Exhibition views: 'Exposition internationale des arts décoratifs et industriels modernes & des arts et techniques dans la vie moderne', until 16 April

'Exposition internationale des arts décoratifs et industriels modernes & des arts et techniques dans la vie moderne', February 25 – April 16, 2011, Meessen de Clercq, Brussels, Belgium

'EXPOSITION INTERNATIONALE DES ARTS DÉCORATIFS ET INDUSTRIELS MODERNES & DES ARTS ET TECHNIQUES DANS LA VIE MODERNE' With works by: Kasper AKHØJ, Martí ANSON, Maria LOBODA, Charlotte MOTH and Sarah ORTMEYER
25 February–16 April 2011
 

Meessen de Clercq, Rue de l’Abbaye 2a
B-1000 Brussels, Belgium

The Exposition Internationale des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne (International Exhibition of Modern Decorative and Industrial Arts & Art and Technology in Modern Life) presents projects by five contemporary visual artists which engage with specific instances of modernity as represented through industrial or domestic design. A world-famous tower, a street, a range of furniture, a modular display system, and textile patterns, have been metaphorically taken apart before being reconstituted, sometimes literally, through artistic practices and personal affiliations which incorporate historical research, travel, tribute and scenography, for example.

Running counter to the modernist spirit of rationality, clarity and empiricism, the artists’ often playful engagements deal with anecdotal, subjective, and frequently deliberately imprecise applications. Their projects engage with disciplines traditionally outside of the domain of the visual arts, and in doing so they invite a renegotiation of a design’s intended use, and an interest in the point at which apparent aesthetic surplus or redundancy modifies or reconstructs an object’s meaning or efficacy. The artists’ works furthermore operate with a heightened awareness or awkwardness of their being exhibited (and alongside a synthesized ‘period’ exhibition title taken from conjoining the names of the Paris Worlds’ Fairs from 1925 and 1937). Theatricality and commercial or museological display strategies are the restraints and releases, or the actual subject, of the artists’ articulations. (+ info...)

All photos: Philippe de Gobert




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