Longitudes

Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

Think Tank session in Brussels with SKOR, Andrea Slieker, Z33 team and Jan Debbaut

Latitudes participated in a Think Tank meeting on Friday in Brussels. Despite considerable disruption following the storms across Europe on Thursday, we joined Tom van Gestel (artistic manager of SKOR, Amsterdam), Andrea Schlieker (responsible for a host of projects in the public realm including Rachel Whiteread's Holocaust Memorial in Vienna), the team from the coordinating institution Z33 in Hasselt, and project coordinator Jan Debbaut to discuss the development of 'Kunst Werken' a new art project for public spaces in the province of Limburg, Belgium.


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Jeremy Deller's Bat House Project

Jeremy Deller's Bat House Project first Design Challenge deadline is January 29th:

"London - iconic buildings and bridges, the river, nightlife, commuting, astronomical house prices. Imagine you’re a bat in London. Where do you hang out? What do you see, feel, hear, eat, need? What attracts you? What gets in your way?"

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Ester Partegàs at NoguerasBlanchard

Ester Partegàs at NoguerasBlanchard
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Tomás Saraceno

Post-leakage view of project by Tomás Saraceno at Centre d'Art Santa Mònica / CASM, the institution with possibly the best programme in Barcelona, but certainly the one with the most useless website. Also showing Jack Pierson and Joan Morey.
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Christoph Keller at ProjecteSD

Christoph Keller and Roma Publications at ProjecteSD

Revolver Archiv für aktuelle Kunst founder and general wise man Christoph Keller (on left in photo 2) gave a sparkling presentation yesterday at ProjecteSD about books, publishing, raising rare breeds, bespoke fruit schnapps and his new Christoph Keller Editions books with young artists published with JRP | Ringier. Inspirational stuff.

"ProjecteSD is pleased to present its second exhibition of artist's books. For this occasion two young independent editors have been invited: Christoph Keller and ROMA Publications. Working in different environments but with similar attitudes and interests, Roma and Keller have pursued outstanding careers and created for themselves a solid space in the publishing field of contemporary art.

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Latitudes on Resonance FM

An interview with Max Andrews about LAND, ART: A Cultural Ecology Handbook goes out tomorrow afternoon on The Two Degrees Show on Resonance FM. Two Degrees is produced by Phil England of Climate Radio.
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UOVO #12 Gold

The new issue of Uovo is out, including an interview by Max Andrews with Natascha Sadr Haghighian

Latitudes will Guest Edit UOVO #14 "Green: Ecology, Luxury and Degradation". More information here.
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Photos of the launch of the publication 'LAND, ART: A Cultural Ecology Handbook' at the LCE, London

 All images: Latitudes | www.lttds.org
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Photos of the publication 'LAND, ART: A Cultural Ecology Handbook' (RSA, 2006)

The 'LAND, ART: A Cultural Ecology Handbook' publication is finally real! Coming soon are images of the reception at the London School of Economics and Political Science last Tuesday. The book was launched by the UK's Culture Minister David Lammy during the No Way Back? conference that morning. 

You can purchase the book direct from the distributor's Cornerhouse here, or from amazon here.


All photos: Robert Justamante. Courtesy: Latitudes | www.lttds.org
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'2006 Problems' exhibition and publication by John Kørner, Victoria Miro Gallery, London



'There are plenty of known knowns in what John Kørner has recently painted: ships and trees, men and women, crocodiles and birds, town and country—and most apparently in'2006 Problems', factories and bicycles. These are modern things that we know we know. And as this commandeered logic continues, we know there are some things we do not know (known unknowns), and still others we don't yet know we don't know (unknown unknowns). It's the known unknown phenomena that belong to the realm of Kørner's sustained symptomatology of problems. Visible in paint as coloured blot marks shaped like elongated eggs or dropped-in droppings, problems often line up in Kørner's works as if notes on a musical stave or blobs of clay on wobbly shelves, latent undifferentiated tissue that's waiting to become more specific. Of course how to paint a problem must have been in itself a problem. We may presently be dealing with the problems of this year, or equally, it could be that there is a host of two thousand and six of these quandaries. Kørner makes paintings and painted ceramics, while, as he insists, he is not really a 'proper' painter. His often vast canvases are foremost a way of communicating through a very direct means and are only paintings later, almost by coincidence. All of this is, needless to say, problematic.'

Extract taken from the catalogue essay of the publication '2006 Problems: John Kørner' by Latitudes' Max Andrews.

'2006 Problems' by John Kørner
Victoria Miro Gallery, London
25 November – 22 December 2006

Exhibition catalogue: Paperback, English, 44 pages, 30 x 23 x 0.6 cm
ISBN 978-0-9554564-0-4
Purchase here for ₤10. 
More photos here.


All photos: Latitudes | www.lttds.org
Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
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