Longitudes

Publication "A Chronology of Energy- and Art-Related Developments (2013, ongoing)" edited by Christina Hemauer and Roman Keller

Photo: Edizioni Periferia.

Last week we received a copy of the wonderful publication by Zürich-based artists Christina Hemauer and Roman Keller, with whom we have collaborated twice in the past, on the Portscapes commission series in 2009 (see photos of project here and a 'making of' video here) and on their solo exhibition 'United Alternative Energies' in 2011 in Kunsthal Århus, Denmark.  

Christina Hemauer and Roman Keller maintain the thesis that throughout history, culture and energy have been reciprocal entities: technological change determines cultural achievements and vice versa.

 Title page with contributors names. This and the following photos: Latitudes.

Their publication "A Chronology of Energy-Related Developments (2013, ongoing)" is based on the appendix of the six-volume "Encyclopedia of Energy" (2004). Its 64-page appendix sums up historical events of relevance to energy since the existence of Earth. In collaboration with 32 art historians (including Steven Jacobs, Andreas Vogel, Dorothee Messmer), curators (including Fiona Parry, Pedro de Llano and ourselves) and cultural theorists (including Yvonne Volkart, Anke Hoffmann, Rolf-Peter Sieferle) and concluding with an epilogue by Bice Curiger, former Kunsthaus Zürich's curator, the artists have supplemented the appendix (white pages) with «art-related» entries (yellow pages) in words and pictures.

Endpapers of the publication based on the appendix of the six-volume "Encyclopedia of Energy" (2004).

Latitudes contributed six entries, those of 1901 (Giacomo Balla's "Street Light"), 1956 (Atsuko Tanaka's "Electric Dress"), two entries for 1972 (Victor Grippo's "Energy of a Potato" and Gustav Metzger's "Project for Stockholm (phase 1)", ca. 1987 (Fischli & Weiss's "The Way Things Go") and 2003 (Simon Starling's "Tabernas Desert Run").


The book was made possible by a Dr. Georg und Josi Guggenheim-Stiftung 2012 grant.

Christina Hemauer & Roman Keller
182 pages, 20 x 27 cm, in two colours, linen binding
Edizioni Periferia
ISBN: 978-3-906016-24-5
CHF 38 / EUR 30

Purchase here.



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All photos: Latitudes (except when noted otherwise in the photo caption)

2012 "Frieze week" in pictures

A report in pictures from Frieze London (now in its 10th year!) & the inaugural Frieze Masters (11–14 October) as well as concurrent shows in London.


Rirkrit Tiravanija light box at Koo Jeog A floor at the stand of Pilar Corrias.

"Colosseum of the Consumed" by Grizedale Arts & Yangjiang Group was one one of the six Frieze Projects this year. (Unfortunately we didn't get a photo of the tomato battles.) There's a nice article about the endeavor over at Another Magazine.
Colosseum of the Consumed: Various advanced pickled food, kimchi and pickled eggs. Would make an interesting breakfast.
Too distracted by the boomerangs and Inuit carvings at Frieze Masters to take many photos, but the stand of Sfeir-Semler presenting works by the Emirati conceptualist Hassan Sharif was a highlight.
Back in the main tent, Geoffrey Farmer – he of the 'leaves of grass' Life magazine work at dOCUMENTA (13) – presented a solo booth with Casey Kaplan.
Chantal Crousel's stands are always immaculate ("What a Load of Rubbish" is by Claire Fontaine, the lamps by Haegue Yang). In the foreground is the seating area with Thomas Bayrle's "La vache qui rit" motif, another of the Frieze Projects.
The Modern Institute/Toby Webster: Simon Starling in the back, Jeremy Deller in the front (a work which refers to this relevation.)


 Adrián Villar Rojas's wonderful concrete and wood sculptures at kurimanzutto.
Aslı Çavuşoğlu's Frieze Project: ""Murder in Three Acts" was inspired by the representation of art in popular media, particularly in television crime series in which the artworks don’t solely exist in the background of the show, but become a vital part of the script: exhibitions function as crime scenes and art works act as murder weapons."
Vitamin Creative Space, with works by Pak Sheung Chuen, was awarded the Best Stand prize. Here, some left hand / right hand peanuts. 


 Thomas Bayrle's funky carpet salutes visitors entering Frieze Art Fair.
And elsewhere in London...
 
Tino Sehgal's Unilever series commission at Tate Modern's Turbine Hall (above and below). Go see it, photos don't do justice to the piece!

Gagosian (Britannia Street): works by the recently departed Franz West.
Detail of Franz West's show at Gagosian (Britannia Street)
 Bjarne Melgaard: A House to Die In until 18 November at ICA London.
Thomas Houseago at Hauser & Wirth
Thomas Houseago at Hauser & Wirth
Fischli & Weiss at Sprüth Magers. More installation shots here.
Sarah Lucas & Franz West at Situation / Sadie Coles (First Floor, 4 New Burlington Place). One of the most interesting shows in town.
Stuart Shave/Modern Art presented David Noonan, nine new silkscreen works on linen.
Ian Kiaer at Alison Jacques Gallery

Theaster Gates at White Cube Bermondsey. The Shard in the background. More info and images of the show (as photos were not allowed inside the gallery) in this Domus interview with Martina Angelotti.
Artist Placement Group 1966-79 at Raven Row. Always beautiful galleries and great shows.
Falke Pisano at Hollybush Gardens.
Mike Bouchet at Hotel.
Klaus Weber at Herald St.
Maureen Paley with the work of Liam Gillick.
The Drawing Room presented the first major exhibition by Paul Sietsema in the UK.
SUNDAY was organised by three of the participating galleries: Croy Nielsen (Berlin), Limoncello (London) and Tulips & Roses (Brussels).
Work by Spartacus Chetwynd at the Turner Prize show at Tate Britain.
And last but not least, a shot from the amazing Tarek Atoui-led musical extravaganza at the Serpentine on 12 October.

All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)


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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Fischli & Weiss premiere their new film 'Parts of a Film with a Rat and a Bear' at the Teatro Arsenale, Milan


As enthusiasts of Peter Fischli & David Weiss' peerless work, we are excited to hear about their upcoming film premiere in Milan: 'Parts of a Film with a Rat and a Bear' (2008). The piece, produced by the Fondazione Nicola Trussardi, Milan, was filmed in the same venue, the spectacular 17th Century Palazzo Litta, that hosted the Trussardi's leg of the artists' survey show 'Flowers & Questions' last February.

In the first two films of their famed 'rat and bear' saga ('The Point of Least Resistance' (1981) & 'The Right Way' (1983)) the artists explore exhibitions, Los Angeles' streets, or the bucolic mountains, dark forests and treacherous ravines of the Swiss Alps, wearing costumes of a giant bear and a rat. With no real aim in mind, the bear and the rat bungle along in folk tales of their own devising – these films are both monumental and intimate, serious and hilarious.



In the new 3-screen film 'Parts of a Film with a Rat and a Bear' (2008), the animals "return to cubhood and wander through the stuccoed, frescoed halls of Palazzo Litta, playing with the bizarre sculptures and peculiar images that inhabit them. Through constant flashbacks and visions of the future, the two look at their own reflected images, encounter themselves in old age, and play with their ancestors in youth, in a constant reversal of roles that seems inspired as much by '2001: A Space Odyssey' as by Grimms’ fairy tales." [1]

Premiere of 'Parts of a Film with a Rat and a Bear' by Peter Fischli & David Weiss

16 February 2009, 6.30pm
Teatro Arsenale
Via Cesare Correnti, 11 / Milan, Italy
Open daily 10 am to 8 pm, from 16 to 22 February 2009
Free admission

Clips from 'The Right Way' and 'The Point of Least Resistance' below:




[1] As described in the Press Release (link here)

Images: Peter Fischli / David Weiss, 'Parts of a Film with a Rat and a Bear', 2008
Video stills - 3 HDV-Videos
Produced by Fondazione Nicola Trussardi, Milan
© The Artists. Courtesy Galerie Eva Presenhuber, Zurich; Monika Sprüth & Philomene Magers, Berlin/London; Matthew Marks Gallery, New York.

Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

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2005—2019