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Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

Cover Story, December 2025: Mentorship and Movement

  

December 2025 cover story on www.lttds.org


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NEW MONTH
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NEW MONTHLY COVER STORY

The December 2025 monthly Cover Story, “Mentorship and Movement”, is up on our homepage: www.lttds.org 

“Since Spring, we’ve been mentoring Caimin Walsh, a thoughtful curator based between County Cork and Limerick, Ireland, through a bursary that he was awarded from the Arts Council of Ireland. The dialogue has been flowing and rewarding—we quickly discovered a shared taste for sprawling, tangled research. → Continue reading (after December, this story will be archived here).

Cover Stories are published monthly on Latitudes’ homepage, showcasing past, present, or upcoming projects, research, texts, artworks, exhibitions, films, objects, or field trips related to our curatorial work and activities.


→ RELATED CONTENTS

  • Archive of Monthly Cover Stories 
  • Cover Story, November 2025: Lido Lagoon, 3 Nov 2025
  • Cover Story, October 2025: Stockholm, September, Sessions, Studios, Samuelson, 1 Oct 2025
  • Cover Story, September 2025: Krasiński at 130 centimetres, 1 Sep 2025
  • Cover Story, July-August 2025: Hello Everyone: A Catalogue of Voices, 1 Jul 2025
  • Cover Story, June 2025: Hello Everyone Re-Mix, 2 Jun 2025
  • Cover Story, May 2025: Ria, Ría: sweet, brackish, or salty Satorre, 2 May 2025
  • Cover Story, April 2025: Wrecking the Floor Tiles, 1 April 2025
  • Cover Story, March 2025: “Hello Everyone from the Museo Reina Sofía”, 3 Mar 2025
  • Cover Story, February 2025: Bananas, Potatoes, Ria, Río: Jorge Satorre at CA2M, 3 Feb 2025
  • Cover Story, January 2025: Folded Forms, 1 January 2025
  • Cover Story, December 2024: On the (Critical, Contextual) Rocks, 1 December 2024

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LaPublika – Public sphere laboratory for artistic research, consonni, Donostia, 10–11 November 2015


Latitudes has been invited by consonni to give a two-day seminar and a public lecture in the context of LaPublika, a programme of activities concerning the way artistic practices construct the public sphere. The programme will take place over the next two years in the recently opened International Centre for Contemporary Culture Tabakalera in Donostia, on the 10 and 11 November, and is a joint initiative together with Donostia-San Sebastian European Cultural Capital 2016.

"Public sphere here is understood as spaces considered to be public (the street, the square, the city), as well as the internet or the communications media, and the mechanisms with which we participate in managing what is common (language, rites, norms, the aesthetic of collective processes). At a time when new social and civic paradigms are arising, LaPublika seeks to provide a framework of work and reflection upon those processes." (....) "In addition to the presence-based programme, all the activities have their version in podcast format on LaPublika’s radio-web, the central hub of the project, which is also backed up by programming involving interviews, radio spots and sound pieces."


Visitors at Robert Smithson's "Broken Circle" (1971), an event organised by Land Art Contemporary. Picture: Kunstbeeld.
Breaking Ground: Broken Circle/Spiral Hill, by Robert Smithson & Nancy Holt - See more at: http://ajuntament.barcelona.cat/lavirreina/en/activities/breaking-ground-broken-circlespiral-hill-robert-smithson-nancy-holt#sthash.8wxhhHQB.dpuf

Breaking Ground: Broken Circle/Spiral Hill, by Robert Smithson & Nancy Holt - See more at: http://ajuntament.barcelona.cat/lavirreina/en/activities/breaking-ground-broken-circlespiral-hill-robert-smithson-nancy-holt#sthash.8wxhhHQB.dpuf

Breaking Ground: Broken Circle/Spiral Hill, by Robert Smithson & Nancy Holt - See more at: http://ajuntament.barcelona.cat/lavirreina/en/activities/breaking-ground-broken-circlespiral-hill-robert-smithson-nancy-holt#sthash.8wxhhHQB.dpuf
Breaking Ground: Broken Circle/Spiral Hill, by Robert Smithson & Nancy Holt - See more at: http://ajuntament.barcelona.cat/lavirreina/en/activities/breaking-ground-broken-circlespiral-hill-robert-smithson-nancy-holt#sthash.8wxhhHQB.dpuf
Latitudes' workshop titled “Beyond the roundabout, or what’s public about public art?” will take the legacy of Land Art as a starting point – or more specifically, Robert Smithson’s notion of “continual movement” – to address the multiple temporalities which can constitute the form of an artwork in public space. Approaching projects (rather than beholding objects) the workshop will discuss artists who conceptualize or actualize their works against a backdrop of vast stretches of time or topological change. In the context of a networked culture which seems to offer an accelerating and horizontal concept of the public sphere, the workshop will furthermore address what is at stake when “digging deep” and slowing down.

 Production of Jan Dibbets' "6 Hours Tide Object with Correction of Perspective" (1969–2009) on 9 February 2009 the Port of Rotterdam, a beach that has now disappeared to become Maasvlakte 2. Photo: Latitudes.

For the public lecture on November 11, Latitudes will forgo a chronological account of its projects of the last decade, and instead attempt various transects through its curatorial projects determined by the public sphere, raw materials and their transformation. From the zinc which led to an Esperanto micro-nation, to the air of a Beijing shopping centre, or the dead trees of printed news, Latitudes will join some traits and ideas around “human resources”, extractive modernity, obsolescence and the carbon cycle.

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