"Rasmus Nilausen’s ‘The Cluster III’ (2014) sits tight in a cupboard in what was once the house of a priest. This painting formed just one part of the exhibition that, together with Pere Llobera, Nilausen made for the Latitudes-devised Composiciones last October (the programme of artists’ interventions returns later this year). "Vera Icon" took over the rooms of the abandoned house in the gardens of La Central bookstore, itself a former city-centre church, and tweeting Mayoress Ada Colau was one of the many curious visitors over the weekend."
Cover Stories' are published on a monthly basis on Latitudes' homepage to highlight past, present or forthcoming projects, research, exhibitions or field trips related to our activities.
- Archive of Cover Stories.
- Last days! Cover Story and exhibition of José Antonio Hernández-Díez: techno-pop, death and resurrection (20 June 2016)
- Cover Story, May 2016: Material histories – spilling the beans at the CAPC musée d’art contemporain de Bordeaux (10 May 2016)
- Cover Story, March 2016: José Antonio Hernández-Díez: The sacred heart of the matter (3 March 2016)
- Cover Story, February 2016: Sarah Ortmeyer, Towering allusions (9 Febrero 2016)
Second 'Incidents (of Travel)' dispatch by Moses Serubiri and Mohsen Taha reporting from Jinja, Uganda
As part of Kadist Online Projects, Kadist and Latitudes are partnering in a new 'distributed' phase of 'Incidents (of Travel)' as an online periodical that is publishing regular contributions from curators and artists working around the world.
Originally conceived by Latitudes as day-long artist-led tours around Mexico City (2012) – followed by Hong Kong (2013) and San Francisco (2015) – 'Incidents (of Travel)' explores the chartered itinerary as a format of artistic encounter and an extended conversation between curator/s and artist/s. Online storytelling presents and documents curatorial fieldwork and an offline day conceived by an artist for a curator.
Each of the 18 photographs in the sequence is augmented by one or more extra assets: a brief commentary, a caption or a soundscape, and is accessed by clicking the words which overlay the images.
The series inaugurated with an itinerary from curator Yesomi Umolu and artist Harold Mendez from Chicago – their tour was photographed by Nabiha Khan.
Forthcoming contributions by Marianna Hovhannisyan (Yerevan / Istanbul), Yu Ji (Shanghai), Simon Soon (Kuala Lumpur / Sydney) and Natalia Zuluaga (Pereira / Miami), all fellows who participated in the seminar ‘The Place From Where We Look’ at Kadist Paris in June 2015.
- Kadist and Latitudes present 'Incidents (Of Travel)' online 31 May 2016
- Instagram takeover of Kadist Art Foundation in San Francisco (28 August 2015)
- Residency at the Kadist Art Foundation, San Francisco, 26 August–9 September 2015 (29 August 2015)
- Nadim Abbas' "Incidents of Travel: Hong Kong" public tour (19 January 2013)
- Ho Sin Tung "Incidents of Travel: Hong Kong" tour (30 January 2013)
- Yuk King Tan's "Incidents of Travel: Hong Kong" tour (3 February 2013)
- Samson Young's "Incidents of Travel: Hong Kong" tour (7 February 2013)
- Archive of social media posts related to "Incidents of Travel" tours and photo-documentation.
- 13 field recordings from 'Incidents of Travel: Hong Kong'
- Interview between Christina Li and Latitudes on 'Incidents of Travel' for Witte de With's 'Witness to Moderation(s)' blog 7 May 2013
- Inauguración de 'Incidentes de viaje' & 'Proyectos 2005–2012' en La Sucursal, Casa del Lago, México DF, 27 de septiembre 19:30h 25 septiembre 2012
Podéis adquirir la publicación "Demo" [ISBN 978-84-985087-8-9 en catalán, castellano e inglés, 5 Euros] publicada por el Ajuntament de Barcelona y The Flames con motivo de la exposición, en La Capella y online a través de la web de Folch studio, diseñadores de la publicación y de la imagen gráfica del ciclo.
- Jurado y equipo tutorial de BCN Producció 2016, La Capella, Barcelona (2 Febrero 2016)
- Proyecto de investigación ‘#OpenCurating’, BCN Producció 2012, Barcelona, junio 2012–april 2013.
- Ten interviews with artists, curators, archivists, online dept., editors around how the internet is changing artistic and curatorial practice – free download via Issuu.
- The rise of Web 2.0 and an increasing expectation of participation and transparency is transforming our political, social and cultural landscape. What relevance does this have in contemporary art production, exhibition making and curatorial authorship? Storify #OpenCurating