10 Dec 2019 2009, 2019, 2020, ADN Platform, film, Jan Dibbets, Land Art, latitudes, No Soul for Sale, Port of Rotterdam Authority, Portscapes, SKOR
Production of '6 Hours of Tide Object with Correction of Perspective' (2009) by Jan Dibbets. Photo: Paloma Polo / SKOR.
The 8-minute film ‘6 Hours Tide Object with Correction of Perspective’ by Dutch artists Jan Dibbets is currently exhibited as part of "Fingers Crossed" (pdf, Spanish), a group exhibition opening December 14, 2019, curated by Blanca de la Torre and Sue Spaid, at ADN Platform in Sant Cugat (Barcelona), on view until April 4, 2020. The film was produced in 2009 for ‘Portscapes’, the year-long programme producing ten new commissions in and around the Port of Rotterdam, The Netherlands, curated by Latitudes.
Gerry Schum's 1969 'Land Art' series of films screened on German public TV.
Jan Dibbets’ (1941) film was ‘Portscapes’ inaugural project and was filmed on February 8, 2009. Originally filmed 40 years earlier, in February 1969, in black and white and in 16 mm, it was titled ‘12 Hours Tide Object...’. The film was originally presented in 1969 as part of Gerry Schum's seminal 'Land Art' series of artists' films screened that same year on German public TV (this programme was included in Latitudes-curated touring film programme ‘A Stake in the Mud, A Hole in the Reel. Land Art’s Expanded Field 1968–2008’ which began at the Museo Tamayo in April 2008.)
The film presents the drawing of an isosceles trapezoid in the sand using a bulldozer – the shape consequently appears as a rectangle in the resultant film due to the angle of perspective. The new 2009 realisation was filmed 40 years later to the month on the beach of the Maasvlakte, an area that was soon after forever transformed with the construction of Maasvlakte 2 – a land reclamation project, realised between 2008 and 2013, that extended Europe's largest seaport and industrial area by 2,000 hectares. The resulting 8 minute-long film was premiered at the FutureLand Information Centre of the Port of Rotterdam in June 2009 and during Latitudes’ participation in the New York festival NO SOUL FOR SALE – A Festival of Independents (24–28 June 2009).
Dibbets’ film presented as part of Latitudes’ participation in the festival NO SOUL FOR SALE – A Festival of Independents, New York, 24–28 June 2009. Photo: Latitudes.
‘6 Hours Tide Object with Correction of Perspective’ was produced in collaboration with SKOR | Foundation Art and Public Space (1999–2012), an organisation which initiated, curated and developed art projects in relation to the public domain that no longer exists, realising over a thousand projects in public space in the Netherlands for over a decade. Portscapes was curated by Latitudes, culminating in a display of the projects at the Museum Boijmans van Beuningen in Rotterdam in 2010.
→ RELATED CONTENT:
- Portscapes commissions
- Portscapes exhibition at the Museum Boijmans van Beuningen
- Making of '6 Hours of Tide Object with Correction of Perspective' (2009) by Jan Dibbets – part 1 here.
- Making of '6 Hours of Tide Object with Correction of Perspective' (2009) by Jan Dibbets – part 2 here.
01 Oct 2013 2009, Amsterdam, Film programme, Jan Dibbets, Marjolijn Dijkman, Port of Rotterdam Authority, Portscapes, SKOR, SMBA
Courtesy of the artist and SKOR | Foundation for Art in Public Space.
Two of the films produced for 'Portscapes', the year-long programme of public art projects in the Port of Rotterdam curated by Latitudes back in 2009, are currently screened as part of the exhibition 'Scenographies'. The show, curated by Clare Butcher for SMBA Amsterdam, is "a dynamic exhibition programme based around the archive of SKOR | Foundation for Art in Public Space." On view until 16 November 2013, artists and artists' collectives will approach the legacy of SKOR, the former institution that realized more than a thousand projects in public space in the Netherlands over the past three decades.
Photos of Jan Dibbets' film here. Photos of Marjolijn Dijkman film here. Production of '6 Hours of Tide Object with Correction of Perspective' (2009) by Jan Dibbets. Photo: Paloma Polo / SKOR. 28 Mar 2012 2012, Alauda Publications, Cyprien Gaillard, Jorge Satorre, Land Art, Lara Almarcegui, Max Andrews, Robert Smithson, SKOR, The Netherlands
| Cover of the publication.|
Pages 44-45, with the section "Art, Research, Ecology".
Robert Smithson's seminal Land Art work Broken Circle/Spiral Hill (Emmen, The Netherlands, 1971) is treated as a case study which opens up to a number of topics, still relevant in contemporary art: 'Models of Spectatorship', 'Art, Research, Ecology', 'Documentation', 'Museum, Media, Society' and 'The Cinematic'." Above: pages with Max Andrews' essay "A Dark Spot of Exasperation: From Smithson to the Spime".
Max Andrews' essay "A Dark Spot of Exasperation: From Smithson to the Spime".
In his text, Andrews stresses that Smithson's innovations in terms of post-studio practice ar not about "the question where, or what is the work of art?", but about investigating the structure of the multiple elements which constitute the form of an art project and its place in the world. According to Andrews, the essential feature of Smithson's kinship to post-studio practice is not so much his institutional critique, but a move away from the museum and the curator as existing power structures to a "curatorial function which incorporates a social ecology: a new meaning- and value-generating system in and around art." In his essay, Andrews traces the points of congruence between Smithson and the practices of contemporary artists like Lara Almarcegui, Jorge Satorre and Cyprien Gaillard.
Documentation pages, clippings from 1987.
Pages 150-151, Section "A Living Archive – Film"
Page 194-195, Section "A Living Archive"
Pages 208-209, Section "A Living Archive"
The 240-page monograph publication will be launched on 30 March 2012 in The Hague during the symposia Rethinking Robert Smithson organised by the publishers in cooperation with Leiden University Institute for Cultural Disciplines. Initiator and publisher: Alauda Publications
Edited by: Ingrid Commandeur and Trudy van Riemsdijk-Zandee
Authors: Max Andrews, Eric C.H. de Bruyn, Stefan Heidenreich, Sven Lütticken, Anja Novak, Vivian van Saaze
Design: Esther Krop
14 Sep 2011 2011, catalogue, Cyprien Gaillard, Jorge Satorre, Land Art, Lara Almarcegui, Max Andrews, Portscapes, Robert Smithson, SKOR, Stedelijk museum, The Netherlands
Land Art Contemporary
year-long initiative showcases works of art located in the countryside of Drenthe
, a province in the northeastern Netherlands, which will be complemented with an international events programme
dealing with the contemporary aspects of Land art
. Starting on 17 September 2011, the programme
is linked to the 40th anniversary
of the creation of Robert Smithson
's film Broken Circle/Spiral Hill
in Emmen for the exhibition Sonsbeek 1971.
will continue in 2012–13, with a series of 'assignments' to contemporary artists "a number of artists will be set the assignment of creating a work in the spirit of Smithson, whereby the landscape is viewed as a continual process that is constantly in a state of transformation due to the interaction between man and nature", to be curated by SKOR
's curators Nils van Beek and Theo Tegelaers. + info...
Land Art Contemporary is an initiative of STICHTING LACDA, Drenthe, a foundation established in 2011 by the Sanders-Ten Holte family. The program has been made possible thanks to (content and financial) support from SKOR | Foundation for Art and Public Domain, Province of Drenthe, European Agricultural Fund for Rural Development: Europe Investing in Rural Areas (LEADER), Municipality of Coevorden, Municipality of Emmen, Cultuurfonds BNG and the Sanders-Ten Holte family.
14 Feb 2010 bik van der pol, Christina Hemauer and Roman Keller, Fucking Good Art, hans schabus, Ilana Halperin, Jan Dibbets, Jorge Satorre, Lara Almarcegui, Marjolijn Dijkman, Paulien Oltheten, Portscapes, SKOR
View of the outside of the Richard Serra Hall / Museum Boijmans Van Beuningen
(Above and below) Ilana Halperin, "A Brief History of Mobile Landmass", 2009–2010.
Christina Hemauer and Roman Keller, "The Postpetrolistic Internationale", 2009–2010
Video and audio installation with wooden stage.
General view of the exhibition. Bik Van der Pol, "Facts on the Ground", 2010. Video. Duration: 23 min. Exhibition of the documentation material produced during the year-long commissioning series of works in and around Rotterdam's port extension project Maasvlakte 2, with works by Lara Almarcegui, Bik van der Pol, Jan Dibbets,Marjolijn Dijkman, Fucking Good Art, Ilana Halperin, Christina Hemauer & Roman Keller,Paulien Oltheten, Jorge Satorre, and Hans Schabus (website collaborators: Maria Barnas (poetry) and Markus Miessen (interviews)).