Longitudes

Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

Barcelona inaugurates the 2013–14 season with a new art map

Asociación de Galerías
de Arte Contemporáneo
Art Barcelona - See more at: http://www.artbarcelona.es/es/directorios.html#sthash.iopEshqs.dpuf
Asociación de Galerías
de Arte Contemporáneo
Art Barcelona - See more at: http://www.artbarcelona.es/es/directorios.html#sthash.iopEshqs.dpu
Map with suggested route available on the Circuit de l'Art Contemporani website 

Habemus gallery listings!

Barcelona inaugurates the 2013–14 season with new signage and gallery map. The itinerary, presented yesterday to the media, suggests a route from west to east of the city, from Montjuïc's Fundació Miró to Sant Andreu's Fabra & Coats - Centre d'Art Contemporani de Barcelona, via most of the contemporary art galleries that concentrate in the city centre. Besides the online and physical map, visitors will find two-metre high poles crowned with a pill (galleries marked in pink; museums, foundations and art centers in blue) placed at the entrances of each venue offering additional information (via QR codes and contactless device) about the adjunct venue (exact address, opening hours, website). 

Promoted by Art Barcelona (Gallery Association of Contemporary Art) the 240,000 Euro initiative maps out 26 galleries and 11 art centre locations as well as a calendar of events and openings, both in English (30,000 copies have been printed) and Catalan (20,000 copies) updated quarterly. On a second phase there will be a mobile app with additional information on the artists and programming.


 Detail of the information given in one of the poles marking a gallery location.

Although the map is quite comprehensive, it is a shame that after years of waiting for an initiative of this kind that matches that of cities such London, Berlin, New York, Amsterdam or Glasgow, to only mention a few, other Barcelona galleries such as etHALL, production and studio facilities like Hangar, artist-run and independent spaces such as Halfhouse, Homesession or A*Desk amongst others, are not represented in the listings. Neither are city or government funded spaces such as Sala d'Art Jove, Can Felipa or Sant Andreu Contemporani. Adding them to the 'official' map (which is part funded by the city and the Catalan regional government) would not only help in offering a more textured panorama of the city locating private and public spaces, but would also instigate a much-needed generosity from top-down and show the city willingness to share its promotional tools.

On a final note, it is perhaps curious that Arts Santa Mònica [formerly the Centre d'Art Santa Mònica (CASM)] is missing. Yet as the new General Director of Creativity and Cultural Companies Jordi Sellas, recently announced the reorientation of its programming to become "a centre of activity more than an exhibition space" (...) "a radar for new cultural tendencies", it is perhaps a final confirmation that what used to be Barcelona's kunstverein is not longer recognisable as a venue of contemporary art (see this blog post). 

Downloadable map with suggested routes here.

Programming here. Includes addresses, listings and forthcoming openings and events.



This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter
All photos: Latitudes (except when noted otherwise in the photo caption)
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Report from New York: Gramcsi Monument, visiting critics at ISCP, Carol Bove at The High Line and galleries route

Visiting Thomas Hirschhorn's "Gramcsi Monument", a project produced by Dia Art Foundation at Forest Houses, in the south Bronx. Some recent articles on the project are available via Artfagcity's "How Do People Feel About the Gramsci Monument?" and a summary with more reviews via the Gallerist.
 

On the September 4 and 12 we were 'visiting critics' at the International Studio & Curatorial Program (ISCP) in Bushwick, Brooklyn. The first round included seven visits to the studios of Sofie Thorsen, Niko Luoma, Ramiro Chaves, Mojé Assefjah, Shigeyuki Kihara, Javier Barrios and Tobias Dostal. In the second round (12 visits), we visited Paulien Oltheten (participant in our 2009 project "Portscapes"), Henrjeta Mece, Deva Graf, Bernard Williams, Hugues Reip, Ruth Campau, Tricia Middleton, Savas Bovraz, Sasa Tkacenko, I-Chen Kuo, Mónica Ferreras and Petr Sprincl and collaborator Marie Hájková. A selection of images below.

Back in 2006, Max Andrews of Latitudes edited the publication and wrote the catalogue essay for an exhibition at Victoria Miro Gallery in London of Danish artist John Kørner, also a current resident at ISCP.


(Above) Studio visit with Danish-born, Vienna-based artist Sofie Thorsen.
 (Above) Studio visit with Finnish artist Niko Luoma.
 (Above) Studio visit with Argentinian-born, Mexico City-based artist Ramiro Chaves.
 (Above) Studio visit with Dutch artist Paulien Oltheten.
 (Above) Studio visit with Kurdish-born Turkish-based artist Savas Bovraz, recipient of the 2013 Victor Fellowship of the Hasselblad Foundation.
(Above) Studio visit with Chicago-based artist Bernard Williams.
 (Above) Studio visit with Berlin-based artist Tobias Dostal, creator of this magic trick
you'll be amazed!
  (Above) Studio visit with Canadian artist Tricia Middleton.

On September 11, we joined a tour along the northernmost part of The High Line (the as yet unopened section from 34th to 30th street). Alongside Carol Bove's works (read New Yorker review here), and despite the infernal temperatures, there were amazing views of New York's midtown, soon to disappear with the forthcoming construction of Hudson Yards

 

On Friday 13, we visited a few Chelsea galleries, starting at 18th street with a bombastic show by Matthew Day Jackson show at Hauser Wirth. A concise review of the exhibition in this New Yorker article.
(Above) Ho Chi Minh City and Los Angeles-based collective The Propeller Group at Lombard Freid.

(Above) An overview of the 1960s–2000s work by the late John McCracken occupied David Zwirner's spaces.
(Above) Phil Collins at Tanya Bonakdar.


 (Above) "Some Dreamers of the Golden Dream" a cross-generational group show with works by Ed Ruscha, Alex Israel, Alex Hubbard, Julie Becker, Lutz Bacher, and Rachel Harrison at Greene Naftali Gallery.


(Above) The always great Annette Kelm presents 2013 photographs at Andrew Kreps – on view until November 2nd.


(Above) Claudia Wieser's mirrors, ceramics, wooden sculptures, geometric prints at Marianne Boesky


Barbara Gladstone Gallery showed Damián Ortega's 25 twisted steel sculptures which cast the alphabet with their shadows.


At Metro Pictures, David Maljkovic's show includes the animation "Afterform" – on view until October 19.


(Above) Wonderful photographic work by Leslie Hewitt at Sikkema Jenkins – on view until 5 October. Another short view of the exhibition on this New Yorker article.


(Above) Bortolami Gallery presented paintings by Morgan Fisher based on colour swatches from a prefab house company owned by artist father.

(Above and below) Pablo Helguera's "Librería Donceles" at Kent Fine Art (210 11th Avenue, 2nd floor). "Librería Donceles" is an itinerant bookstore of 10,000 used books in Spanish, of virtually every subject, and the only Spanish-language used-book store in the city. On view until 8 November. 


In the Lower East Side, Simon Preston presented one of the best shows in town centered around the new film 'Provenance' (2013) by Chicago-born artist Amy Siegel. The 40min. the film documents the interior of homes of avid collectors in New York, London, Belgium and Paris that have furnished their homes with 1950s tables, chairs, settees and desks originally conceived by Le Corbusier and Pierre Jeanneret, for several buildings in Chandigarh, India. Go see it, ends 6 October.


This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter
All photos: Latitudes (except when noted otherwise in the photo caption)
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