Longitudes

"The Kørner problem” essay by Max Andrews in the monograph "John Kørner" published by Roulette Russe

Exhibition poster of "Altid Mange Problemer" at Kunsthal Charlottenborg, Copenhagen, Summer 2017. Photo: Latitudes.

Last Summer, Max Andrews of Latitudes was invited to contribute an essay for the forthcoming monograph of John Kørner's work published by the Danish editorial Roulette Russe and designed by Spine Studio. The publication is out now and includes essays by Max, London-based writer Oliver Basciano, and a conversation between the artist and Marie Nipper, curator of John's recent mid-career exhibition in Kunsthal Charlottenborg, Copenhagen. 

The 280-page bilingual Danish/English monograph will be launched on March 2, 2018, at 4:30pm, in Kunsthal Charlottenborg's Apollo Kantine, though it will become available for online orders from February 26.

(Above and following): Photos: Finn Wergel Dahlgren. Courtesy Roulotte Russe. 













In his essay, Max tries to define what "The Kørner problem” (the title of the essay) might be:

(...) "The apparently ‘wicked’ problems and appalling catastrophes that interpenetrate Kørner’s works are manifold. The upsurge in jihadist terrorist activity in Europe since 2015 and its fallout are unavoidable (whether vestiges of the Charlie Hebdo shootings and the Bataclan attacks in Paris, suicide bombings in Brussels and Manchester; or truck attacks in Nice, Berlin, Barcelona; rampaging attacks in London, and so on). The civil war and the rise of ISIL (ISIS, Daesh) in Syria and the exacerbating effects of climate change and mega-drought that affected the region are inescapable. The European debt and migrant crisis are here. Yet elsewhere Kørner also brings to mind what at first seem like unrelated problems: the 2011 Tōhoku tsunami and the calamity of the Fukushima nuclear power plant meltdown, human trafficking, et cetera, states of exception that seem to confirm that the problem is evermore radical, atrocious, ungrounded—more diffuse while remaining intractably real. American pop star Ariana Grande knows this as well as Kørner. Released in spring 2014, three years before the suicide bombing of her concert at Manchester Arena, her most successful single to date is titled “Problem”. We are witnessing new kinds of wicked problems and Kørner paints accordingly."


In preparation for the catalogue essay, in July 2017 Latitudes visited Kørner's impressive "Altid Mange Problemer" mid-career exhibition at Kunsthal Charlottenborg, the largest exhibition of his works to date, gathering paintings and sculptural pieces from 2004 to the present.

(Above and following): Photos by Latitudes.


Max has previously written on John's work for the catalogue of his 2006 exhibition "Problems" at Victoria Miro Gallery in London.

Latitudes' first visit to Copenhagen also involved Kørner's work, as we visited his solo show 'ARoS Bank' at the ARoS Århus Kunstmuseum, Denmark (13 June–10 September 2006), which became the subject of our first blog post over a decade ago, in September 2006 (!).

RELATED CONTENT:
  • Latitudes' writing archive
  • Latitudes' "out of office" 2016–2017 season 1 August 2017
  • Max Andrews essay on Christopher Knowles for NoguerasBlanchard at Liste 2017 21 July 2017
  • Mariana Cánepa Luna reviews Ana Jotta’s “Abans que me n’oblidi (Before I forget)” exhibition in art-agenda 11 November 2016
  • '2006 Problems' exhibition and publication by John Kørner, Victoria Miro Gallery, London 29 November 2006
  • Copenhagen trip. 'Woman with 24 problems' by John Kørner 30 September 2006

Cover Story—February 2018: Paradise, Promises and Perplexities


Latitudes' home page www.lttds.org 

The February 2018 Monthly Cover Story "Paradise, Promises and Perplexities" is now up on www.lttds.org – after this month it will be archived here.

"This month marks ten years since the opening of Greenwashing, curated by Latitudes and Ilaria Bonacossa. Subtitled Environment: Perils, Promises and Perplexities, this exhibition at the Fondazione Sandretto Re Rebaudengo, Turin, addressed the melding of corporate agendas and individual ethics in the wake of the exhaustion of traditional environmentalism." Continue reading

Cover Stories' are published on a monthly basis on Latitudes' homepage and feature past, present or forthcoming projects, research, writing, artworks, exhibitions, films, objects or field trips related to our curatorial activities.

RELATED CONTENT:


Archive of Monthly Cover Stories
Cover Story – January 2018: I'll be there for you, 2 January 2018
Cover Story – December 2017: "Tabet's Tapline trajectory", 4 December 2017
Cover Story – November 2017: "Mining negative monuments: Ângela Ferreira, Stone Free, and The Return of the Earth", 1 November 2017
Cover Story – October 2017: Geologic Time at Stanley Glacier 11 October 2017
Cover Story – September 2017: Dark Disruption. David Mutiloa's 'Synthesis' 1 September 2017
Cover Story – August 2017: Walden 7; or, life in Sant Just Desvern 1 August 2017
Cover Story – July 2017: 4.543 billion 3 July 2017
Cover Story – June 2017: Month Light–Absent Forms 1 June 2017
Cover Story – May 2017: S is for Shale, or Stuart; W is for Waterfall, or Whipps 1 May 2017
Cover Story – April 2017: Banff Geologic Time 3 April 2017
Cover Story – March 2017: Time travel with Jordan Wolfson 1 March 2017
Cover Story — February 2017: The Dutch Assembly, five years on 1 February 2017
Cover Story – January 2017: How open are open calls? 4 January 2017


    Mariana Cánepa Luna vocal del jurado del Premi Ciutat de Barcelona 2017 en el ámbito de las Artes Visuales


    El Ayuntamiento de Barcelona convoca anualmente los Premios Ciudad de Barcelona con el objetivo de premiar la creación, la investigación y la producción de calidad realizada en Barcelona por creadores o colectivos, instituciones y organizaciones barcelonesas. 

    El Instituto de cultura de Barcelona (ICUB), encargado de la organización de los Premios, profundiza en la dimensión ciudadana de estos galardones al reconocer el talento de otros ciudadanos -los ganadores.
    Los miembros del jurado son propuestos por el Consejo de la Cultura de Barcelona y nombrados por la Alcaldesa Ada Colau.

    Este año el jurado en la categoría de artes visuales compuesto por el director del Museu d'art contemporani de Barcelona, Ferran Barenblit Scheinin (Presidente) y formado por las vocales Violant Porcel Roqué (hasta hace poco directora de la Galería Marlborough), Martina Millà Bernard (Jefa de Exposiciones y proyectos, Fundació Joan Miró), Teresa Sesé Monclús (crítica de arte, La Vanguardia) y Mariana Cánepa Luna (co-directora de la oficina curatorial Latitudes) ha decidido por unanimidad otorgar el premio al artista Joan Morey: 

    ‘Por un año de excepcional calidad que ha resultado en el proyecto de vídeo «Cos Social [Lliçó d’anatomia]» presentado por LOOP Barcelona en el Arts Santa Mònica, en una coproducción con la Xarxa de Centres d’Arts Visuals de Catalunya, y en la performance «Tour de Force», una coproducción del CCCB y la Fundació Han Nefkens, en el marco de la exposición «1000 m2 de desig. Arquitectura i sexualitat»’. 


    Joan Morey fotografiado por Marc Medina.

    CONTENIDOS RELACIONADOS
    :

    • Antoni Hervàs's exhibition "El Misterio de Caviria" awarded the Visual Arts prize of the Premis Ciutat de Barcelona 2016 1 February 2017
    • Jurado y tutores de Barcelona Producció – Anuncio de los proyectos ganadores temporada 2017–2018 25 Mayo 2017
    • Jurado y equipo tutorial de BCN Producció 2016, La Capella, Barcelona. 2 Febrero 2016
    • Resolución Convocatoria 2012 de Artes visuales y Tutorial de la Sala d'Art Jove 7 Diciembre 2011
    • Fallo Jurado Premios Casablancas 2008, 20 Junio, 20h 16 junio 2008
    • Otros jurados – véase sección "About"

    Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

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