Photoreport and storify of the symposium "When Does an Exhibition Begin and End?", National Library of Singapore, 14 May 2014

 During the presentation of Shabbir Hussain Mustafa and Charles Lim. Photo: Latitudes.

The public symposium "When Does an Exhibition Begin and End?" (14 May 2014) was part of this year Curating Lab 2014 programme organised by NUS Museum. The event, convened and moderated by Heman Chong and Latitudes, counted with the participation of Shabbir Hussain Mustafa (Curator, National Gallery Singapore), Charles Lim (artist); Anca Rujoiu and Vera Mey (Curators, CCA — Centre for Contemporary Art, Singapore) and artist Shubigi Rao.

Addressing the format of the exhibition in terms of duration and process, the public symposium "When Does an Exhibition Begin and End?" consisted of two complimentary sessions that reflected on exhibitions' capacity to articulate its own making and incorporate its own history. In the same way that the Internet has untethered television from fixed schedules and newspapers from print deadlines, the symposium will further ponder on how the exhibition and today's art institutions are undergoing similar transformations. Should exhibitions embrace or resist becoming more like broadcasting or live-publishing? "When Does an Exhibition Begin and End?" considered how exhibitions produce knowledge through the format of conversations between curators and artists. 

First panel with Shabbir Hussain Mustafa and Charles Lim. Photo: Luca E.C.

Charles Lim and Shabbir Hussain Mustafa during the Q&A. Photo: Luca E.C.


 Audience. Photo: Luca E.C.

 Vera Mey, Anca Rajoiu and Shubigi Rao during the Q&A. Photo: Luca E.C.

The event was an occasion to reflect on the role of a symposium and its public within curatorial practice, and counted with the engagement of Curatorial-Intensive participants who live-tweeted proceedings, a second group mapped concepts of the discussions (see photos below), and a final group will soon publish a blog post documenting and reporting the day for those not physically present.

 Curatorial Intensive participants live-tweeting the proceedings. Photo: Luca E.C.
Group working on the mapping of concepts throughout the symposium. Photo: Luca E.C.
 Map 1 by Curatorial Intensive participants. Photo: Latitudes.
Map 2 by Curatorial Intensive participants. Photo: Latitudes.
Below archive of all the tweets produced during the presentations - via Storify.



 
Related links:

Workshop for Curating Lab 2014: Imagining an institution, 1 July 2014.

"Hauntological trajectories in “When Does An Exhibition Begin And End?”" by Amanda Lee Koe on Art Asia Pacific's blog, 23 July 2014.

"Curating Lab: When Does an Exhibition Begin and End?" by Bruce Quek on Radian, 18 August 2014.



This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos:
Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




Storify of Curating Lab 2014 Overseas Field Trip to Hong Kong, 16–20 June 2014







This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos:
Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




Public Symposium "When Does an Exhibition Begin and End?" on 14 June 2014 at the National Library, Singapore



"When Does an Exhibition Begin and End?"
A public symposium part of Curating Lab 2014
Saturday 14 June 2014
3–5pm 
Level 5 - Possibility, National Library Building, Singapore 
Free admission with registration, please write to [email protected]

Addressing the format of the exhibition in terms of duration and process, the public symposium "When Does an Exhibition Begin and End?" on June 14th, will consist of two complimentary sessions with the participation of curators and artists who will reflect on exhibitions' capacity to articulate its own making and incorporate its own history. In the same way that the Internet has untethered television from fixed schedules and newspapers from print deadlines, the symposium will further ponder on how the exhibition and today's art institutions are undergoing similar transformations.

Is an ongoing production of discourse and research accountability increasingly expected of curators? Are artists engaging differently with new channels for the documentation and distribution of their work and what contextualises it? Should exhibitions embrace or resist becoming more like broadcasting or live-publishing? "When Does an Exhibition Begin and End?" will consider how exhibitions produce knowledge through the format of conversations between curators and artists.


In the first session Shabbir Hussain Mustafa (Curator, National Gallery Singapore) and artist Charles Lim will talk about their ongoing professional collaboration including Lim's long-term SEA STATE project and the related solo exhibition In Search of Raffles’ Light (NUS Museum, 24 October 2013–27 April 2014). Mustafa and Lim will address these projects' engagement with the maritime history of Singapore in its intersection with the present while speculating about their approach to future exhibitions, including their forthcoming collaboration for the Singapore Pavilion at the 2015 Venice Biennale.

In the second session Anca Rujoiu and Vera Mey (Curators,
CCA — Centre for Contemporary Art, Singapore) will discuss their recent project "The Disappearance" (CCA, 5–6 April 2013), which took place during the dismantling of a previous exhibition "as a durational event unfolding over two days including a continuous series of manifestations". Rujoiu and May will be joined by participating artist Shubigi Rao to discuss her project "Visual snow" (2014), presented during "The Disappearance" as an ongoing part of her biographical study of "the reclusive S. Raoul".

Within the context of Curating Lab 2014, "When Does An Exhibition Begin and End?" will be treated as an occasion to reflect on the role of a symposium and its public within curatorial practice. It will count on the engagement of Curatorial-Intensive participants who will be live-tweeting proceedings, mapping concepts of the discussions, and devising an approach to documenting and reporting the day for those not physically present.

The symposium is convened and moderated by artist, curator and writer Heman Chong and Barcelona-based curatorial office Latitudes (Max Andrews and Mariana Cánepa Luna).

Organised by: NUS Museum
Institutional Partner: Centre for Contemporary Art, Singapore
Supported by: National Arts Council
Venue Sponsor: National Library Board, Singapore
 



This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos:
Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.




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