Cover Story–December 2018: "Treasures! exhibitionism! showmanship!"

Latitudes' home page www.lttds.org

The December 2018 Monthly Cover Story "Treasures! exhibitionism! showmanship!" is now up on Latitudes' homepage: www.lttds.org


"A clutch of shows in Vienna (where Latitudes was recently a guest of Art Week) and Amsterdam (which just held its Art Weekend) offer a distinctive take on curatorial liberty and creative exhibition display.

—> Continue reading
—> After December it will be archived here.


Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial activities.

RELATED CONTENT:

  • Archive of Monthly Cover Stories
  • Cover Story—November 2018: "Joan Morey—postmortem judgement reenactment" 1 November 2018
  • Cover Story–October 2018: "I can’t take my eyes off you: Eulàlia Rovira and Adrian Schindler" 1 October 2018
  • Cover Story–September 2018: Harald Szeemann’s travel sculpture, 10 September 2018
  • Cover Story–August 2018: Askeaton Joyride, 2 August 2018
  • Cover Story–July 2018: No Burgers for Sale 2 July 2018
  • Save the date: 13 September, 6–9pm. Latitudes-curated exhibition ‘Cream cheese and pretty ribbons!’, Galerie Martin Janda, Vienna, 21 June 2018
  • Cover Story—June 2018: Near-Future Artworlds Curatorial Disruption Foresight Group, 4 June 2018
  • Cover Story – May 2018: Shadowing Roman Ondák, 7 May 2018 




Cover Story – July 2017: "4.543 billion"


The July 2017 Monthly Cover Story "4.543 billion" is now up on www.lttds.org after July it will be archived here

"4.543 billion. The matter of matter recently opened at the CAPC musée d’art contemporain de Bordeaux, and features the work of more than thirty artists. Curated by Latitudes, the exhibition looks at histories of art as fragments in geological time. The portentous mood of this gallery hinges on combustion and history violently formed through the fundamental reordering of the relations between humans and the rest of nature." Continue reading

Social media archive related to the exhibition.
Photo gallery of the exhibition.

Cover Stories' are published on a monthly basis on Latitudes' homepage and feature past, present or forthcoming projects, research, writing, artworks, exhibitions, films, objects or field trips related to our curatorial activities. 

RELATED CONTENT:




Latitudes' "out of office" 2014–2015 season

It's that end-of-the-season time of the year again. It has become a tradition for Latitudes (see the 2008-9, 2009-10, 2010-11, 2011-12, 2012–13, 2013–14 posts) to mark the summer break, not by presenting a written memo of activities or a financial statement, but with a 'behind the scenes' post filled with photos revisiting moments from the year gone by. So here are some glimpses from September 2014 to August 2015.

Slowing down is rather relative this Summer, as at the end of July we embarked on a two-week trip to The Banff Centre in Canada to be Guest Faculty of one of its thematic residencies, 'Blueprint for Happiness' led by British artists Heather & Ivan Morison. At the end of August, we will be in residency at Kadist Art Foundation in San Francisco for another two weeks. 

Milestones during the first part of 2015 were two-fold: after months of technical tweaking and editorial wrangling, we launched our newly designed website in February and secondly, this Spring Latitudes celebrated its 10th anniversary.

Have a great holiday, más en septiembre! 

7 October 2014: Latitudes hosted the second year students of the MA Curating Contemporary Art at the Royal College of Art, London, and took the opportunity of presenting and reflecting on our collaborations with three Catalan artists – Martí Anson, Ignasi Aballí and Francesc Ruiz
 Francesc Ruiz presenting his work to the RCA students.

Trip reporting: We reported from the field including at Madrid's Apertura in September, London's Frieze week in October, David Jablonowski's "Hype Cycle" at Fons Welters during Amsterdam's Art Weekend in November, and from Bordeaux in January, to Bari in May.

Writing: This year Max Andrews has joined Frieze as Contributing Editor – where he has been writing since 2004. His writing has been more visible in recent months as Frieze have published reviews on Maria Thereza Alves at CAAC in Sevilla, the group show "What cannot be used is forgotten" at CAPC Bordeaux, a profile of Nicholas Mangan and a review of the Spanish and Latin American Pavilions at the Venice Biennale. Mariana Cánepa Luna also published an interview with Mangan in Mousse Magazine last February.

New website: Our homemade website finally saw the light of day in February. As explained in this post, the website features new elements such as the 'Cover Story' (more on that in the next paragraph), sliding photo galleries, a tidied-up sidebar with a calendar of events, tags to filter projects by 'year' or 'exhibition', etc.

'Cover Story': More writing has emerged through the new monthly section "Cover Story" on our home page (check out the archive of this section):

March 2015: Focused on a single artwork: Wilfredo Prieto's ‘Grasa, jabón y plátano’ (2006); 

April 2015: Revisited a peculiar site: the Connaught Road West flyover, in Hong Kong;


April 2015 Cover Story.

May 2015: Honoured two artistazos: Lawrence Weiner and Sergi Aguilar and a whisky-enhanced chat on the Barcelona shore in October 2008; 


June 2015: Visited Ignasi Aballí at his Raval studio.

Summer 2015: Orbited around Australian artist Nicholas Mangan, an artist with whom Latitudes just did an in conversation in the context of his solo exhibition "Ancient Lights" at Chisenhale, London and whose work has been the focus in Max Andrews' Frieze text as well as in Mariana Cánepa Luna's interview in the February-March issue of Mousse Magazine


 Summer 2015 Cover Story (plus the archive here).

26 February, ARCOmadrid: On jury duty visiting the galleries participating in the #Opening section of the art fair, in order to select its best stand. The award was given to Barcelona-based gallery etHALL which presented works by Martin Vitaliti and Sergio Prego.

 

Spring, celebration time! Later in May we celebrated our 10th anniversary (well, officially it was in April!) launching a series of limited editions in the form of tote bags by four artists that have a special place in our hearts and with whom we have collaborated with in the past: Lawrence Weiner (New York, 1942), Haegue Yang (Seoul, 1971), Ignasi Aballí (Barcelona, 1958) and Mariana Castillo Deball (Mexico City, 1975). Below is a glimpse from the making of the tote bags at Print Workers Barcelona, and here's where you can place your order.
 Photolith design for the tote bag by Haegue Yang – realised in collaboration with OK-RM. 
 Silkscreen process of Lawrence Weiner's design. Photo: Print Workers.
 Silkscreening Ignasi Aballí's tote. Photo: Print Workers.
 Silkscreening Mariana Castillo Deball tote. Photo: Print Workers.
 Silkscreening the credit for each bag in the inside pocket. Photo: Print Workers.
Homemade photo studio documenting the totes. Results of the photo shoot here.

9–13 May 2015: After an intense week of Biennale overdose in Venice, we traveled to Bari to join Vessel and MADA's 2015 International Curatorial Retreat as two of its tutors. The week was far from being a retreat, it was more like an "intensive" – though it certainly was a "treat". Highly interesting debates and conversations on-and-off the scheduled activities of lectures and break-out sessions emerged in places such as a cave or in the nearby town Monopoli – no direct link to the property trading board game. Here a report from fellow tutor Dr. Alexandra Ross
  
 Visiting the market. Photo: Piero Percoco.
Market stall selling tomatoes of all kinds and origins.
 Chef Boris Portnoy doing some dinner prep at Doppelgaenger gallery/home.
 Due to a fire in Rome's airport, our flight was cancelled and we had to rearrange our travel, spending another day in Bari. We therefore visited (we were in fact their only visitors) the Palazzo dell'Acquedotto Pugliese di Bari, decorated by roman designer Duilio Cambellotti
A food detour to purchase delightful spicy rucola in the Mercato ex Manifattura Bari, in the Quartiere Libertà.


3–5 June 2015: Max Andrews participated in the annual 'Invest Conference 2015' organised by Stroom den Haag, in The Hague, consisting of "an incentive for the artistic development of recently graduated artists who have received the PRO Invest subsidy in the year before. A group of ten international curators is asked to visit these artists in their studios and meet with the art scene of The Hague." 
  Above (visiting Machteld Rullens) and following photographs by Myung Feyen. Courtesy Stroom den Haag.

7 July 2015: For our last public event of the year we joined Melbourne artist Nicholas Mangan for an in conversation in the context of his solo show 'Ancient Lights' that opened a few days earlier at Chisenhale Gallery in London. Mint and Lime Films video documented the talk – watch it from Chisenhale's website / Vimeo.

Vinyl listing the exhibition events.
 (Above) Photos by Manuela Barczewski.


27 July–7 August 2015: Guest Faculty of the Thematic Residency 'Blueprint for Happiness' at The Banff Centre, Canada. We joined the group in the middle two weeks of the six week programme led by British artists Heather and Ivan Morison

View of The Banff Centre from our bedroom in Lloyd Hall.
Banff TV announcing Latitudes' talk on 28 July, 4pm. 

 Blueprint for Happiness' participants.
 Views from Latitudes' studio in the Jeanne & Peter Lougheed Building.
 Studio visit with "Blueprint for Happiness" participant Vanessa Kwan.
 Studio visit with "Blueprint for Happiness" participant Robert Cram.
Inevitable photo of a deer walking around Banff.
Stunning evening sunset over the Bow River after a storm with a double rainbow.

While in Banff, Latitudes led three seminars bringing forward a series of case studies as well as focussing on a number of artists whose practice has dealt with public space in different geographical contexts. We also undertook studio visits with each of the 11 resident artists, and participated in a field trip to Calgary to visit the HQ of art construction company Heavy Industries and the Esker Foundation Contemporary Art Gallery


 (School) Field trip to Calgary to visit Heavy Industries fabricators and the Esker Foundation. 
 Even though the school bus seats were no longer in scale to our adult bodies, interesting chats happened over the 2 hours of each trajectory.

On Sunday 2 August, Latitudes hosted a closed-door evening film programme screening works by Spanish artist Emilio Moreno, Irish artist Sean Lynch and Australian artist Nicholas Mangan. The three films share a focus on public sculptures, monuments or buildings that have been displaced from their original context. 

 Flicking through some of the 4,000 artist books at Banff library.

Most of this past months' activity has been invested in preparing for 2015–16 projects: Firstly, 'Compositions' a series of five artistic interventions by six artists active in the Barcelona art scene: David Bestué (Barcelona, 1980. Lives in Barcelona); Dora García (Valladolid, 1965. Lives in Barcelona), Jordi Mitjà (Figueres, 1970. Lives between Lladó and Banyoles); Rasmus Nilausen (Copenhagen, 1980. Lives in Barcelona) & Pere Llobera (Barcelona, 1970. Lives in Barcelona) and Daniel Steegmann Mangrané (Barcelona, 1977. Lives in Rio de Janeiro, Brazil), which will take place in the context of the first Barcelona Gallery Weekend (1–4 October 2015). 

Façade of Cosme Toda in L'Hospitalet municipality (Barcelona) part of a 1920s factory complex where David Bestué will present his intervention in the context of the first Barcelona Gallery Weekend, 1–4 October 2015.
Site visit to the Umbracle with Daniel Steegmann Mangrané.


Secondly, we've been working on the forthcoming solo exhibition of Venezuelan-born, Barcelona-based artist José Antonio Hernández-Díez which will be on view at La Capella MACBA from March 2016. Onwards!


Digging through documentation in MACBA library in preparation for José Antonio Hernández-Díez exhibition.

RELATED CONTENT:

Latitudes 'Out of office' 2013–14, 31 July 2014;
Latitudes' "out of office" photo album, 2012–2013 season, 31 July 2013;
Latitudes' "out of office" photo album 2011–2012, 31 July 2012;
Latitudes 'out of office' photo album 2010–11 season, 1 August 2011;
Latitudes 'out of office' photo album 2009–10 season, 30 July 2010;
Latitudes' "out of office" photo album 2008-9, 30 July 2009.


This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos:
Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




It's our 10th anniversary!


We find it hard to believe, but April 2015 marked our 10th anniversary!

In October last year we started working on our new website so that it would be ready to mark the decade of our two-person self-organisation. We submerged ourselves in the exercise of looking back and consolidating our physical and digital archives. The last decade has certainly been marked by the transition towards the latter, and hence files and hard drives now hold the most voluminous evidence of our activity, with all manner of USB-sticks and obsolescent CDs (remember those?) having fallen by the wayside.

We devised a plan for what we wanted to improve with a website conceived as a place for reportage as well as a publicly-accessible archive. This process included developing more extensive, and larger-format, photo galleries, cross-referencing to previously "buried" texts, making descriptions more concise, adding a related content section to cross-reference project information with blog posts, and consolidating locations as well as events. After six months of work, and some down-the-rabbit-hole endless weekends with the intricacies of CSS, we had re-edited ten years of our professional life online. Ta-da!



But we also hold on to physical archives and printer matter and they continue to delight! They also bear witness to something of what has been lost. The decline of the post as a means for distributing video (VHS! DVDs!) with the rise of DropBox, or Vimeo, for example, has meant no more of those sweet hand-written notes that used to accompany artists' packages. Exhibition invitations are frankly a rarity now too, and these are filed alongside various postcards, discarded fragments of artists' work and other amusing ephemera. 

Since we commissioned our mail-and-stamp graphic identity from More Associates back in April 2005, we have seeped more-and-more online to document and communicate: our first newsletter (November 2005), our first website, our early blog posts (starting in September 2006!), our Facebook page in early 2009 started with the presentation of Jan Dibbets' filming for Portscapes, our Flickr photo archive (also in 2009, now with nearly 4,000 photos online), followed by our first tweets in 2010, and sporadically YouTube, Issuu, Storify, Soundcloud followed.


 Presentation of 7 years of practice as part of the programme "La Sucursal" at Casa del Lago, Mexico City, September 2012. This invitation gave us the opportunity to begin the series 'Incidents of Travel' commissioning artists tours in Mexico and Hong Kong. Photo: Latitudes.

This "ecstasy of communication" as Dieter Roelstraete has ironically put it, a day-to-day reality, has certainly defined our practice and how we have come to produce, document and disseminate our projects. We always stress this rapid digital transition when presenting our practice, as adapting to it has certainly been crucial as a two person spaceless self-organisation. Not running a regular programme of exhibitions or events has meant we have found the need to communicate the duration of what we are working on while being seemingly offline. Sometimes the standard drop-in question, "What are you working on?", is not so straightforward to answer. Back to Roelstraete – "getting organised" could often be the most suitable answer. "Getting organised" for the next project, reflecting on a recently concluded activity, anticipating the one after that, sorting out finances, seeing how we might put together the next research trip, finding it a challenge to find the time to read a book from beginning to end, watching life and work go by in 'likes' and 'retweets' and 'regrams'... Yet far than being nostalgic, this transition has itself given us great food for thought. For example, we dedicated over a year to discussing the consequences of online presence for art practice and curating with colleagues from Hong Kong to Minneapolis in the #OpenCurating interview series. 


 In 2010 we were awarded the inaugural Curatorial Prize given by the Catalan Gallery Association, recognising our "curatorial work and especially for their involvement in the local context and their efforts to disseminate national art in an international context." Photo: Latitudes.

We are thankful to the many artists and other creative people who have supported us throughout this past decade. Some projects started with innocuous conversations that eventually led to ongoing collaborations and friendships, and we are also grateful to colleagues willing to offer critical feedback and words of encouragement in those moments in which we most needed to regain trust. A huge thanks too to the institutions and organisations for financing our projects

Very soon more news on a commemorative project we've been cooking up...
 
Related content:

Latitudes' 4th anniversary (April 2009)
Newsletter #22 – April 2010 


This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos:
Latitudes | www.lttds.org (except when noted otherwise in the photo caption).
Work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




Archive of Cover Story (April): "Beneath the Connaught Road West flyover, Hong Kong, 19 January 2013"

This past March we launched our re-designed website, which includes improved features as well as new sections such as "cover story" on our home page: a monthly focus on an artwork, artist, book, site or trip we've experienced in our recent past, accompanied by a short text.  

Our April Cover Story titled "Beneath the Connaught Road West flyover, Hong Kong, 19 January 2013" looked back at the first 'Incidents of Travel' tour led by artist Nadim Abbas, part of our month residency at Spring Workshop. 

We recommend reading the text while listening to this field recording we made on the very same spot!


Related content:

Cover Story #1: Wilfredo Prieto's work "Grease, Soap, Banana" (2 April 2015)
New re-designed website now online! (25 February 2015) 
Witte de With and Spring Workshop's 'Moderation(s)' publication 'End Note(s)' is out! (5 March 2015).
Nadim Abbas' "Incidents of Travel: Hong Kong" public tour (19 January 2013)
Archive of social media posts related to "Incidents of Travel" tours and photo-documentation.
Interview between Christina Li and Latitudes on 'Incidents of Travel' for Witte de With's 'Witness to Moderation(s)' blog (7 May 2013)

13 field recordings from 'Incidents of Travel: Hong Kong'


This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos:
Latitudes | www.lttds.org (except when noted otherwise in the photo caption).
Work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




Archive of our first Cover Story (March): Wilfredo Prieto, ‘Grasa, jabón y plátano’ (2006)


As recently announced in this channel, we have re-designed our website. This has meant improving a few tech and editing things and introducing new sections such"cover story": a monthly focus on an artwork, artist, book, site or trip we've experienced in our recent past, accompanied by a short text. 

Our first cover story centers on Wilfredo Prieto's work "Grease, Soap, Banana" presented in 2007 in the group show "Extraordinary Rendition". Above you find the full picture, below details. Enjoy!
 


This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos:
Latitudes | www.lttds.org (except when noted otherwise in the photo caption).
Work is licensed under a
Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




Latitudes' re-designed website now online!


Our website is finally up and running! Take a look at www.lttds.org

After months of re-editing, digging floppy disks and analogue archives, we're proud (and relieved!) to launch our newly designed website, same address as always: http://www.lttds.org




We have improved several things. Our home page now features a "cover story", a monthly focus on an artwork, artist, book, site or trip we've experienced in our recent past, accompanied by a short text. Our first cover story centers on Wilfredo Prieto's work "Grease, Soap, Banana" presented in 2007 in the group show "Extraordinary Rendition".
  
Below this section we highlight three recent projects which are refreshed with each visit.

Yes! Each page is more tablet and mobile-friendly, yet has an even wider format for your desktop.


Each of our project pages includes a sliding photo gallery complementing our flickr sets, and has clearer access to our social media networks – such as our twitter or facebook.

At the end of each project's text, we've added "Related Content": an expandable section linking to our blog posts.
The sidebar includes details of the locations, publication (if applicable) and project supporters; a calendar of events and biography of the artist (for solo shows).

Our project page now includes tags enabling you to dynamically filter our projects by 'year', 'exhibition', 'research', 'public realm', 'with publication', etc.
From here you can also check our Index, our Publications or download the pdf 'Projects Dossier' detailing a selection of our projects.

We have revised the 'About' page and placed an accordion listing our "Lectures", "Teaching", "Awards & Affiliations", "Juries", "Residencies", "Bibliography/Press" and "Research and Field Trips".

And last, but certainly not least, we continue to report from our blog on the development of our projects as well as on our field trips, news, shows, or books worth discussing.





This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos:
Latitudes | www.lttds.org (except when noted otherwise in the photo caption).
Work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




"Itinerarios transversales", tercera entrevista de la investigación #OpenCurating, con Sònia López y Anna Ramos del Museu d'Art Contemporani de Barcelona (MACBA)

El estudio radiofónico de Ràdio Web MACBA en el Auditorio del MACBA. 
Foto: Gemma Planell / MACBA, 2012. Some rights reserved.

La entrevista "Itinerarios transversales" con Sònia López y Anna Ramos del Museu d’Art Contemporani de Barcelona (MACBA), es la tercera en la investigación #OpenCurating – leer la primera con el equipo del Walker Art Center aquí (inglés), y la segunda con Ethel Baraona Pohl aquí (en inglés aquí).

El Museu d’Art Contemporani de Barcelona (MACBA) abrió sus puertas en el Raval de Barcelona en el 1995, aunque su fundación se remonta a 1987 cuando miembros representantes de la sociedad civil catalana y empresas privadas crean Fundación MACBA, una de las cuatro entidades que integran el Consorcio junto con la Generalitat de Catalunya, el Ayuntamiento de Barcelona y el Ministerio de Cultura. La nueva página web del museo (macba.cat), se lanzó a principios del 2012 tras un periodo de rediseño y reconceptualización, e incluye novedades como los Recorridos (permite al visitante crear itinerarios transversales seleccionando entre las cinco mil obras que componen la Colección MACBA, además de vídeos, fichas de artista, podcasts, publicaciones, etc.) y la unificación de bases de datos de la colección y el Archivo del Centro de Estudios y Documentación, entre otras muchas. Ràdio Web MACBA, el proyecto radiofónico del museo iniciado en el 2006, cuenta con su propia web rwm.macba.cat e incluye una selección de más de 250 podcasts sobre arte, filosofía, música experimental y material documental con la voluntad de fomentar una aproximación crítica a la producción sonora y el pensamiento contemporáneo. 

Sònia López es la responsable de la web y las publicaciones digitales del MACBA desde el 2001. Ha participado en diversos proyectos artísticos y pedagógicos en el MACBA y otras instituciones culturales de Barcelona. Activista crafter a tiempo parcial.

Anna Ramos es la coordinadora del proyecto radiofónico online Ràdio Web MACBA, y co-responsable del sello ALKU, plataforma pluridisciplinar que opera desde 1997. Bajo ambos paraguas desarrolla publicaciones, proyectos, instalaciones y ciclos en torno a la música por ordenador, el audio generativo, la síntesis, el pensamiento contemporáneo y otras áreas relacionadas. Asimismo, acaba de co-editar el libro del artista danés Goodiepal, El camino del hardcore (ALKU, 2012).

El documento se puede visualizar en ISSUU, y también se puede descargar como pdf desde la web del proyecto y por de ahí leerlo en vuestro iPad (visualización optimizada para la pantalla Retina).


 Foto: Latitudes.
 –

ACERCA DE #OPENCURATING


Partiendo de las preocupaciones exploradas por Latitudes durante el proyecto editorial realizado durante 'The Last Newspaper' (New Museum, Nueva York, 2010), y basándose en las prácticas del denominado 'periodismo abierto' (Open Journalism) – que trata de mejorar la colaboración y utilizar la habilidad de cualquier persona para publicar y compartir – #OpenCurating es un proyecto de investigación que indaga en las nuevas formas de interacción entre los públicos – sean seguidores en red o visitantes físicos – con obras de arte, su producción, exhibición y su contexto discursivo.

El proyecto se estructura a partir de tres elementos: una serie de diez entrevistas a comisarios, artistas, escritores y expertos web publicada en una edición digital gratuita (véase aquí), una discusión en Twitter moderada por el hashtag #OpenCurating y por último, un evento que tendrá lugar en Barcelona (fecha por determinar).
  
#OpenCurating es el proyecto ganador de la primera convocatoria BCN Producció 2012 en la categoría de investigación, otorgada por el Institut de Cultura de Barcelona.

Síguenos en Twitter: #OpenCurating
 






 

   
Content partners : Walker Art Center






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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




'Beyond Interface', first interview of the #OpenCurating series, BCN Producció 2012 research grant, 2012

Photo: Courtesy Walker Art Center, Minneapolis.


'Beyond Interface' is the first interview of Latitudes' #OpenCurating project, which was awarded the first BCN Producció 2012 Research Grant. The inaugural interview was conducted with three key figures involved in the website of the Walker Art Center, Minneapolis, which is also the #OpenCurating content partner.

 
#OpenCurating interview with Robin Dowden, Nate Solas and Paul Schmelzer from the Walker Art Center, Minneapolis.

Robin Dowden (Director of New Media Initiatives), Nate Solas (Senior New Media Developer) and Paul Schmelzer (Web Editor), discuss the museum's new websitewalkerart.org – relaunched in December 2011 following a two-year conceptual reboot and complete redesign. Styled as an online newspaper, the new site heralds a paradigmatic shift for innovative museum websites in creating an online platform with an emphasis on publishing while placing itself at the centre of generating conversations around content from both inside and outside the Walker’s activities. 




ABOUT #OPENCURATING

Drawing on the emerging practices of so-called 'Open Journalism' – which seek to better collaborate with and use the ability of anyone to publish and share#OpenCurating is a research project that investigates how contemporary art projects may function beyond the traditional format of exhibition-and-catalogue. #OpenCurating is concerned with new forms of interaction between publics – whether online followers or physical visitors – with artworks and their production, display and discursive context.

The project is articulated around a series of ten new interviews with curators, artists, journalists and online strategists published as a free digital edition, a Twitter discussion moderated around the hashtag #OpenCurating and a finissage event in Barcelona (date TBA).

#OpenCurating was awarded the first BCN Producció 2012 Research Grant of the Institut de Cultura de Barcelona. 









Content partners: Walker Art Center

 



Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




Re-designed Latitudes website / Nuevo diseño de la web de Latitudes

www.LTTDS.org

-Redesigned and wider navigation interface with a drop down menu replacing the previous floating menu bar | Interfaz rediseñada, amplia navegación con un menú desplegable que sustituye a la barra de menú

-Full integration with Latitudes' flickr photos – all website galleries are now embedded from flickr. Improved 'Newsletter archive' and 'Press' pages | Integración completa de las galerías de fotos con los álbums en flickr. Nuevo diseño del archivo newsletters y de la página prensa

-Streamlined 'Projects' navigation – 'Conferences, Talks and Residencies' have been moved out of 'Projects' into an expanded 'About' section | Mejora de la sección 'Proyectos': 'Conferencias, charlas y residencias' se han movido a una nueva y ampliada sección bajo 'Acerca de'

- iPhone/Touch/Android enabled, and for the technical or typographically minded, the website now features embedded webfonts for titles! – to see these, you'll need at least Firefox 3.5; IE 4; Safari 3.1; or Chrome 3 | La nueva web es compatible con la navegación en iPhone, Touch o Android, y para los más técnicos o amantes de la tipografía hemos integrado webfonts en los títulos (para verlo necesitarás Firefox 3.5, IE 4, Safari 3.1 o Chrome 3).




HAPPY FESTIVE SEASON 2009–10 | FELICES FIESTAS 2009–10

MERRY CHRISTMAS 2009–10
Happy holidays to you all!

FELIZ NAVIDAD 2009–10
Felices fiestas a todos!


Latitudes' web: http://www.lttds.org
Latitudes' blog: http://www.lttds.org/blog
Latitudes' facebook page: http://www.facebook.com/LTTDS
Latitudes' photo albums: http://www.flickr.com/photos/lttds/sets
Latitudes' current project: http://portscapes.nl




Newsletter #16, October 2009

We have just circulated the October 2009 Newsletter #16, you may read the English version or the versión española.

Update on the Portscapes commission series: exhibition of Paulien Oltheten at Futureland and vicinity (until 30 October) and billboard-prologue to Jorge Satorre's project (see images on the 02.10.09 post) + info...

On the 21 October Latitudes will be participating in the International seminar on Art and Ecology, organised by The Wanås Foundation, Knislinge, Sweden. + info...


If you would like to subscribe to our mailing list please fill your data on this contact form (see left), choose ONE language and confirm your subscription by clicking a link on the confirmation email we will send you. If you would like to read previous newsletters, click here.

Check also our Latitudes' at www.lttds.org/blog for further news.
Facebook fan page here
Flickr photosets here




Photoalbums in Flickr


Following the demise of the photo sharing site Bubbleshare, we have transfered our blog albums with over 1,000 images to Flickr so that you can enjoy slideshows in a bigger format on our blog. Take a tour to this year Venice Biennial (see Arsenale, Giardini or the Collateral Events), the 2008 55th Carnegie International in Pittsburgh or through the Port of Rotterdam in our first site visit in May 2008. 33 further photo sets here.

Photo documentation of Latitudes' projects can still be found as usual on each of our projects pages under 'photo gallery' – see this and this or this galleries as examples.

We welcome your (sensible) comments!




Latitudes' Projects Timeline with Dipity

2006 projects

2007 projects

 2008 projects

 2009 projects


We have introduced a new feature with Dipity on www.lttds.org: a timeline (viewable also as a flipbook or map) to browse our projects since 2005 – find it on our website here.




Gustav Metzger's RAF / Reduce Art Flights campaign initiative changes URL to www.reduceartflights.lttds.org


The website established for RAF / Reduce Art Flights in conjunction with the Latitudes-curated group exhibition 'Greenwashing. Environment: Perils, Promises and Perplexities' can now be found at a sub-domain of our site www.reduceartflights.lttds.org. The previous URL (reduceartflights.com) is no longer in operation.

The content is the same however, the main feature being a 12 minute interview with Gustav Metzger, initiator of the campaign, conducted by Emma Ridgway (now curator at RSA Arts & Ecology) as well the catalogue entry text by Max Andrews of Latitudes.



Page of the exhibition catalogue. Purchase the book via Motto.




Redesigned website home page


We have recently redesigned the home page of our web with some photo galleries and quick links to our projects. We have also introduced an index – a useful tool to navigate our current, previous and future projects through an ongoing list of collaborators (artists, curators, institutions, writers, etc).

News and updates on www.lttds.org/blog




New and bigger photo galleries in Latitudes website


For those who visit our website (www.lttds.org) regularly, you would like to know that we have enhanced the photo galleries with a larger slideshow format: at the top a caption explaining what you see and at the bottom the usual back and forth arrow to navigate, as well as a thumbnail panel.

An example of this is this one: http://www.lttds.org/projects/current/stake/stakegallery/stakegallery.html, where we just uploaded photos from the recent film & video screenings at the Fundació Suñol, Barcelona and at the Wilheminapolder in Holland, when 130 people attended the screenings in this beautiful 18th Century barn.

We have also updated other gallery sections like that of Greenwashing, where you'll be able to see the exhibition catalogue designed by The Bookmakers Ed., Turin (slideshow of the works in the exhibition on the Greenwashing web). And of course we keep feeding with new info our various archives, such as this or this or this or this!




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