Longitudes

Last chance to read the August 2016 Monthly Cover Story "Fermínlandia"


Last chance to read the August 2016 Monthly Cover Story "Fermínlandia" on www.lttds.org (after August 2016 it will be archived here)

"
Five years ago, in August 2011, Fermín Jiménez Landa initiated the surrender, conquest and defence of a small nameless island using the power of music. With the help of local fishermen he had taken a portable generator, two tripod-mounted loudspeakers, and an mp3 player out into the Aegean Sea and planted the equipment on this uninhabited Greek island. Its new national anthem played again and again until the batteries ran out. You can just make out the two loudspeakers sitting atop the grassy rock in this photograph by Fermín." Continue reading...

Cover Stories' are published on a monthly basis on Latitudes' homepage to highlight past, present or forthcoming projects, research, exhibitions or field trips related to our activities. 


Related content:
  • Archive of Cover Stories.
  • Cover Story, July 2016: Through the grapevine – Rasmus Nilausen’s Soups & Symptoms 3 July 2016
  • Last days! Cover Story and exhibition of José Antonio Hernández-Díez: techno-pop, death and resurrection (20 June 2016)
  • Cover Story, May 2016: Material histories – spilling the beans at the CAPC musée d’art contemporain de Bordeaux (10 May 2016)
  • Cover Story, March 2016: José Antonio Hernández-Díez: The sacred heart of the matter (3 March 2016
  • Cover Story, February 2016: Sarah Ortmeyer, Towering allusions (9 Febrero 2016)

Latitudes' "out of office" photo album 2011–2012

This is the fourth consecutive year (see 2009-10, 2010-11 and 2011-12 posts) we say goodbye to the 2011–12 season with an 'out of office' post with some unseen and 'behind the scenes' moments lived in the past 11 months. 

Happy holidays/felices vacaciones readers! More Latitudes' via Facebook (http://www.facebook.com/LTTDS) and Twitter (@LTTDS). 

– Latitudes | www.lttds.org


22 September 2011: Back to the future. transfering the mp3 file of the new anthem commissioned by Fermín Jiménez Landa onto a cassette. Images of their show here.

21 September 2011: Lee Welch and Fermín Jiménez Landa talk about their show to MUSAC's staff.

21 September 2011: Newly framed works by Lee Welch (top left) and photos by Fermín Jiménez Landa (right).

22 September 2011: Watching concrete dry (Lee Welch and Fermín Jiménez Landa's exhibition plinths/bordermarks).

23 September 2011: Final rehearsal of La Cena band in the Laboratorio 987 space. Opening performance of 'Himno Nacional' here.

 Permission to parade through the streets and squares of León's centre on the 24th September.

  24 September 2011: Fermín Jiménez Landa (camera) Lee Welch (video recording) the "Himno Nacional" 'pasacalles' parade around the streets of León.
 12 October 2011: Finding 'The Last Newspaper' displayed at Walter König's bookstore while browsing for nice books during Frieze Art Fair, London.

13 November 2011: Jorge Satorre fixing one of the posters of the show, before we take off to discuss his and Erick Beltráns' project 'Modelling Standard', an interview that was published in the February issue of Atlántica magazine.

January 2012: Testing, testing... 'The Dutch Assembly' programme available for smartphones.

 18 January: "Café con...Latitudes". Informal talk with Hangar artists-in-residence. Photo: Hangar. Latitudes has been part of Hangar's Programming Comitee between 2010–13.

31 January 2012: Premis GAC 2012 award ceremony at MACBA's atrium. Mariana Cánepa of Latitudes' was part of this year's jury.

2 February 2012: "...y desde el 'backstage'" (leer aquí) de Vanessa Graell en el suplemento 'Tendències', El Mundo.

6 February 2012: Demonstration to pressure politicians to change their minds about stopping the plan for the Canòdrom to be the future Centre of Contemporary Art in Barcelona. The windows were whitewashed as it is done with unused facilities.

Artists whitewashing the Canòdrom windows. 

 12 February 2012: "Mataró Chauffeur Service" mangled at Matadero, Madrid.

13 February 2012, ARCOmadrid: Installing vinyls and posters for each of the The Dutch Assembly hourly talks, readings, artists presentations, performances, book launches, in conversations and screenings throughout the five days of the fair. See list here (and some audiorecordings). Download full programme details here.

'The Dutch Assembly' was well connected.


13 February 2012: The Dutch Assembly 'Superstructure' space by Jasper Niens and Thijs Ewalts. On the picture, the choir performance 'Care' by Rory Pilgrim, presented by De Hallen, Haarlem.


16 February 2012: Latitudes introducing Ann Demeester, Director, and Nathalie Hartjes, coordinator of the Gallerist Programme at De Appel, presented a round table discussion with (left to right): Jeanine Hofland (Jeanine Hofland Contemporary Art, Amsterdam), Rebeca Blanchard (NoguerasBlanchard, Barcelona) and Helga de Alvear (Helga de Alvear, Madrid) around the profession of the gallerist. Photo: Haco de Ridder.

Álvaro Calleja profiles The Dutch Assembly: "Un Puente entre dos naciones'/'a bridge between two nations" en el  ABCDArco, 16 February 2012.


February: At last...Lara Almarcegui's monograph is here! Edited by Latitudes. 

 16 March: Good morning Sharjah! Part one of the March Meeting report here.

Sharjah lunch with curator and 'El Cultural' critic, Javier Hontoria.

17 March: Latitudes' presentation on residencies (for artists and curators) during Sharjah's fifth March Meeting, which focused on 'Working with Artists and Audiences on Commissions and Residencies'. Latitudes' panel titled "Minding the Gap: the Critical Role of Smaller Organisations" had presentations by Hu Fang (Vitamin Creative Space, China) and Daniella Rose King (MASS Alexandria, Egypt), and was chaired by Samar Martha (ArtSchool Palestine, Palestine). More photos here. Photo: Posted during the conference on the Twitter account of @lamyaalsuwaidi

Glitzy souvenirs from Dubai, anyone? See more images of Dubai's trip.

 23 March 2012: Last day in the Emirates. Visiting Sheikh Zayed Grand Mosque in Abu Dhabi, one of the world's largest mosques. Read more on our trip to the Emirates on the blog (part 1, part 2 and part 3). 

 29 March (29M): General Strike in Spain. Many more demonstrations to come...

22 April: One of this year's exhibitions highlights: Xavier Le Roy's "Retrospective" at Fundació Antoni Tàpies, Barcelona. On the finissage, children almost stole the show joining performers.


Here, father (performer) and son, performing together in the finissage.

10 April 2012: The happy moment of receiving copies of a Amikejo, a book we have been working on most of the winter. See images of the book here.

31 May: Manifesta 9 curator Cuauhtémoc Medina with artist Jeremy Deller. See Latitudes' photo report of Manifesta 9.

31 May: With Lara Almarcegui while she explains her work included in Manifesta 9, Genk. (see more pictures of Manifesta 9, here).

2 June: Visit to the drielandenpunt for a remote book launch. This is the apex of the triangle-shaped borders of what was Amikejo.

2 June: Friends that come to a booklaunch in a remote place, the drielandenpunt ("Three-Country Point") in Dutch, or Dreiländereck ("Three-Country Corner") in German, or Trois Frontières ("Three Borders") in French." More images here. Photo: Klaas van Gorkum

 6 June 2012: Welcome to Germany! Brussels–Kassel train journey. A little German snack at Köln's Hauptbahnhof.

 6 June: A German, a Dane and and English man meet and greet in a square. (gallerist Johann König, artist Tue Greenfort and Max Andrews' of Latitudes in Friedrichtplatz, Kassel). See Latitudes' documenta (13) photo report here.

7 June: Launch of Maria Loboda's book at Karlsaue Park with music, smoke and a pyramid of ice with 750 litres of champagne. See Latitudes' documenta (13) photo report here.

9 June: "Spain is dead" sign posted opposite Kassel's Fridericianum the day Spanish Ministry of Economy De Guindos, announced the financial "bail out".
8 June 2012: Chance meeting with Mr Weiner and Mr Weiner's tote bag in Kassel, good memories of our 2008 'The Crest of a Wave'.

15 June: Visiting lecturers, Máster en Arte, Museología y Crítica Contemporáneas, Universidad de Santiago de Compostela. The session was preceded by an evening conference at CGAC on "The Curatorial Contract: Analogies and case studies". Photo: Pedro de Llano.

 16 June: Almejas, berberechos and cold beer in Santiago de Compostela. Galicia calidade! 



 19 July: iPad-photodocumenting Haegue Yang's piece produced for "Sense and Sustainability", Urdabai Arte 2012.

 Tangle of 2012 press and work passes.

All photos: Latitudes | www.lttds.org (except when noted otherwise in the caption of the photo). 

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

RECUERDA: Presentación de la publicación 'Amikejo': Martes 22 Mayo, 20h en Múltiplos (c/ Lleó 6, 08001 Barcelona)


NOTA DE PRENSA

Presentación de la publicación 'Amikejo' editada por Mousse Publishing en colaboración con MUSAC.

Martes 22 Mayo, 20h
Múltiplos (c/ Lleó 6, 08001 Barcelona)

Presentación a cargo de Fermín Jiménez Landa (artista) y Latitudes (editores y comisarios del ciclo expositivo 'Amikejo').

La publicación concluye el ciclo de exposiciones 'Amikejo', que a lo largo del 2011 ha incluído muestras de Pennacchio Argentato; Iratxe Jaio & Klaas van Gorkum; Uqbar (Irene Kopelman & Mariana Castillo Deball y Fermín Jiménez Landa & Lee Welch en el Laboratorio 987, el espacio proyectual del Museo de Arte Contemporáneo de Castilla y León (MUSAC). (+ info...)

El volumen incluye textos sobre cada proyecto escritos por los comisarios del ciclo, así como reimpresiones de Giorgio Agamben ("Notas sobre el gesto", 1996) y Georges Perec (extractos de "Especies de espacios y gestos Otras Piezas", 1974 ), vistas de las exposiciones y biografías de los artistas participantes.
 

Además cuenta con una serie de ensayos de académicos y científicos especialmente escritos para la ocasión:

Peter Osborne (Profesor de Filosofía moderna y director del Centro de investigación de filosofía europea moderna de la Kingston University London) con el texto ‘Fragmentos del futuro': Notas sobre el espacio proyecto" que se centra en peculiar idea de la 'sala de proyectos', espacio que se caracteriza por ser total en su idoneidad para un determinado tipo de temporalización: la temporalización del proyecto. ¿Cuál es su distintiva espacialización?, Y ¿cómo le afecta la codificación específicamente artística de un proyecto?.

Ryszard Zelichowski (Profesor y Director de Investigaciones Científicas en el Instituto de Estudios Políticos de la Academia Polaca de Ciencias) contribuye con el texto "Neutral Moresnet y Amikejo - Los niños olvidados del Congreso de Viena" ofrece una visión general de cómo Moresnet Neutral (el estado rebautizado como 'Amikejo' en 1908) llegó a existir.

Theo Beckers (Ex-profesor de Estudios de Ocio de la Universidad de Tilburg y en la actualidad miembro del cuerpo docente del Centro de Sostenibilidad de Tilburg y profesor visitante de la Academia china de ciencias)** escribe el texto "El tiempo libre. Auge y caída de un proyecto social", en el que rastrea la relación de la sociedad occidental con el trabajo y el tiempo, desde Séneca el Joven, a través del auge de las fábricas y de los 'Principios de Administración Científica' (1911) de Frederick Winslow Taylor, hasta la actual confusión hoy en día entre trabajo y ocio.

Menno Schilthuizen (Científico de investigación en NCB Naturalis, Cátedra para la biodiversidad de los insectos en la Universidad de Groningen y Profesor asociado en la Universidad de Leiden) escribe "Sobre las imágenes especulares en la naturaleza: cómo formas idénticas pueden ser totalmente distintas", principio que se refleja en la exposición del dúo Uqbar entorno a la quiralidad: en animales y plantas asimétricas, a veces ambas formas especulares existen lado a lado, pero a veces sólo existe una de ellas y el otro es "prohibido".


Título: Amikejo
Edita: Latitudes
Publica y distribuye: Mousse Publishing en colaboración con MUSAC
Fecha publicación: Abril 2012
Formato: 22.5x15.5cm, 216 págs, tapa dura
Idioma: inglés/español
Distribuye: Mousse Publishing
ISBN: 9788896501832
Precio: 26 Euros
Compra online

La publicación estará disponible durante la presentación.

Múltiplos es una librería y distribuidora independiente de Barcelona especializada en libros de artistas.


All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Mousse Publishing and MUSAC release the publication 'Amikejo' edited by Latitudes

 Publication in front of MUSAC's façade, León. Photo: Carlos Ordás.

The publication concludes the 2011 exhibition cycle 'Amikejo' curated by Latitudes, which included exhibitions by Pennacchio Argentato; Iratxe Jaio & Klaas van Gorkum; Uqbar (Irene Kopelman & Mariana Castillo Deball and Fermín Jiménez Landa & Lee Welch at the Laboratorio 987, the project space of the Museo de Arte Contemporáneo de Castilla y León (MUSAC).

Inside the publication: section dedicated to Pennacchio Argentato.

As advanced in previous posts, the publication includes essays by:  

Peter Osborne (Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy at Kingston University London) text "‘Fragments of the future’: Notes on project space" centres on the idea of ‘project space’ as a peculiar one insofar as it characterizes a type of space wholly by its appropriateness for a particular kind of temporalization: the temporalization of the project. What is the distinctive spatialization corresponding to this? And how is it affected by the specifically artistic coding of a project?; 

Ryszard Żelichowski (Professor and Director for Scientific Research at the Institute of Political Studies of the Polish Academy of Sciences) text "Neutral Moresnet and Amikejo – The Forgotten Children of the Congress of Vienna" offers an overview of how Neutral Moresnet (the state 'renamed' Amikejo in 1908) came into existence; 

Pages with Ryszard Zelichowski's essay on the history of Neutral Moresnet/Amikejo.

Theo Beckers (Former Professor of Leisure Studies at Tilburg University and currently faculty member of the Tilburg Sustainability Center and Visiting Professor of the Chinese Academy of Sciences) text "Free time. The rise and fall of a social project" traces western society’s relation to work and time, from Seneca the Younger, through the rise of the factory and Frederick Winslow Taylor's 'The Principles of Scientific Management' (1911), to today's blurring of labour and leisure; 

Pages with Theo Beckers' essay.

Menno Schilthuizen (Research scientist at NCB Naturalis, an endowed chair for Insect Biodiversity at the University of Groningen and an Associate Professor at Leiden University) contributed a text "On Mirror Images in Nature: How Identical Forms Can Be Completely Different" reflects on Uqbar's exhibition centered on chirality: on how in asymmetric animals and plants, sometimes both mirror-image forms exist side by side, but sometimes only one exists, the other being "forbidden"; 
 
Pages dedicated to Uqbar and to Prof. Dr. Menno Schilthuizen's essay.
as well as texts on each project by exhibition curators Latitudes, reprints by Giorgio Agamben ('Notes on Gesture', 1996) and Georges Perec (excerpts from "Species of Spaces and Other Pieces Gesture", 1974), installation views and biographies of the participating artists.

Pages with Georges Perec's reprint.
Pages with installation views of Pennacchio Argentato's exhibition.
Pages with spanish translations.

More info on the exhibition series, and photos of the shows by Pennacchio Argentato, Iratxe Jaio & Klaas van Gorkum, Uqbar (Irene Kopelman & Mariana Castillo Deball) and Fermín Jiménez Landa & Lee Welch (see performance)

'Amikejo' publication, beginning to end. Photos: Mousse Publishing

Title: Amikejo
Edited by: Latitudes
Publisher & Distributor: Mousse Publishing
Format: 22.5x15.5cm, 216 pp., hardcover
Language: English and Spanish
Publication date: April 2012 
ISBN: 9788896501832
Price: 26 Euros


Further update: Contents of the forthcoming publication 'Amikejo' – Available in April 2012

We are currently finalising and proof-reading the 'Amikejo' publication (see previous posts here and here), which concludes the year-long exhibition cycle at the Laboratorio 987, MUSAC (Fermín Jiménez Landa & Lee Welch's show is on view until 15 January 2012). The volume will be available in Spring 2012 and will be distributed by Mousse Publishing.

Below an excerpt of Theo Beckers's essay 'Free time: The rise and fall of a social project', commissioned by 'Amikejo' artists Iratxe Jaio and Klaas van Gorkum to complement the publication section dedicated to their multi-part project 'Producing time in between other things' (2011), which revolves around the changing values of labour and property:


"Have you ever heard the story of the African fisherman? In the early light of dawn, he would set out to sea in his little boat, fish for a few hours, return to port, sell his catch and then spend the rest of the day in the shade of a tree on the beach, contemplating the meaning of life and other pleasant thoughts. An economist from the World Bank appeared one day and asked him why he didn’t take advantage of all that spare time by fishing longer, and going further out to sea with a larger boat. This would bring in more fish and thus more profit. In the long run, this would enable the fisherman to buy more and even bigger boats, and even hire people to do the work for him. Eventually, he could make so much money that he wouldn’t need to work anymore and could afford to lie on the beach the whole day. At which the fisherman laughed and asked the economist, “Why would I go through all that trouble?” The history of Western society’s relationship with time clearly illustrates, however, that it is the economist who had the last laugh, not the fisherman."


Theo Beckers was Professor of Leisure Studies at Tilburg University and is now on the faculty of the Tilburg Sustainability Center, the Netherlands, and Visiting Professor at the Chinese Academy of Sciences, Beijing. Translated from the Dutch by Klaas van Gorkum.


Further publication details:



Title | Título 

'Amikejo'



Editor | Edita

Latitudes



Publisher & Distributor | Publica y distribuye


Mousse Publishing and MUSAC



Format | Formato 


22,5x15,5cm, 216 pp., hardcover
 


Language | Idiomas 


English/Spanish

 

Editorial Coordination | Coordinación editorial

Latitudes and Carlos Ordás
 



Production | Producción

Bruna Roccasalva 


Graphic design | Diseño gráfico

Studio Mousse — Marco Fasolini, Fausto Giliberti, Andrea Novali, Francesco Valtolina
 
 


Texts | Textos

Giorgio Agamben, Theo Beckers, Latitudes, Prof. Peter Osborne, Georges Perec, Prof. Dr. Menno Schilthuizen, Ryszard Zelichowski
 


Translation | Traducción

Marzena Beata Guzowska (Polish—English); Klaas van Gorkum (Dutch—English); e-verba (English—Spanish)
 
   


Copy-editing | Correcciones

Latitudes

Johanna Bishop
English proof-reading of Ryszard Zelichowski’s text (unabridged version) Martin Blaszk
 
   


Distribution | Distribución

Mousse Publishing
 
 


Printing and binding | Impresión y encuadernación

Grafiche Artigianelli, Brescia
 
   


Print-run | Tiraje

1,200 copies
  



ISBN

9788896501832

Newsletter #38: November/noviembre 2011


Newsletter en Español  |  Newsletter in English



UNTIL 15 JANUARY 2012...
'Amikejo: Fermín Jiménez Landa & Lee Welch', fourth and final exhibition of the cycle 'Amikejo' at the Laboratorio 987, Museo de Arte Contemporáneo de Castilla y León, León,
24 September 2011–15 January 2012

Read article by Bea Espejo (El Cultural, 2 August 2011) related to the artists' work and their collaborative working process (in Spanish).

Follow #amikejo


RECENT BLOG POSTS...


 
FROM THE ARCHIVE...

'Exposition Internationale des Art Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne', Meessen De Clercq, Brussels, Belgium, 25 February–16 April 2011. With the participation of Kasper Akhøj (1976, Copenhagen, Denmark. Lives in New York, US); Martí Anson (1967, Mataró, Spain. Lives there); Maria Loboda (1979, Kraków, Poland. Lives in London, UK); Charlotte Moth (1975, Carshalton, UK. Lives in Paris, France); Sarah Ortmeyer (1980, Frankfurt am Main, Germany. Lives there). See photos of the exhibition.



Update: Contents of the forthcoming publication 'Amikejo' to be realised in January 2012 by Mousse Publishing

Photo: Courtesy Musée de la Vallée de la Greule
As announced on our previous post, we are currently editing the forthcoming catalogue 'Amikejo', which concludes the exhibition cycle that has taken place at the Laboratorio 987 in MUSAC, León.

One of the main essays (aside that by Prof. Peter Osborne around the philosophical and the historical development of the 'project space' as a type of art space) is that by Prof. Ryszard Żelichowski, Director for Scientific Research at the Institute of Political Studies of the Polish Academy of Sciences, titled "Neutral Moresnet and Amikejo – The Forgotten Children of the Congress of Vienna", which narrates the story of the small state Neutral Moresnet which, in 1908 became the first Esperanto state and changed its name to 'Amikejo' ('a place of great friendship' in Esperanto).

Below an excerpt of what's to come...
Upon Napoleon’s defeat in 1814, the victorious coalition faced the need to introduce a new order in Europe. European citizens could gain entirely new borders for the states they inhabited; first and foremost however, the coalition saw hope for the improvement of the terms of their nation’s existence. The Congress of Vienna had to deal with these challenges while reconciling the often contradictory expectations of both big and small states.One such challenge was posed by an area of what had been the Aubel canton during the French Empire, which today is part of the Belgian municipality of Kelmis. This territory – more precisely a small part of it – wedged between what is today Belgium and Germany enjoyed a certain amount of independence for over a century, and had many attributes of a sovereign state: its own anthem, flag, currency, and postage stamps. This mini-state, Neutral Moresnet (1816–1919), has been mostly forgotten by historiography, and almost two hundred years since its creation, I would like to commemorate the extraordinary fortune of this tiny piece of land at the heart of Western Europe.

Title: 'Amikejo'
Edited by: Latitudes
Publisher & Distributor: Mousse Publishing and MUSAC
Format: 22,5x15,5cm, 200 pp, hardcover
Language: English/Spanish
Print run: 1,200
Date of publication: Spring 2012


Follow the project on Latitudes' Twitter #Amikejo

Details of the forthcoming 'Amikejo' exhibition catalogue published by Mousse Publishing

Poster of the exhibition cycle. Designed by Latitudes.


We are now editing the 'Amikejo' final publication to be released by Mousse Publishing in Spring 2012. The 200-page-publication will include essays by:

Peter Osborne (Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy at Kingston University London);
Ryszard Żelichowski (Professor and Director for Scientific Research at the Institute of Political Studies of the Polish Academy of Sciences);
Theo Beckers (Former Professor of Leisure Studies at Tilburg University and currently faculty member of the Tilburg Sustainability Center and Visiting Professor of the Chinese Academy of Sciences);
Prof. Dr. Menno Schilthuizen (Research scientist at NCB Naturalis, an endowed chair for Insect Biodiversity at the University of Groningen and an Associate Professorship at Leiden University)

amongst others, as well as texts on each exhibition by Latitudes.

In the meantime some images of the exhibitions on Latitudes' flickr, including the final exhibition 'Amikejo: Fermín Jiménez Landa & Lee Welch', on view at the Laboratorio 987, MUSAC, until 15 January 2012. More soon!




All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)


Newsletter #37 - October/octubre 2011


Newsletter en Español | Newsletter in English

THIS MONTH...

Participation in the symposia 'Antimonuments: Critique of Public Space', Espai d'Art Contemporani de Castelló, Saturday 22 October 2011. Coordinated by Ángela Molina and with the participation of Iria Candela (Assistant Curator, Tate Modern, London), Patricia Esquivias (artist, Madrid), Latitudes (independent curators, Barcelona) and Racons Públics (curator/architect, Barcelona).


UNTIL 15 JANUARY 2012...
'Amikejo: Fermín Jiménez Landa & Lee Welch', fourth and final exhibition of the cycle 'Amikejo' at the Laboratorio 987, Museo de Arte Contemporáneo de Castilla y León, León,
24 September 2011–15 January 2012

Read article by Bea Espejo (El Cultural, 2 August 2011) related to the artists' work and their collaborative working process (in Spanish).

Follow #amikejo

FROM THE ARCHIVE...

Coinciding with the first anniversary of the beginning of 'The Last Newspaper' exhibition at the New Museum (6 October 2010–9 January 2011), readers are now be able to flick through the pages of the exhibition catalogue via Issuu: #0 Contents + Index; #1 The Last Post; #2 The Last Gazette; #3 The Last Register; #4 The Last Star-Ledger; #5 The Last Monitor; #6 The Last Observer; #7 The Last Evening Sun; #8 The Last Journal; #9 The Last Times; #10 The Last Express.

Read the first issue 'The Last Post':


...The rest (#2 to 10 plus #0 with Contents+Index) now available on Issuu!



Opening performance: 'Himno Nacional' (2011) by Fermín Jiménez Landa & Lee Welch in the context of their exhibition 'Amikejo' at the Laboratorio 987, MUSAC

Pasacalles de la Agrupación Musical La Cena por León. Foto: Latitudes | www.lttds.org

'Himno Nacional' (National Anthem, 2011)
A project by Fermín Jiménez Landa & Lee Welch
24 September 2011 at 13:30h (centre of León) and 19.30h (MUSAC)
In the context of 'Amikejo' exhibition cycle at the Laboratorio 987, MUSAC 

"In the context of 'Amikejo' – an exhibition cycle on micro-nations, historical anomalies, common endeavours and optimism – a León marching band has been invited to compose a new national anthem. Composed in the most archaic tradition, markedly romantic, military and patriotic, the anthem enacts a parodic attempt to reach a futile objective: the conquering of a small island in the Aegean Sea through invasion-by-sound.

Forming a journey loop from León to the island and back again, the musical representation of nationhood becomes an end in itself. During the exhibition opening, the 65+ musicians of the Agrupación Musical La Cena paraded through the streets of León (Plaza San Marcelo, Plaza Don Gutierre; Plaza San Martín; Plaza de Regla (in front of the cathedral); and Palacio de Botines) in what could be seen as a playful, ceremonial or military action, and perform an anthem that is familiar in its musical idiom and yet is completely unidentifiable".
  – Fermín Jiménez Landa

Anthem composed by: Juan Ramón Solla Santos, musical director, Agrupación Musical La Cena, León. 



All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)

Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

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