Longitudes

Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

Paris: Michel Blazy 'Post Patman'

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Paris: Thomas Hirschhorn 'Concretion Re'

Not for the faint-hearted. Just finished at Galerie Chantal Crousel.

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SAVE THE DATE: Latitudes-curated 'Extraordinary Rendition' opens 22 March, NoguerasBlanchard, Barcelona

above: Wilfredo Prieto, Grease, Soap and Banana, 2006
Private collection, Brussels; Courtesy NoguerasBlanchard, Barcelona

'Extraordinary Rendition'
22 March – 19 May 2007
NoguerasBlanchard, Barcelona


Artists: Mariana Castillo Deball (MX/DE), Gardar Eide Einarsson (NO/US), Rainer Ganahl (AT/US), Carsten Höller (BE/SE), Christopher Knowles (US), Josephine Meckseper (DE/US), Roman Ondák (SK/DE), Wilfredo Prieto (CU) and Natascha Sadr Haghighian (DE)

Curated by Latitudes


Extraordinary Rendition brings together the work of nine international artists in response to notions of risk, frictionlessness and the abstraction of potentialities. It includes work in video, sculpture, audio, painting and drawing.

Following a pre-modern discourse of danger, the emergence of risk – alongside the invention of insurance – proposed a world governed by immaterial markets that were no longer regulated by order, but by fundamental uncertainty, threat and insecurity. For its contextual backdrop, the exhibition attempts to think of the present as a cultural mythology through manifestations and elaborations of this principle. One could cite the orchestration of illusory energy and finance markets, the manipulation of governance and property, or the clandestine rendition of terror suspects. (Correspondingly, the Enron scandal, corruption uncovered by operation Malaya in Marbella, or CIA stop-offs in Palma de Mallorca, for example.) Furthermore, there are the unpredictable mega-weather events or reckless insurgencies that are also symptomatic of an ever more stochastic and violent reality which similarly escapes an ordinary logic of probabilities or worth. Social sensitivity to issues of security are rapidly changing our society. Alongside this global picture, our everyday lives – especially with respect to children – are increasingly subject to a suffocating psychology of risk aversion.

Attempts to render risk – notoriously, the US Department of Homeland Security's colour-coded threat advisory system – are necessarily unspecific and speculative to an extraordinary degree. In an attempt to explore this territory, the exhibition conceives of a platform that is both purely fictional and yet perfectly real, that is completely banal while exceptional, and is potentially valuable yet utterly worthless. Extraordinary Rendition explores multivalent artistic modes – from the journalistic to the comical, the literal to the allusive – within a set-up (the commercial art trade) that is, after all, itself a paradigmatic immaterial/dematerialised market.

For more information, please contact:
Rebeca Blanchard,
[email protected]
T +34 93 342 57 21
F +34 93 342 57 22
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Claude Lévêque, última exposición del espacio Kültur Büro Barcelona


'La Guerre du Chocolat'
Claude Lévêque en Kültur Büro Barcelona
9 Febrero – 5 Mayo 2007
[email protected] | www.kbb.org.es
La nueva producción de Claude Lévêque (1953, Nevers) presenta un ambiente nocturno invernal con densa neblina donde se vislumbran dos grandes carros que emiten un intenso olor a chocolate –los carros estan barnizados con 30 quilos de chocolate fundido. Limitados una docena de postes eléctricos con bombillas que emanan una luz temblorosa, la mise en scène apela a la memoria de los campos de concentración.


Con 'La Guerre du Chocolat' KBB cumplirá su fin como espacio expositivo después de tres años de actividad y se dedicará a la gestión de proyectos curatoriales sin sede permanente en Barcelona.


Photos: Latitudes | www.lttds.org
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Tricky – Estrany de la Mota, Barcelona

Exhibition 'Tricky', Estrany de la Mota, Barcelona, 27 January-13 March 2007

'Tricky
' – Hasta el 13 de marzo 2007.Galeria Estrany de la Mota
Comisariado: Maribel López
Con obras de Ignasi Aballí, Christian Andersson, Douglas Gordon, Jonathan Monk, Antonio Ortega, Kirsten Pieroth, Nedko Solakov.
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Think Tank session in Brussels with SKOR, Andrea Slieker, Z33 team and Jan Debbaut

Latitudes participated in a Think Tank meeting on Friday in Brussels. Despite considerable disruption following the storms across Europe on Thursday, we joined Tom van Gestel (artistic manager of SKOR, Amsterdam), Andrea Schlieker (responsible for a host of projects in the public realm including Rachel Whiteread's Holocaust Memorial in Vienna), the team from the coordinating institution Z33 in Hasselt, and project coordinator Jan Debbaut to discuss the development of 'Kunst Werken' a new art project for public spaces in the province of Limburg, Belgium.


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Jeremy Deller's Bat House Project

Jeremy Deller's Bat House Project first Design Challenge deadline is January 29th:

"London - iconic buildings and bridges, the river, nightlife, commuting, astronomical house prices. Imagine you’re a bat in London. Where do you hang out? What do you see, feel, hear, eat, need? What attracts you? What gets in your way?"

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Ester Partegàs at NoguerasBlanchard

Ester Partegàs at NoguerasBlanchard
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Tomás Saraceno

Post-leakage view of project by Tomás Saraceno at Centre d'Art Santa Mònica / CASM, the institution with possibly the best programme in Barcelona, but certainly the one with the most useless website. Also showing Jack Pierson and Joan Morey.
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Christoph Keller at ProjecteSD

Christoph Keller and Roma Publications at ProjecteSD

Revolver Archiv für aktuelle Kunst founder and general wise man Christoph Keller (on left in photo 2) gave a sparkling presentation yesterday at ProjecteSD about books, publishing, raising rare breeds, bespoke fruit schnapps and his new Christoph Keller Editions books with young artists published with JRP | Ringier. Inspirational stuff.

"ProjecteSD is pleased to present its second exhibition of artist's books. For this occasion two young independent editors have been invited: Christoph Keller and ROMA Publications. Working in different environments but with similar attitudes and interests, Roma and Keller have pursued outstanding careers and created for themselves a solid space in the publishing field of contemporary art.

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