Addressing the format of the
exhibition in terms of duration and process, the public symposium "When Does an Exhibition
Begin and End?" on June 14th, will consist
of two complimentary sessions with the participation of curators and artists who will reflect on exhibitions'
capacity to articulate its own making and incorporate its own history.
In the same way that the Internet has untethered television from fixed
schedules and newspapers from print deadlines, the symposium will
further ponder on how the exhibition and today's art institutions are
undergoing similar transformations. Is an ongoing production of discourse and research accountability increasingly expected of curators? Are artists engaging differently with new channels for the documentation and distribution of their work and what contextualises it? Should exhibitions embrace or resist becoming more like broadcasting or live-publishing? "When Does an Exhibition Begin and End?" will consider how exhibitions produce knowledge through the format of conversations between curators and artists.
In the first session Shabbir Hussain Mustafa (Curator, National Gallery Singapore) and artist Charles Lim will talk about their ongoing professional collaboration including Lim's long-term SEA STATE project and the related solo exhibition In Search of Raffles’ Light (NUS Museum, 24 October 2013–27 April 2014). Mustafa and Lim will address these projects' engagement with the maritime history of Singapore in its intersection with the present while speculating about their approach to future exhibitions, including their forthcoming collaboration for the Singapore Pavilion at the 2015 Venice Biennale.
In the second session Anca Rujoiu and Vera Mey (Curators, CCA — Centre for Contemporary Art, Singapore) will discuss their recent project "The Disappearance" (CCA, 5–6 April 2013), which took place during the dismantling of a previous exhibition "as a durational event unfolding over two days including a continuous series of manifestations". Rujoiu and May will be joined by participating artist Shubigi Rao to discuss her project "Visual snow" (2014), presented during "The Disappearance" as an ongoing part of her biographical study of "the reclusive S. Raoul".
Within the context of Curating Lab 2014, "When Does An Exhibition Begin and End?" will be treated as an occasion to reflect on the role of a symposium and its public within curatorial practice. It will count on the
engagement of Curatorial-Intensive participants who will be
live-tweeting proceedings, mapping concepts of the discussions, and
devising an approach to documenting and reporting the day for those
not physically present.