Longitudes

Storifying the social media related to the exhibition "The Margins of the Factory" (until 30 April) at ADN Platform, Sant Cugat

We have began to storify all the social media posts related to the exhibition "Iratxe Jaio and Klaas van Gorkum: The Margins of the Factory" that opened last Saturday 25 January at ADN Platform in Sant Cugat. 

The exhibition will remain open until 30 April. If you would like to visit, please make an appointment writing to [email protected] or calling (+34) 93 451 00 64.

More information about the exhibition:  
Press Release: http://mad.ly/7b4164 (English) / http://mad.ly/657564 (Español)
Exhibition leaflet (pdf English) / Hoja de sala (pdf en Español) 

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This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Colaboración en el catálogo digital de la exposición "7.000.000.000" de Arlandis/Marroquí para el Espai d'art Contemporani Castelló (EACC)

El próximo 31 de enero inaugura en el Espai d'art Contemporani Castelló (EACC) la exposición colectiva "7.000.000.000", un proyecto que parte de la idea de desarrollo sostenible. La exposición está comisariada por David Arlandis y Javier Marroquí.  

Arlandis y Marroquí han invitado a una serie de autores a contribuir textos para el catálogo digital, entre ellos a Mariana Cánepa Luna de Latitudes que ha escrito sobre Time/Bank, el sistema económico alternativo creado en el 2009 por los artistas Anton Vidokle y Julieta Aranda. Podéis leer o descargar la publicación desde este enlace.

Para la ocasión, como avanzan los comisarios en este texto, Time/Bank abrirá una sucursal "y colaborará con otra iniciativa similar, la Ecoxarxa, que se está desarrollando fuera del ámbito artístico. Time/Bank es un proyecto que consta de una instalación en la que podemos ver material diverso y documentación relacionada con las primeras iniciativas de banco de tiempo. La segunda parte trata de poner en marcha esa sucursal de banco de tiempo, con voluntad de continuidad, en la ciudad. Lo que se persigue es favorecer la implantación real de un modelo económico alternativo donde se intercambia con el tiempo como moneda."

Time/Bank en dOCUMENTA (13), 2012.
A continuación un extracto del texto de Cánepa Luna que se incluye en la publicación:

"Como acertadamente señala el antropólogo teórico David Graeber en su ensayo “The Sadness of Post-Workerism” (La tristeza del post-laboralismo), una de las ideas más ignoradas y, sin embargo, más poderosas y perdurables del marxismo, es que el mundo no solo consiste en la producción de mercancías que puedan ser compradas y vendidas, sino en acciones y procesos.[1] El sistema económico alternativo Time/Bank, de Anton Vidokle y Julieta Aranda, que utiliza el tiempo como unidad de cambio, se concretó en 2009, un año después de que la crisis actual llegara a su punto álgido. Time/Bank evolucionó de forma natural a partir de PAWNSHOP (2007), su negocio de préstamos a corto plazo para obras de arte, situado en un local comercial de la calle Ludlow, en Nueva York. Ambas iniciativas median inquietudes en torno a la circulación y la distribución, temas que siguen presentes en sus prácticas artísticas, y que posiblemente estén mejor ejemplificadas en e-flux, el servicio de mensajes por correo electrónico que fundaron conjuntamente en 1999, y que se utiliza dentro del mundo del arte para difundir información sobre acontecimientos relacionados con el arte, exposiciones y proyectos, entre sus más de 90.000 suscriptores electrónicos.

La creciente desconfianza hacia los sistemas económicos y financieros existentes creó la tormenta perfecta para que se materializara su propuesta Time/Bank, aunque Vidokle y Aranda insisten en situarlo en el contexto de otros casos previos de moneda alternativa o local, y de estructuras financieras basadas en la reciprocidad, como Ithaca HOUR, la moneda creada por el organizador de comunidades Paul Glover en 1991 en el norte del estado de Nueva York, que todavía está en funcionamiento y se ha convertido en la moneda local que más tiempo lleva en circulación en Estados Unidos. Vidokle y Aranda crearon Time/Bank con la intención de fomentar un sentimiento de valor cultural dentro de la comunidad cultural, donde a menudo se ha dado un intercambio de aptitudes y productos al margen de los sistemas monetarios –por ejemplo, intercambio de obras, ayuda durante la instalación, traducción, etc. Como sostiene Vidokle, "Time/Bank puede potencialmente convertirse en la base de una economía diferente, capaz de soportar nuevas y distintas formas de relaciones sociales y prácticas culturales... Esperamos ir más allá y crear una estructura económica que pueda ser compartida por otros y que sea capaz, hasta cierto punto, de atender a sus necesidades". [2]

[1] David Graeber, “The Sadness of Post-Workerism or“Art And Immaterial Labour” Congreso: A Sort of Review (Tate Britain, sábado 19 de enero de 2008)”. Editado en The Commoner, 5 de diciembre de 2013.  
[2] Jolien Verlaek, "Working With That 'We-Feeling'”, Metropolis M núm.1, 2011.

Billetes Time Bank diseñados por Lawrence Weiner.

"7.000.000.000" permanecerá abierta hasta el 27 de abril 2014.
Artistas participantes: ANETTA MONA CHIŞA & LUCIA TKÁČOVÁ, BASURAMA, CARLOS MOTTA, DANIELA ORTIZ Y XOSÉ QUIROGA, JOHAN GRIMONPREZ, JULIETA ARANDA Y ANTON VIDOKLE, JUAN JOSÉ MARTÍN ANDRÉS, NÚRIA GÜELL, TUE GREENFORT, REGINA JOSÉ GALINDO, OLIVER RESSLER, OLIVER RESSLER Y ZANNY BEGG, THE OTOLITH GROUP, URSULA BIEMANN
 
Posts relacionados:
dOCUMENTA (13) in pictures & as seen by the critics, 9 June–16 September 2012 (12 June 2012)



This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Commentary text on Roman Ondák now available via The Common Guild' website


Compilation of commentary texts. Photo: The Common Guild.

The Common Guild regularly commissions artists, writers and curators a series of short texts to accompany their ongoing exhibitions programme. These commentaries are uploaded as pdfs on their website, and can be printed and easily compiled – see image as a suggestion for how to do this. 

Latitudes' commentary text on Roman Ondák's work and exhibiton "Some Thing" (12 October – 14 December 2013) has just been uploaded and can be found as a pdf here. The text follows Latitudes' talk on 21 November 2013 (audio here).

Commentary text can be downloadable as a pdf here.



This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption).
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

25 January 2014: Opening of the solo exhibition 'The Margins of the Factory' by Iratxe Jaio & Klaas van Gorkum at ADN Platform, Sant Cugat del Vallès (Barcelona)

The Margins of the Factory, a solo exhibition by the Rotterdam-based duo Iratxe Jaio & Klaas van Gorkum curated by Latitudes will open on Saturday 25 January 2014, as part of ADN Galería and ADN Platform's exhibitions programme. 


Opening programme:

12h: Opening at ADN Galería (c/ Enric Granados 49, Barcelona). Exhibition: “This is not Just Fucking Business” by Carlos Aires
13:15h: Buses depart from ADN Galería towards ADN Platform (Avda. Can Roquetas, Sant Cugat del Vallès). To book a seat in the bus: [email protected] / 93 451 0064

14h: Arrival at ADN Platform and light lunch. Exhibitions: Micro-actions of Emergency #2 [Curated by Colectivo de vuelta y vuelta (Claudia Segura & Inés Jover)] and The Margins of the Factory by Iratxe Jaio & Klaas van Gorkum [Curated by Latitudes].
14:15h: 15 min. voice and instrumental performance by Nathaniel Robin Mann, as part of The Margins of the Factory
16/16:30h: Buses return from ADN Platform (Sant Cugat) towards ADN Galería (Barcelona).

The Margins of the Factory presents two recent projects by Iratxe Jaio & Klaas van Gorkum that are motivated by their interest in art's relationship with labour. Each explores sculptural form and manufacturing processes from the perspective of artists who have not usually made objects. Jaio & van Gorkum undertake what are in part sociological investigations by documenting the local, marginal effects of the displacement of manufacturing industries over the last two generations with the emergence of the global market. Emerging from the artists' personal history and implicating the direct effects of their own vocation as well as work they ask of others, the projects are moreover complicit in asking what kind of industriousness brings value and what political life objects might have.


The exhibition opening will also feature a performance by British “avant-folk” musician Nathaniel Robin Mann, developed in collaboration with Jaio & van Gorkum around the raw footage of Work in Progress and the tradition of work song. Mann interprets the Basque popular song “Oi Peio Peio” – a dialogue between a woman worker and her cruel boss, who insists that she carries on working throughout the night. First collected in Cancionero Popular Vasco in 1918, the song was popularized by singer–songwriter Mikel Laboa, founder of “Ez Dok Amairu” (“No Thirteen”), the cultural movement of Basque poets, musicians and artists whose name was a suggestion of sculptor Jorge Oteiza. 

Installation of Producing time in between other things. Courtesy of the artists. Photo: MUSAC.

Central to Producing time in between other things (2011) is a selection of wooden objects made by retired factory worker Jos van Gorkum – Gorkum’s grandfather – which the artists documented in the homes of his relations, friends and former neighbours across the Netherlands. During this process, the artists located the original lathe on which these items had been crafted and began to teach themselves woodturning. The forms which they made as they worked at learning a hobby become the means to support the display of the original objects, presented alongside three videos and photography

Still from the video "Work in Progress". Courtesy of the artists.

Work in Progress (2013) immerses itself in the manufacturing industry of Markina-Xemein, the rural Basque village where Jaio comes from. A video documents the mass-production of rubber car parts, following the pieces from the assembly line in a worker-owned factory to subcontracted workshops where informal workers finish them by hand. Several of these workers are employed by the artists to cast hundreds of replicas of small modernist sculptures. These are displayed on mass-produced shelving to evoke the "Chalk Laboratory" of Basque sculptor Jorge Oteiza, a fierce critic of the commodification of art. 

Visit adnplatform:
Avda. Can Roquetas (corner with Victor Hugo)
08173 Sant Cugat del Vallès
[email protected]
Tel. (+34) 93 451 00 64
By appointment only

Location map

Download the A3 invite-as-poster-as-leaflet of the exhibition (Spanish & English versions). 

Producing time in between other things was produced as part of the Latitudes-curated Amikejo exhibition season at MUSAC, León, in 2011, supported in part by the Mondriaan Foundation (now Mondriaan Fonds). Work in Progress was produced with support from the Eremuak program of the Basque Government and from the Centrum Beeldende Kunst Rotterdam.

Related content:  
"Focus Interview: Iratxe Jaio & Klaas van Gorkum", frieze, Issue 157, September 2013 (14 October 2013).



This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Longitudes cuts across Latitudes’s projects and research with news, updates, and reportage.

Latitudes | www.LTTDS.org (except when otherwise noted).

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Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

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