Longitudes
Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.
Cover Story, March 2023: Art, Climate, and New Coalitions
Wed, Mar 1 2023
March 2023 cover story on www.lttds.org
The March 2023 monthly Cover Story “Art, Climate and New Coalitions” is now up on our homepage www.lttds.org
“The terminology of environmental consciousness and carbon emissions has shifted significantly in recent decades, from talk of the greenhouse effect to global warming and sustainable development, and now from climate change to the climate emergency. ” → Continue reading (after March 2023 this story will be archived here).
Cover Stories are published on a monthly basis on Latitudes’ homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.
→ RELATED CONTENTS:
- Archive of Monthly Cover Stories
- Cover Story, February 2023: Soil for Future Art Histories, 2 Feb 2023
- Cover Story, January 2023: Claudia Pagès’ ‘Gerundi Circular’, 2 Jan 2023
- Cover Story, December 2022: “The Melt Goes On Forever. David Hammons and DART Festival, 1 December 2022
- Cover Story, November 2022: Jorge Satorre’s Barcelona, 1 Nov 2022
- Cover Story, October 2022: Stray Ornithologies—Laia Estruch, 3 Oct 2022
- Cover Story, September 2021: Erratic behaviour—Latitudes in conversation with Jorge Satorre, 31 August 2021
- Cover Story, July–August 2022: Incidents (of Travel) from Seoul, 1 July 2022
- Cover Story, June 2022: Cyber-Eco-Feminist Incidents in Attica, 1 June 2022
- Cover Story, May 2022: Things Things Say in print, 2 May 2022
- Cover Story, March 2022: The passion of Gabriel Ventura, 1 March 2022
Cover Story – December 2016: Ten years ago – Land, Art: A Cultural Ecology Handbook
Mon, Dec 5 2016
The December Monthly Cover Story is now up on www.lttds.org – after this month it will be archived here.
"The publication Land, Art: A Cultural Ecology Handbook is ten years old. Commissioned by the Arts & Ecology programme of The Royal Society for the Encouragement of Arts, Manufactures & Commerce (RSA), in partnership with Arts Council England, this book was one of Latitudes’s first projects. Through the inspirational contributions of people as varied as Lucy Lippard, Stephanie Smith, Amy Balkin, or the late Wangari Maathai – to mention just a few – the compendium charted the twin legacies of Land Art and the environmental movement while proposing how the critical acuity of art might remain relevant in the face of the dramatic ecological consequences of human activity. The research and reflection involved set Latitudes on a course that led to several further projects engaging with ecology, explicitly or otherwise." Continue reading...
Related content:
- Archive of Cover Stories
- Photos of the launch of the publication 'LAND, ART: A Cultural Ecology Handbook' at the LCE, London 15 December 2006
- Photos of the publication 'LAND, ART: A Cultural Ecology Handbook' (RSA, 2006) 14 December 2006
- Looking back – Visiting Robert Smithson's 'Spiral Jetty' (1970) 7 September 2004
- Cover Story, November 2016: Plucking Gilda, synesthetic Toni and dazzling Víctor 2 November 2016
- Cover Story, October 2016: "A Funny thing Happened on the Way to the Gallery, 13 October 2016
- Cover Story, September 2016: "El misterio de Caviria" by Antoni Hervàs 1 Septiembre 2016
- Last chance to read the August 2016 Monthly Cover Story "Fermínlandia" 31 August 2016
Sharjah Biennial 8 (2007) part 2 publication with proceedings of the 3-day conference organised by Latitudes and the RSA, London
Mon, Oct 26 2009
Edited by Joseph R Wolin
Paperback
567 pages, 299 visuals. Softcover 350g. Art Matt Card
Paper: 80g. offset wood free and 135 g. Art Matt24 x 16 cm
English and Arabic
Published by Sharjah Biennial, 2008ISBN 978-9948-04-328-6 Part II
The recently published vol. II of the catalogue of the Sharjah Biennial 8 [25º 22’N, 55º 24’E] titled 'Still Life: Art, Ecology and the Politics of Change (Part II)' includes installation shots of the exhibition as well as proceedings of the 3-day conference Latitudes organised in collaboration with the Royal Society of Art's Arts & Ecology programme (today the RSA Arts and Ecology Centre) (+ info). The book is a companion to volume I, published to coincide with the Biennial’s opening.
The symposium (images here) considered today’s uses and abuses of the ‘eco-’, notions of artistic agency and critical practice, as well as the role of the public realm in today’s artistic and institutional practices. How has it become fashionable (or profitable) to be seen to be eco? How has what we mean by ecology been transformed and evolved through the uses of terms such as ‘environmental’, ‘green’, ‘ethical living’, and so on?; How do some artists desire palliative results, while others offer strategies of friction or resistance? How far are the sources of materials a consideration for artists, designers and architects? And how does this relate to broader questions of resources—water, energy, oil in the Emirate and beyond?
The symposium included focused presentations by keynote speakers such as Bruce Sterling (read his paper here), critical panels by biennial artists Sergio Vega or Peter Fend as well as by Van Abbemuseum director and Sharjah Biennial juror Charles Esche, or Smart Museum's Curator of Contemporary Art Stephanie Smith, as well as breakout seminars with biennial artists Tomás Saraceno and Michael Rakowitz.
You can download the symposium programme, the exhibition guide and view press-related materials in this archive.
The recently published vol. II of the catalogue of the Sharjah Biennial 8 [25º 22’N, 55º 24’E] titled 'Still Life: Art, Ecology and the Politics of Change (Part II)' includes installation shots of the exhibition as well as proceedings of the 3-day conference Latitudes organised in collaboration with the Royal Society of Art's Arts & Ecology programme (today the RSA Arts and Ecology Centre) (+ info). The book is a companion to volume I, published to coincide with the Biennial’s opening.
The symposium (images here) considered today’s uses and abuses of the ‘eco-’, notions of artistic agency and critical practice, as well as the role of the public realm in today’s artistic and institutional practices. How has it become fashionable (or profitable) to be seen to be eco? How has what we mean by ecology been transformed and evolved through the uses of terms such as ‘environmental’, ‘green’, ‘ethical living’, and so on?; How do some artists desire palliative results, while others offer strategies of friction or resistance? How far are the sources of materials a consideration for artists, designers and architects? And how does this relate to broader questions of resources—water, energy, oil in the Emirate and beyond?
The symposium included focused presentations by keynote speakers such as Bruce Sterling (read his paper here), critical panels by biennial artists Sergio Vega or Peter Fend as well as by Van Abbemuseum director and Sharjah Biennial juror Charles Esche, or Smart Museum's Curator of Contemporary Art Stephanie Smith, as well as breakout seminars with biennial artists Tomás Saraceno and Michael Rakowitz.
You can download the symposium programme, the exhibition guide and view press-related materials in this archive.
Cover and Back Cover, 'Still Life: Art, Ecology and the Politics of Change (Part II)'. Photos: Sharjah Biennial.
Looking back – 2008 "Annual Report"
Mon, Dec 29 2008
Looking back at the past year is a infectious exercise at this point in the calendar. We would like to thank everyone that has visited or taken part in our projects, from the small ones to the 3 year-long collaborations, whether from nearby or far away.
Our 2008 began as intense preparations were well underway for the group exhibition 'Greenwashing. Environment: Perils, Promises and Perplexities' at Fondazione Sandretto Re Rebaudengo, Turin (29.02 –18.05.2008) co-curated with Ilaria Bonacossa. 'Greenwashing...' presented the work of 25 artists and artists groups (11 of those produced new work). A 192 page catalogue was published by The Bookmakers Ed., Turin – you can buy a copy here (English/Italian editions).
Following 'Greenwashing...' we presented 'A Stake in the Mud, A Hole in the Reel: Land Art's Expanded Field 1968–2008', a film and video programme curated at the invitation of the Museo Tamayo in Mexico City that later toured to 8 venues between April and October: MARCO, Vigo; Stadtkino (Kunsthalle Basel), Basel, Switzerland; CAAC, Sevilla; Fundació Suñol, Barcelona; Barn Hongersdijk Farmstead, Wilhelminapolder, The Netherlands; Spike Island, Bristol, United Kingdom; Centro de Arte Dos de Mayo, Móstoles. For further information you can read an essay in the Winter 2008-9 (upcoming) issue of Art & Co magazine or download press articles and programmes here.
Before the end of the summer we were part of the jury for the Premi Miquel Casablancas, an award for Spanish artists under 36. From around 200 portfolios and projects submitted Latitudes, together with Aimar Arriola, selected four artists to participate in the exhibition later in the year: ‘La, la, la, la: on winning and losing’ (29.11.2008 – 10.01.2009).
The summer was filled with more research and work to be done, which was carried out thanks to the support and hospitality of the Deutsche Börse Residency Programme, Frankfurter Kunstverein, Germany.
The 2008-9 season began with the exciting realisation of 'The Crest of a Wave’, a four-part project by Lawrence Weiner at Fundació Suñol, Barcelona (08.10 – 15.11.08) that had a great press, radio, specialised media and TV coverage (see post 12 November); followed by the conclusion of the 3 year-long public commission by Tue Greenfort which was presented in a discrete mode alongside his Frieze Art Fair project (16-19 October). This commission was an initiative of the RSA Arts & Ecology programme, London, which has recently become the Arts & Ecology center. Soon there will be a small publication gathering the history of the commission as well visual documentation of the project.
In November, as part of Artissima 15 Latitudes presented 'X, Y, etc!', a video programme comprised of around 40 works that was inspired by Charles Fort's research methodology, the paranormal and anomalous phenomena, the uncanny and the unexplained.
And now looking a little towards what's to come in 2009 ... since May 2008 (see previous posts here and here) we have been working on 'Portscapes', a series of artists’ projects that will take place throughout 2009 alongside the construction of ‘Maasvlakte 2’, a 1,000 hectare area of reclaimed land that will extend the Port of Rotterdam, Europe's largest seaport and industrial area. Mirroring a port's function of transit and exchange 'Portscapes' will involve Rotterdam-based artists and those from countries including China, Austria, Mexico, Scotland and the US, with the aim of considering the physical and conceptual implications of the new lands of Maasvlakte 2, as well as the city-port as a distributive network across artistic, marine and mercantile registers. 'Portscapes' will be introduced during Art Rotterdam (5–8 February 2009) by a small ‘prologue’ publication designed by Ben Laloua / Didier Pascal.
Throughout 2008 we have also contributed several catalogue essays, articles, exhibition reviews, artists profiles, etc. a selection of which can be downloaded from our writing archive.
Happy New Year!
Lara Almarcegui's Wastelands
Wed, Oct 31 2007Last weekend we visited 2 of Lara Almárcegui's wastelands. One in the Rotterdam harbour (www.braakliggendterrein.nl) and the other one in Genk, Belgium. The Rotterdam wasteland (first 4 pictures) has remained untouched since 2003 and will be kept until 2018. The Genk wasteland's dates are 2004-2014 (following 12 images).
"Lara Almárcegui's work often explores neglected or overlooked sites, carefully cataloguing and highlighting each location's tendency towards entropy. Her projects have ranged from a guide to the wastelands of Amsterdam to the display, in their raw form, of the materials used to construct the galleries in which she shows. Her works are simple actions that belie the vast research process which she undertakes to achieve them." (Frieze Projects, 2006)
Ecology, Frieze, Land Art, Lara Almarcegui, Rotterdam, RSA, Sharjah Biennial 8, UOVO
"Lara Almárcegui's work often explores neglected or overlooked sites, carefully cataloguing and highlighting each location's tendency towards entropy. Her projects have ranged from a guide to the wastelands of Amsterdam to the display, in their raw form, of the materials used to construct the galleries in which she shows. Her works are simple actions that belie the vast research process which she undertakes to achieve them." (Frieze Projects, 2006)
Tue Greenfort & Piotr Uklanski, Secession, Vienna
Fri, Sep 28 2007
Piotr Uklanski 'A Retrospective' (main space) and Tue Greenfort's 'Medusa' (upper and lower galleries) at the Secession, Vienna, 20 September–18 November 2007.
All images: Latitudes | www.lttds.org
'LAND, ART...' publication reviewed in Frieze
Wed, Jun 20 2007
Brian Dillon reviews LAND, ART: A Cultural Ecology Handbook in the summer issue (#108) of Frieze, devoted to ecology. Read the article online.
In that same issue, there is also a feature article by Latitudes' Max Andrews entitled 'The Whole Truth' featuring the work of Mierle Laderman Ukeles, Christina Hemauer & Roman Keller, Maria Thereza Alves, among others.
Sharjah Biennial 8 - part 1
Sun, Apr 1 2007
Sharjah Biennial 8, 4 April – 4 June 2007
Symposium: 5–7 April 2007
Venue: Expo Centre, Sharjah
Symposium Organisers: Max Andrews and Mariana Cánepa Luna (Latitudes, Barcelona) and Michaela Crimmin (Royal Society for the encouragement of Arts, Manufactures & Commerce, RSA, London), with
Symposium: 5–7 April 2007
Venue: Expo Centre, Sharjah
Symposium Organisers: Max Andrews and Mariana Cánepa Luna (Latitudes, Barcelona) and Michaela Crimmin (Royal Society for the encouragement of Arts, Manufactures & Commerce, RSA, London), with
Roderick Grant (American University of Sharjah, AUS), Amir Berbic (American University of Sharjah, AUS), Tarek Talat Al-Ghoussein (American University of Sharjah, AUS) and Jeremy Bendik-Keymer (American University of Sharjah, AUS).
Symposium Coordinator in Sharjah: Sharon Ahimaz (Sharjah Biennial team)
Offset of 70 tonnes of Carbon.
The conference language is English.
The Symposium, which forms part of the Sharjah Biennial, aims to explore specific aspects of the relationship between culture and ecology - not least the challenges and the contradictions. The event will profile the extraordinary work taking place in architecture, the visual arts, across new technologies, in design and on screen. Discussions will involve artists, academics and students, architects and designers, people living locally and a number of key contributors from other continents. It draws from and will build on previous discourse - capturing the perspectives of people who are addressing ecological issues on a daily basis. The Symposium bravely takes place in a country which is prepared to look to the future and the changes we are all going to have to make.
THURSDAY 5 April 2007
9.30 – 10am: Refreshments and Orientation
10 – 10.15am: Welcome by Jack Persekian (Artistic Director SB8) and Michaela Crimmin(Director RSA Arts and Ecology).
10.15 – 10.45am: Keynote speaker: ‘Ecology and the Politics of Change’, Bruce Sterling, Author, journalist, editor and critic, Texas and Serbia.
10.45 – 12.00: Panel Discussion: The lure of the 'eco'
Eco-art, eco-fashion, eco-tourism, eco-politics, eco-activism, eco-village ... In almost every aspect of how and where we live, work and play, the eco has embedded itself. How has what we mean by ecology transformed and evolved through the practice of everyday life?
Panellists:
Sarah Rich (Managing Editor, Worldchanging and inhabitat.com, a weblog covering sustainable design and green building, Seattle)
Sergio Vega (Artist, Gainesville; participating in Sharjah Biennial 8)
Siobhan Leyden (producer and presenter of the daily talk show ‘Siobhan Live’ on Dubai Eye radio, 103.8 FM)
Stephanie Mahmoud (Marketing and Management student, AUS)
Chair: Jeremy Bendik-Keymer (Philosophy teacher in the Department of International Studies, AUS)
12 - 12.45pm: Film Programme Excerpt: Riverglass: A River Ballet in Four Seasons. Andrej Zdravic, 1997 (41 mins)
"Riverglass presents the 'materiality' of the river Soca. A symbol of importance in Slovenian culture, the film presents the force and clarity of the water from the point of view of the river itself, a Gaian perspective possibly. In its content and development of specialist filming equipment it recalls other film-makers landscape interventions (for instance Michael Snow's La Region Centrale (1970) or Robert Beaver's The Stoas, (1991-97)." – Mark Nash
12.45 – 2 pm: Lunch Break
1.45 – 3.00pm: Parallel Seminars:
I. Emergencies and Risk
What is the role of architects, designers and artists concerning housing and communities? With increasing pressure on resources and space, and an increasingly volatile political climate how can we move from coping with aftermaths to try to mitigate risk before crises? Can design and architecture be a political act?
Susi Platt (Architecture for Humanity's leading post-Tsunami reconstruction designer, Sri Lanka)
Michael Rakowitz (Artist, New York; participating in Sharjah Biennial 8)
Moderator: Mehdi Sabet (Associate Professor, Architecture & Interior Design, School of Architecture and Design, AUS)
II. Resources: Truth and Materials
How far are recycled or sustainable materials a consideration for artists, designers and architects? How do such considerations affect our experience/perception of materiality in art and the built environment? And how does this relate to broader questions of resources—water, energy, etc.?
Mona El Mousfi (Sharjah Biennial architect and Assistant Professor, School of Architecture and Design, AUS)
Tomás Saraceno (Artist and architect, Frankfurt; participating in Sharjah Biennial 8)
3.00 –3.30pm: Coffee Break
3.30 – 4.15pm: Feedback and Group Discussion
4.15 – 5.15pm: In Conversation. ‘Kumar Shahani: Politics and the ecology of change’
Mark Nash (curator of Sharjah Biennial 8 film programme; Director of the MA Curating Contemporary Art at the Royal College of Art, London) and Geeta Kapur (Critic and Curator, New Delhi, and member of the Jury for the 2007 Sharjah Biennial 8 Art Prize) in conversation about the work of Indian filmmaker Kumar Shahani.
7.00 – 7.45pm: Presentation by OMA/ Rem Koolhaas, Reinier De Graaf at Qanat Al Qasba
8.00pm: Film Programme Excerpt held at Qanat Al Qasba: The Form of the palace of Matsumae-kun’s Brothers 1, 1988 - Oki Hiroyuki – (17 min)
8.30pm: Film Programme Excerpt held at Qanat Al Qasba: The Char Adhyay, 1997 - Kumar Shahani – (110min)
FRIDAY 6 April 2007
Welcome by Michaela Crimmin, RSA Arts and Ecology Director, London
4 – 5.30pm: Panel discussion: Offsetting / Upsetting. 'Art vs. issues'
Much work in the field of art and ecology has emerged in the field of remedial actions in industrial sites. Today, carbon trading and offsetting are, more abstractly, being proposed to restore the balance of the atmosphere. How might these two motions be linked? How or should the work of some artists might generally be regarded as a form of offsetting or redressing? How do some artists desire tangible palliative results, while others offer strategies of friction or resistance? What is more important, the issues or the art?
Panellists:
Koyo Kouoh (Cultural producer, Arts Manager and Programming Consultant, Dakar)
Peter Fend (Artist, Berlin; participating in Sharjah Biennial 8)
Charles Esche (Director, Van Abbemuseum, Eindhoven and member of the Jury for the 2007 Sharjah Biennial 8 Art Prize)
Chair: Stephanie Smith (Director of Collections and Exhibitions, Curator of Contemporary Art, Smart Museum of Art, University of Chicago)
5.30 – 6pm: Break
6 – 7pm: Jonathan Watkins (Co-curator, Sharjah Biennial 8 and Director Ikon Gallery, Birmingham) and Cornelia Parker (Artist, London; participating in Sharjah Biennial 8) to introduce Parker's project for Sharjah Biennial 8: Video interview with Noam Chomsky
Followed by Q+A from the audience.
7.30pm: Film Programme Excerpt held at Qanat Al Qasba: Darwin's Nightmare, Hubert Sauper, 2004 (107 min),
SATURDAY 7 April 2007
4.30pm: Welcome back by Michaela Crimmin, RSA Arts and Ecology Director, London
4.30 – 5.30pm: Artists' presentation: e-Xplo with Ayreen Anastas (Artists US/Austria; participating in Sharjah Biennial 8)
5.30 – 7pm: Panel discussion: Urban Planning and the future city.
What is the future of the city as a habitat for humanity? Increasingly dense housing, commercial, cultural, infrastructural and civic spaces contradict our desire for space, openness and freedom. What lies ahead for the city as a living, symbiotic form of inanimate structure and animate inhabitants?
Panellists:
Samir Srouji (Artist, Palestine; participating in Sharjah Biennial 8)
Rula Sadik (General Manager, Design and Planning, The Design Group, Nakheel, Dubai)
Samer Kamal (Founder, Bee’ah, Sharjah Environmental Company, Sharjah)
Chair: George Katodrytis (Architect; Professor of Architecture, School of Architecture and Design, Professor of Architecture, AUS)
7.30pm: Film Programme Excerpt held at Qanat Al Qasba: The Journals of Knud Rasmussen, Norman Cohn, Zacharias Kunuk, 2006 (112 min).
Symposium Coordinator in Sharjah: Sharon Ahimaz (Sharjah Biennial team)
Offset of 70 tonnes of Carbon.
The conference language is English.
The Symposium, which forms part of the Sharjah Biennial, aims to explore specific aspects of the relationship between culture and ecology - not least the challenges and the contradictions. The event will profile the extraordinary work taking place in architecture, the visual arts, across new technologies, in design and on screen. Discussions will involve artists, academics and students, architects and designers, people living locally and a number of key contributors from other continents. It draws from and will build on previous discourse - capturing the perspectives of people who are addressing ecological issues on a daily basis. The Symposium bravely takes place in a country which is prepared to look to the future and the changes we are all going to have to make.
THURSDAY 5 April 2007
9.30 – 10am: Refreshments and Orientation
10 – 10.15am: Welcome by Jack Persekian (Artistic Director SB8) and Michaela Crimmin(Director RSA Arts and Ecology).
10.15 – 10.45am: Keynote speaker: ‘Ecology and the Politics of Change’, Bruce Sterling, Author, journalist, editor and critic, Texas and Serbia.
10.45 – 12.00: Panel Discussion: The lure of the 'eco'
Eco-art, eco-fashion, eco-tourism, eco-politics, eco-activism, eco-village ... In almost every aspect of how and where we live, work and play, the eco has embedded itself. How has what we mean by ecology transformed and evolved through the practice of everyday life?
Panellists:
Sarah Rich (Managing Editor, Worldchanging and inhabitat.com, a weblog covering sustainable design and green building, Seattle)
Sergio Vega (Artist, Gainesville; participating in Sharjah Biennial 8)
Siobhan Leyden (producer and presenter of the daily talk show ‘Siobhan Live’ on Dubai Eye radio, 103.8 FM)
Stephanie Mahmoud (Marketing and Management student, AUS)
Chair: Jeremy Bendik-Keymer (Philosophy teacher in the Department of International Studies, AUS)
12 - 12.45pm: Film Programme Excerpt: Riverglass: A River Ballet in Four Seasons. Andrej Zdravic, 1997 (41 mins)
"Riverglass presents the 'materiality' of the river Soca. A symbol of importance in Slovenian culture, the film presents the force and clarity of the water from the point of view of the river itself, a Gaian perspective possibly. In its content and development of specialist filming equipment it recalls other film-makers landscape interventions (for instance Michael Snow's La Region Centrale (1970) or Robert Beaver's The Stoas, (1991-97)." – Mark Nash
12.45 – 2 pm: Lunch Break
1.45 – 3.00pm: Parallel Seminars:
I. Emergencies and Risk
What is the role of architects, designers and artists concerning housing and communities? With increasing pressure on resources and space, and an increasingly volatile political climate how can we move from coping with aftermaths to try to mitigate risk before crises? Can design and architecture be a political act?
Susi Platt (Architecture for Humanity's leading post-Tsunami reconstruction designer, Sri Lanka)
Michael Rakowitz (Artist, New York; participating in Sharjah Biennial 8)
Moderator: Mehdi Sabet (Associate Professor, Architecture & Interior Design, School of Architecture and Design, AUS)
II. Resources: Truth and Materials
How far are recycled or sustainable materials a consideration for artists, designers and architects? How do such considerations affect our experience/perception of materiality in art and the built environment? And how does this relate to broader questions of resources—water, energy, etc.?
Mona El Mousfi (Sharjah Biennial architect and Assistant Professor, School of Architecture and Design, AUS)
Tomás Saraceno (Artist and architect, Frankfurt; participating in Sharjah Biennial 8)
3.00 –3.30pm: Coffee Break
3.30 – 4.15pm: Feedback and Group Discussion
4.15 – 5.15pm: In Conversation. ‘Kumar Shahani: Politics and the ecology of change’
Mark Nash (curator of Sharjah Biennial 8 film programme; Director of the MA Curating Contemporary Art at the Royal College of Art, London) and Geeta Kapur (Critic and Curator, New Delhi, and member of the Jury for the 2007 Sharjah Biennial 8 Art Prize) in conversation about the work of Indian filmmaker Kumar Shahani.
7.00 – 7.45pm: Presentation by OMA/ Rem Koolhaas, Reinier De Graaf at Qanat Al Qasba
8.00pm: Film Programme Excerpt held at Qanat Al Qasba: The Form of the palace of Matsumae-kun’s Brothers 1, 1988 - Oki Hiroyuki – (17 min)
8.30pm: Film Programme Excerpt held at Qanat Al Qasba: The Char Adhyay, 1997 - Kumar Shahani – (110min)
FRIDAY 6 April 2007
Welcome by Michaela Crimmin, RSA Arts and Ecology Director, London
4 – 5.30pm: Panel discussion: Offsetting / Upsetting. 'Art vs. issues'
Much work in the field of art and ecology has emerged in the field of remedial actions in industrial sites. Today, carbon trading and offsetting are, more abstractly, being proposed to restore the balance of the atmosphere. How might these two motions be linked? How or should the work of some artists might generally be regarded as a form of offsetting or redressing? How do some artists desire tangible palliative results, while others offer strategies of friction or resistance? What is more important, the issues or the art?
Panellists:
Koyo Kouoh (Cultural producer, Arts Manager and Programming Consultant, Dakar)
Peter Fend (Artist, Berlin; participating in Sharjah Biennial 8)
Charles Esche (Director, Van Abbemuseum, Eindhoven and member of the Jury for the 2007 Sharjah Biennial 8 Art Prize)
Chair: Stephanie Smith (Director of Collections and Exhibitions, Curator of Contemporary Art, Smart Museum of Art, University of Chicago)
5.30 – 6pm: Break
6 – 7pm: Jonathan Watkins (Co-curator, Sharjah Biennial 8 and Director Ikon Gallery, Birmingham) and Cornelia Parker (Artist, London; participating in Sharjah Biennial 8) to introduce Parker's project for Sharjah Biennial 8: Video interview with Noam Chomsky
Followed by Q+A from the audience.
7.30pm: Film Programme Excerpt held at Qanat Al Qasba: Darwin's Nightmare, Hubert Sauper, 2004 (107 min),
SATURDAY 7 April 2007
4.30pm: Welcome back by Michaela Crimmin, RSA Arts and Ecology Director, London
4.30 – 5.30pm: Artists' presentation: e-Xplo with Ayreen Anastas (Artists US/Austria; participating in Sharjah Biennial 8)
5.30 – 7pm: Panel discussion: Urban Planning and the future city.
What is the future of the city as a habitat for humanity? Increasingly dense housing, commercial, cultural, infrastructural and civic spaces contradict our desire for space, openness and freedom. What lies ahead for the city as a living, symbiotic form of inanimate structure and animate inhabitants?
Panellists:
Samir Srouji (Artist, Palestine; participating in Sharjah Biennial 8)
Rula Sadik (General Manager, Design and Planning, The Design Group, Nakheel, Dubai)
Samer Kamal (Founder, Bee’ah, Sharjah Environmental Company, Sharjah)
Chair: George Katodrytis (Architect; Professor of Architecture, School of Architecture and Design, Professor of Architecture, AUS)
7.30pm: Film Programme Excerpt held at Qanat Al Qasba: The Journals of Knud Rasmussen, Norman Cohn, Zacharias Kunuk, 2006 (112 min).
Jeremy Deller's Bat House Project
Tue, Jan 16 2007Jeremy Deller's Bat House Project first Design Challenge deadline is January 29th:
"London - iconic buildings and bridges, the river, nightlife, commuting, astronomical house prices. Imagine you’re a bat in London. Where do you hang out? What do you see, feel, hear, eat, need? What attracts you? What gets in your way?"
jeremy deller, London, public art, RSA
"London - iconic buildings and bridges, the river, nightlife, commuting, astronomical house prices. Imagine you’re a bat in London. Where do you hang out? What do you see, feel, hear, eat, need? What attracts you? What gets in your way?"
