Tue, Apr 2 2013
#OpenCurating, 2013, BCN Producció, collaboration, exhibition-making, Heman Chong, Hong Kong, interacción, interview, Moderations, negotiation, OpenJournalism, Singapore, Spring Workshop, Witte de With
Cover of the interview. Photo: Joan Kee.
Heman Chong’s art practice is comprised of “an investigation into the philosophies, reasons and methods of individuals and communities imagining the future”. His ongoing project, The Lonely Ones, looks at the representation of solitude and the “last man on earth” genre in art, film and literature, and is the basis for a forthcoming novel entitled Prospectus. Chong’s recent solo exhibitions include LEM 1, Rossi & Rossi, London (2012), Calendars (2020–2096), NUSMuseum, Singapore (2011) and The Sole Proprietor and other Stories, Vitamin Creative Space, Guangzhou (2007). He has participated in numerous group exhibitions including the Asia Pacific Triennale 7 (2012), Performa 11 (2011), Momentum 6 (2011), Manifesta 8 (2010), Busan Biennale (2004), and the 50th Venice Biennale (2003) representing Singapore. Amonograph of his work entitled "The Part In The Story Where We Lost Count Of The Days", edited by Pauline J. Yao, will be published in June 2013 by ArtAsiaPacific.
The interview was initiated at Spring Workshop, Hong Kong, in the context of Chong’s invitation to Latitudes to make a curatorial residency as part of Moderation(s), a year-long series of programming between Spring and Witte de With Center for Contemporary Art, Rotterdam. "Digression(s), Entry Point(s): An interview with Heman Chong" also includes a guest spot with Gotherburg-based artist and writer Anthony Marcellini.
Drawing on the emerging practices of so-called 'Open Journalism' – which seek to better collaborate with and use the ability of anyone to publish and share – #OpenCurating is a research project that investigates how contemporary art projects may function beyond the traditional format of exhibition-and-catalogue. #OpenCurating
is concerned with new forms of interaction between publics – whether
online followers or physical visitors – with artworks and their
production, display and discursive context.
The project is articulated around a series of ten new interviews with curators, artists, writers and online strategists published as a free digital edition [read here the published ones so far], a Twitter discussion moderated around the hashtag #OpenCurating and an public conversation with Dia Art Foundation curator which took place at MACBA on the 19 February.
#OpenCurating is a research project by Latitudes produced through La Capella. BCN Producció 2012 of the Institut de Cultura de Barcelona.
Content partners: Walker Art Center
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.