tag:blogger.com,1999:blog-146891772020-04-05T19:21:36.292+02:00LatitudesThe blog of the Barcelona-based curatorial office Latitudes —> www.LTTDS.orgUnknownnoreply@blogger.comBlogger675125tag:blogger.com,1999:blog-14689177.post-4376676339331269652020-03-03T09:41:00.002+01:002020-04-05T18:49:37.569+02:00Cover Story—March-April 2020: The Bolós Cabinet Latitudes' homepage www.lttds.org The March-April 2020 monthly Cover Story ‘The Bolós Cabinet’ homepage: www.lttds.org  ‘‘To name, to own. Critique of taxonomic practice’: Agustín Ortiz Herrera’s current project focuses on the modern system of naming and classifying organisms which was first superimposed onto the natural world in 1735 with the advent of Carl Linnaeus’s "Systema Naturae". Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-81228743938266106532020-02-24T13:44:00.000+01:002020-02-24T13:44:06.249+01:00Latitudes's Mariana Cánepa Luna concludes her role as Secretary of the Board of Hangar Hangar Centre de Producció i Recerca d'Arts Visuals, Barcelona. Between the end of 2015 and the end of 2019, Mariana Cánepa Luna of Latitudes has served as Secretary and Board member of the Fundació Privada AAVC, the entity governing Hangar Centre de Producció i Recerca d'Arts Visuals in Barcelona. During these past four years, the (initially 17) members of the board have been responsibleLatitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-72766152532500523692020-02-07T08:00:00.000+01:002020-02-07T13:06:06.981+01:00Vistas de la exposición ‘COLAPSO. Máquina célibe’ de Joan Morey en el Casal Solleric, Palma de Mallorca La exposición individual ‘COLAPSO. Máquina célibe’ de Joan Morey que puede verse en el Casal Solleric, Palma de Mallorca, hasta el 3 de mayo 2020. Fotos: Latitudes. Panel introductorio de la exposición y créditos, abajo panel y cartelas del programa de audio. ‘COLAPSO. Máquina célibe’ es la primera retrospectiva de Joan Morey (Sant Llorenç des Cardassar, 1972) en su Mallorca Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-3357326053377498632020-02-05T10:00:00.000+01:002020-02-05T16:05:17.627+01:00Reduce Art Flights website refreshed https://reduceartflights.lttds.org/ The Reduce Art Flights website has had a long-overdue refresh (the first version is from 2008 and originally at reduceartflights.com): it now features a new exhibition history, bibliography and a transcription of the interview with RAF's instigator, the late artist Gustav Metzger (1926–2017). RAF / Reduce Art Flights is a campaign which upholds that the Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-27380285995771951272020-02-03T08:00:00.000+01:002020-02-03T08:00:01.536+01:00Cover Story—February 2020: Carioca Incidents Latitudes' homepage www.lttds.org The February 2020 monthly Cover Story ‘Carioca Incidents’ homepage: www.lttds.org  “My idea is to take a stroll around the natural wonders of the city, its colonial past, imperial Brazil … and end on the beach.” Artist Daniel Steegmann Mangrané’s succinct recipe for the latest instalment of Incidents (of Travel), narrated by curator Catalina Lozano, led to Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-1447351524084733272020-01-29T09:00:00.000+01:002020-02-14T10:12:54.579+01:00Tenth episode of ‘Incidents (of Travel)’ – Dispatch by Catalina Lozano and Daniel Steegmann Mangrané from Rio de Janeiro http://incidents.kadist.org  A new episode of ‘Incidents (of Travel)’ is now available on http://incidents.kadist.org — an online project produced by KADIST and edited by Latitudes exploring the chartered itinerary as a format of artistic encounter and an extended offline conversation between curator/s and artist/s.  The tenth dispatch begins with an itinerary proposed by Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-32950264101410015562020-01-15T15:02:00.001+01:002020-02-02T20:45:08.836+01:00Exposición de Joan Morey ‘COLAPSO. Máquina célibe’ en el Casal Solleric, Palma de Mallorca, 31 enero–3 mayo 2020 Joan Morey, ‘COS SOCIAL. Lliçó d'anatomia’ (2017), film, 50 minutos. Obra producida por la Red de Centros de Artes Visuales de Cataluña, Arts Santa Mònica, Departament de Cultura de la Generalitat de Catalunya y LOOP Barcelona, con la colaboración de la Real Academia de Medicina de Cataluña y Hangar Centro de Producción e Investigación de Artes Visuales (Barcelona). Cortesía del artista. A Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-43904080787068904142020-01-02T19:29:00.002+01:002020-01-15T15:02:11.597+01:00Cover Story—January 2020: Safeguarding Gestures Latitudes' homepage www.lttds.org The January 2020 monthly Cover Story ‘Safeguarding Gestures’ homepage: www.lttds.org ‘‘‘Poems for Earthlings’, by Argentinian artist Adrián Villar Rojas, transforms the Oude Kerk, a monumental church in the heart of the Amsterdam’s Red-light District which dates back to 1306. Unveiled during the Amsterdam Art Weekend two months ago and continuing until Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-82935986097639553532019-12-23T09:00:00.000+01:002020-01-08T15:16:49.719+01:002019 in 10 monthly Cover StoriesSince our 10th anniversary in Spring 2015, Latitudes has published a monthly cover story on its website (www.lttds.org) featuring past, present or forthcoming projects, as well as research, texts, artworks, exhibitions, films, objects or travel related to our curatorial work.   2019 has been an active year of field trips. We have been lucky to visit ARCOmadrid, Buenos Aires (May 2019), Valencia Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-35695712497270902122019-12-17T08:00:00.000+01:002020-02-17T16:42:23.575+01:00Mariana Cánepa Luna's Amsterdam Roundup for art-agenda.com “Many cities have adopted the gallery weekend format, and while there is a risk that this proliferation can lead to homogeneity, the particular strength and energy of Amsterdam Art Weekend lies in its steadfast commitment to art and artists, and to not limiting its remit to the commercial sector. Now in its eighth edition, the event grew out of the Rijksakademie Open, the yearly open studio Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-25783774670935706872019-12-10T08:00:00.000+01:002019-12-28T14:30:35.931+01:00‘6 Hours Tide Object with Correction of Perspective’ by Jan Dibbets screened in Barcelona Production of '6 Hours of Tide Object with Correction of Perspective' (2009) by Jan Dibbets. Photo: Paloma Polo / SKOR. The 8-minute film ‘6 Hours Tide Object with Correction of Perspective’ by Dutch artists Jan Dibbets is currently exhibited as part of "Fingers Crossed" (pdf, Spanish), a group exhibition opening December 14, 2019, curated by Blanca de la Torre and Sue Spaid, at ADN Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-28023719602110297202019-12-04T16:41:00.000+01:002019-12-06T15:12:44.237+01:00Video of Latitudes' lecture "Curating in the Web of Life" at Garage Museum of Contemporary Art, Moscow ‘Curating in the Web of Life’ is in a 1-hour-long lecture presented on November 7, 2019, at Garage Museum of Contemporary Art in Moscow, in the context of their group exhibition ‘The Coming World: Ecology as the New Politics 2030–2100’. It is in English and a Q+A follows. You can also watch it with Russian translation (voice-over).   Latitudes during the lecture ‘Curating in the Web ofLatitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-66861746828230578432019-12-03T08:00:00.000+01:002019-12-28T14:31:08.663+01:00Cover Story—December 2019: Curating in the Web of Life Latitudes' homepage www.lttds.org The December 2019 monthly Cover Story ‘Curating in the Web of Life' homepage: www.lttds.org  ‘Last month Latitudes gave a lecture entitled “Curating in the web of life” at Garage Museum of Contemporary Art, Moscow, as part of the public program for the exhibition The Coming World: Ecology as the New Politics 2030–2100. The presentation argued that modern art Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-18255799966857618402019-12-01T14:14:00.000+01:002020-01-28T15:01:23.971+01:00Premios de la 3a edición del Dart Festival de cine documental sobre arte contemporáneo 2019 Latitudes ha tenido el placer de ser miembro del jurado de la ‘Sección Explora by Laie Llibreria!’ de la tercera edición del Festival de Cine Documental sobre Arte Contemporáneo 2019 junto al crítico de cine Quim Casas y la artista visual Núria Güell. Los ganadores son los documentales ‘Elliott Erwitt - Silence Sounds Good’ de Adriana López Sanfeliu como mejor producción nacional, y ‘Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-70078698122031819602019-11-02T08:30:00.000+01:002020-02-05T16:03:29.623+01:00Max Andrews' Valencia Feature in frieze magazine, November-December 2019 Institut Valencià d’Art Modern (IVAM), 1989. Courtesy: Institut Valencià d’Art Modern. Photograph: Juan García Rosell. Max Andrews, co-director of Latitudes and contributing editor to frieze magazine, has written the feature-length article ‘The Rise, Fall and Reinvention of Spain’s First Modern Art Museum’ for the November–December 2019 (issue 207) of frieze.  The article focuses on the Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-53932144961430122262019-11-01T11:00:00.000+01:002019-11-14T13:32:13.031+01:00Cover Story—November 2019: ‘Fighting fires in Valencia: the 30-year story of the IVAM’ Latitudes' homepage www.lttds.org The November 2019 monthly Cover Story ‘Fighting fires in Valencia: the 30-year story of the IVAM’ on Latitudes' homepage: www.lttds.org  "How does a museum recover from scandal? What imperatives exist for regional institutions outside of capitals? When, in 1989, the IVAM (Institut Valencià d’Art Modern) opened the doors to its imposing, new, slab-like Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-26992317531034364182019-10-28T08:00:00.000+01:002019-12-04T16:05:19.998+01:00Lecture ‘Curating in the web of life’ in Garage Museum of Contemporary Art, Moscow, 7 November 2019 at 7:30pm Image: Dan Perjovschi. On November 7, 2019, at 7:30pm Latitudes will present the lecture ‘Curating in the web of life’ in the context of the public programme related to the group exhibition ‘The Coming World: Ecology as the New Politics 2030–2100’ on view at Garage Museum of Contemporary Art, Moscow, until December 1, 2019.  Curated by Snejana Krasteva and Ekaterina Lazareva, the Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-39865113018007999942019-10-23T14:49:00.000+02:002019-10-30T17:03:51.240+01:00Report: Trip to Chicago and Detroit in pictures, 18–25 September 2019 Good morning Chicago! As we shared in our recent newsletter, in mid-September we had the opportunity to visit Chicago and Detroit, thanks to an invitation from Stephanie Cristello, Artistic Director of EXPO Chicago, who we met last year during the 2018 Amsterdam Art Weekend. As participants of the inaugural collaboration between EXPO CHICAGO and Red Bull Arts Detroit Global Curatorial Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-85396754029893093452019-10-14T08:00:00.000+02:002019-12-28T14:26:57.364+01:00Conferencia ‘4.543 miles de millones y la naturaleza social abstracta’, Jornadas Eremuak, Azkuna Zentroa, Bilbao, 17–19 octubre 2019 Imagen gráfica de las jornadas. Cortesía eremuak. Latitudes ha sido invitada a participar en las jornadas 2019 de eremuak, que tendrán lugar en la primera planta de Azkuna Zentroa, Bilbao, entre el 17 y el 19 de octubre del 2019.  Tituladas ‘-K/-S naturak / naturalezas’, el comité de eremuak (formado por Maider Lopez, Aimar Arriola e Iñaki Imaz), pretende hacerse eco de los ‘variados Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-78612489015555128132019-10-08T20:53:00.001+02:002019-10-30T17:00:54.887+01:00Helene Romakin interviews Latitudes for artfridge.de www.artfridge.de Over the course of the Summer, Helene Romakin (PhD candidate at the Institute for the History and Theory of the Architecture, ETH Zurich) interviewed us for the Berlin-based online platform www.artfridge.de run by the art historian and curator Anna Lena Werner. As Helene mentions in her introduction, we met last July in Valencia, after Mariana's conversation with Lara Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-66430332866581113082019-10-04T08:00:00.000+02:002019-12-23T12:45:24.373+01:00Report: Latitudes' participation in the festival TODAY IS OUR TOMORROW initiated by PUBLICS in Helsinki Poster announcing the festival in a street in central Helsinki. Photo: Latitudes. As partner organisation in the transdisciplinary festival ‘Today Is Our Tomorrow’ initiated by PUBLICS, Latitudes' participation consisted in inviting Argentinian-born, Amsterdam-based artist Mercedes Azpilicueta, to perform at Club Kaiku on September 13, 2019. Façade of Kaiku, Helsinki. A day Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-81672266434318319332019-10-01T14:50:00.001+02:002019-10-01T14:54:09.344+02:00Cover Story—October 2019: Mercedes Azpilicueta in Helsinki Latitudes' homepage www.lttds.org The October 2019 monthly Cover Story ‘Mercedes Azpilicueta in Helsinki’ is now up on Latitudes' homepage: www.lttds.org“Buitre! burra! cabeza! cabezona! cabrona! cachivache! cachucha! cachufleta! cagada! cagadora! cagona! cajeta!…” Mercedes Azpilicueta’s performance ‘Yegua-yeta-yuta’ (2015–ongoing) is a part scripted, part improvised litany of hundreds of Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-85200130348161207962019-09-27T14:06:00.001+02:002019-09-29T18:54:08.638+02:00PUBLICS' Library in Helsinki incorporates Latitudes-edited publications 5kg of Latitudes' publications now in PUBLICS' library. We are glad to announce that PUBLICS in Helsinki now has all Latitudes publications available for consultation in their library (with the exception of the monograph "Lara Almarcegui, Projects 1995–2010" which is out of print). Our first publication, "LAND, ART: A Cultural Ecology Handbook" (RSA/Arts Council England, 2006, also out of Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-74811494764482739512019-09-16T08:00:00.000+02:002019-09-16T12:21:32.303+02:00Max Andrews' text for Rasmus Nilausen's solo exhibition ‘Bluetooth’ at Copenhagen's Overgaden Rasmus Nilausen, ‘Better Half’ (2019), oil on linen, 160x130cm. Photo: Roberto Ruiz. Courtesy: the artist. Max Andrews of Latitudes has written a text on Rasmus Nilausen for his forthcoming solo exhibition ‘Bluetooth’ opening September 20, 5–8pm, at Copenhagen's Overgaden. Institute of Contemporary Art. ‘Bluetooth® is a two-way digital wireless standard that enables the exchange of Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-92001500509877232732019-09-09T18:04:00.000+02:002019-09-16T12:38:30.388+02:00Participants of the 2019 EXPO CHICAGO/Red Bull Arts Global Curatorial Initiative, Chicago and Detroit, 18–23 September 2019 Photo: Latitudes.  Latitudes has been invited to join EXPO CHICAGO’s Curatorial Exchange programme. This year their visitor programme has been expanded with the introduction of the Red Bull Arts Global Curatorial Initiative, taking place surrounding the eighth annual exposition between September 18–23, 2019.  The 2019 Curatorial Exchange will bring ten curators working in countries Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.com