J. Charlesworth (not in this image) and Andrews – worked with a professional voice coach to publicly read one of their recent exhibition reviews, and together consider the implications of performance and the author's 'voice'.
Seminar on Art & Ecology, The Wanås Foundation, Knislinge, Sweden, 21 October 2009: Coffee break + socialising in the Swedish sunshine
Opening of Lawrence Weiner's Under the Sun at Espai d'Art Contemporani Castelló, 23 October 2009
'Portscapes' series, Port of Rotterdam, The Netherlands, throughout 2009: Lara Almarcegui being interviewed for the 'Behind the scenes' video produced for Portscapes. The interview took place after touring 4 wasteland sites included in Almarcegui's guide 'Wastelands of the Port of Rotterdam', 9 November 2009
'Portscapes' series, Port of Rotterdam, The Netherlands, throughout 2009: Christina Hemauer & Roman Keller filming the performing choir under the heavy rain nearby the Maritime Museum, Rotterdam, 8 November 2009
'Portscapes' exhibition, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands, 30 January–25 April 2010: Hans Schabus and Roman Keller on Hemauer/Keller's stage (which travelled from Basel to Rotterdam by boat).
'Portscapes' exhibition, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands, 30 January–25 April 2010: Opening party with Lara Almarcegui, Ilana Halperin and Hans Schabus, 5 February 2010
'Portscapes' exhibition, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands, 30 January – 25 April 2010: Private view dinner at the museum's cafe to celebrate the openings of 'Portscapes' and Carsten Höller, 5 February 2010.
ARCO, Madrid, 17 February 2010: With artist Fermín Jiménez Landa (left) and curator David Armengol (right)
ARCO, Madrid, 17 February 2010: Artists Marc Vives & David Bestué posing with their piece shown at the stand of Estrany de la Mota, Barcelona.
2010 curatorial award Premi GAC: A colleague took a picture on the TV monitor while Latitudes received the award, 25 February 2010.
Easter visit to the old-time classic Barcelona's Wax Museum: grateful smiles by gallerists, curators and artists posing next to writer and philosopher Ramon Llull, whose Institut Ramon Llull has partly supported some of our projects.
Flyby visit by The Bruce High Quality Foundation on their way to Murcia to open the third installment of 'Dominó Caníbal', May 2010
'No Soul for Sale', Turbine Hall Tate Modern, London, 14-16 May 2010: Customising the BMW car with designer ferranElOtro at Can Xalant, 8 May 2010
'No Soul for Sale', Turbine Hall Tate Modern, London, 14-16 May 2010: A tired chauffeur...
'No Soul for Sale', Turbine Hall Tate Modern, London, 14-16 May 2010: Deciding which petrol to put in the car...10 May
'No Soul for Sale', Turbine Hall Tate Modern, London, 14-16 May 2010: Installation finished ('chiringuito' settled). Checking Google maps for route of how to see as many galleries as possible in one afternoon, 13 May.
'No Soul for Sale', Turbine Hall Tate Modern, London, 14-16 May 2010: 'A Mariana summit': with Mariana Castillo Deball.
'No Soul for Sale', Turbine Hall Tate Modern, London, 14-16 May 2010: 'No Soul for Sale' curator Cecilia Alemani being interviewed by Tate watched by 'No Soul for Sale' creator & artist Maurizio Cattelan.
'No Soul for Sale', Turbine Hall Tate Modern, London, 14-16 May 2010: Danish artist John Kørner discussing with Martí Anson about Anson's factory project in New Mexico.
'No Soul for Sale', Turbine Hall Tate Modern, London, 14-16 May 2010: Waiting to board at Portsmouth to sail back to Santander.
Falmouth Convention (20–23 May, Cornwall, UK) – Waiting for the train back to London after the convention with curators Michaela Crimmin (former director of the Arts & Ecology programme at the RSA) and curator Emma Ridgway.
Visiting designer and publisher Chiara Figone from Archive Kabinett during the Berlin Biennial, June 2010
Visiting Maribel López Gallery (with Maribel López) during the Berlin Biennial, June 2010
Devouring 'The Exhibitionist' journal while drinking a cold German beer on the Berlin-Basel train, 13 June 2010
Browsing through pictures on Art Basel's website we found us portrayed while visiting Simon Fujiwara's space, Neue Alte Brücke, Frankfurt am Main, Art Statements – Art Basel 2010. Photo: Art Basel
Checking the designs for the forthcoming 'Mataró Chauffeur Service' publication with Martí Anson at the ferranElOtro Studio, July 2010. Photo: Latitudes
'Portscapes' publication now available at Motto and Pro qm (Berlin) and La Central (Barcelona and Madrid)
We are happy to announce that the 'Portscapes' multi-part publication is now available at Motto in Berlin (location map), Pro qm (also in Berlin, see map) and in La Central (several locations in Barcelona and Madrid).
It is also available at the Museum Boijmans shop (in Rotterdam) and at SKOR, by emailing [email protected] or calling +31 (0)20 672 25 25.
The bilingual English/Dutch publication was designed by Ben Laloua/Didier Pascal contains a miscellany of contributions by the artists, a cahier with texts on the projects, the prologue publication presented with the launch of the project in February 2009 and a DVD with 'behind the scenes' footage with interviews with 'Portscapes' artists. Please note there are two editions: Green box=standard and white box=special edition (includes Jan Dibbets' film '6 Hours Tide Object with Correction of Perspective').
Publisher: Port of Rotterdam Authority and SKOR (Foundation Art and Public Space, Amsterdam)
Publication date: 5 February 2010
Graphic design Portscapes: Ben Laloua/Didier Pascal with Marius Hofstede, Rotterdam.
Design various artists contributions: Edauw Design, Koudekerk aan den Rijn
Format: 33 x 27cm, box (green= standard edition, white = limited-edition)
Print run: 800 copies of which 100 are limited editions
Project texts: Latitudes and Theo Tegelaers
Pro qm, Almstadtstraße 48-50, 10119 Berlin, Germany
The programme opened with a keynote by renowned curator and writer Lucy Lippard titled 'Imagine Being Here Now: Towards a Multicentered Exhibition Process' and included field trips to the Gwennap Mining District, walks along St Just, boat trips, visits to the St Ives artist colony legacy, screenings of experimental cinema, interviews, etc. + info...
On Saturday 22nd Max Andrews' of Latitudes, gave a presentation on the Rotterdam commission series 'Portscapes' to the Curatorial Practice MA students at the University College Falmouth (where he did art foundation studies in 1995).
Participating curators, writers and artists included: Lucy R. Lippard; Max Andrews (Latitudes); Bassam el Baroni (Alexandria Contemporary Art Forum and Manifesta 8); Xavier Douroux (Le Consortium and Nouveaux Commanditaires); Tom van Gestel (Foundation for Art and Public Space, SKOR); Hans Ulrich Obrist (Serpentine Gallery); Solveig Øvstebø (Bergen Kunsthall); Andrzej Przwyara (Foksal Gallery Foundation); Kitty Scott (Banff Centre for the Arts), Kader Attia, Adam Chodzko, Steven Claydon, Tacita Dean, Geoffrey Farmer, Simon Fujiwara, Lucy Gunning, Jeremy Millar, Paulina Olowska, Steven Rowell.
The Convention has been developed in response to a series of forums and conversations held in 2009 between artists, curators and writers based in Cornwall to consider a bid to host the international exhibition Manifesta in Cornwall in 2014. The Convention was convened by the independent curator Teresa Gleadowe, coordinated by ProjectBase, hosted by University College Falmouth and supported by Arts Council England, South West.
Photos: Latitudes | www.lttds.org
LAST CHANCE! Until Sunday 25th April, exhibition 'Portscapes', Museum Boijmans Van Beuningen, Rotterdam, The Netherlands. Free entrance to exhibition
Projects chronology: http://www.dipity.com/latitudes/PORTSCAPES
Photos projects: http://www.flickr.com/photos/lttds/sets
Where: Serra Hall, Museum Boijmans Van Beuningen | Museumpark 20 | 3015 CX Rotterdam, Netherlands | Opening hours: Tue–Sun 11–17h | Free entrance to the exhibition
With works by Lara Almarcegui, Bik van der Pol, Jan Dibbets, Marjolijn Dijkman, Fucking Good Art, Ilana Halperin, Christina Hemauer & Roman Keller, Paulien Oltheten, Jorge Satorre, Hans Schabus, as well as work by the website collaborators Maria Barnas (poetry) and Markus Miessen (interviews). + info...
8 April 2010
(Click on the image to enlarge / Clicar la imagen para ampliar)
Newsletter in English | Newsletter en Español
This month, Latitudes celebrates its 5 year anniversary! Together with Archive Books (Turin/Berlin) they are preparing a small publication gathering documentation from a selection of projects produced since 2005 (release date TBA).
Text 'Under Construction' on Lara Almarcegui's practice on the April–May issue of Milan-based magazine Mousse #23.
Latitudes invited Martí Anson to create Latitudes’ temporary office-encampment for their participation in 'NO SOUL FOR SALE – A Festival of Independents', taking place at Tate Modern's Turbine Hall, 14–16 May, London, UK + info...
Participation of Latitudes' Max Andrews in 'The Falmouth Convention', 20–23 May, Cornwall, UK + info...
Collaboration in the exhibition 'The Last Newspaper' at the New Museum, New York, October 2010–January 2011 + info...
Portscapes exhibition of the ten public commissions that took place throughout 2009 in the port of Rotterdam, on view until 25 April at the Museum Boijmans Van Beuningen, Rotterdam, The Netherlands + info...
Check Latitudes' web www.lttds.org for further info and project updates
Facebook fan page here.
Flickr photosets here
Newsletters archive here
On Monday 22 March Latitudes gave a talk about the practice of Lara Almarcegui and the project Portscapes to undergraduate students from CUArch (The Catholic University of America School of Architecture and Planning) and UTSA CoA (The University of Texas at San Antonio College of Architecture) who are spending a semester in Barcelona hosted by Collective Intelligence by Polyplicity. Collective Intelligence is "a platform that promotes collective creative thinking within a social environment that encourages dialogues, discussions, exchanges and collaborations on a local and international level within the field of architecture, design, urban studies and beyond. CI's objective is to create a learning hub in the city of Barcelona to serve as a fluid campus for foreign universities simultaneously encouraging the involvements of local students and professionals."
From there you can select individual albums for each artist project (Lara Almarcegui, Bik van der Pol, Jan Dibbets, Marjolijn Dijkman, Fucking Good Art, Ilana Halperin, Christina Hemauer & Roman Keller, Paulien Oltheten, Jorge Satorre and Hans Schabus), see installation shots of the exhibition at the Museum Boijmans (opened until 25 April) as well as the multi-part publication and a few images of Latitudes' site visits to the port area in May and July 2008.
You can also watch the 'behind the scenes' videos produced of each project on Latitudes YouTube Channel.
This cahier is part of the multi-part publication box which includes a miscellany of contributions by the artists, the prologue publication presented with the launch of the project in February 2009, a DVD with 'behind the scenes' footage with interviews with 'Portscapes' artists. This cahier includes a curatorial essay, texts on each artist commission and interviews by Markus Miessen.
The publication is available at the Museum Boijmans’s shop, or can be ordered from SKOR by emailing[email protected] or calling +31(0)20 672 25 25. The standard edition costs €12.50 and the special edition €50. + info...
Newsletter in English | Newsletter en Español
Latitudes awarded the GAC 2010 curatorial prize. News in the press: ADN.es (25.02.2010); El Periodico, (26.02.2010); El Punt, (26.02.2010), Cultura21.cat (in catalan, 26.02.2010), El País (26.02.2010).
Portscapes exhibition continues until 25 April at the Museum Boijmans Van Beuningen, Rotterdam.
New Latitudes' YouTube Channel with 'Portscapes' videos.
Check also our Latitudes' blog at www.lttds.org/blog for further news
Facebook fan page here
Flickr photosets herePrevious newsletters click here
The publications can be purchased at the Museum Boijmans’s shop, or can be ordered from SKOR by emailing [email protected] or calling +31(0)20 672 25 25. The standard edition costs €12.50 and the limited edition €50.
Installation views of the 'Portscapes' exhibition, Museum Boijmans Van Beuningen, Rotterdam, on view until 25 April. Free entrance.
Opening hours: Tue–Sun 11.00 to 17.00
Latitudes' YouTube Channel also includes documentation of an action with Lawrence Weiner in the context of his 2008 Fundació Suñol exhibition 'THE CREST OF A WAVE' as well as Ignasi Aballí whitewashing a window for his exhibition 'Something, or nothing' in the Suitcase Art Projects, Beijing.
Production stills, '6 Hours Tide Object with Correction of Perspective' in Maasvlakte beach, 8 February 2009. Photos: Latitudes, Paloma Polo/SKOR and Freek van Arkel.
Dibbets realised the original version of this classic work on the Dutch coast near Zandvoort in February 1969 and this 'second attempt' (the artist rejects the notion of a ‘remake’) was shot forty years later to the month, in February 2009 on a beach that will disappear with the construction of Maasvlakte 2. The eight minute film was premiered in the FutureLand visitor centre every Sunday during June 2009 and was screened on loop in New York, during Latitudes' participation in the non-profit festival 'No Soul for Sale' (24–28 June).
6 Hours Tide Object... records the drawing of a trapezoid shape in the sand during low tide using a bulldozer which drives back and forth along the beach. The shape consequently appears as a rectangular ‘frame’ in the resultant film due to the angle of perspective distortion in being shot from an elevated platform. Subsequently, the incoming tide washes it away. A formalistic reflection on geometry, representational illusion and the camera-’eye’, Dibbets reasserts the freshness of this fleeting filmed action with no hint of nostalgia. Within the context of the development of Maasvlakte 2 the work allows our fresh interpretations: concerning the physical modification of Dutch coastline, or new perspectives of construction, destruction and change, for example.
Watch the 'making of' by Olaf Schuur.
6 Hours Tide Object... was produced in the context of 'Portscapes', an accumulative series of ten new commissions by initiated by the Port of Rotterdam Authority with advice and financial support from SKOR (Foundation Art and Public Space, Amsterdam) curated by Latitudes, Barcelona.
An exhibition is currently on view at the Museum Boijmans Van Beuningen with the resulting works realised throughout 2009. On view until 25 April 2010 - free entrance.
'Portscapes' exhibition, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands, 30 January–25 April 2010. Reception: 5 February, 8pm
Ilana Halperin, 'A Brief History of Mobile Landmass' (2009–10), audioguide. Photo: Chantal Karnaat.
Paulien Oltheten, Great if two pairs of legs are synchronized for a moment, (2009). Photo: Ben Wind.
Jorge Satorre in collaboration with Jorge Aviña, 'The Erratic. Measuring Compensation' (2010). Courtesy of the artist.
Museum Boijmans Van Beuningen, Rotterdam, The Netherlands
30 January–25 April 2010. Reception: Friday 5 February, 8pm.
Project website: www.portscapes.nl
Projects chronology: http://www.dipity.com/latitudes/PORTSCAPES
Works by Lara Almarcegui (Spain/Netherlands), Bik van der Pol (Netherlands), Jan Dibbets (Netherlands), Marjolijn Dijkman (Netherlands), Fucking Good Art (Netherlands), Ilana Halperin (US/Scotland), Christina Hemauer & Roman Keller (Switzerland), Paulien Oltheten (Netherlands), Jorge Satorre (Mexico), Hans Schabus (Austria), as well as work by the website collaborators Maria Barnas (poetry) and Markus Miessen (interviews).
'Portscapes' will present the results of works commissioned by the Port of Rotterdam realised throughout 2009 by 10 (inter)national artists on the occasion of the beginning of the construction of Maasvlakte 2 – the 2,000-hectare land supplementation project to extend Rotterdam's port, Europe's largest seaport and industrial area. 'Portscapes' has encompassed new projects of various scales under the leitmotif itineraries and destinations – artist-led tours, film screenings, billboards and the production of film and photographic works, audio-guides, radio broadcast and field guides. + info...
The films by Rotterdam-based artists Bik van der Pol and Marjolijn Dijkman, 'Facts on the Ground' (2009–10) and 'Surviving New Land' (2009–10) respectively, will be presented for the first time coinciding with the exhibition.
Overtreders W, the designers of the exhibition, have created semi-transparent display structures for the museum’s Richard Serra Hall, using industrial materials based on the format of cargo containers.
A catalogue (€12,50) and a special-edition catalogue (€50) designed by Ben Laloua/Didier Pascal is co-published by SKOR and the Port of Rotterdam Authority on the occasion of the exhibition. The special-edition includes filmed interviews with the artists as well as the DVD of '6 Hours Tide Object with Correction of Perspective' (2009), the film produced by Jan Dibbets for 'Portscapes'. Publication available at the Museum Boijmans's shop or can be ordered via SKOR by writing to [email protected] or calling +31(0)20 672 25 25
Serra Hall, Museum Boijmans Van Beuningen
Museumpark 20 | 3015 CX Rotterdam, Netherlands
Opening hours: Tue–Sun 11–17h
Free entrance to the exhibition
Jorge Satorre's project for Portscapes had its beginnings in the eastern part of the Netherlands with a 3-tonne gneissic granite rock from the Svecofennian age, approximately 1.9 billion years ago. Following the artist’s fascination with the environmental compensation practices being instigated alongside the construction of Maasvlakte 2, his project consisted of returning the rock to where it once came from in Sweden – an act of synthetic restitution and transnational sculptural offsetting.
The boulder has now found a permanent home at the Wanås Foundation, near Knislinge in southern Sweden . The boulder was transported from Erica, in the north east of The Netherlands, to Knislinge at the beginning of January (see report on the Swedish newspaper Kristianstadsbladet).
Not insignificantly, the celebrated Land art work 'Broken Circle' (1971) by Robert Smithson, sited in a working quarry near Emmen, incorporates such a seemingly immovable boulder at its centre. Satorre’s reverse geological gesture is also reflected in the fact that much of the existing and future sea defence in the port area will be made from rock brought from Scandinavia. The artists offers an account of the process through drawings, which incorporates both actual and imagined details. One such detail depicts an imagined protest at the beginning of the boulder’s homeward journey – see post 2 October 2009.
Jorge Satorre's project was produced in the context of 'Portscapes', an accumulative series of newly commissioned projects produced in the context of the 2,000 hectare extension to the Port of Rotterdam, the project Maasvlakte 2.
An exhibition with 'Portscapes' projects will be on view at the Museum Boijmans van Beuningen, Rotterdam between 30 January and 25 April 2010 (Reception: Friday 5 February, 20h).
Portscapes was commissioned by the Port of Rotterdam Authority with advice and support from SKOR (Foundation Art and Public Space, Amsterdam) and was curated by Latitudes.
[FOOTNOTE 1] The foundation estate encompasses a medieval castle, an organic farm, and a sculpture park which since 1987 has hosted a number of permanent works by international artists.
Images: Journey and placement of the boulder from the newspaper Kristianstadsbladet; Drawings of 'The Erratic. Measuring Compensation' (2009), courtesy of the artist.
Newsletter #19 – January 2010
English | Español
– Portscapes exhibition reception 5th February, 8pm, at the Museum Boijmans Van Beuningen, Rotterdam. Exhibition runs between 30 January – 25 April 2010.
– Latitudes in the press: article by Teresa Sesé, 'De profesión, comisario, 'La Vanguardia', 2 January 2010, pp. 38-39. Read full article here (in Spanish).
If you would like to read previous newsletters, click here.
Check also our Latitudes' at www.lttds.org/blog for further news.
Facebook fan page here
Flickr photosets here
Hinterland Symposium: 'The evolving relationships between artists, the changing climate and new responsibilities', 26 November, Nottingham, UK
The evolving relationships between artists, the changing climate and new responsibilities
Hinterland are inviting specialists in the field of commissioning temporary site-specific art to present their practice. Alongside informal discussions with artists currently engaged in commissions for Hinterland, this one day event will question the responsibilities of artists when creating work in the public realm. Biographies of the speakers here.
[Registration starts at 9.30am promptly so talks can begin at 10am in Screen 2.]
10.30am Joy Sleeman
11.10am Latitudes (Max Andrews and Mariana Cánepa Luna)
1.20pm Wallace Heim in conversation with Rebecca Beinart
2.05pm Richard Grayson in conversation with John Newling
3.30pm Neil Cummings in conversation with Annexinema (Emily Wilczek and Ian Nesbitt)
4.15pm Jonathan Griffin in conversation with S Mark Gubb
Film Screening 6pm onwards
Mark Harasimowicz and Tristan Hessing invite symposium delegates from Broadway to One Thoresby Street studios in Sneinton for the preview of a new film installation.
Harasimowicz and Hessing spent time cycling around Europe exploring contemporary and abandoned industrial space. Hinterland has commissioned a new work, which marks a new artistic partnership between the two artists.
Bookings: Contact Broadway Box Office, Tel. 0115 952 6611 or book online www.broadway.org.uk
Hinterland is a project led by independent curator, Jennie Syson. Working together with artists, Hinterland closely examines the areas that surround the River Trent in Nottingham which make up a ten mile car free cycle route around the city known as the Big Track. As we head towards economic depression and society becomes increasingly aware of issues surrounding global warming and the natural environment, Hinterland pays tribute to the geographical locations and the industrial halo that surrounds Nottingham’s city centre.
Portscapes bus tour: Lara Almarcegui wasteland tour and Christina Hemauer & Roman Keller's 'Postpetrolistic Internationale' choir performance
On Sunday 8 November, SKOR and the Port of Rotterdam Authority organised a bus tour around the Port of Rotterdam coinciding with the 4th International Architecture Biennial Rotterdam and the culmination of 'Portscapes' projects, a year-long series of commissions in and around Maasvlakte 2, the 2,000 hectare ongoing extension of the port.
Over 80 visitors enjoyed the 'The Postpetrolistic Internationale' choir performance, a project by the Zurich-based artists Roman Keller & Christina Hemauer as well as the tour around four wasteland sites included in the research publication of the guide 'Wastelands of the Port of Rotterdam' by Rotterdam-based artist Lara Almarcegui.
During the tour, visitors were also able to see and listen to other 'Portscapes' projects by Marjolijn Dijkman, Fucking Good Art, Ilana Halperin (audio here), Jorge Satorre, Hans Schabus and Paulien Oltheten.
A exhibition of the projects will take place at the Museum Boijmans van Beuningen from 5 February, coinciding with Art Rotterdam. Exhibition on view until end of March 2010.
Portscapes is a series of newly commissioned art projects initiated by the Port of Rotterdam Authority on occasion of the construction of Maasvlakte 2, with advice and support from SKOR (Foundation for Art and Public Space, Amsterdam) and is curated by Latitudes (Barcelona).
Roman Keller and Christina Hemauer's participation has been made possible thanks to the support of Pro Helvetia.
'Portscapes' page updated with new flickr slideshows and announcement of a forthcoming exhibition at the Museum Boijmans van Beuningen, February 2010
Latitudes' 'Portscapes' page has been updated with new flickr slideshows for each project (see under each artist name) and incorporating a new page for the 'Portscapes' exhibition which will be on view at the Museum Boijmans van Beuningen, Rotterdam, The Netherlands, from the 5 February until the end of March 2010 (date TBC).
The opening will coincide with the art fair Art Rotterdam (4–7 February) and 'Divided Divided', a solo exhibition by the Stockholm-based artist Carsten Höller also opening at the Museum Boijmans van Beuningen on February 5th.
The Museum Boijmans exhibition will present the year-long commissioning series with works that have been produced in and around Maasvlakte 2, the ongoing extension to the Port of Rotterdam, with works by 10 artists: Lara Almarcegui, Bik van der Pol, Jan Dibbets, Marjolijn Dijkman, Fucking Good Art, Ilana Halperin, Roman Keller & Christina Hemauer, Paulien Oltheten, Jorge Satorre and Hans Schabus. 'Portscapes' also involved artist Maria Barnas and the London and Zurich based architect, researcher, educator and writer Markus Miessen as website collaborators.
The films commissions by Rotterdam-based artists Bik van der Pol and Marjolijn Dijkman will be premiered coincinding with the exhibition.
Project website: www.portscapes.nl (Dutch/English)
Other Latitudes' flickr photo sets here.
We have also updated the 'Portscapes' projects timeline:
Portscapes is a series of art projects commissioned by the Port of Rotterdam Authority with advice and support from SKOR (Foundation for Art and Public Space, Amsterdam) and is curated by Latitudes.
Hemauer & Keller's 'Portscapes' project begins: transportation of a wooden stage along the Rhine from Basel to Rotterdam
'Postpetrolistic Internationale', the project by Zurich-based artists Christina Hemauer (1973) & Roman Keller (1969), started today with the transportation of a wooden stage along the Rhine from Basel (the most upriver navigable point of the Rhine), near the artists’ home, to Rotterdam (where the Rhine joins the sea).
Keller & Hemauer's project emerges from the medium of the collective human voice, the tradition of the aspirational social anthem alongside the artists’ long standing interest in energy use. Upon arrival of the stage, a Rotterdam-based choir will perform the 'Postpetrolistic Internationale', an anthem of hope-in-action on the stage, against a backdrop of local industry, to mark man’s changing relationship with fossil fuels and energy use.
Programmed performances:Saturday 7 November, time TBC, Maritime Museum, Rotterdam – MAP
Sunday 8 November, 13.30h, Futureland, the Maasvlakte 2 visitor center – MAPThe 'Postpetrolism' project (2006-ongoing) was launched with a performance in Zürich in April 2006 in which a new manifesto of hope for the future reality of energy was declared and a plaque erected to mark the end of one energy era (‘peak oil’ was passed in 2005, according to Kenneth S. Deffeyes) and the beginning of another beyond oil.
Images of the journey and arrival of the stage to Rotterdam's port on 2nd November:
Keller & Hemauer's project is part of 'Portscapes', a series of art projects commissioned by the Port of Rotterdam Authority with advice and financial support from SKOR (Foundation for Art and Public Space, Amterdam) and curated by Latitudes.
Portscapes' timeline: http://www.dipity.com/latitudes/PORTSCAPES
Keller and Hemauer's participation has been made possible thanks to the support of Pro Helvetia.
SKOR invited the duo Latitudes from Barcelona, who has curated a series of projects reflecting on the architectural, political, social and ecological aspects of the past, present and future of the Rotterdam port with a focus on the new Maasvlakte 2. Portscapes consists of ten new commissions in and about the Maasvlakte by Dutch and international artists, including interventions, films, performances and mobile seminars.
Bus tour bookings: write to ad [at] skor.nl by 2 November 2009
Free tour. English spoken
An exhibition of the Portscapes projects will be on show at the Museum Boijmans van Beuningen in Rotterdam from 5 February, until late March 2010.
Programme on 8 November
(Programme subject to changes)
9.45 am – Leave from NAI Rotterdam, Museumpark 25 3015 CB, Rotterdam
On the way to the port you can listen to interviews by Fucking Good Art on mp3 players in the bus. Amongst others, Hans Aarsman, an industrial ecologist, a botanist and an archaeologist, will describe his vision of the Maasvlakte on the basis of his field of expertise. The artistic duo FGA broadcast this and other conversations from a temporary web radio station in a container united placed on the Maasvlakte between 21 August and 21 September.
10.45 am – Visit to wastelands by artist Lara Almarcegui and botanist Remko Andeweg
The Spanish-born Rotterdam-based artist Lara Almarcegui has published a free newspaper research project concerning the ‘wasteland’ areas which can be encountered throughout the Port of Rotterdam. Almarcegui and botanist Remko Andeweg will describe these areas characterised by an apparent lack of human intervention.
12.00 am – Arrival at Futureland, the Maasvlakte information centre
On the way we pass the billboards by the artists Marjolijn Dijkman, Jorge Satorre, Paulien Oltheten and Hans Schabus.
Lunch in Futureland, provided by the Rotterdam Port Authority.
Introduction by Latitudes, curators of 'Portscapes'
1.00 pm – Tour of the artworks in and around Futureland
You can view work by Paulien Oltheten and Hans Schabus and explore the nearby area picking up Ilana Halperin’s audio tour. Halperin created a compelling narrative of fragments which draws on fact, fiction and personal fieldwork – as well as site surveys by volcanologists, geologists and the experts involved in the construction of Maasvlakte 2.
1.30 pm – Performance 'Postpetrolistic Internationale'
The project by Swiss artists Roman Keller & Christina Hemauer emerges from the medium of the collective human voice, the tradition of the aspirational social anthem alongside the artists’ long standing interest in energy use. The project starts with the transportation of a wooden stage along the Rhine from Basel (where the Rhine begins), near the artists’ home, to Rotterdam (where the Rhine joins the sea) – see post 30.10.09. Upon arrival a local choir will perform this anthem of hope-in-action (composed by the artists in collaboration with musician Mathias Vette) on the stage, against a backdrop of local industry, to mark man’s changing relationship with fossil fuels and energy use.
2 pm – Return to NAI Rotterdam with a number of stops at various art projects along the way: wastelands by Lara Almarcegui and works by Paulien Oltheten
3 pm – Arrival in NAI Rotterdam. End of the journey.
Portscapes is commissioned by the Port of Rotterdam Authority with advice from SKOR (Foundation for Art and Public Space, Amterdam) and is curated by Latitudes.
Bus tour dirección al puerto de Rotterdam, Domingo 8 Noviembre 2009, 10–15h, organizado por SKOR y la Autoridad Portuaria de Rotterdam coincidiendo con la 4th International Architecture Biennial Rotterdam. Tour organizado en ocasión de Portscapes, la serie acumulativa de proyectos públicos que en el Puerto de Rotterdam
Presentación de dos nuevos proyectos: performance de los suizos Roman Keller y Christina Hemauer (7–8 Noviembre) y publicación de la guía 'Wastelands of the Port of Rotterdam' realizada por Lara Almarcegui. Durante el tour se podrán ver y escuchar los proyectos realizados por Marjolijn Dijkman, Fucking Good Art, Ilana Halperin, Jorge Satorre, Hans Schabus y Paulien Oltheten.
Para reservar tu plaza, escribe a [email protected] antes del 2 November 2009.
Accesso gratuito, tour será en inglés.
Exposición de los proyectos de Portscapes tendrá lugar en el Museum Boijmans van Beuningen, Rotterdam, a partir del 5 de Febrero y hasta finales de Marzo 2010.
PROGRAMA 8 NOVIEMBRE
Durante el recorrido se podrá escuchar mediante auriculares una entrevista al ecologista, botanista, y arqueólogo Hans Aarsman realizada por el duo FGA durante su residencia en un container emplazado en el Maasvlakte, desde donde recogieron conversaciones temáticas y exploraciones de campo. + info...
Durante el viaje se podrán ver las vallas publicitarias de los artistas Marjolijn Dijkman, Jorge Satorre, Paulien Oltheten y Hans Schabus. A la llegada Latitudes, comisarios de 'Portscapes', introducirán los proyectos.
Visita de las obras de Paulien Oltheten y Hans Schabus así como la audioguía 'A Brief History of Mobile Landmass' realizada por Ilana Halperin. La audioguía narra fragmentos reales y ficticios recogidos a partir de la investigación de la artista y expertos entorno a volcanes y estudios de campo relacionados con la presente construcción del Maasvlakte 2 – escuchar capítulos o descargar archivos aquí
El proyecto de los suizos Roman Keller & Christina Hemauer comienza con el transporte de un escenario a lo largo del Rin, desde Basilea (donde el Rin abandona Suiza) y cerca de donde viven los artistas, hasta Rotterdam (donde el Rin desemboca en el mar) - léase post 30.10.09. A su llegada un coro cantará la 'The Postpetrolistic Internationale', un himno social compuesto por los artistas en colaboración con el músico y compositor Mathias Vetter, que proclama el comienzo de una nueva era donde el petróleo pertenece al pasado. Los días 7 y 8 de noviembre un coro local interpretará este himno de esperanza sobre el escenario en pleno paisaje industrial, para poner en perspectiva la historia evolución de hombre y su relación con los combustibles fósiles y el uso de la energía. Ésta será la primera vez que se cantará en inglés.
Portscapes es un encargo de la Autoridad Portuaria de Rotterdam con el consejo de SKOR (Foundation for Art and Public Space, Amsterdam) y comisariado por Latitudes.
Update on the Portscapes commission series: exhibition of Paulien Oltheten at Futureland and vicinity (until 30 October) and billboard-prologue to Jorge Satorre's project (see images on the 02.10.09 post) + info...
On the 21 October Latitudes will be participating in the International seminar on Art and Ecology, organised by The Wanås Foundation, Knislinge, Sweden. + info...
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Portscapes news: Jorge Satorre's billboard on the A15 and Paulien Oltheten small exhibition at the visitor centre Futureland and surroundings
Placed along the A15 highway on the Maasvlakte, Jorge Satorre's billboard is the third installed as part of 'Portscapes' – joining those by Hans Schabus and Paulien Oltheten.
During the summer of 2009, Jorge Satorre was searching for, and eventually located, a large boulder – specifically one of the giant rocks carried by glaciers into The Netherlands from Scandinavia during the last Ice Age. Following the artist’s fascination with the environmental compensation projects being instigated alongside the construction of Maasvlakte 2, his project seeks to identify this rock’s precise place of origin and then return it to where it came from – an act of synthetic restitution and transnational sculptural offsetting. Satorre’s reverse geological gesture furthermore mirrors the monumental construction of the Maasvlakte 2 as a sculpting of land-form which, like the action of ice but in a far shorter time, is fundamentally altering the morphology of The Netherlands. The action is also reflected in the fact that much of the existing and future sea defense in the port area will be made from rock brought from Scandinavia. The artist’s accompanying pencil drawings offer an account of the process which incorporate both actual and imagined details, like a storyboard. A single drawing which depicts an imagined protest at the beginning of the boulder’s journey is realised as a billboard near the Futureland visitor’s centre.
A second part of his research will be presented at the Portscapes exhibition at the Museum Boijmans van Beuningen from 5 February 2010.
Paulien Oltheten's videos and photographs can also be seen until mid-November 2009 in and around Futureland, the Maasvlakte visitors’ centre [MAP HERE]. From there, visitors can set off with a route description to the locations on the Maasvlakte where other work can be seen.
Locations and some images of Oltheten's mini-billboards:
The public domain and human behaviour is the starting point for the work of Paulien Oltheten (1982), though she has described her approach as closer to that of an anthropologist rather than artist. With her still and video cameras, she generally searches with apparent casualness for moments when there is contact between people, objects and public space. On the Maasvlakte, Oltheten was faced with the fact that the familiar frame of reference of natural elements, such as trees, bushes and people, was almost completely lacking. Oltheten decided to make use of this alienation by arranging meetings with people. This resulted in a series of photographs and two short video pieces. These stagings mostly take place in locations on the Maasvlakte that will disappear or be displaced during the coming years. The photographs and videos are sometimes variations on the theme of ‘one becomes two’, referring to the Maasvlakte, of which there will later be two.
Futureland is on Europaweg 909, 3199 LC Maasvlakte, Rotterdam (Havennummer 8213). It is across the road from the E.ON power plant. Open Tuesday-Friday 10am-5pm and on Sunday 11am-5pm. Entry is free. Map here.
Portscapes is a series of public art commissions initiated by the Port of Rotterdam Authority with advice and support from SKOR (Foundation for Art and Public Space, Amterdam) and curated by Latitudes. www.portscapes.nl
[Photos of Jorge Satorre's board by Ben Wind; Photos of Paulien Oltheten's by the artist and Ben Wind.]
Portscapes News: Launch of Ilana Halperin's 45 min-long audio field guide ‘A Brief History of Mobile Landmass’
As her contribution to ‘Portscapes’, New York-born Glasgow-based artist Ilana Halperin has created a spoken-word narrative in Dutch and English for visitors to the port. Available at the visitor center Futureland (map here) and online (www.portscapes.nl) from September 18 until 2013, ‘A Brief History of Mobile Landmass’ is an audio field guide inspired by a perception of Maasvlakte 2 in terms of formidable geophysical phenomena and a geological sense of time.
The artist has assembled a compelling narrative of fragments which draws on fact, fiction and personal fieldwork – as well as site surveys by volcanologists, geologists and the experts involved in the construction of Maasvlakte 2. It offers echoes, speculations and interpretations surrounding both the artificial and natural processess whereby new land is created. Recalling Jules Verne’s ‘Voyages Extraordinaires’, this 'book on tape' couples a wealth of scientific information with wonder and vivid description.
Three new 'Portscapes' projects: Fucking Good Art's broadcasting from their 'base camp' in Maasvlakte until 21 September; Paulien Oltheten billboard and forthcoming exhibition at Futureland and Ilana Halperin's scripted audio field guide available in English and Dutch from 18 September 2009
Project website: www.portscapes.nl
More info on this projects here
Rotterdam-based artists Rob Hamelijnck and Nienke Terpsma, editors of the printed and online magazine FUCKING GOOD ART, have been living and working in a ‘base camp’ on the Maasvlakte from 20th August and will be there until end of September producing Portscapes ON AIR – Station Maasvlakte. (+ info...)
On 14 August 2009 a billboard by Amsterdam-based artist PAULIEN OLTHETEN was placed along the A15 on the Maasvlakte. Oltheten made use of the lack of reference of natural elements, such as trees, bushes and people by arranging meetings. These stagings mostly take place in locations on the Maasvlakte that will soon disappear or be displaced and often involve variations of the theme ‘one becomes two’, referring to the Maasvlakte, of which there will later be two. (+ info...)
As her contribution to Portscapes, New York-born Glasgow-based artist ILANA HALPERIN has created an audio field guide available online and on MP3 players which visitors will be able to pick up at Futureland (map here) and experience through wandering the nearby area of the port edge. ‘A Brief History of Mobile Landmass’ is inspired by a perception of Maasvlakte 2 in terms of formidable geophysical phenomena and a geological sense of time. (+ info...)
Audioguide available online and at Futureland (map here) from 18 September 2009 until 2013. Narrated in English and Dutch. Duration: 45 min.
'Portscapes' is an accumulative series of art commissions taking place throughout 2009 alongside the construction of ‘Maasvlakte 2’, a 2,000 hectare area of reclaimed land that will extend the Port of Rotterdam, Europe's largest seaport and industrial area by 20%. Projects varied in size and scale will be produced under the leitmotif itineraries and destinations comprising tours, audioguides, performances, radio programmes, interventions, for example. (+ info...)
Artists involved in Portscapes: Lara Almarcegui, Bik van der Pol, Jan Dibbets, Marjolijn Dijkman, Fucking Good Art, Cyprien Gaillard, Ilana Halperin, Roman Keller & Christina Hemauer, Paulien Oltheten, Michael Rakowitz, Jorge Satorre, Hans Schabus and Jun Yang. Website collaborators: Maria Barnas (poetry) and Markus Miessen (interviews).
Read more on completed projects and on projects in production.
'Portscapes' press coverage here. To receive Portscapes news sign up here.
'Portscapes' is commissioned by the Port of Rotterdam Authority with advice and support from SKOR (Foundation for Art and Public Space) and is curated by Latitudes.
Images of the 'base camp' and surroundings where the editors of Rotterdam-based printed and online art magazine Fucking Good Art will be until 21 September. All images courtesy FGA.
Initiated and edited by artists Rob Hamelijnck and Nienke Terpsma in 2003, Fucking Good Art is a Rotterdam-based printed and online art magazine which publishes reports, interviews, critical writing and observations with a non-academic, freestyle and do-it-yourself attitude. The editors of FGA explores creative communities by residing in particular local contexts for extended periods, and specific magazine issues have grown out of residencies in cities including Munich, Berlin, Copenhagen, Riga, Zurich and São Paulo.
Adapting their embedded approach for Portscapes, the editors of FGA are living and working in a ‘base camp’ on the Maasvlakte for 5 weeks, starting 20 August while producing Portscapes_ON AIR. Comprising a series of audio walks, field recordings and conversations with guests from different disciplines Portscapes_ON AIR will be broadcast on the internet (www.portscapes.nl).
Inspired by their camp’s proximity to the pipeline which carries sand from the Yangtzehaven to the future Maasvlakte 2, the editors of FGA approach their endeavour both as inhabitants of an industrial and man-made territory and in relation to the redistribution and displacement of knowledge. Alongside other grand movements of transportation and trade taking place in the port, FGA’s broadcasts take shape through encounters with others and consider the role that art and artists have in other registers of exchange. Starting from the principal that in order to really understand a place one needs to really inhabit it, and the question of how to represent a place like as Maasvlakte 2 which does not yet fully exist, the editors of FGA also aim to stimulate discussion about the representation of Dutch landscape. They hope that their project could be pilot for a further research residencies.
Guests / participants contributing to Fucking Good Art's research on Maasvlakte and webradio:
Frank Bruggeman: Designer, artist and one of the editors of 'Club Donny', a strictly unedited journal on the personal experience of nature in the urban enviroment.
Hans Aarsman: Former photo journalist, and currently columnist for the Dutch newspaper "De Volkskrant" and playwriter. In 1988 he travelled for one year in Holland in his camper van - a Citroën HY - to produced the book 'Hollandse Taferelen'. He has published several publications: the photo book 'Aarsmans Amsterdam' (1993), his first novel 'Twee hoofden, een kussen' (1995) and in 2003 the autobiographical book 'Vrrooom! Vrrooomm!'. Some of his photos are free for download at the Nederlands Fotomuseum.
Remko Andeweg: Botanical analyst, City biologist of Rotterdam and author of the book 'Vreemde Planten in Rotterdam' [Exotic plants in Rotterdam, 2002], about the migration of plants that are considered foreign and endanger domestic vegetation.
Lino Hellings: Errorist! Recently founded the press agency P.A.P.A, an international network of artists and correspondents that creates news by taking action. Co-author of the publication "An Architecture of Interaction", and one of the founders of Dogtroep (1975), a self-styled form of visual theatre.
Gijsbert Korevaar: Industrial Ecologist.
Aurélie Barbier: A French urban planner specialised in emerging cities. Currently working for Urbaplan, an urban planning firm based in Switzerland. She has worked on various projects in Southern Europe and sub-Saharan African countries (Cameroon, Niger, Ghana). Over the past five years, she has focused on the definition of master plan, regulatory plan and slum upgrading projects through a comprehensive approach that includes both social and technical dimensions of urban development.
Martin Blum: Swiss artist and farmer. Works together with Haimo Ganz under the name GANZBLUM. In their art projects they focus on (life)cycles. Martin recently started public art projects on his farm "Frohe Aussicht" outside Zurich.
Marjolijn de Kok: Theoretical archeologist specialised on settlements and the wetlands of Holland. Also co-publisher of LIMA.
John Lonsdale: Architect. In the last years he has begun mapping the ‘Mudscapes of the Netherlands’ whereby he strives for the reconciliation of architecture with landscape.
Achilleka Komguem: Artist from Duala. Editor of journal 'Diartgonale' and worked on a radio show in Bessengue. He is in visiting Holland for 'Talking about!' a project by curators Zoë Gray and Lucia Babina that brings six artists and cultural producers from Cameroon to the Netherlands. FGA are hosting Achilleka during his visit.
CLUI: The Centre for Land Use Interpretation is a research organisation based in Culver City, Los Angeles, involved in exploring, examining, and understanding land and landscape issues. The Center employs a variety of methods to pursue its mission - engaging in research, classification, extrapolation, and exhibition. http://www.clui.org
Video of a recent sandstorm. Courtesy FGA.
Thanks to PUMA for providing the accommodation and Delta for the electricity.
Portscapes is commissioned by the Port of Rotterdam Authority with advice from SKOR (Foundation for Art and Public Space, Amterdam) and is curated by Latitudes. Read more on completed projects and on projects in production.
This September we are presenting a three more Portscapes projects (see previous presentations of Hans Schabus and Jan Dibbets) by Rotterdam-based magazine editors Fucking Good Art (http://www.fuckinggoodart.nl), Amsterdam-based Paulien Oltheten and Glasgow-based Ilana Halperin. Read about projects in development here.
On the 25, 26 and 27 September Latitudes will be participating in the second part of 'Produce, Exhibit and Interpret (Strategies and conflicts in today's curatorial practice)' in Matadero Madrid, a meeting of generationally-linked contemporary art Spanish-based curators designed to generate and strengthen social networks among professionals from the sector.
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A big thank you to everyone involved in our 2008-9 projects y felices vacaciones!
(Three images above): Mariana with Lawrence Weiner during the installation of Lawrence Weiner's exhibition 'THE CREST OF A WAVE' at the Fundació Suñol, Barcelona, in October–November 2008; during the press conference; Lawrence, Latitudes and Fundació Suñol team (Sergi Aguilar, Maga Ruiz, Xavier De Luca, Mireia Arnau and Jaume Brunet) photographed by Pierre-Jean Moulis after tossing a horseshoe upon the crest of a wave.
16–19 October 2008: presentation of the Danish artist Tue Greenfort 'transparent' bins outside Frieze Art Fair, London, commissioned by the Royal Society of Arts' 'Arts & Ecology' programme.
5–9 November 2008: Leaving the 'X, Y, etc!' Videolounge in Artissima Art Fair, Torino, Italy; admiring the phenomenal long table arrangement Artissima dinner hosted at the equally phenomenal Venaria Reale.
November 2009: fourth visit to Rotterdam – evening boat trip with some of 'Portscapes' artists, site visit to the port with the Port of Rotterdam's Sjaak Poppe (Hans Schabus and Roman Keller alongside) and discussions in Marjolijn Dijkman's studio (Roman Keller and Christina Hemauer – with Ilana Halperin on Skype)
November 2009: ‘La, la, la, la: on winning and losing’ co-curator Aimar Arriola arranging a work with artist Verónica Aguilera and (below) selecting images with Fermín Jimenez Landa and Oriol Vilanova.
8 February: SKOR curator Theo Tegelaers and Jan Dibbets during the filming of Jan Dibbets' '6 Hours Tide Object with Correction of Perspective'; some of 'Portscapes' artists including Bik Van der Pol and Marjolijn Dijkman visit the beach while waiting for the tide to go up; Christiane Bosman (SKOR press coordinator) and curator Theo Tegelaers from SKOR at 'Portscapes' during Art Rotterdam opening evening.
18 February: Vena (por la) talk with (the then) Walker Art Center associate curator Doryun Chong (now Associate Curator at MoMA in New York).
April 2009: The Associació d'Art Crítics de Catalunya awards Fundació Suñol for their exhibition programme (Latitudes-curated projects Lawrence Weiner's 'THE CREST OF THE WAVE' and the Land Art film programme 'A Stake in the Mud, A Hole in the Reel. Land Art's Expanded Field, 1968–2008' were part of this season).
(7 images above): First Neapolitan lunch with Simon Fujiwara and Jordi Mitjà: deep-fried maceroni; Erick Beltrán installing during 'Provenances', Umberto di Marino, Naples; preparing Simon's 'Museum of incest'; subtitling session with Nicoletta Daldanise; delightful Sicilian cuisine at Umberto's house, documenting Erick's work during the opening night and audience during Simon's performance 'The Museum of Incest: A Guided Tour' (publication here).
15 June 2009: Hans Schabus, Port of Rotterdam team and curators mulling over the location options for Hans's photo shoot of his 'Portscapes' project 'Europahaven, Port of Rotterdam, 17 Juni 2009'.
24–28 June 2009 (2 above): At our temporary office during the non-profit festival 'No Soul for Sale', in New York [Note Michael Jackson's 'breaking news' on screen!].
The Bruce High Quality Foundation in full (we are indebted to them for their fantastic 1983 Burger King set up)
(3 above) Installing Graham Gussin work during 'Sequelism Part 3. Possible, Probable or Preferable futures' in Arnolfini, Bristol (July 2009); hanging around with participating artists Francesc Ruiz and Haegue Yang as well as Nav Haq (Arnolfini curator) before dinner; and knitting lessons from Haegue at Arnolfini's bar.
[All photos: Latitudes | www.lttds.org]
Hans Schabus’ project for Portscapes is the next chapter in his ongoing series of ‘arrival photographs’ featuring the sailing boat Forlorn. The artist has produced a new photograph which can be seen on a roadside 5 x 9 metre billboard on the A15 (1km before reaching the visitor centre Futureland -- satellite view here), and is also distributed as a postcard. A presentation of Forlorn, the film ‘Western’ (2002), a series of photographs and the postcard will be on view at Futureland (directions and opening hours below) until 15 August, a presentation that has been conceived in collaboration with the artist to give further insight into the context of this extraordinary image – below a photo of the billboard presentation followed by production shots (all images: Freek van Arkel).
The Forlorn (2002) is a wooden-hulled ‘Optimist’ class sailing dinghy designed for a crew of one; in fact it is intended for children. The project of the ‘arrival photographs’ started with Western (2002), a film in which we see Schabus navigating through the sewers of his native Vienna in the self-built boat. He paddles through several sewage tracts until reaching a canal, a one way trip through a sinister labyrinth, a dark and obscure underground world. The film makes reference to Orson Welles’ 1949 film The Third Man through the use of the original score – at the film’s climax, Harry Lime flees from the authorities through the same sewers.
Since then the Forlorn has emerged into the light to undertake an unexplained and pitifully lonely global journey in which its single sailor is seen apparently arriving for the first time at different locations. First to a very foggy New York, a city which evoked a more radiant promised land for those many immigrants who arrived there by sea. Then onwards to Frankfurt am Main, Germany; Lake Constance, Bregenz, Austria; and Venice, Italy. The existential journey comprises a seemingly endless quest or escape, a migration voyage seen only at moments of hope and promise in making safe landfall. Will the migrant receive a warm or hostile reception on each new territory?
In the new image 'Europahaven, Rotterdam, 17 Juni 2009', the sailor navigates towards the huge container terminals of the Port of Rotterdam and a vast cargo ship. Sailing at a point which will become the new entrance to Maasvlakte 2, the simplest of water vehicles and a single man appear in stark contrast to an overwhelmingly modern manifestation of seafaring trade. Despite the speed, scale and efficiency of the port, the image seems to indicate that on a human scale the vastness of maritime space nevertheless remains a vulnerable and mythologically rich territory.
Hans Schabus’ (1970 Watschig, Austria. Lives in Vienna, Austria) sculptures and interventions often refer directly to his mental and physical surroundings, particularly to his studio and also by exploring excavation, transportation and engineering. His work embraces ecological cycles of construction, destruction and renewal – elements that were present in the 2004 exhibition at Kunsthaus Bregenz, where the artist transformed the entire building into a complex and convoluted architectonic and mental path of discovery. The show included large-scale videos of train journeys to visit the venue during preparations, as well as flooding the ground floor and encompassing an imaginary tunnel to the basement of the building. In 2006 he produced the ‘Book of Ballast’ in which he explored a mostly forgotten sea connection between Liverpool and the US city of Savannah. Schabus documented numerous stones which made their way as ballast on ships to ports on the east coast of America, where they were put to use to pave streets and build houses. The artist became more widely known when he represented Austria at the 2005 Venice Biennale with the project The Last Land, whereby he created a maze inside a ‘mountain’ that completely covered the pavilion building.
Schabus’ solo projects include: Next Time I’m Here, I’ll Be There, The Curve, Barbican Gallery, London (2008); Deserted Conquest, SITE Santa Fe, New Mexico (2007); Kasseler Kunstverein, Kassel, Germany (2006); Kunsthaus Bregenz, Bregenz, Austria (2004); and Secession, Vienna, Austria (1996 and 2003). Group exhibitions include: Revolutions – Forms That Turn, Biennale of Sydney (2008); Turin Triennial (2005); and Manifesta 4, Frankfurt (2004).
Postcard produced for 'Portscapes':
Futureland is on the edge of the current Maasvlakte along the extension of the A15. It is across the road from the E.ON power plant. The information center is open from Tuesday–Friday (10am-5pm) and on Sunday (11am-5pm). Free entrance.
'Portscapes' is a series of newly commissioned public projects taking place alongside the construction of Maasvlakte 2 – the extension to the Port of Rotterdam. www.portscapes.nl
An initiative of the Port of Rotterdam Authority with advice from SKOR (Foundation for Art and Public Space). Curated by Latitudes, www.LTTDS.org
[All images: Freek van Arkel]
Latitudes will be soon participating in 'NO SOUL FOR SALE – A Festival of Independents' (24–28 June, 1–9pm, free entrance) an event hosted by X initiative which will bring together 38 not-for-profit centers, alternative institutions, artists’ collectives and independent enterprises from Berlin, Milan, Dublin, Lisbon, Paris, Reykjavík, Hong Kong, Rabat, Trinidad, New York, Los Angeles, etc. that contribute to the international art scene by generating a diverse cultural programme.
Opening Reception: June 23, 6-9 pm with a performance by Martin Soto Climent.
Opening Hours: June 24–28 2009, 1–9 pm. FREE ENTRANCE
Below is the new website design of Portscapes (www.portscapes.com), an accummulative series of newly commissioned projects curated by Latitudes in and around Maasvlakte 2, the extension of the Port of Rotterdam, The Netherlands, throughout 2009. (+ info) If you would like to receive Portscapes newsletters, please subscribe here.
Following the news on the extension process of the Port of Rotterdam, which will become the Maasvlakte 2, the Port has just announced that after months of dredging vessels spraying sand (‘rainbowing’) 3km away from the present coast line (see image above) the first bulldozers are driving around on an island in the North Sea to make sure that the sand is distributed correctly amongst the islands (see image below). Slideshow of aerial images of the rising island here.
[Images (top to bottom): Portscapes website; Photo: Eric Bakker; Photo: Ben Wind. All photos © Port of Rotterdam Authority; Thanks to Ria Haagsma and Sjaak Pope.]
Screening of Jan Dibbets' film '6 Hours Tide Object with Correction of Perspective', every Sunday between 14 June and 5 July, FutureLand, Rotterdam
The screening of '6 Hours Tide Object...' will take place on Sunday 14 June and will be repeated on Sunday 21 June, Sunday 28 June and Sunday 5 July at 13.00, 13.30, 14.00, 14.30 and at 15.00 (a special screening preceded by the 'The Making of...').
First realised in February 1969 as part of Gerry Schum's seminal Fernsehgalerie I ‘Land Art’ series of films screened on German TV, the 2009 realisation of '12 Hours Tide Object with Correction of Perspective' was filmed forty years later to the month (see our 10 February post with production stills), on the beach of the Maasvlakte. The resulting film titled '6 Hours Tide Object...' is the first project of Portscapes, an accumulative series of newly commissioned projects that will take place throughout 2009 alongside the construction of Maasvlakte 2.
For more details on the screenings please check www.portscapes.com | www.portscapes.nl
If you would like to receive Portscapes' newsletters, please subscribe here.
FutureLand is situated on the edge of the current Maasvlakte, in Europaweg 902 (500m from the Routiers restaurant). Free admission.
Portscapes is commissioned by the Port of Rotterdam Authority with advice and financial support from SKOR (Foundation for Art and Public Space, Amsterdam) and is curated by Latitudes.
Jan Dibbets '6 hours tide object with correction of perspective', 1969-2009, Maasvlakte beach, Rotterdam
Camera: Fijko van Leeuwen
Montage: Rutger Hesseling
Recording: 8 February, 2009Film duration: 8 minutes
Film commissioned by the Port of Rotterdam, www.maasvlakte2.com with advice and financial support from SKOR (Foundation Art and Public Space), www.skor.nl
This project was realised as part of 'Portscapes' a series of newly commissioned art projects realised alongside the construction of Maasvlakte 2 - the extension to the Port of Rotterdam. Curated by Latitudes, www.lttds.org
With thanks to: Jan Vader, Jan Willem Stoof and PUMA Extension Project Organisation Maasvlakte
[All images: Film stills of '6 Hours Tide Object with Correction of Perspective' (2009), courtesy of the artist, Port of Rotterdam Authority and SKOR].
Production of Jan Dibbets '6 Hours Tide Object with Correction of Perspective' (2010) in pictures and the press
Soon after Dibbets and Theo Tegelaers from SKOR arrived and, with bulldozer driver Jan Vader at the ready and van Leeuwen up on the hydraulic lift, the 'square' was marked out and the camera was ready to roll.
A bus with special guests and press arrived just in time to see the beginning of the raking action, and after a brief hail storm, the tide rose rapidly on cue around 12.30 to inundate the 'perspective correction'. A spectacular morning on the Dutch coast! Many thanks to everyone involved.
Critic Rutger Pontzen wrote about the event in the Dutch paper De Volkskrant and Ruud van Haastrecht's article appeared in Trouw (articles below). Also see features in Schuttevaer, BM/DeStem and Metropolis M.
NRC Handelsblad published a good "making of" slideshow here.
The event was photographed for the Port of Rotterdam by Freek van Arkel and for SKOR by Paloma Polo. Our big thanks to both!
Beginning of 'Portscapes': Jan Dibbets' 1969–2009 "12 Hours Tide Object with Correction of Perspective"
'Portscapes' is an accumulative series of artists’ projects that will take place throughout 2009 alongside the construction of ‘Maasvlakte 2’, a 2,000 hectare area of reclaimed land that will extend the Port of Rotterdam, Europe's largest seaport and industrial area. Projects of variable scales will be experienced through itineraries and destinations, comprising artist-designed tours, performances, interventions, screenings and mobile seminars, for example.
'Portscapes' will be launched during Art Rotterdam (5–8 February 2009). A prologue publication designed by Ben Laloua / Didier Pascal will be available at Portscapes' booth with contributions by Jorge Satorre, Paulien Oltheten, Maria Barnas and Erick Wesselo amongst others. Images of the publication:
Events during Art Rotterdam week include:
* Thursday 5 February: tour for press and invited guests around the port and presentations by Portscapes artists Marjolijn Dijkman and Ilana Halperin as well as Theo Tegelaers from SKOR and Latitudes.
* Sunday 8 February (weather permitting) : the inaugural project will take place with the filming of an event-sculpture by the Dutch Conceptual artist Jan Dibbets. First realised in February 1969 as part of Gerry Schum's seminal 'Land Art' series of films screened on German TV, the 2009 realisation of '12 Hours Tide Object with Correction of Perspective' will be filmed forty years later to the month on the beach of the Maasvlakte.
The artists currently developing proposals are: Lara Almarcegui, Bik van der Pol, Jan Dibbets, Marjolijn Dijkman, Fucking Good Art, Cyprien Gaillard, Ilana Halperin, Roman Keller & Christina Hemauer, Paulien Oltheten, Michael Rakowitz, Jorge Satorre, Hans Schabus and Jun Yang.
More info: www.portscapes.nl (UK/NL) and Latitudes' web.
'Portscapes' is commissioned by the Port of Rotterdam Authority advised by SKOR (Foundation for Art and Public Space, Amsterdam) and is curated by Latitudes.
Art Rotterdam (5–8 February) takes place at the Cruise Terminal in Wilheminakade 699, 3072 AP Rotterdam (MAP). Opening hours: Thursday 5 & Friday 6: 13–18h; Saturday 7 & Sunday 8: 11–19h.
On Sunday 14th, Bik van der Pol (www.bikvanderpol.net) realised the public performance ‘Close Encounters’ in the context of the final day of the 'Be(com)ing Dutch' exhibition at the Van Abbemuseum, Eindhoven.
Around 80 people gathered "to generate enough compressed mental power in a moment of great concentration to launch the Evoluon into flight." An iconic 77 metre-diameter concrete 'flying saucer', the Evoluon was built in the 1966 by the electronics company Philips, to house Eindhoven’s museum of science, technology and progress. It closed its doors to the public in 1989, partly because the technology was obsolete and also because in the 1980s Philips was forced to economise. Today the Evoluon serves as a conference centre.
Particularly interesting in the Spanish context is that during the 1960s, Philips invited Spanish immigrants to live and work in Eindhoven. They were the first foreign labourers, and sent photos of the building back home to show what a modern city they were living in.
On the map the location of the performance is marked with an X.
Last week Latitudes visited the port and industrial zone of Rotterdam (seen in the images). On the west of the existing port, construction is undergoing to build Maasvlakte 2, a new port area arising from the sea in front of the Maas estuary, which will be constructed between 2008 and 2013. The reclaimed land will add 20% of port area and triple the container capacity. Following such land reclamation or polder mega-projects such as the Flevopolder, Ijburg and Neeltje Jans, the second Maasvlakte will be the latest chapter of the Netherlands’ ongoing relationship between the sea and the land.
As stated in the Maasvlakte website: "The land reclamation will measure around 2,000 hectares in total. Half of this will consist of infrastructure, such as sea defences, fairways, railways, roads and port basins. The other 1,000 hectares will provide the space for industrial sites."
The Maasvlakte 2 project organisation of the Rotterdam Port Authority wants to involve artists in this 5 year development stage, and for that they have involved SKOR. The Port Authority and SKOR invited Latitudes to visit the area and to generate ideas for the forthcoming 5 year period, from planning to realisation of what will be one of the biggest trade zones in the world.
All images: Latitudes | www.lttds.org