The #OpenCurating research project examined how the dynamics of participation, transparency, and collaboration promoted by Web 2.0, together with the ten principles of open journalism, were transforming contemporary art and exhibition-making. It drew inspiration from the ten speculative principles proposed by Alan Rusbridger, then Editor-in-Chief of The Guardian newspaper, as well as from concerns explored in Latitudes’ project The Last Newspaper (New Museum, 2010).
Through ten interviews with international curators, artists, writers, and online experts, the research examined how these expectations are redefining the curator’s role, the relationships between audiences, artists, and artworks, and traditional formats of art production and mediation.
The project applied the principles of open journalism—collaboration, accessibility, and multiple voices—to the curatorial field. It explored how curating could move beyond the conventional “exhibition plus catalogue” model to create new forms of interaction and dialogue. These shifts have redefined the role of the curator, moving from a traditional position of authority that validated content (a monological approach) toward a more inclusive and participatory model in which artists, curators, and audiences engaged in exchange. What are the possibilities and challenges associated with the expectations for participation and transparency that arise?
Each interview was conducted by Latitudes and the interviewees via email and a shared editing document, except for the live open conversation with Yasmil Raymond. Each conversation began with an initial set of questions, followed by a series of follow-ups. The Q&As were subsequently edited for length and clarity. Content partner: Walker Art Center, Minneapolis walkerart.org #OpenCurating was supported by the first Research Grant of BCN Producció '12, an initiative of La Capella, Barcelona City Council.
Preview – Latitudes interviews Ethel Baraona Pohl about 'Adhocracy' at the Istanbul Design Biennial), Stephanie Cardon, Big Red & Shiny, 10 November 2012
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