'Near-Future Artworlds Curatorial Disruption Foresight Group' seminar convenes in its third iteration in Birmingham's Eastside Projects, 15 November 2015
Wed, Nov 11 2015
Façade of Eastside Projects in Birmingham.
Latitudes will convene a day-long session on November 15, one of the two-day self-reflective evaluation sessions that the Extra Special People (ESP) Associate scheme programme of Eastside Projects is organising under the title "Re-Imagining ESP II".
Held in Birmingham, UK, over the weekend of 14–15 November, these two sessions invite members of the practice-led peer support network ESP to discuss how they might take a more active role—as participants and producers—rather than passive receivers of predefined formats and content.
This will be the third iteration of the “Near-Future Artworlds Curatorial Disruption Foresight Group” meetings (following those in Bari and San Francisco) – a forum for informal dialogue about megatrends and the future of contemporary art institutions.
The first meeting in Bari broadly addressed the degree to which organisational forms of art institutions are embracing or resisting similar transformations through various curatorial/editorial prototypes and prognosticative use-case scenarios. With an emphasis on cross-pollination between design thinking and curatorial thinking, the second meeting in San Francisco explored, among other things, the concept of the post-disciplinary and the question of the appropriate speeds or periodicities that institutions should follow.
In Birmingham, the session will collectively imagine a ‘What if?’ – a post-apocalyptic scenario in which an entire art ecology has to be regrown from the ground up. What would be most urgent in terms of organisation, facilities, and tools? The second part of the meeting will involve a practical exercise modelled to prototype initiatives that might be best suited to Birmingham’s real or imagined artistic, economic and social context.
To facilitate open discussion, these meetings are conducted under the Chatham House Rule. This enables participants to share personal views, listen, reflect, and gain insights, separate from their employers' positions or any organisation's policies. Participation is encouraged, but no resolutions are issued, no votes will be taken, and no policy statements will be proposed.
Extra Special People (ESP) is a practice-led peer support network organised by Eastside Projects that "works with artists, designers, curators and writers to support the development of work, ideas, connections and careers through a programme of events, opportunities, and projects. Members become active contributors to a practice-led peer support network and benefit from Eastside Projects’ experience of the contemporary art world and regional, national and international contacts."
Eastside Projects is an "internationally renowned centre of excellence based in a free public gallery imagined and organised by artists, in partnership with Birmingham City University." Eastside Projects is an Arts Council England National Portfolio Organisation, supported by the Paul Hamlyn Foundation Breakthrough Fund 2010-14, and Esmée Fairbairn Foundation.
Eastside Projects
86 Heath Mill Lane
Birmingham B9 4AR
0121-771-1778
www.eastsideprojects.org
www.extraspecialpeople.org
RELATED CONTENT:
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All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
Work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
The first meeting in Bari broadly addressed the degree to which organisational forms of art institutions are embracing or resisting similar transformations through various curatorial/editorial prototypes and prognosticative use-case scenarios. With an emphasis on cross-pollination between design thinking and curatorial thinking, the second meeting in San Francisco explored, among other things, the concept of the post-disciplinary and the question of the appropriate speeds or periodicities that institutions should follow.
Poster produced for the seminar by Kadist Art Foundation, San Francisco.
To facilitate open discussion, these meetings are conducted under the Chatham House Rule. This enables participants to share personal views, listen, reflect, and gain insights, separate from their employers' positions or any organisation's policies. Participation is encouraged, but no resolutions are issued, no votes will be taken, and no policy statements will be proposed.
Archive photo of ESP activity. Courtesy: Eastside Projects.
Extra Special People (ESP) is a practice-led peer support network organised by Eastside Projects that "works with artists, designers, curators and writers to support the development of work, ideas, connections and careers through a programme of events, opportunities, and projects. Members become active contributors to a practice-led peer support network and benefit from Eastside Projects’ experience of the contemporary art world and regional, national and international contacts."
Eastside Projects is an "internationally renowned centre of excellence based in a free public gallery imagined and organised by artists, in partnership with Birmingham City University." Eastside Projects is an Arts Council England National Portfolio Organisation, supported by the Paul Hamlyn Foundation Breakthrough Fund 2010-14, and Esmée Fairbairn Foundation.
Eastside Projects
86 Heath Mill Lane
Birmingham B9 4AR
0121-771-1778
www.eastsideprojects.org
www.extraspecialpeople.org
RELATED CONTENT:
- A session with first-year participants of the MA Curatorial Practice at the California College of the Arts (CCA), San Francisco, 8 September 15 September 2015
- Guest Faculty of the Thematic Residency 'Blueprint for Happiness' at The Banff Centre, Canada, 27 July–8 August 2015 16 July 2015
- Tutors of the 2015 International Curatorial Retreat, 9–13 May, Bari (Italy) 17 May 2015
- Lead Facilitators, Curating Lab 2014–Curatorial Intensive, National University of Singapore (11–14 June), symposium (14 June, 15–17h) and a field trip to Hong Kong (16–20 June) 30 May 2014
- Directors: ‘Campus’, Espai Cultural Caja Madrid, Barcelona, 27 June–28 August 2011
This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
Work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
