Courtesy of the artist and SKOR | Foundation for Art in Public Space.
Two of the films produced for 'Portscapes', the year-long programme of public art projects in the Port of Rotterdam curated by Latitudes back in 2009, are currently screened as part of the exhibition 'Scenographies'. The show, curated by Clare Butcher for SMBAAmsterdam, is "a dynamic exhibition programme based around the archive of SKOR | Foundation for Art in Public Space." On view until 16 November 2013, artists and artists' collectives will approach the legacy of SKOR, the former institution that realized more than a thousand projects in public space
in the Netherlands over the past three decades.
If you would like to read the whole interview, please download the text from Latitudes' writing archive. SUM is published twice a year in English/Danish by The Royal Danish Academy of Fine Arts' Schools of Visual Arts. Issue #5 is published with support from The Danish Ministry of Culture's grant for culture magazines and The New Carlsberg Foundation.
Marjolijn Dijkman, Maasvlakte, 2009, Courtesy of the artist.
In the forthcoming issue of Danish magazine SUM#5, Latitudes talks to Rotterdam and Saint Mihiel-based artist Marjolijn Dijkman (1978) about visions of the Earth, cartography, image categorisation, representations of the future and new lands. Marjolijn Dijkman is one of the artists involved in the year-long commissioning series 'Portscapes'. Her film 'Here be dragons' (2009–10) will be premiered in the Museum Boijmans van Beuningen exhibition, opening on the 5th February. SUM#5 will be launched on the 9th December, from 17–19h, at the BKS Garage on Ny Carlsberg Vej 68, Copenhagen V. SUM is published twice a year in English/Danish by The Royal Danish Academy of Fine Arts' Schools of Visual Arts. Issue #5 is published with support from The Danish Ministry of Culture's grant for culture magazines and The New Carlsberg Foundation.
pdf of Karriere. Courtesy of Karriere
Another Denmark-based magazine Karriere#4 (Autumn issue), has published the text 'Big Things:Crunch, Crisis, Change we can believe' by Max Andrews from Latitudes which discusses Mark Boulos' two-screen film installation 'All that is Solid Melts into Air' (2008) and Renzo Martens' feature-length 'Episode III: Enjoy Poverty' (2008). You can download a pdf of Karriere text from Latitudes' writing archive. Karriere is published 3 times a year. Karriere is a free newspaper on contemporary art and social life. Distributed in all major Danish cities, Germany and England via the Walther Koenig Bookstores.
Over 80 visitors enjoyed the 'The Postpetrolistic Internationale' choir performance, a project by the Zurich-based artists Roman Keller & Christina Hemauer as well as the tour around four wasteland sites included in the research publication of the guide 'Wastelands of the Port of Rotterdam' by Rotterdam-based artist Lara Almarcegui.
Invitation design to the exhibition with work by Heman Chong.
'Sequelism Part 3: Possible, Probable or Preferable Futures' (18 July–20 September 2009)Preview: Friday 17 July, 6–8pm Venue: Arnolfini, Bristol, UKArtists: Mariana Castillo Deball (1975, Mexico City. Lives in Berlin/Amsterdam), Heman Chong (1977, Malaysia. Lives in Berlin/Singapore), Graham Gussin (1960, London. Lives in London), Victor Man (1974, Cluj–Napoca. Lives in Cluj–Napoca), Francesc Ruiz (in residency) (1971 Barcelona. Lives in Barcelona/Berlin), Jordan Wolfson (1980, New York. Lives New York/Berlin) and Haegue Yang (1971 Seoul. Lives in Berlin/Seoul) Co-curated by Arnolfini and Latitudes 'Sequelism Part 3: Possible, Probable or Preferable Futures' is a project that looks into the future and at that which is yet to happen. It considers how art and the inexact arena of futurology might be utilised as a means to better comprehend, rethink, obscure, or even colonise the present. Knowledge of current and historical events often plays a role in collective foresight or prognoses of change that is yet to take place. In a similar fashion, futurology could be said to deal with memory in reverse. The project seeks to investigate how prospective visions might be generated for vastly differing reasons, offering great idealism on the one hand, or harnessing political and societal anxiety on the other.
The future is commonly manifested in popular cultural forms, including science fiction, yet how might we look beyond the present without recourse to established genres? To what extent does strategic foresight affect our understanding of the ‘now’ or the ‘when’? Is the future a culturally specific phenomenon that is inherently ‘Western’ in its own gaze and orientation? And just how accurate can we be when imagining the future? The Sequelism project addresses issues and questions such as these. Disputing illustrative organisation around a predetermined thesis, the project itself invites doubt, speculation and to-be-determined outcomes.
Events and screnings Neil Cummings and Marysia Lewandowska Museum Futures: Distributed Screening/Discussion, Saturday 18 July, 2pm, Free
Neil Cummings and Marysia Lewandowska’s film 'Museum Futures: Distributed' (2008) is a machinima record of the centenary interview with Moderna Museet’s executive Ayan Lindquist in June 2058. It explores a possible genealogy for contemporary art practice and its institutions, by reimagining the role of artists, museums, galleries, markets, ‘manufactories’ and academies. The screening will also incorporate a discussion led by Neil Cummings and the curators of the Sequelism exhibition, discussing the future of art institutions.
The Futurological Congress Sequelism Artists’ Screning Programe Screening, Friday 21 August, 7.30pm, £3/£2 concs
A programme of artists’ videos selected by the curators of Sequelism to accompany the exhibition, including works by Marjolijn Dijkman, Jordan Wolfson and Julia Meltzer & David Thorne. Introduced by Nav Haq, Exhibitions Curator, Arnolfini.
David Maljkovic 'Scene for a New Heritage Trilogy Screening' Thursday 17 September, 6.30pm, Free
The films in David Maljkovic’s renowned 'Scene for a New Heritage Trilogy' (2004–6) are set between 2045 and 2071, visualising different encounters with a communist monument at the memorial park at Petrova Gora, Croatia, and speculating on how the meanings of history and monuments change over time.
Roy Ascott Art and Technoetic Evolution: when the Mind outgrows the Body Artist’s talk, Saturday 19 September, 2pm, Free
Artist and theorist Roy Ascott gives a presentation on the recent ideas informing his Technoetics art practice, that has grown out of his long-term research into cybernetic and ‘telematic’ art.
Will Holder Neologisms Workshop Workshop, September, date tbc, Free Booking required, call 0117 917 2300 / 01
A language workshop for young people led by the designer, writer and editor Will Holder for constructing brand new words or ‘neologisms’, inspired by R. Buckminster Fuller’s technique for synthesizing existing words to generate names for new concepts and designs. –
Sequelism is possible thanks to the generous support of the State Corporations for Spanish Cultural Action Abroad (SEACEX), the Direction of Cultural and Scientific Relations of the Spanish Ministry of Foreing Affairs, Institute Ramon Llull, The National Arts Council Singapore and IFA.