"books_expanded_field: An Interview with Badlands Unlimited", fifth interview of the #OpenCurating research
Founded in 2010 by artist Paul Chan – best known for his cycle The 7
Drawing on the emerging practices of so-called 'Open Journalism' – which seek to better collaborate with and use the ability of anyone to publish and share – #OpenCurating is a research project that investigates how contemporary art projects may function beyond the traditional format of exhibition-and-catalogue. #OpenCurating is concerned with new forms of interaction between publics – whether online followers or physical visitors – with artworks and their production, display and discursive context.
The project is articulated around a series of ten new interviews with curators, artists, writers and online strategists published as a free digital edition [read here the published ones so far], a Twitter discussion moderated around the hashtag #OpenCurating and a finissage event in Barcelona (date TBA).
#OpenCurating was awarded the first BCN Producció 2012 Research Grant of the Institut de Cultura de Barcelona.
Content partners: Walker Art Center
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Entrevista a Ethel Baraona Pohl, segunda en la serie #OpenCurating, proyecto ganador de la beca de investigación BCN Producció 2012.
Ethel Baraona Pohl desarrolla su trabajo profesional vinculada a varias publicaciones de arquitectura y diseño. Colabora en blogs y revistas, entre los que se incluye Domus, Quaderns y MAS Context, entre otros. Ha sido invitada a presentar su trabajo en eventos como Postópolis! DF y el festival internacional de arquitectura Eme3. Co-fundadora de la editorial independiente dpr-barcelona junto con César Reyes Nájera, sus proyectos, digitales e impresos, subvierten los límites de las publicaciones convencionales, acercándose a aquellos que son probablemente los títulos de la arquitectura y el diseño en el futuro.
ACERCA DE #OPENCURATING
Partiendo de las preocupaciones exploradas por Latitudes durante el proyecto editorial realizado durante 'The Last Newspaper' (New Museum, Nueva York, 2010), y basándose en las prácticas emergentes del denominado 'periodismo abierto' (Open Journalism) – que trata de mejorar la colaboración y utilizar la habilidad de cualquier persona para publicar y compartir – #OpenCurating es un proyecto de investigación que indaga cómo los proyectos de arte contemporáneo pueden funcionar más allá del tradicional formato 'exposición y catálogo'. #OpenCurating se enfoca en las nuevas formas de interacción entre los públicos – sean seguidores en red o visitantes físicos – con obras de arte, su producción, exhibición y su contexto discursivo.
El proyecto se estructura a partir de tres elementos: una serie de diez entrevistas a comisarios, artistas, periodistas y expertos online publicada en una edición digital gratuita, una discusión en Twitter moderada por el hashtag #OpenCurating y por último, un evento que tendrá lugar en Barcelona (fecha por determinar).
#OpenCurating es el proyecto ganador de la primera convocatoria BCN Producció 2012 en la categoría de investigación, otorgada por el Institut de Cultura de Barcelona.
Síguenos en Twitter: #OpenCurating
Content partners : Walker Art Center
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Latitudes participates in the fifth annual March Meeting organised by Sharjah Art Foundation, 17–19 March 2012, Dar Al Nadwa, Heritage Area, Sharjah
The March Meeting and related events are free and open to the public. Registration is recommended at [email protected] Read more here.
March Meetings 2012
Dar Al Nadwa, Heritage Area
United Arab Emirates
– A 'regular edition' in a poly bag with sticker containing the 10 newspapers + a 4 page black-and-white supplement with editorial, contents page and index ($15, $13.50 museum members).
– A special edition: silkscreened archive box containing the regular edition ($50).
Both can be purchased from the New Museum Store.
Edited by: Latitudes
Published by: Latitudes, Barcelona & the New Museum, New York
Texts by: multiple authors
Graphic Design: Chad Kloepfer with Joel Stillman
Format: 10x 12pp two-colour newspapers, one 4pp black-and-white newspaper, 356 x 292 mm each / Regular edition in poly bag with sticker, special edition in screenprinted archive box
Print-run: 1,000 (of which 400 are the final catalogue edition)
Printer: Linco Printing, Long Island
Date of Publication: October–December 2010
Selection of press coverage of Latitudes' weekly newspaper for 'The Last Newspaper' exhibition at the New Museum
Holland Cotter, 'Art and News, Intersecting in the Digital Age', The New York Times, 7 October 2010:
"And at the behest of the New Museum a print-savvy group called Latitudes from Barcelona is issuing another tabloid, this one weekly and edited from the third-floor gallery, that will double as an exhibition catalog. That publication would, of course, be the ideal place for the curators and participating artists to go on the record, at un-Twitterish length and polemical breadth, about the viability of analog journalism — and analog art — in the digital age. (...) Meanwhile the Latitudes news team — Max Andrews and Mariana Canepa Luna are the editors — has invited everybody and anybody, meaning you and me, to submit editorial suggestions and pitch stories, either in person or by e-mail ([email protected]). In the loosey-goosey spirit of the show, their paper will change names weekly, from the “The Last Post” to “The Last Gazette” to “The Last Register,” etc. But a genuinely “last newspaper” is still nowhere in sight. And you read that here."
Danielle Aronowitz, 'New Museum exhibit is black and white and read all over', Columbia Spectator, 8 October 2010:
(...) "A second group, Latitudes—a curatorial organization based in Barcelona, Spain—will compile, edit, and publish a weekly newspaper that will catalogue information about the exhibit and the contributing artist groups over the next 10 weeks. To emphasize its importance, [exhibition curator Richard] Flood referred to this publication as “the journal of the exhibition.”
Luc Sante, 'Disappearing Ink', The New York Review of Books's blog, 1 November 2010:
(...) and a tabloid, edited by the Barcelona-based curatorial office Latitudes, that has been variously called The Last Post, The Last Gazette, and The Last Register. (...) The tabloid, which focuses on newspapers, as well as on the show itself, is rather puckish. The Last Gazette includes, for example, a record of a quixotic attempt by Ines Schaber to approach the underground facility in western Pennsylvania where the photo agency Corbis keeps its archive of some 70 million pictures. The story evokes the cold-war espionage genre—an unremarkable setting masks a culture of such militant secrecy that the best the author could manage is a murkily distant photo of the facility’s parking lot. Its meandering text and bland snapshots, on the other hand, evoke the whimsical record-keeping of 1970s conceptual art, which is rather more in keeping with the spirit of the show.
Valerie Seckler, 'Hyper-local Newspaper as Museum Piece? Not exactly', The Urban Times, November 2010:
“How is a museum, such as New Museum, no longer (just) in the artwork display business?” asks an editorial in The Last Post. “Is it a producer, a publisher or a distributor? Should a museum or a newspaper be a community, a platform or a network, for example?” The newspapers themselves are hybrids: actual publications and art object. (...) “The Last…” newspaper series comprises “final” editions with names like “The Last Observer,” “The Last Monitor,” and (the first edition) “The Last Post.” They are dedicated to illuminating “The Last Newspaper” fine art on exhibit. Some of the reportage ranges beyond it. (...) “The Last Post” itself is an arch reference to the never-ending practice of posting 21st century news online. “The Last Post’s” Oct. 6th edition’s screaming front page headline makes the humorous proposition: “Ink vs Link.” Smaller decks stacked below it read: “Lippmann vs Dewey, Fact vs Interpretation, Editor vs Curator,” and conclude with the query: “How do you get your information?”
Adam Chadwick, 'Art and journalism …sometimes a fine line…', http://fittoprintfilm.wordpress.com, 1 December 2010:
This past Saturday members of the group Latitudes – an independent Barcelona-based curatorial office – hosted an event for the “Fit to Print” production team at the New Museum in the Bowery neighborhood of lower Manhattan. (...) I was too intrigued by the wall-to-wall displays of vintage newspaper front pages in one of the rooms. It was hard not to examine the way in which newspapers implemented multiple sub-headlines back in the early part of the twentieth century. In a way, many start-up news websites are creating similar sub-heads to draw reader attention in the vast wild west of search engine optimization. This would be a topic our guest speaker, Jason Fry, would speak about during our panel discussion.
[Read an edited transcription of the event here.]
Latitudes, the Barcelona-based curatorial office, and a diverse team lead by Joseph Grima and Kazys Varnelis/Netlab, are on site producing weekly newspapers.
'THE LAST POST' / 'THE LAST GAZETTE' / 'THE LAST REGISTER'... is the evolving-titled 12-page free weekly newspaper and an incremental exhibition catalogue edited during a 10 week editorial residency by Latitudes. Produced from a micro-newsroom placed on the third floor of the museum the tabloids will be an archive in formation companioning The Last Newspaper’s exhibition, artworks and events, as well as being a platform for critical reflection on the wider agency of art and artists with respect to concerns about how information is produced, managed, recorded, re-ordered, and disseminated.
With kind permission from Latitudes we are reproducing two selected text from their catalogue/newspapers, written by The Last Newspaper London correspondent and 'this is tomorrow' features editor Lorena Muñoz-Alonso (continue reading...)
Kristin M. Jones, 'Chronicles of a Medium in Crisis', The Wall Street Journal, 16 December 2010:
(...) Via a micronewsroom, Latitudes, a Barcelona-based curatorial team, produced a tabloid whose name changed each week. The spirited articles include stories on artists, filmmakers and topics ranging from ProPublica to the history of cast-iron newsstand paperweights; its issues will be bound together after the show ends in lieu of a catalog. The editors commissioned profiles and interviews related to the show but also solicited story ideas, headlines inspired by personal events and other information from the public.Read more articles and reviews here.
'The Last...' News Team:
'The Last...' Graphic Design team:
'The Last...' 'Advertising Department':
'The Last...' weekly cartoon:
Francesc Ruiz is a visual artist based in Barcelona, Spain. Ruiz is 'The Last…' newspaper project weekly cartoonist. He recently participated in the Philagrafika show at Temple Gallery, Philadelphia (2010) and is currently exhibiting 'The Paper Trail' at the Contemporary Image Collective, Cairo (on view until 20 November 2010). Ruiz is currently preparing 'Gasworks Yaoi', his first solo show in London.
Photo tour of 'The Last Newspaper' exhibition here
Read reviews and press release here