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Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

Cover Story—February 2020: Carioca Incidents

Latitudes' homepage www.lttds.org

The February 2020 monthly Cover Story ‘Carioca Incidents’ homepage: www.lttds.org 

“My idea is to take a stroll around the natural wonders of the city, its colonial past, imperial Brazil … and end on the beach.” Artist Daniel Steegmann Mangrané’s succinct recipe for the latest instalment of Incidents (of Travel), narrated by curator Catalina Lozano, led to a startlingly heady stew of a day in and around Rio de Janeiro.”

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February 2020, this story will be archived here

Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial activities.

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Tenth episode of ‘Incidents (of Travel)’ – Dispatch by Catalina Lozano and Daniel Steegmann Mangrané from Rio de Janeiro

http://incidents.kadist.org
 
A new episode of ‘Incidents (of Travel)’ is now available on http://incidents.kadist.org — an online project produced by KADIST and edited by Latitudes exploring the chartered itinerary as a format of artistic encounter and an extended offline conversation between curator/s and artist/s.
 

The tenth dispatch begins with an itinerary proposed by Barcelona-born, Rio de Janeiro-based artist Daniel Steegmann Mangrané and is followed by images and videos recording a day roaming Rio's natural and artistic landscapes with Bogotá-born, Mexico City-based curator Catalina Lozano, who narrates their day spent together.

The site has been redesigned to present one continuous immersive read interwoven with vertical videos and images in a new mobile-friendly format.



Incidents (of Travel)’ was conceived by Latitudes in 2012 with 5 day-long artist-led tours around Mexico City presented as part of a short residency and exhibition on Latitudes’ practice at Casa del Lago. The project had sequels in 2013 in Hong Kong with online dispatches published live via social media platforms, and in San Francisco in 2015 with daily posts as part of Kadist's Instagram take over “Artist Not In The Studio Curator Not At The Office”.

In 2016 Kadist and Latitudes partnered in a new ‘distributed’ phase of ‘Incidents (of Travel)’ extending the invitation to curators and artists working around the world, and publishing their dispatches as an Online Project.

Conversations have taken place in Reykjavík (Iceland), Buenos Aires (Argentina), Hobart (Tasmania), Yerevan (Armenia), Terengganu (Malaysia), Lisbon (Portugal), Suzhou (China), Jinja (Uganda) and Chicago (US). 


The first dispatch launched in April 2016 with an itinerary by curator Yesomi Umolu and artist Harold Mendez from Chicago – a day photographed by Nabiha Khan


The second dispatch came from Jinja in Uganda, where curator Moses Serubiri invited photographer Mohsen Taha to explore Jinja's Indian architectural legacy and Idi Amin's notorious expulsion of Uganda's Asian minority in 1972.


The third episode took place while curator Yu Ji and poet Xiao Kaiyu hiked on Dong Shan (East Mountain), 130 km west of Shanghai, on a peninsula stretching into Tai Hu lake near the city of Suzhou, China.


The fourth dispatch came from Lisbon, where Galician curator Pedro de Llano visited key locations that marked the life and work of Luisa Cunha.


The fifth episode took place in April 2016, when curator Simon Soon and artist chi too visited the Malaysian North Eastern state of Terengganu, where chi spent some time in 2013, surrounded by "men and women who work(ed) multiple jobs as a fishermen, housebuilders, boat builders, farmers, coconut pickers, food producers, and everything else that matters." 


The sixth episode narrates a walking itinerary conducted by curator Marianna Hovhannisyan with Vardan Kilichyan, Gohar Hosyan, and Anaida Verdyan in Yerevan, the capital of Armenia, documenting the transformed, disappeared, or permanently-closed art institutions in the city centre.


The seventh episode comes from Hobart, capital of Tasmania. It is narrated by curator Camila Marambio, following an itinerary devised by artist Lucy Bleach. They spent the day "encircling the outer limits of human understanding by visiting the histories, both past, and present, of attempts to reach beyond our sensory capacities through governance, technology, and reverie", and ended the day cooking at Lucy's home-sharing their mutual love for quinces.


In the eighth 'Incidents (of Travel)' dispatch Móvil co-founder and curator Alejandra Aguado followed the itinerary devised by the artist Diego Bianchi around Buenos Aires, Argentina. 

Their exploration took them from the self-regulated community Velatropa to the buzzing commercial area of Once, identifying human and non-human flows and interactions. This became an entry point for discussing Bianchi's interests in how, as consumers, we define a particular zeitgeist and appropriate trends that enable us to affirm our identities.

In the ninth dispatch, Canadian curator Becky Forsythe and Icelandic artist Þorgerður Ólafsdóttir navigate Reykjavík's surroundings considering Þorgerður's “current interest in Icelandic Spar (a form of transparent calcite), its double refraction and light-polarizing properties. In a race with daylight, they travel between sites, collecting moments and considering the ways in which geologic time surfaces in the context of human time.”


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Latitudes is a curatorial office based in Barcelona that works internationally across contemporary art practices. It was initiated in 2005 by Max Andrews and Mariana Cánepa Luna. +info

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