tag:blogger.com,1999:blog-146891772019-09-17T11:55:34.834+02:00LatitudesThe blog of the Barcelona-based curatorial office Latitudes —> www.LTTDS.orgUnknownnoreply@blogger.comBlogger652125tag:blogger.com,1999:blog-14689177.post-74811494764482739512019-09-16T08:00:00.000+02:002019-09-16T12:21:32.303+02:00Max Andrews' text for Rasmus Nilausen's solo exhibition ‘Bluetooth’ at Copenhagen's Overgaden Rasmus Nilausen, ‘Better Half’ (2019), oil on linen, 160x130cm. Photo: Roberto Ruiz. Courtesy: the artist. Max Andrews of Latitudes has written a text on Rasmus Nilausen for his forthcoming solo exhibition ‘Bluetooth’ opening September 20, 5–8pm, at Copenhagen's Overgaden. Institute of Contemporary Art. ‘Bluetooth® is a two-way digital wireless standard that enables the exchange of Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-92001500509877232732019-09-09T18:04:00.000+02:002019-09-16T12:38:30.388+02:00Participants of the 2019 EXPO CHICAGO/Red Bull Arts Global Curatorial Initiative, Chicago and Detroit, 18–23 September 2019 Photo: Latitudes.  Latitudes has been invited to join EXPO CHICAGO’s Curatorial Exchange programme. This year their visitor programme has been expanded with the introduction of the Red Bull Arts Global Curatorial Initiative, taking place surrounding the eighth annual exposition between September 18–23, 2019.  The 2019 Curatorial Exchange will bring ten curators working in countries Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-88065858706685297762019-09-04T08:00:00.000+02:002019-09-05T18:01:41.640+02:00Cover Story—September 2019: ‘Polperro to Detroit’ Latitudes' homepage www.lttds.org The September 2019 monthly Cover Story ‘Polperro to Detroit’ is now up on Latitudes' homepage: www.lttds.org“In 1937 the retired sailor Samuel Puckey began transforming Peace Haven, his 19th-century fisherman’s cottage, into what would become known as The Shell House. Over the years Puckey used his collection of cowries, limpets, clams and other shells fromLatitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-4814052741601540982019-09-02T08:00:00.000+02:002019-09-08T15:26:19.174+02:00Partner organisation in ‘Today Is Our Tomorrow’, participation with Mercedes Azpilicueta, PUBLICS – club Kaiku, Helsinki, 12–14 September 2019 Graphic identity of the art festival. Design: julia.studio. ‘Today Is Our Tomorrow’ is a collaborative, collective, and transdisciplinary festival initiated by Helsinki-based curatorial agency PUBLICS, produced in partnership with local and international organisations, initiatives and institutions. The programme will include a co-commissioned and collaboratively curated programme of Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-76912472676457687892019-08-01T08:00:00.000+02:002019-09-16T16:11:38.031+02:00Latitudes' "out of office": wrap up of the 2018–2019 season Seen in Malasaña, Madrid. Photo: @marianacanepaluna This is our tenth ‘Out of Office’ post, a tradition which started with this 2008-9 post in pre-Facebook, pre-Twitter, pre-Instagram days. We’ve come a long way, but remain faithful to the idea of sharing behind-the-scenes moments. Below we share a selection of the art we’ve seen, the trips we had a chance to take, the conversations we Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-69957653624301260522019-07-22T17:03:00.002+02:002019-08-01T18:06:36.879+02:00Joan Morey awarded the Botín Foundation's International Visual Arts Grant Joan during the installation of the exhibition 'COLAPSO' in Fabra i Coats. Centre d'Art Contemporani, September 2018. A three-part project curated by Latitudes. Photo: Max Andrews. Latitudes congratulates Joan Morey, one of the eight beneficiaries of the 27th edition of the Botín Foundation's International Visual Arts Grants. His project ‘LA INFLUYENTE’ will be exhibited at the Botín Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-64663851922160840072019-07-01T17:18:00.001+02:002019-07-22T15:52:51.321+02:00Cover Story—Summer 2019: Francesc Ruiz’s Brexit Bristol sequel, ten years ago Latitudes' homepage www.lttds.org The July 2019 monthly Cover Story ‘Francesc Ruiz’s Brexit Bristol sequel, ten years ago’ is now up on Latitudes' homepage: www.lttds.org“The British political system has collapsed… Once the high streets merely declined with their pound shops, gold traders, and bargain basements… Then they slumped as the "major downturn" began to bite… Yet as the economy Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-64204619295011794112019-06-25T19:49:00.001+02:002019-09-06T14:39:15.583+02:0011 de julio 2019, 19h: Conversación con Lara Almarcegui en el Institut Valencià d'Art Modern (IVAM) ‘Volcán de Agras. Derechos mineros’. Fotos: Lara Almarcegui. El próximo 11 de julio a las 19h, la artista Lara Almarcegui y Mariana Cánepa Luna (comisaria, Latitudes) mantendrán una conversación abierta al público con motivo de la inauguración de exposición individual de Almarcegui ‘Volcán de Agras. Derechos mineros’ en el Institut Valencià d'Art Modern (IVAM), un proyecto coordinado por Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-46076927760213967082019-06-03T15:24:00.000+02:002019-09-03T14:11:44.990+02:00Jurado y tutoría de Barcelona Producció 2019–2020: Proyectos ganadores Nueva imagen gráfica realizada en ocasión del 25º aniversario de La Capella. Foto: Folch Studio. Después de tres intensas semanas de proceso —una dedicada a la lectura de las 259 solicitudes recibidas, otra al debate con los cinco miembros del jurado (formado por Alexandra Laudo, Antònia Folguera, Joan Casellas, Mireia Sallarès y Latitudes, junto a Oriol Gual (director de La Capella) y Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-51379934495433241512019-06-01T10:30:00.000+02:002019-07-01T17:07:17.771+02:00Cover Story—June 2019: ‘Thinking like a drainage basin: Lara Almarcegui’s ‘Concrete’ Latitudes' homepage www.lttds.org The May 2019 Monthly Cover Story ‘Thinking like a drainage basin: Lara Almarcegui’s ‘Concrete’’ is now up on Latitudes' homepage: www.lttds.org“Lara Almarcegui’s current exhibition at the CAIRN art centre in Digne-les-Bains, southern France, focuses on the nearby Bléone river, its geology, and its exploitation. Latitudes has written an essay entitled ‘Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-54942415570027453672019-05-01T22:39:00.001+02:002019-09-02T16:15:02.959+02:00Cover Story – May 2019: ‘Buenos Aires in Parallel’ Latitudes' homepage www.lttds.org The May 2019 Monthly Cover Story ‘Buenos Aires in Parallel’ is now up on Latitudes' homepage: www.lttds.org“Latitudes recently participated in the Parallel Rooms talks programme of Art Basel Cities: Buenos Aires. Developed in collaboration with the arteBA Fundación, and taking place during the arteBA art fair itself, these events transpired in four temporary Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-56397777807538338082019-04-22T22:47:00.001+02:002019-04-30T16:23:54.530+02:00Report from Buenos Aires during Art Basel Cities: Buenos Aires, Semana del Arte and arteBA fair Invited by Art Basel Cities: Buenos Aires to participate in their Parallel Talks programme during ArteBA, Latitudes spent a week in Buenos Aires (9–15 April) visiting a range of studio spaces, non-profit initiatives, commercial galleries, residency programmes, collectors, artists, and the arteBA art fair itself.  (Above) Mariana Tellería ("Dios es inmigrante", 2019) and Carlos HuffmannLatitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-27061120946088123962019-04-08T08:00:00.000+02:002019-04-24T20:42:36.546+02:00‘Thinking like a drainage basin’ essay in the catalogue of the exhibition ‘Lara Almarcegui. Béton’ (Above and below) Installation views of the exhibition ‘Béton’ by Lara Almarcegui at the CAIRN centre d'art, Digne-les-Bains, 2019. All photos: François-Xavier Emery. Lara Almarcegui's exhibition ‘Béton’ opened on April 5 at CAIRN Centre d'art, in Digne-les-Bains, France, and will be on view until June 30th, 2019. Latitudes has collaborated in the bilingual catalogue ‘Lara Almarcegui. Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-70153067429158768872019-04-01T09:00:00.000+02:002019-04-19T20:26:27.658+02:00Max Andrews and Mariana Cánepa Luna in Art Basel Cities: Buenos Aires' Parallel Rooms programme on 13 April 2019 https://artbaselcitiesba.com Art Basel Cities: Buenos Aires in collaboration with arteBA Fundación will host a Talks Programme between April 12–14, 2019. Forty-two speakers from across the cultural sphere will discuss salient topics with the Buenos Aires audience.  Max Andrews and Mariana Cánepa Luna of Latitudes will each participate in Parallel Rooms, an Art Basel programme format that Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-10483474507886127782019-03-03T17:49:00.001+01:002019-09-02T16:33:40.562+02:00Cover Story – March-April 2019: Icelandic refraction Latitudes' home page www.lttds.org The March-April 2019 Monthly Cover Story “Icelandic refraction” is now up on Latitudes' homepage: www.lttds.org“It has been speculated that Icelandic spar was at one time used for navigational purposes,” reflects curator Becky Forsythe. Her account of a short Reykjavík day spent with artist Þorgerður Ólafsdóttir is the latest episode of Incidents (of TravelLatitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-90180981584378224462019-02-20T15:32:00.002+01:002019-02-20T17:01:52.633+01:00Latitudes' redesigned portfolio – projects since 2005 After weeks and long hours facing the screen and mining hard disks, we've uploaded Latitudes' redesigned portfolio, at last! Go to download page and choose format: For desktop/laptop/tablet view (83pp, 30.9 MB)For mobile (164pp, 15.8 MB)For print (164pp, 155.3 MB) The pdf gathers a selection of projects produced since 2005 and includes a refreshed version of our biographies – which have Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-63719276104184606892019-02-08T11:29:00.001+01:002019-03-03T18:28:28.560+01:00Ninth episode of ‘Incidents (of Travel)’ – Dispatch by Becky Forsythe and Þorgerður Ólafsdóttir from Reykjavík, Iceland Episode #9 of ‘Incidents (of Travel)’ from Reyjkavík on http://incidents.kadist.org  All photographs by Þorgerður Ólafsdóttir © 2018. In the ninth 'Incidents (of Travel)' dispatch, Canadian curator Becky Forsythe and Icelandic artist Þorgerður Ólafsdóttir navigate Reykjavík's surroundings considering Þorgerður's "current interest in Icelandic Spar (a form of transparent calcite), its Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-20772176014206573972019-02-01T17:53:00.001+01:002019-02-05T14:52:07.425+01:00Cover Story–February 2019: Schizophrenic Machine Latitudes' home page www.lttds.org The February 2019 Monthly Cover Story “Schizophrenic machine” is now up on Latitudes' homepage: www.lttds.org “Schizophrenic machine, the concluding performance of the Latitudes-curated Joan Morey project COLLAPSE, took place on the freezing evening of 10 January. One hundred and thirteen pre-vetted audience members, each complying with a rigid all-black Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-54777170417767133502019-01-21T16:12:00.002+01:002019-02-04T16:42:47.396+01:00‘COLLAPSE. Schizophrenic Machine’ site-specific performance by Joan Morey at the former prison La Model, Barcelona, 10 January 2019 ‘Schizophrenic Machine’ site-specific performance by Joan Morey at the former Panopticon-inspired prison La Model, Barcelona, 10 January 2019. © All photographs by Noemí Jariod. Courtesy of the artist. ‘Schizophrenic Machine’ was the closure to the three-part project ‘COLLAPSE’ by Joan Morey. This new site-specific performance took place on January 10, 2019, in the Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-67758675832820249042019-01-15T16:49:00.000+01:002019-01-21T16:17:28.887+01:00Selección de reseñas, videos y entrevistas sobre el proyecto COLAPSO de Joan Morey Natàlia Farré, ‘Sumisión y frío en la Modelo’, El Periódico, 15 de enero 2019. Maria Palau, ‘Angoixats a la Model’, El Punt Avui, 13 de enero 2019, pág 23. Conxita Oliver, ‘El món performatiu de Joan Morey, a revisió’, eltemps.cat, 13 desembre 2018 (Catalán). Pía Cordero, "COL·LAPSE, o l’avenir il·limitat de l’obscenitat", núvol.com, 6 desembre 2018 (Catalán). MaríaLatitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-68816847438696865252019-01-08T08:00:00.000+01:002019-03-15T12:22:13.593+01:00Mariana Cánepa Luna reviews ‘Te toca a tí! [It's Your Turn!]’ for art-agenda‘Te toca a tí’ [It's Your Turn]Espai d'art contemporani de Castelló, Castelló de la PlanaOctober 26, 2018—February 17, 2019 "Two pairs of hands play a game of cat’s cradle, forming a star from a loop of string; viewers may imagine one person pulling the string while the other interprets their instructions. This photograph, which appears on the cover of the booklet accompanying the group Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-23207262775589960112019-01-07T14:14:00.000+01:002019-01-28T13:39:55.349+01:00Cover Story—January 2019: “Seesaw” Latitudes' home page www.lttds.org The January 2019 Monthly Cover Story “Seesaw” is now up on Latitudes' homepage: www.lttds.org “The exhibition “Te toca a tí” (It’s your turn) continues at Espai d’art contemporani de Castelló, Castellón de la Plana, until February 17th. Curated by Laura Vallés Vílchez (editor of the journal Concreta) it includes works by ten artists within a conceptual Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-90938492072623054022019-01-04T22:55:00.002+01:002019-01-08T21:14:33.388+01:00Max Andrews reviews in frieze: ‘A Provisional History of the Technical Image, 1844–2018’ (LUMA Foundation, Arlès) and Pere Llobera's ‘Acció’ (Bombon Projects, Barcelona) and ‘Kill Your Darlings’ (Sis Galería, Sabadell) Max Andrews, co-founder of Latitudes and contributing editor to frieze, recently reviewed the group exhibition ‘A Provisional History of the Technical Image, 1844–2018’ at LUMA Foundation in Arlès. The exhibition is curated by artist Walead Beshty and is on view until January 6, 2019. Published on frieze.com, 20 December 2018. Frank Gehry's LUMA building under construction, as of October 12,Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-51798392802101639102018-12-11T08:00:00.000+01:002019-01-16T17:23:43.418+01:00Inscripción para asistir a la performance ‘Máquina esquizofrénica’ de Joan Morey Se abre el proceso de inscripción (¡hasta el 20 de diciembre 2018!) para asistir a ‘Máquina esquizofrénica’, una performance inédita de Joan Morey que tendrá lugar el 10 de enero de 2019 a las 19 h en una ubicación muy relevante de la ciudad de Barcelona pero que se mantiene expresamente en secreto.‘Máquina esquizofrénica’ es la tercera y última parte del proyecto COLAPSO de Joan Morey y Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-3308315905420561982018-12-10T08:00:00.000+01:002018-12-10T13:20:43.351+01:00December 13, 2018, 7pm: Performance reenactment of "TOUR DE FORCE. El cos utòpic" (2017) by Joan Morey Event: Reenactment of "TOUR DE FORCE. El cos utòpic" (2017) by Joan MoreyDate and time: December 13, 2018, 7pmInterpreter: Eduard EscoffetLocation: Third floor, Centre d'Art Contemporani de Barcelona - Fabra i Coats. The reenactment is part of the live programme of six performances reactivated within Joan Morey's exhibition survey ‘COLLAPSE. Desiring Machine, Working Machine’ at the Centre d'ArtLatitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.com