tag:blogger.com,1999:blog-146891772020-01-24T20:28:34.900+01:00LatitudesThe blog of the Barcelona-based curatorial office Latitudes —> www.LTTDS.orgUnknownnoreply@blogger.comBlogger669125tag:blogger.com,1999:blog-14689177.post-32950264101410015562020-01-15T15:02:00.001+01:002020-01-24T18:38:37.146+01:00Exposición de Joan Morey ‘COLAPSO. Máquina célibe’ en el Casal Solleric, Palma de Mallorca, 31 enero–3 mayo 2020 Joan Morey, ‘COS SOCIAL. Lliçó d'anatomia’ (2017), film, 50 minutos. Obra producida por la Red de Centros de Artes Visuales de Cataluña, Arts Santa Mònica, Departament de Cultura de la Generalitat de Catalunya y LOOP Barcelona, con la colaboración de la Real Academia de Medicina de Cataluña y Hangar Centro de Producción e Investigación de Artes Visuales (Barcelona). Cortesía del artista. A Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-43904080787068904142020-01-02T19:29:00.002+01:002020-01-15T15:02:11.597+01:00Cover Story—January 2020: Safeguarding Gestures Latitudes' homepage www.lttds.org The January 2020 monthly Cover Story ‘Safeguarding Gestures’ homepage: www.lttds.org ‘‘‘Poems for Earthlings’, by Argentinian artist Adrián Villar Rojas, transforms the Oude Kerk, a monumental church in the heart of the Amsterdam’s Red-light District which dates back to 1306. Unveiled during the Amsterdam Art Weekend two months ago and continuing until Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-82935986097639553532019-12-23T09:00:00.000+01:002020-01-08T15:16:49.719+01:002019 in 10 monthly Cover StoriesSince our 10th anniversary in Spring 2015, Latitudes has published a monthly cover story on its website (www.lttds.org) featuring past, present or forthcoming projects, as well as research, texts, artworks, exhibitions, films, objects or travel related to our curatorial work.   2019 has been an active year of field trips. We have been lucky to visit ARCOmadrid, Buenos Aires (May 2019), Valencia Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-35695712497270902122019-12-17T08:00:00.000+01:002020-01-02T19:34:02.275+01:00Mariana Cánepa Luna's Amsterdam Roundup for art-agenda.com “Many cities have adopted the gallery weekend format, and while there is a risk that this proliferation can lead to homogeneity, the particular strength and energy of Amsterdam Art Weekend lies in its steadfast commitment to art and artists, and to not limiting its remit to the commercial sector. Now in its eighth edition, the event grew out of the Rijksakademie Open, the yearly open studio Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-25783774670935706872019-12-10T08:00:00.000+01:002019-12-28T14:30:35.931+01:00‘6 Hours Tide Object with Correction of Perspective’ by Jan Dibbets screened in Barcelona Production of '6 Hours of Tide Object with Correction of Perspective' (2009) by Jan Dibbets. Photo: Paloma Polo / SKOR. The 8-minute film ‘6 Hours Tide Object with Correction of Perspective’ by Dutch artists Jan Dibbets is currently exhibited as part of "Fingers Crossed" (pdf, Spanish), a group exhibition opening December 14, 2019, curated by Blanca de la Torre and Sue Spaid, at ADN Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-28023719602110297202019-12-04T16:41:00.000+01:002019-12-06T15:12:44.237+01:00Video of Latitudes' lecture "Curating in the Web of Life" at Garage Museum of Contemporary Art, Moscow ‘Curating in the Web of Life’ is in a 1-hour-long lecture presented on November 7, 2019, at Garage Museum of Contemporary Art in Moscow, in the context of their group exhibition ‘The Coming World: Ecology as the New Politics 2030–2100’. It is in English and a Q+A follows. You can also watch it with Russian translation (voice-over).   Latitudes during the lecture ‘Curating in the Web ofLatitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-66861746828230578432019-12-03T08:00:00.000+01:002019-12-28T14:31:08.663+01:00Cover Story—December 2019: Curating in the Web of Life Latitudes' homepage www.lttds.org The December 2019 monthly Cover Story ‘Curating in the Web of Life' homepage: www.lttds.org  ‘Last month Latitudes gave a lecture entitled “Curating in the web of life” at Garage Museum of Contemporary Art, Moscow, as part of the public program for the exhibition The Coming World: Ecology as the New Politics 2030–2100. The presentation argued that modern art Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-18255799966857618402019-12-01T14:14:00.000+01:002020-01-09T16:47:46.306+01:00Premios de la 3a edición del Dart Festival de cine documental sobre arte contemporáneo 2019 Latitudes tenido el placer de formar parte del jurado de la tercera edición del Festival de Cine Documental sobre Arte Contemporáneo 2019 junto al crítico de cine Quim Casas y la artista visual Núria Güell. Los ganadores de la Sección Explora by Laie Llibreria! de la 3a edición del Dart Festival 2019 son el documental ‘Elliott Erwitt - Silence Sounds Good’, de Adriana López Sanfeliu como Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-70078698122031819602019-11-02T08:30:00.000+01:002019-11-26T13:35:03.434+01:00Max Andrews' Valencia Feature in frieze magazine, November-December 2019 Institut Valencià d’Art Modern (IVAM), 1989. Courtesy: Institut Valencià d’Art Modern. Photograph: Juan García Rosell. Max Andrews of Latitudes has written the feature-length article ‘The Rise, Fall and Reinvention of Spain’s First Modern Art Museum’ on Valencia for the November–December 2019 (issue 207) of frieze magazine.  The article focuses on the rise, fall, and reinvention of the Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-53932144961430122262019-11-01T11:00:00.000+01:002019-11-14T13:32:13.031+01:00Cover Story—November 2019: ‘Fighting fires in Valencia: the 30-year story of the IVAM’ Latitudes' homepage www.lttds.org The November 2019 monthly Cover Story ‘Fighting fires in Valencia: the 30-year story of the IVAM’ on Latitudes' homepage: www.lttds.org  "How does a museum recover from scandal? What imperatives exist for regional institutions outside of capitals? When, in 1989, the IVAM (Institut Valencià d’Art Modern) opened the doors to its imposing, new, slab-like Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-26992317531034364182019-10-28T08:00:00.000+01:002019-12-04T16:05:19.998+01:00Lecture ‘Curating in the web of life’ in Garage Museum of Contemporary Art, Moscow, 7 November 2019 at 7:30pm Image: Dan Perjovschi. On November 7, 2019, at 7:30pm Latitudes will present the lecture ‘Curating in the web of life’ in the context of the public programme related to the group exhibition ‘The Coming World: Ecology as the New Politics 2030–2100’ on view at Garage Museum of Contemporary Art, Moscow, until December 1, 2019.  Curated by Snejana Krasteva and Ekaterina Lazareva, the Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-39865113018007999942019-10-23T14:49:00.000+02:002019-10-30T17:03:51.240+01:00Report: Trip to Chicago and Detroit in pictures, 18–25 September 2019 Good morning Chicago! As we shared in our recent newsletter, in mid-September we had the opportunity to visit Chicago and Detroit, thanks to an invitation from Stephanie Cristello, Artistic Director of EXPO Chicago, who we met last year during the 2018 Amsterdam Art Weekend. As participants of the inaugural collaboration between EXPO CHICAGO and Red Bull Arts Detroit Global Curatorial Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-85396754029893093452019-10-14T08:00:00.000+02:002019-12-28T14:26:57.364+01:00Conferencia ‘4.543 miles de millones y la naturaleza social abstracta’, Jornadas Eremuak, Azkuna Zentroa, Bilbao, 17–19 octubre 2019 Imagen gráfica de las jornadas. Cortesía eremuak. Latitudes ha sido invitada a participar en las jornadas 2019 de eremuak, que tendrán lugar en la primera planta de Azkuna Zentroa, Bilbao, entre el 17 y el 19 de octubre del 2019.  Tituladas ‘-K/-S naturak / naturalezas’, el comité de eremuak (formado por Maider Lopez, Aimar Arriola e Iñaki Imaz), pretende hacerse eco de los ‘variados Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-78612489015555128132019-10-08T20:53:00.001+02:002019-10-30T17:00:54.887+01:00Helene Romakin interviews Latitudes for artfridge.de www.artfridge.de Over the course of the Summer, Helene Romakin (PhD candidate at the Institute for the History and Theory of the Architecture, ETH Zurich) interviewed us for the Berlin-based online platform www.artfridge.de run by the art historian and curator Anna Lena Werner. As Helene mentions in her introduction, we met last July in Valencia, after Mariana's conversation with Lara Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-66430332866581113082019-10-04T08:00:00.000+02:002019-12-23T12:45:24.373+01:00Report: Latitudes' participation in the festival TODAY IS OUR TOMORROW initiated by PUBLICS in Helsinki Poster announcing the festival in a street in central Helsinki. Photo: Latitudes. As partner organisation in the transdisciplinary festival ‘Today Is Our Tomorrow’ initiated by PUBLICS, Latitudes' participation consisted in inviting Argentinian-born, Amsterdam-based artist Mercedes Azpilicueta, to perform at Club Kaiku on September 13, 2019. Façade of Kaiku, Helsinki. A day Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-81672266434318319332019-10-01T14:50:00.001+02:002019-10-01T14:54:09.344+02:00Cover Story—October 2019: Mercedes Azpilicueta in Helsinki Latitudes' homepage www.lttds.org The October 2019 monthly Cover Story ‘Mercedes Azpilicueta in Helsinki’ is now up on Latitudes' homepage: www.lttds.org“Buitre! burra! cabeza! cabezona! cabrona! cachivache! cachucha! cachufleta! cagada! cagadora! cagona! cajeta!…” Mercedes Azpilicueta’s performance ‘Yegua-yeta-yuta’ (2015–ongoing) is a part scripted, part improvised litany of hundreds of Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-85200130348161207962019-09-27T14:06:00.001+02:002019-09-29T18:54:08.638+02:00PUBLICS' Library in Helsinki incorporates Latitudes-edited publications 5kg of Latitudes' publications now in PUBLICS' library. We are glad to announce that PUBLICS in Helsinki now has all Latitudes publications available for consultation in their library (with the exception of the monograph "Lara Almarcegui, Projects 1995–2010" which is out of print). Our first publication, "LAND, ART: A Cultural Ecology Handbook" (RSA/Arts Council England, 2006, also out of Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-74811494764482739512019-09-16T08:00:00.000+02:002019-09-16T12:21:32.303+02:00Max Andrews' text for Rasmus Nilausen's solo exhibition ‘Bluetooth’ at Copenhagen's Overgaden Rasmus Nilausen, ‘Better Half’ (2019), oil on linen, 160x130cm. Photo: Roberto Ruiz. Courtesy: the artist. Max Andrews of Latitudes has written a text on Rasmus Nilausen for his forthcoming solo exhibition ‘Bluetooth’ opening September 20, 5–8pm, at Copenhagen's Overgaden. Institute of Contemporary Art. ‘Bluetooth® is a two-way digital wireless standard that enables the exchange of Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-92001500509877232732019-09-09T18:04:00.000+02:002019-09-16T12:38:30.388+02:00Participants of the 2019 EXPO CHICAGO/Red Bull Arts Global Curatorial Initiative, Chicago and Detroit, 18–23 September 2019 Photo: Latitudes.  Latitudes has been invited to join EXPO CHICAGO’s Curatorial Exchange programme. This year their visitor programme has been expanded with the introduction of the Red Bull Arts Global Curatorial Initiative, taking place surrounding the eighth annual exposition between September 18–23, 2019.  The 2019 Curatorial Exchange will bring ten curators working in countries Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-88065858706685297762019-09-04T08:00:00.000+02:002019-10-15T12:17:35.206+02:00Cover Story—September 2019: ‘Polperro to Detroit’ Latitudes' homepage www.lttds.org The September 2019 monthly Cover Story ‘Polperro to Detroit’ is now up on Latitudes' homepage: www.lttds.org“In 1937 the retired sailor Samuel Puckey began transforming Peace Haven, his 19th-century fisherman’s cottage, into what would become known as The Shell House. Over the years Puckey used his collection of cowries, limpets, clams and other shells fromLatitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-4814052741601540982019-09-02T08:00:00.000+02:002019-10-03T15:30:19.180+02:00Partner organisation in ‘Today Is Our Tomorrow’, participation with Mercedes Azpilicueta, PUBLICS – club Kaiku, Helsinki, 12–14 September 2019 Graphic identity of the art festival. Design: julia.studio. ‘Today Is Our Tomorrow’ is a collaborative, collective, and transdisciplinary festival initiated by Helsinki-based curatorial agency PUBLICS, produced in partnership with local and international organisations, initiatives and institutions. The programme will include a co-commissioned and collaboratively curated programme of Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-76912472676457687892019-08-01T08:00:00.000+02:002020-01-13T14:24:38.347+01:00Latitudes' "out of office": wrap up of the 2018–2019 season Seen in Malasaña, Madrid. Photo: @marianacanepaluna This is our tenth ‘Out of Office’ post, a tradition which started with this 2008-9 post in pre-Facebook, pre-Twitter, pre-Instagram days. We’ve come a long way, but remain faithful to the idea of sharing behind-the-scenes moments. Below we share a selection of the art we’ve seen, the trips we had a chance to take, the conversations we Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-69957653624301260522019-07-22T17:03:00.002+02:002019-11-14T15:53:00.668+01:00Joan Morey awarded the Botín Foundation's International Visual Arts Grant Joan during the installation of the exhibition 'COLAPSO' in Fabra i Coats. Centre d'Art Contemporani, September 2018. A three-part project curated by Latitudes. Photo: Max Andrews. Latitudes congratulate Joan Morey, one of the eight beneficiaries of the 27th edition of the Botín Foundation's International Visual Arts Grants. His project ‘LA INFLUYENTE’ will be exhibited at the Botín Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-64663851922160840072019-07-01T17:18:00.001+02:002019-07-22T15:52:51.321+02:00Cover Story—Summer 2019: Francesc Ruiz’s Brexit Bristol sequel, ten years ago Latitudes' homepage www.lttds.org The July 2019 monthly Cover Story ‘Francesc Ruiz’s Brexit Bristol sequel, ten years ago’ is now up on Latitudes' homepage: www.lttds.org“The British political system has collapsed… Once the high streets merely declined with their pound shops, gold traders, and bargain basements… Then they slumped as the "major downturn" began to bite… Yet as the economy Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.comtag:blogger.com,1999:blog-14689177.post-64204619295011794112019-06-25T19:49:00.001+02:002019-09-06T14:39:15.583+02:0011 de julio 2019, 19h: Conversación con Lara Almarcegui en el Institut Valencià d'Art Modern (IVAM) ‘Volcán de Agras. Derechos mineros’. Fotos: Lara Almarcegui. El próximo 11 de julio a las 19h, la artista Lara Almarcegui y Mariana Cánepa Luna (comisaria, Latitudes) mantendrán una conversación abierta al público con motivo de la inauguración de exposición individual de Almarcegui ‘Volcán de Agras. Derechos mineros’ en el Institut Valencià d'Art Modern (IVAM), un proyecto coordinado por Latitudeshttp://www.blogger.com/profile/10555351707441016514noreply@blogger.com