Photoreport and storify of the symposium "When Does an Exhibition Begin and End?", National Library of Singapore, 14 May 2014
The public symposium "When Does an Exhibition Begin and End?" (14 May 2014) was part of this year Curating Lab 2014 programme organised by NUS Museum. The event, convened and moderated by Heman Chong and Latitudes, counted with the participation of Shabbir Hussain Mustafa (Curator, National Gallery Singapore), Charles Lim (artist); Anca Rujoiu and Vera Mey (Curators, CCA — Centre for Contemporary Art, Singapore) and artist Shubigi Rao.
Addressing the format of the exhibition in terms of duration and process, the public symposium "When Does an Exhibition Begin and End?" consisted of two complimentary sessions that reflected on exhibitions' capacity to articulate its own making and incorporate its own history. In the same way that the Internet has untethered television from fixed schedules and newspapers from print deadlines, the symposium will further ponder on how the exhibition and today's art institutions are undergoing similar transformations. Should exhibitions embrace or resist becoming more like broadcasting or live-publishing? "When Does an Exhibition Begin and End?" considered how exhibitions produce knowledge through the format of conversations between curators and artists.
Curatorial Intensive participants live-tweeting the proceedings. Photo: Luca E.C.
Group working on the mapping of concepts throughout the symposium. Photo: Luca E.C.
Map 1 by Curatorial Intensive participants. Photo: Latitudes.
|Map 2 by Curatorial Intensive participants. Photo: Latitudes.|
Workshop for Curating Lab 2014: Imagining an institution, 1 July 2014.
"Hauntological trajectories in “When Does An Exhibition Begin And End?”" by Amanda Lee Koe on Art Asia Pacific's blog, 23 July 2014.
"Curating Lab: When Does an Exhibition Begin and End?" by Bruce Quek on Radian, 18 August 2014.
Public Symposium "When Does an Exhibition Begin and End?" on 14 June 2014 at the National Library, Singapore
A public symposium part of Curating Lab 2014
Level 5 - Possibility, National Library Building, Singapore
Free admission with registration, please write to [email protected]
Is an ongoing production of discourse and research accountability increasingly expected of curators? Are artists engaging differently with new channels for the documentation and distribution of their work and what contextualises it? Should exhibitions embrace or resist becoming more like broadcasting or live-publishing? "When Does an Exhibition Begin and End?" will consider how exhibitions produce knowledge through the format of conversations between curators and artists.
In the first session Shabbir Hussain Mustafa (Curator, National Gallery Singapore) and artist Charles Lim will talk about their ongoing professional collaboration including Lim's long-term SEA STATE project and the related solo exhibition In Search of Raffles’ Light (NUS Museum, 24 October 2013–27 April 2014). Mustafa and Lim will address these projects' engagement with the maritime history of Singapore in its intersection with the present while speculating about their approach to future exhibitions, including their forthcoming collaboration for the Singapore Pavilion at the 2015 Venice Biennale.
In the second session Anca Rujoiu and Vera Mey (Curators, CCA — Centre for Contemporary Art, Singapore) will discuss their recent project "The Disappearance" (CCA, 5–6 April 2013), which took place during the dismantling of a previous exhibition "as a durational event unfolding over two days including a continuous series of manifestations". Rujoiu and May will be joined by participating artist Shubigi Rao to discuss her project "Visual snow" (2014), presented during "The Disappearance" as an ongoing part of her biographical study of "the reclusive S. Raoul".
Within the context of Curating Lab 2014, "When Does An Exhibition Begin and End?" will be treated as an occasion to reflect on the role of a symposium and its public within curatorial practice. It will count on the engagement of Curatorial-Intensive participants who will be live-tweeting proceedings, mapping concepts of the discussions, and devising an approach to documenting and reporting the day for those not physically present.
The symposium is convened and moderated by artist, curator and writer Heman Chong and Barcelona-based curatorial office Latitudes (Max Andrews and Mariana Cánepa Luna).
Organised by: NUS Museum
Institutional Partner: Centre for Contemporary Art, Singapore
Supported by: National Arts Council
Venue Sponsor: National Library Board, Singapore