Longitudes

"Archive as Method: An Interview with Chantal Wong, Hammad Nasar and Lydia Ngai" of the Asia Art Archive, Hong Kong. Final #OpenCurating interview.


"Archive as Method: An interview with Chantal Wong, Hammad Nasar and Lydia Ngai" of the Asia Art Archive in Hong Kong, is available on ISSUU to view on screen and is also downloadable. It is also available as pdf format via Latitudes' web. 

…And last, but certainly not least, our #OpenCurating research concludes with an interview with three members of the amazing Asia Art Archive in Hong Kong.
 

Asia Art Archive (AAA) was founded in 2000 with the mission of documenting, securing and making easily available information on the history of contemporary art in Asia within an international context. Based in the Sheung Wan district of Hong Kong, the non-profit organisation holds hundreds of thousands of physical and digital items. AAA aims to stimulate dialogue and critical thinking about how the region’s art histories are told and to “facilitate understanding, research, and writing in the field, enrich existing global narratives, and re-imagine the role of the archive”. Through its website – aaa.org.hkAAA offers access to a wealth of digital material including scanned images, correspondence, artists’ personal documents, audio and video of performance art, artist talks, lectures, and events. A broad range of initiatives including the journal Field Notes, research grants, residencies, symposia, exhibitions and teaching workshops address the core of AAA’s commitment “to create a collection belonging to the public, existing not in an enclosed space, but in a space that is open and productive, generating new ideas and works that continually reshape the Archive itself”.

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ABOUT #OPENCURATING

What "old rules" about art programming, production and distribution has the internet broken? What challenges, expectations, and new possibilities does digital culture and social media present to contemporary art institutions? To what degree are curators, media teams, publishers and archivists concerned with a dialogue with their audiences? #OpenCurating has investigated these questions through how new forms of culture, participation and connectivity are being developed both on site and on line.

The research was structured around three elements. Ten new interviews were produced and published as free digital editions as well as via Issuu; a Twitter thread was moderated around the hashtag #OpenCurating; and a public conversation (transcribed as interview #7) between Latitudes and Yasmil Raymond, Curator of Dia Art Foundation, New York, was held on 19 February 2013 at the Auditorium of the Museu d'Art Contemporani de Barcelona (MACBA).


#OpenCurating was a research project by Latitudes produced through La Capella. BCN Producció 2012 of the Institut de Cultura de Barcelona. 









 
Content partners: Walker Art Center

 




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"Digression(s), Entry Point(s): An interview with Heman Chong", Singapore-based artist, curator and writer. Eighth in the #OpenCurating research series

 Cover of the interview. Photo: Joan Kee.


Interview available for download as a pdf or readable on ISSUU via Latitudes' web.

Heman Chong’s art practice is comprised of “an investigation into the philosophies, reasons and methods of individuals and communities imagining the future”. His ongoing project, The Lonely Ones, looks at the representation of solitude and the “last man on earth” genre in art, film and literature, and is the basis for a forthcoming novel entitled Prospectus. Chong’s recent solo exhibitions include LEM 1, Rossi & Rossi, London (2012), Calendars (2020–2096), NUSMuseum, Singapore (2011) and The Sole Proprietor and other Stories, Vitamin Creative Space, Guangzhou (2007). He has participated in numerous group exhibitions including the Asia Pacific Triennale 7 (2012), Performa 11 (2011), Momentum 6 (2011), Manifesta 8 (2010), Busan Biennale (2004), and the 50th Venice Biennale (2003) representing Singapore. Amonograph of his work entitled "The Part In The Story Where We Lost Count Of The Days", edited by Pauline J. Yao, will be published in June 2013 by ArtAsiaPacific

The interview was initiated at Spring Workshop, Hong Kong, in the context of Chong’s invitation to Latitudes to make a curatorial residency as part of Moderation(s), a year-long series of programming between Spring and Witte de With Center for Contemporary Art, Rotterdam. "Digression(s), Entry Point(s): An interview with Heman Chong" also includes a guest spot with Gotherburg-based artist and writer Anthony Marcellini.

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#Moderations

ABOUT #OPENCURATING

Drawing on the emerging practices of so-called 'Open Journalism' – which seek to better collaborate with and use the ability of anyone to publish and share#OpenCurating is a research project that investigates how contemporary art projects may function beyond the traditional format of exhibition-and-catalogue. #OpenCurating is concerned with new forms of interaction between publics – whether online followers or physical visitors – with artworks and their production, display and discursive context.

The project is articulated around a series of ten new interviews with curators, artists, writers and online strategists published as a free digital edition [read here the published ones so far], a Twitter discussion moderated around the hashtag #OpenCurating and an public conversation with Dia Art Foundation curator which took place at MACBA on the 19 February.

#OpenCurating is a research project by Latitudes produced through La Capella. BCN Producció 2012 of the Institut de Cultura de Barcelona. 










Content partners: Walker Art Center

 



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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

#OpenCurating Research Project awarded the 'BCN Producció 2012' grant


| UK |

Building on concerns explored by Latitudes during “The Last Newspaper” project (New Museum, 2010), and drawing on the emerging practices of so-called 'Open Journalism' – which seek to better collaborate with and use the ability of anyone to publish and share#OpenCurating is a research project which will investigate how contemporary art projects can function beyond the traditional format of exhibition-and-catalogue in ways which might be more fully knitted into the web of information which exists in the world today. #OpenCurating is concerned with new forms of interaction between publics – whether online followers or physical visitors – with artworks and their production, display and discursive context.

The project is structured around three elements: a Twitter discussion moderated around the hashtag #OpenCurating. Secondly, a series of ten new interviews with curators, artists, journalists and online strategists, each of which will be published as a digital edition, and a final public event in Barcelona.

#OpenCurating has been awarded the first BCN Producció 2012 Research Grant of the Institut de Cultura de Barcelona.

| ES |

Partiendo de las preocupaciones exploradas por Latitudes durante el proyecto editorial realizado durante “The Last Newspaper” (New Museum, 2010), y basándose en las prácticas emergentes del denominado 'periodismo abierto' ('Open Journalism') – que trata de mejorar la colaboración y utilizar la habilidad de cualquier persona para publicar y compartir – #OpenCurating es un proyecto de investigación que indagará cómo los proyectos de arte contemporáneo estan planteándose más allá del tradicional formato 'exposición y catálogo', analizando las nuevas formas de interacción entre los públicos – sean seguidores online o visitantes físicos – con obras de arte, su producción, exhibición y su contexto discursivo.

El proyecto se estructura a partir de tres elementos: una discusión en Twitter moderada por el hashtag #OpenCurating. En segundo lugar, una serie de diez entrevistas a comisarios, artistas, periodistas y expertos online, cada una de los cuales será publicada en una edición digital y por último, un evento público que tendrá lugar en Barcelona. 

#OpenCurating es ganadora de la primera convocatoria en la categoría de investigación de BCN Producció 2012, que otorga el Institut de Cultura de Barcelona.


All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)

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