Longitudes

(Part 2) In pictures: Art Dubai, 21–24 March 2012

One of the entrances to Art Dubai

After concluding the three days of the 2012 March Meeting in Sharjah (see part one of our Emirati posts), we made our way to the neighbouring Emirate to visit Art Dubai (21–24 March), which took place at the Madinat Jumeirah hotel resort.  

 View of the Madinat Jumeirah hotel resort where Art Dubai took place.

Opening of Art Dubai. Busy hall of the Madinat Jumeirah hotel.

 Corridors of Art Dubai. Right: Lombard Freid Projects, New York.

 Corridor of Art Dubai. Left: Green Cardamom Gallery showing Ayaz Jokhio, Nazgol Ansarinia and Anwar Jalal Shemza.

Entourage of Sheikh Hamdan bin Mohammed bin Rashid al Maktoum, crown prince of Dubai leaves the fair.
 Low point: large paintings of horses’ heads presented on easels adorned the entrance to the fair.

Cartier lounge. Two models pose wearing jewels of the luxury firm.

Global Art Forum 6 "The Medium of Media" directed by writer, curator, Editor-at-Large at Tank magazine and contributing editor at Bidoun magazine Shumon Basar was co-hosted by the Mathaf: Arab Museum of Modern Art, Doha (18–19 March) and was followed by four consecutive days during Art Dubai (21–24 March).

On stage (left to right) Douglas Coupland, Shumon Basar and Hans Ulrich Obrist.

Full house with the keynote by Douglas Coupland.

The programme was the real highlight of Art Dubai and included a focused and well-balanced programme of guests (novelists, curators, artists, journalists, filmmakers, commentators, film producers...) and formats (interviews, 15 minute readings, presentations of commissions). Amongst the highlights was a panel with Canadian novelist and artist Douglas Coupland who discussed Marshall McLuhan’s legacy alongside Shumon Basar and Hans Ulrich Obrist; Michael Rakowitz's dialogue with Jack Persekian on their collaboration for 'The Breakup', a project which revolved around the intricacies of The Beatles' 1969 breakup, taking the form of a ten-part radio programme that took place in Ramallah's Radio Amwaj in 2010; and the PowerPointsTM Your Creative Medium Potencial (CMP) series of commissions curated by Victoria Camblin, which included powerpoint works by writers and artists Ayshay+Kari Altmann, Douglas Coupland, Goldin & Senneby, LuckyPDF (see their "School of Global Art" web and powerpoint) and Alex Provan (Triple Canopy).

 Shumon Basar (left) photographing the audience and tweeting #GAF2012; Hans Ulrich Obrist (right).

 Global Art Forum 6, 22 March: Conversation between Georgina Adam, Art Market Editor at The Art Newspaper and Art Marker correspondent at The Financial Times, and geo-strategist/author Parag Khanna - discussed how information shapes value in the financial marketplace and the differences between the art and the financial market.

Journalist and Bidoun's editor Negar Azimi asking "What is to be done by artists in the face of turbulent historical times when it's the media, arguably, that posseses today's power to shape our imaginations and idealogies the most".

Jack Persekian (left) and Michael Rakowitz (right) discuss their collaboration for 'The Breakup", a multi-part event at the Al-Ma’mal Foundation for Contemporary Art, Jerusalem.

The Abraaj Art Capital Prize exhibition at Art Dubai, with works by Taysir Batniji, Joana Hadjithomas & Khalil Joreige (who had a solo show at The Third Line), Wael Shawky, Risham Syed, and Raed Yassin. Curated by Nat Muller.

Elsewhere in Dubai, The Third Line gallery presented the exhibition "Lebanese Rocket Society: Part III, IV, V" by 2012 Abraaj Capital Art Prize winners, Joana Hadjithomas and Khalil Joreige.

The Pavilion Downtown Dubai hosted the show "Living with Video" curated by Paris-based galleriest Chantal Crousel and a banner commission by Lara Baladi curated by Juan A. Gaitán. More on the exhibitions at The Pavilion Downtown on our following post.

Sheikh Zayed Grand Mosque, Abu Dhabi, is the third largest mosque in the world fits over 7,000 worshippers...

...and features the world’s largest hand-knotted carpet hand-crafted by 1,200 artisans in Iran, 7 gold-coloured chandeliers from Germany made of thousands of Swarovski crystals from Austria and glasswork from Italy...

...1,000 columns in its outer areas cladded with more than 20,000 marble panels inlaid with semi-precious stones, including lapis lazuli, red agate, amethyst, abalone shell and mother of pearl... phew!...

 
Our final visit: Manarat Al Saadiyat a 15,000 sqm venue with an exhibition about the Saadiyat Cultural District, which in the future will host the Zayed National Museum, the Louvre Abu Dhabi by Jean Nouvel, the Guggenheim Abu Dhabi by Frank Gehry and The Performing Arts Centre by Zaha Hadid (see maquettes below). Besides the exhibition of a timeline of Abu Dhabi's history and impressive panoramic screens, the show is a place for international hotels and resorts chains (Mandarin, St. Regis, Park Hyatt...) to present their maquetes and 3D renderings of future facilities nearby the museums. Two days before our visit Human Rights Watch reported that "Abuses Are Continuing" for Workers at Abu Dhabi's Museum Island.


More images on Art Dubai and Abu Dhabi:

 

All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)

Longitudes cuts across Latitudes’s projects and research with news, updates, and reportage.

Latitudes | www.LTTDS.org (except when otherwise noted).

Latitudes 2006–2020

Previous posts

Dec 2019 (2)
Nov 2019 (6)
Oct 2019 (2)
Sep 2019 (6)
Aug 2019 (5)
Jul 2019 (1)
Jun 2019 (2)
May 2019 (3)
Apr 2019 (1)
Mar 2019 (3)
Feb 2019 (1)
Jan 2019 (3)
Dec 2018 (5)
Nov 2018 (3)
Oct 2018 (5)
Sep 2018 (7)
Aug 2018 (5)
Jul 2018 (2)
Jun 2018 (2)
May 2018 (3)
Apr 2018 (3)
Mar 2018 (2)
Feb 2018 (4)
Jan 2018 (3)
Dec 2017 (3)
Nov 2017 (3)
Oct 2017 (4)
Sep 2017 (3)
Aug 2017 (2)
Jul 2017 (2)
Jun 2017 (2)
May 2017 (2)
Apr 2017 (3)
Mar 2017 (3)
Feb 2017 (3)
Jan 2017 (2)
Dec 2016 (2)
Nov 2016 (3)
Oct 2016 (3)
Sep 2016 (2)
Aug 2016 (6)
Jul 2016 (2)
Jun 2016 (3)
May 2016 (5)
Apr 2016 (2)
Mar 2016 (2)
Feb 2016 (6)
Jan 2016 (3)
Dec 2015 (1)
Nov 2015 (1)
Oct 2015 (3)
Sep 2015 (1)
Aug 2015 (4)
Jul 2015 (5)
Jun 2015 (3)
May 2015 (3)
Apr 2015 (4)
Mar 2015 (2)
Feb 2015 (2)
Jan 2015 (2)
Dec 2014 (2)
Nov 2014 (3)
Oct 2014 (2)
Sep 2014 (2)
Aug 2014 (2)
Jun 2014 (3)
May 2014 (3)
Apr 2014 (2)
Mar 2014 (3)
Feb 2014 (1)
Jan 2014 (1)
Dec 2013 (4)
Nov 2013 (3)
Oct 2013 (6)
Sep 2013 (4)
Aug 2013 (2)
Jul 2013 (1)
Jun 2013 (3)
May 2013 (4)
Apr 2013 (2)
Mar 2013 (4)
Feb 2013 (2)
Jan 2013 (5)
Dec 2012 (5)
Nov 2012 (4)
Oct 2012 (4)
Sep 2012 (6)
Aug 2012 (4)
Jul 2012 (2)
Jun 2012 (3)
May 2012 (8)
Apr 2012 (7)
Mar 2012 (5)
Feb 2012 (5)
Jan 2012 (4)
Dec 2011 (4)
Nov 2011 (3)
Oct 2011 (6)
Sep 2011 (4)
Aug 2011 (7)
Jul 2011 (3)
Jun 2011 (8)
May 2011 (10)
Apr 2011 (6)
Mar 2011 (7)
Feb 2011 (9)
Jan 2011 (3)
Dec 2010 (8)
Nov 2010 (9)
Oct 2010 (6)
Sep 2010 (11)
Aug 2010 (6)
Jun 2010 (4)
May 2010 (5)
Apr 2010 (11)
Mar 2010 (4)
Feb 2010 (6)
Jan 2010 (7)
Dec 2009 (6)
Nov 2009 (3)
Oct 2009 (7)
Sep 2009 (11)
Aug 2009 (11)
Jul 2009 (2)
Jun 2009 (10)
May 2009 (7)
Apr 2009 (5)
Mar 2009 (6)
Feb 2009 (4)
Jan 2009 (5)
Dec 2008 (6)
Nov 2008 (5)
Oct 2008 (5)
Sep 2008 (5)
Aug 2008 (3)
Jul 2008 (3)
Jun 2008 (5)
May 2008 (4)
Apr 2008 (5)
Mar 2008 (3)
Feb 2008 (7)
Jan 2008 (5)
Dec 2007 (5)
Nov 2007 (5)
Oct 2007 (6)
Sep 2007 (8)
Aug 2007 (3)
Jul 2007 (5)
May 2007 (8)
Apr 2007 (8)
Mar 2007 (8)
Feb 2007 (3)
Jan 2007 (1)
Dec 2006 (8)
Nov 2006 (2)
Oct 2006 (6)
Sep 2006 (10)
Aug 2006 (1)
Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

More about us. Browse projects. Read Longitudes. Receive newsletters.

Contact us. 
All content
Latitudes
2005—2020