This is the sixth consecutive year [see 2008-9, 2009-10, 2010-11, 2011-12 and 2012–13] that we wave goodbye to the season as many of us say 'hello, holidays' by sharing what has become something of a Latitudes' tradition. Our yearly 'out of office' includes some unseen and 'behind the scenes' moments from the last season. This casual yearly report has always been a welcome opportunity to revise the many photographs that have been buried on hard drives, to reflect on the past year, the fantastic people we met, enriching things we have seen, and to recharge for future challenges.
This post heralds a short period of deceleration of our online activity (that is tending to our inbox, as well as this blog, Facebook and Twitter). We'll take a short break during August, but will be back in September with renewed energy. Until then, have a great summer break/Feliz verano dear readers!
11–16 October 2013: 'Agora', Athens Biennial 4, Greece. Read the full report here.
|Beautiful Acropolis floor.|
Afternoon light over the façade of the National Archaeological Museum.
An astonishing exhibition presenting severely-eroded antiquities recovered from the legendary shipwreck off the islet of Antikythera, south of the Peloponnese. (Hello, Matthew Monahan and Thomas Houseago!)
21–28 October 2013: As part of the Young Curators Invitational programme (YCI) coinciding with FIAC, we were invited to visit several institutions, gallery spaces and studios in Paris – Click here to read the full report of that week, or here for the archive of our tweets.
Group photo of the Young Curators Invitational programme (YCI) 2013 participants nearby one of the massive and over-the-top fountains at Versailles. Some 1980s (or maybe 1880s?) dance moves going on for some reason.
We were looking forward to visiting this particular 18th-Century cabinet of curiosities, but only managed to take this one photo before we were told off. It's the Cabinet de Curiosités de Joseph Bonnier de La Mosson, at the Médiathèque of the Muséum National d'Histoire Naturelle at the Jardin des Plantes. Quite a lot of fluff has been written about Cabinets de Curosités and exhibition-making, and some terrible art made in its name, but this slice of history is quite extraordinary, beautiful and shocking and 'very much of its time' to put it mildly. See some better photos here.
November 2013: Seminar for "Curating the present. Theory and practice of the contemporary art exhibition", organised by Tania Pardo, Sergio Rubira and Alberto Sánchez Balmisawith La Casa Encendida, Madrid.
About to begin our lecture...
20 November 2013: At the kind invitation of the wonderful The Common Guild in Glasgow, on 21 November we gave a lecture about the work of Roman Ondák – read the text here. We also took the opportunity to do some
studio visits – see full Report from Glasgow (posted on 4 December) – including Lucy Skaer's exhibition at Tramway; see Max's Frieze review.
25 January 2014: Opening of "The Margins of the Factory" a solo show by Rotterdam-based Iratxe Jaio and Klaas van Gorkum, at ADN Platform in Sant Cugat (Barcelona). Photos of the show here, reviews and exhibition leaflet here and all the social media posts archived here.
|Photo via Facebook of Miguel Ángel Sánchez, posted with the caption: "Curators backing up the artist! The awesome outcome of this team effort at ADN Platform. On view from Saturday 25th".|
Klaas installing the series of photos that form part of Producing time in between other things (2011).
Exhibition guide designed and produced by Latitudes includes texts on each piece and an A3 sized fold-out poster. Download in English and in Spanish.
Nathaniel Mann's opening performance included his singing the Basque popular song “Oi Peio Peio” – a dialogue between a woman worker and her cruel boss, who insists that she carries on working throughout the night. Watch video of the performance here. Photo: Joan Morey
Photo published by Amanda Bernal in her exhibition preview at Tot Sant Cugat.
19–22 February 2013: Since November 2013, Latitudes had been guest Tweeting from @ARCOmeetings, advancing content and profiling the +70 participants of the seven Professional Meetings that took place during ARCOmadrid art fair. During the fair, we live-Tweeted each session as well as the 'III Meeting of
Museums of European and Iberoamerica'. Our reportage and commentary spanned over 1200 Tweets – they're archived here.
Welcoming words by Joao Fernandes, Deputy Director of the Museo Nacional Centro de Arte Reina Sofía, before kicking off the 'III Meeting of
Museums of European and Iberoamerica'.
The "Biennials at the Periphery" session was masterfully moderated by the SITE Santa Fe team.
18 March 2014: Max in conversation with Dutch artist Remco Torenbosch at the Fundació Antoni Tàpies, Barcelona, in the context of his exhibition at NoguerasBlanchard.
|Photo by @priscilaclementti.|
On May 14, we gave a lecture and an afternoon seminar with PhD candidates in Curatorial Practice at MADA | Monash University in Melbourne, focusing on 2012–13 research project #OpenCurating, and in particular the published interviews with the web team from the Walker Art Center in Minneapolis; with Badlands Unlimited in New York; with research curator Steven ten Thije of the Van Abbemuseum in Eindhoven and with Dia Art Foundation Curator, Yasmil Raymond.
Photo: Courtesy MADA.
our Melbourne residency we made more than thirty studio visits, and also met curators,
graphic designers, writers, editors and University professors. We also paid visits to
galleries (Neon Parc, Sarah Scout, Sutton Gallery, Utopian Slumps, Tolarno Gallery, Anna Schwartz Gallery...), bookstores (the jewel-box that is World Food Books),
non-profits, curator-led projects and artist-run-spaces (West Space, Slopes) and of course museums
such MUMA at Monash, the Ian Potter Museum, the National Gallery Victoria, or the fantastic Heide Museum, which hosted a solo show of Emily Floyd (pictured below).
On May 23rd we shadowed a site visit to the fascinating Living Museum of the West (photo below) in Maribyrnong, a social history museum and former industrial site which will be the focus a forthcoming project by West Space with artists Susan Jacobs and Geoff Robinson, among others. Below their analogue archive over interviews, with plenty of cassettes, binders and filing cabinets.
We had one day to explore the stunning Great Ocean Road. We saw a couple of wild koalas as well as local-speciality birdlife including Rufous Bristlebird and Hooded Dotterel, plus many surfers waiting for the perfect wave, before driving back to the city.
26–31 May 2014: Visiting Sydney and the 19th Biennale of Sydney.
A great welcome to Sydney sunset by the Opera House.
Bianca Hester's 'fashioning discontinuities', 2013–14, at Cockotoo Island was one of the (frankly very few) highlights of the 2014 edition of the Sydney Biennale.
One of the best things we saw in Sydney was a one-room show dedicated to 'Tehching Hsieh: One-year performance 1980–1981' at Carriageworks.
Entrance to the artist-run space Alaska Projects, whose creative base camp is level 2 of Kings Cross Car Park.
1 June 2014: Short trip to Hobart in Tasmania to pay a visit to professional gambler and philanthropist David Walsh's extravaganza, the Museum of Old and New Art (MoNA). Despite the tech-geek owner and the 'O' device (iPod devices which function as extended audio guides, digital captions and location trackers), photography is not officially allowed inside the galleries, although you can, in fact, find plenty of shots on social media. Here instead are some views from the museum while waiting for the Bond-villain ferry to take us back to Hobart.
11–14 June 2014: Singapore Curating Lab 2014 begins! This 9-month programme began with a 3h morning lecture by Latitudes, followed by an afternoon workshop in which we asked participants to imagine an institution by defining a succinct "about us" paragraph for three imaginary institutions. Following the root of word "institution" (to establish, to set up), the task involved considering what practices were to be initiated, how programmes were to be established, and for what public. Read more here. Below the Tweets published, explaining each group's task.
14 June 2014: Symposium "When does an exhibition begin and end?", National Library of Singapore. With the participation of Shabbir Hussain Mustafa (Curator, National Gallery Singapore), Charles Lim (artist); Anca Rujoiu and Vera Mey (Curators, CCA — Centre for Contemporary Art, Singapore) and artist Shubigi Rao.
Symposium moderators taking notes during the conference. Photo via @hemanchong
16–20 June 2014: Curating Lab 2004 Overseas Field Trip
to Hong Kong, where participants were introduced to the
programme and spaces of Spring Workshop, Asia Art Archive, Para/Site and
M+. The many tweets published by ourselves and the participants are archived here.
Afternoon discussion at Spring Workshop.
Christodoulous Panayiotou and Philip Wiegard's exhibition at Spring Workshop.
Curating Lab 2014 group photo in Hong Kong airport before boarding to Singapore.
31 July 2014: Master Class for the 2014 Open Set Summer School at Witte de With, Rotterdam. After a lecture on the tour as an artistic/curatorial format, participants work towards developing prototype guided tours for Rotterdam. More photos here.
Also great to finally be able to visit "The Part In The Story Where A Part Becomes A Part Of Something Else" exhibition curated by Heman Chong and Samuel Saelemakers at Witte de With, the epilogue to Moderation(s). Here interacting with Haegue Yang's 'Sonic Nickel Dance' (2013).
The night before the workshop, a great catch up a picnic with 'Portscapes' collaborators (Liesbeth Bik & Jos van der Pol, better known as Bik van der Pol, Lara Almarcegui, Nienke Terpsma and Rob Hamelijnck of Fucking Good Art and graphic designer Samira Ben Laloua). Ahhh, good memories!
During the past weeks we've been proofreading layouts with documentation of our 2013 residency and four "Incidents of Travel" tours we realised in Hong Kong, our contribution to the forthcoming publication "Terms & Conditions" published by Witte de With, Rotterdam as part of the Moderation(s) project steered by Heman Chong.
In the past months, Max Andrews has published the following texts in frieze magazine: Exhibition review of Pablo Helguera's ‘Librería Donceles’ (Donceles Bookshop, 2013) at Kent Fine Art, New York, issue 160, January–February 2014; Review of Lucy Skaer's solo show at Glasgow's Tramway, issue 161, March 2014; Postcard "On a Shoestring. Institutions in Catalonia", issue 158, October 2013; and a Focus, Iratxe Jaio and Klaas van Gorkum, Issue 157, September 2013. Max has also contributed to the publication that will accompany the forthcoming Frieze Art Fair, London (out in October 2014).
In January 2014, Mariana wrote a text on Time/Bank
for the digital catalogue of the exhibition "7.000.000.000" curated by
Arlandis/Marroquí for the Espai d'art Contemporani Castelló (EACC).
17 July 2014: Jointly published an art-agenda review on Andrea Buttner's "Tische" show at NoguerasBlanchard, Barcelona.
of the most widely-read blog posts of the year has been the analysis of the 2013
report that the Ministry of Education, Culture and Sports dedicated to
the state of culture in Spain (La cultura en España (2a parte): estadísticas, cifras y porcentajes del 2013, a follow up to the 2012 analysis), quite symptomatic of what has been another difficult year for the cultural sector.
|View of Andrea Büttner, Tische, NoguerasBlanchard, Barcelona,
2014. Courtesy of NoguerasBlanchard, Barcelona. All photos by
Latitudes' "out of office" photo album 2008-9, 30 July 2009
Latitudes 'out of office' photo album 2009–10 season, 30 July 2010
Latitudes 'out of office' photo album 2010–11 season, 1 August 2011
Latitudes' "out of office" photo album 2011–2012, 31 July 2012
Latitudes' "out of office" photo album, 2012–2013 season, 31 July 2013
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