Longitudes

'Portscapes' exhibition, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands, 30 January–25 April 2010. Reception: 5 February, 8pm

Lara Almarcegui 'A Guide to the Wastelands of the Port of Rotterdam' (2009). Photo: Latitudes


Bik van der Pol, still of the film 'Facts on the Ground' (2009–10). Photo: Bik van der Pol

Jan Dibbets, Production stills while filming '6 Hours Tide Object With Correction of Perspective' (2009). Photos: Latitudes, Paloma Polo/SKOR and Freek van Aarkel.
Marjolijn Dijkman, 'Here be dragons' (2009), image presented on a billboard. The second part of her project, the film 'Surviving New Island' (2009–10) will be premiered during the exhibition.


Fucking Good Art / Rob Hamelijnck & Nienke Terpsma 'Portscapes_ON AIR / Station Maasvlakte' (2009). 


Ilana Halperin, 'A Brief History of Mobile Landmass' (2009–10), audioguide. Photo: Chantal Karnaat.
Paulien Oltheten, Great if two pairs of legs are synchronized for a moment, (2009). Photo: Ben Wind.


Christina Hemauer & Roman Keller, 'The Postpetrolistic Internationale' (2009–10). Photo: Paloma Polo / SKOR.


Jorge Satorre in collaboration with Jorge Aviña, 'The Erratic. Measuring Compensation' (2010). Courtesy of the artist.



Hans Schabus, 'Europahaven, Rotterdam, 17 juni 2009' (2009) (c) the artist

'Portscapes'
Museum Boijmans Van Beuningen, Rotterdam, The Netherlands
30 January–25 April 2010. Reception: Friday 5 February, 8pm.
Free entrance

Project website: www.portscapes.nl
Projects chronology: http://www.dipity.com/latitudes/PORTSCAPES

 
Works by Lara Almarcegui (Spain/Netherlands), Bik van der Pol (Netherlands), Jan Dibbets (Netherlands), Marjolijn Dijkman (Netherlands), Fucking Good Art (Netherlands), Ilana Halperin (US/Scotland), Christina Hemauer & Roman Keller (Switzerland), Paulien Oltheten (Netherlands), Jorge Satorre (Mexico), Hans Schabus (Austria), as well as work by the website collaborators Maria Barnas (poetry) and Markus Miessen (interviews).

'Portscapes' will present the results of works commissioned by the Port of Rotterdam realised throughout 2009 by 10 (inter)national artists on the occasion of the beginning of the construction of Maasvlakte 2 – the 2,000-hectare land supplementation project to extend Rotterdam's port, Europe's largest seaport and industrial area. 'Portscapes' has encompassed new projects of various scales under the leitmotif itineraries and destinationsartist-led tours, film screenings, billboards and the production of film and photographic works, audio-guides, radio broadcast and field guides. + info...

The films by Rotterdam-based artists Bik van der Pol and Marjolijn Dijkman, 'Facts on the Ground' (2009–10) and 'Surviving New Land' (2009–10) respectively, will be presented for the first time coinciding with the exhibition.

Overtreders W, the designers of the exhibition, have created semi-transparent display structures for the museum’s Richard Serra Hall, using industrial materials based on the format of cargo containers.

A catalogue (€12,50) and a special-edition catalogue (€50) designed by Ben Laloua/Didier Pascal is co-published by SKOR and the Port of Rotterdam Authority on the occasion of the exhibition. The special-edition includes filmed interviews with the artists as well as the DVD of '6 Hours Tide Object with Correction of Perspective' (2009), the film produced by Jan Dibbets for 'Portscapes'. Publication available at the Museum Boijmans's shop or can be ordered via SKOR by writing to [email protected] or calling +31(0)20 672 25 25


Portscapes was commissioned by the Port of Rotterdam Authority with advice and support from SKOR (Foundation for Art and Public Space, Amsterdam) and was curated by Latitudes, Barcelona.

Serra Hall, Museum Boijmans Van Beuningen
Museumpark 20 | 3015 CX Rotterdam, Netherlands
Opening hours: Tue–Sun 11–17h
Free entrance to the exhibition
Press enquiries: Nienke van Beers, Tel: +31(0)20- 672 25 25, [email protected]

Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

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