Longitudes

Installation views of the 'Portscapes' exhibition, Museum Boijmans Van Beuningen, Rotterdam, on view until 25 April. Free entrance.

View of the outside of the Richard Serra Hall / Museum Boijmans Van Beuningen

(Above and below) Ilana Halperin, "A Brief History of Mobile Landmass", 2009–2010.


Christina Hemauer and Roman Keller, "The Postpetrolistic Internationale", 2009–2010
Video and audio installation with wooden stage.
 General view of the exhibition.
Bik Van der Pol, "Facts on the Ground", 2010. Video. Duration: 23 min.

Exhibition of the documentation material produced during the year-long commissioning series of works in and around Rotterdam's port extension project Maasvlakte 2, with works by Lara Almarcegui, Bik van der Pol, Jan Dibbets,Marjolijn Dijkman, Fucking Good Art, Ilana Halperin, Christina Hemauer & Roman Keller,Paulien Oltheten, Jorge Satorre, and Hans Schabus (website collaborators: Maria Barnas (poetry) and Markus Miessen (interviews)).


On view at the Museum Boijmans Van Beuningen until 25 April. Entrance free.

More images of the exhibition here.
More images of each commission here.
'Making of' videos here.

Museum Boijmans Van Beuningen, Museumpark 18-20, 3015 CX Rotterdam, The Netherlands
Opening hours: Tue–Sun 11.00 to 17.00

All images: Latitudes | www.lttds.org

Latitudes partner platform for the Future Generation Art Prize

PinchukArtCentre has named Latitudes as one of a number of non-profit arts organizations acting as platform partners, who will support the Prize by communicating with artists and arts professionals in their regions.

The Future Generation Art Prize is a world-wide art prize of 100,000 USD. It is open to all artists up to the age of 35. The prize is established to discover and provide long-term support for a generation of emerging artists, wherever they may live and work.
The biennial Prize is distinguished by its global dimension; its focus on a young generation of artists; its open and democratic online application process; the long-term commitment of leading artists of our time; a distinguished Board, Jury and Selection Committee; an exhibition of shortlisted artists at the PinchukArtCentre in Kiev, one of the largest and most active new contemporary art institutions in Europe; and an award of 100,000 USD, to be conferred by a respected international jury.

The jurors are:
Daniel Birnbaum (Sweden) — Director of the Städelschule Art Academy, Frankfurt am Main; Director of the Venice Biennale 2009 Okwui Enwezor (Nigeria) — Director of Documenta XI; Former Dean of Academic Affairs and Senior Vice President at San Francisco Art Institute Yuko Hasegawa (Japan) — Chief Curator of the Museum of Contemporary Art Tokyo (MOT); former Chief Curator of the 21st Century Museum of Contemporary Art, Kanazawa Ivo Mesquita (Brazil) — Chief Curator at the Pinacoteca do Estado de São Paulo; Curator of the 2008 São Paolo Biennial, Eckhard Schneider (Germany) — General Director of the PinchukArtCentre Robert Storr (USA) — Dean of the Yale University School of Art; Director of the Venice Biennale 2007 Ai Weiwei (China) — artist.

The application procedure opened on January 18 and will last
until April 18, 2010. 20 shortlisted artists will show their work in an exhibition at the PinchukArtCentre. The jury will select one main Prize winner who will receive a total of 100,000 USD (60,000 USD as a cash award, and 40,000 USD toward the production of new work). An additional 20,000 USD will be allotted to fund artist-in-residency programs for up to five other special prize winners. Images of works by all the shortlisted artists will be posted on the PAC website, and the public will be invited to vote via the Internet for People's Choice Prize.
Partner platforms (evolving list):
ArtHub, China arthubasia.org
Capacete, Brazil
www.capacete.net
Via Farini, Milan
www.viafarini.org
Laxart, Los Angeles
www.laxart.org
L'apartement 22, Maroc
www.appartement22.com
ARTIS, Israel
www.artisrael.org
BAIBAKOV, Moscow
baibakovartprojects.com/en/
Loop, Seoul
www.galleryloop.com
KHOJ, India
www.khojworkshop.orga
San Art, Vietnam
www.san-art.org
Para/Site, Hong Kong
www.para-site.org.hk
Latitudes, Barcelona www.lttds.org


Gertrude Contemporary Art Spaces, Melbourne www.gertrude.org.au
Las Orejas Rojas, Colombia www.orejaroja.net
Lugar a Dudas, Cali, Colombia www.lugaradudas.org

'Portscapes' "making of" videos on Latitudes' YouTube Channel




We just opened a Latitudes' YouTube Channel with ten 'behind the scenes' videos from 'Portscapes', the evolving series of art projects presented and produced throughout 2009 in and around the port of Rotterdam. The videos present short interviews with the artists (Lara Almarcegui, Jan Dibbets (part 1 and part 2), Marjolijn Dijkman, Fucking Good Art, Ilana Halperin, Christina Hemauer & Roman Keller, Paulien Oltheten, Jorge Satorre, Hans Schabus) and an introduction to the project by SKOR curator Theo Tegelaers and Ria Haagsma, Senior Communications advisor of the Port of Rotterdam Authority.

Latitudes' YouTube Channel also includes documentation of an action with Lawrence Weiner in the context of his 2008 Fundació Suñol exhibition 'THE CREST OF A WAVE' as well as Ignasi Aballí whitewashing a window for his exhibition 'Something, or nothing' in the Suitcase Art Projects, Beijing.

...a year ago on the Maasvlakte beach, Rotterdam

Production stills while filming the 1969 '12 Hours Tide Object with Correction of Perspective', in the Dutch coast near Zandvoort. The film was consequently included in Gerry Schum's Land Art TV.

Production stills, '6 Hours Tide Object with Correction of Perspective' in Maasvlakte beach, 8 February 2009. Photos: Latitudes, Paloma Polo/SKOR and Freek van Arkel.
 
The inaugural Portscapes project took place a year ago on Sunday 8 February with the filming of a new version of Jan Dibbets' 12 Hours Tide Object with Correction of Perspective, newly titled 6 Hours Tide Object with Correction of Perspective.

Dibbets realised the original version of this classic work on the Dutch coast near Zandvoort in February 1969 and this 'second attempt' (the artist rejects the notion of a ‘remake’) was shot forty years later to the month, in February 2009 on a beach that will disappear with the construction of Maasvlakte 2. The eight minute film was premiered in the FutureLand visitor centre every Sunday during June 2009 and was screened on loop in New York, during Latitudes' participation in the non-profit festival 'No Soul for Sale' (24–28 June).

6 Hours Tide Object
... records the drawing of a trapezoid shape in the sand during low tide using a bulldozer which drives back and forth along the beach. The shape consequently appears as a rectangular ‘frame’ in the resultant film due to the angle of perspective distortion in being shot from an elevated platform. Subsequently, the incoming tide washes it away. A formalistic reflection on geometry, representational illusion and the camera-’eye’, Dibbets reasserts the freshness of this fleeting filmed action with no hint of nostalgia. Within the context of the development of Maasvlakte 2 the work allows our fresh interpretations: concerning the physical modification of Dutch coastline, or new perspectives of construction, destruction and change, for example.

Watch the 'making of' by Olaf Schuur.
6 Hours Tide Object... was produced in the context of 'Portscapes', an accumulative series of ten new commissions by initiated by the Port of Rotterdam Authority with advice and financial support from SKOR (Foundation Art and Public Space, Amsterdam) curated by Latitudes, Barcelona.

An exhibition is currently on view at the Museum Boijmans Van Beuningen with the resulting works realised throughout 2009. On view until 25 April 2010 - free entrance.

'Portscapes' exhibition, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands, 30 January–25 April 2010. Reception: 5 February, 8pm

Lara Almarcegui 'A Guide to the Wastelands of the Port of Rotterdam' (2009). Photo: Latitudes


Bik van der Pol, still of the film 'Facts on the Ground' (2009–10). Photo: Bik van der Pol

Jan Dibbets, Production stills while filming '6 Hours Tide Object With Correction of Perspective' (2009). Photos: Latitudes, Paloma Polo/SKOR and Freek van Aarkel.
Marjolijn Dijkman, 'Here be dragons' (2009), image presented on a billboard. The second part of her project, the film 'Surviving New Island' (2009–10) will be premiered during the exhibition.


Fucking Good Art / Rob Hamelijnck & Nienke Terpsma 'Portscapes_ON AIR / Station Maasvlakte' (2009). 


Ilana Halperin, 'A Brief History of Mobile Landmass' (2009–10), audioguide. Photo: Chantal Karnaat.
Paulien Oltheten, Great if two pairs of legs are synchronized for a moment, (2009). Photo: Ben Wind.


Christina Hemauer & Roman Keller, 'The Postpetrolistic Internationale' (2009–10). Photo: Paloma Polo / SKOR.


Jorge Satorre in collaboration with Jorge Aviña, 'The Erratic. Measuring Compensation' (2010). Courtesy of the artist.



Hans Schabus, 'Europahaven, Rotterdam, 17 juni 2009' (2009) (c) the artist

'Portscapes'
Museum Boijmans Van Beuningen, Rotterdam, The Netherlands
30 January–25 April 2010. Reception: Friday 5 February, 8pm.
Free entrance

Project website: www.portscapes.nl
Projects chronology: http://www.dipity.com/latitudes/PORTSCAPES

 
Works by Lara Almarcegui (Spain/Netherlands), Bik van der Pol (Netherlands), Jan Dibbets (Netherlands), Marjolijn Dijkman (Netherlands), Fucking Good Art (Netherlands), Ilana Halperin (US/Scotland), Christina Hemauer & Roman Keller (Switzerland), Paulien Oltheten (Netherlands), Jorge Satorre (Mexico), Hans Schabus (Austria), as well as work by the website collaborators Maria Barnas (poetry) and Markus Miessen (interviews).

'Portscapes' will present the results of works commissioned by the Port of Rotterdam realised throughout 2009 by 10 (inter)national artists on the occasion of the beginning of the construction of Maasvlakte 2 – the 2,000-hectare land supplementation project to extend Rotterdam's port, Europe's largest seaport and industrial area. 'Portscapes' has encompassed new projects of various scales under the leitmotif itineraries and destinationsartist-led tours, film screenings, billboards and the production of film and photographic works, audio-guides, radio broadcast and field guides. + info...

The films by Rotterdam-based artists Bik van der Pol and Marjolijn Dijkman, 'Facts on the Ground' (2009–10) and 'Surviving New Land' (2009–10) respectively, will be presented for the first time coinciding with the exhibition.

Overtreders W, the designers of the exhibition, have created semi-transparent display structures for the museum’s Richard Serra Hall, using industrial materials based on the format of cargo containers.

A catalogue (€12,50) and a special-edition catalogue (€50) designed by Ben Laloua/Didier Pascal is co-published by SKOR and the Port of Rotterdam Authority on the occasion of the exhibition. The special-edition includes filmed interviews with the artists as well as the DVD of '6 Hours Tide Object with Correction of Perspective' (2009), the film produced by Jan Dibbets for 'Portscapes'. Publication available at the Museum Boijmans's shop or can be ordered via SKOR by writing to [email protected] or calling +31(0)20 672 25 25


Portscapes was commissioned by the Port of Rotterdam Authority with advice and support from SKOR (Foundation for Art and Public Space, Amsterdam) and was curated by Latitudes, Barcelona.

Serra Hall, Museum Boijmans Van Beuningen
Museumpark 20 | 3015 CX Rotterdam, Netherlands
Opening hours: Tue–Sun 11–17h
Free entrance to the exhibition
Press enquiries: Nienke van Beers, Tel: +31(0)20- 672 25 25, [email protected]

Re-designed Latitudes website / Nuevo diseño de la web de Latitudes

www.LTTDS.org

-Redesigned and wider navigation interface with a drop down menu replacing the previous floating menu bar | Interfaz rediseñada, amplia navegación con un menú desplegable que sustituye a la barra de menú

-Full integration with Latitudes' flickr photos – all website galleries are now embedded from flickr. Improved 'Newsletter archive' and 'Press' pages | Integración completa de las galerías de fotos con los álbums en flickr. Nuevo diseño del archivo newsletters y de la página prensa

-Streamlined 'Projects' navigation – 'Conferences, Talks and Residencies' have been moved out of 'Projects' into an expanded 'About' section | Mejora de la sección 'Proyectos': 'Conferencias, charlas y residencias' se han movido a una nueva y ampliada sección bajo 'Acerca de'

- iPhone/Touch/Android enabled, and for the technical or typographically minded, the website now features embedded webfonts for titles! – to see these, you'll need at least Firefox 3.5; IE 4; Safari 3.1; or Chrome 3 | La nueva web es compatible con la navegación en iPhone, Touch o Android, y para los más técnicos o amantes de la tipografía hemos integrado webfonts en los títulos (para verlo necesitarás Firefox 3.5, IE 4, Safari 3.1 o Chrome 3).

Portscapes: Jorge Satorre returns an ice-age boulder back to Sweden


Jorge Satorre's project for Portscapes had its beginnings in the eastern part of the Netherlands with a 3-tonne gneissic granite rock from the Svecofennian age, approximately 1.9 billion years ago. Following the artist’s fascination with the environmental compensation practices being instigated alongside the construction of Maasvlakte 2, his project consisted of returning the rock to where it once came from in Sweden – an act of synthetic restitution and transnational sculptural offsetting. 

The boulder has now found a permanent home at the Wanås Foundation, near Knislinge in southern Sweden [1]. The boulder was transported from Erica, in the north east of The Netherlands, to Knislinge at the beginning of January (see report on the Swedish newspaper Kristianstadsbladet).


 
Not insignificantly, the celebrated Land art work 'Broken Circle' (1971) by Robert Smithson, sited in a working quarry near Emmen, incorporates such a seemingly immovable boulder at its centre. Satorre’s reverse geological gesture is also reflected in the fact that much of the existing and future sea defence in the port area will be made from rock brought from Scandinavia. The artists offers an account of the process through drawings, which incorporates both actual and imagined details. One such detail depicts an imagined protest at the beginning of the boulder’s homeward journey – see post 2 October 2009.


Jorge Satorre's project was produced in the context of 'Portscapes', an accumulative series of newly commissioned projects produced in the context of the 2,000 hectare extension to the Port of Rotterdam, the project Maasvlakte 2.

An exhibition with 'Portscapes' projects will be on view at the
Museum Boijmans van Beuningen, Rotterdam between 30 January and 25 April 2010 (Reception: Friday 5 February, 20h).

Portscapes was commissioned by the Port of Rotterdam Authority with advice and support from SKOR (Foundation Art and Public Space, Amsterdam) and was curated by Latitudes.


[FOOTNOTE 1] The foundation estate encompasses a medieval castle, an organic farm, and a sculpture park which since 1987 has hosted a number of permanent works by international artists.

Images: Journey and placement of the boulder from the newspaper Kristianstadsbladet; Drawings of 'The Erratic. Measuring Compensation' (2009), courtesy of the artist.

PAC Murcia 2010: 'Dominó Caníbal', a year-long 'cannibalistic' exhibition project

The year-long exhibition project DOMINÓ CANÍBAL will use a single venue, the 18th century convent church Sala Verónicas, over a period of twelve months. Starting with the sculptor, essayist and poet Jimmie Durham, each successive artist [Cristina Lucas (March 26th), The Bruce High Quality Foundation (May 21st – see images of their 'temporary office' for Latitudes' participation in 'No Soul for Sale'), Kendell Geers (July 9th), Tania Bruguera (September 24th), Rivane Neuenschwander (November 12th) and Francis Alÿs (December 17th)] will create his/her work based on what was created by the preceding artist, either destroying it, appropriating or reinterpreting it.

Jimmie Durham's exhibition will open on Monday 25th January, and will be preceded by a conversation between him and Cuauhtémoc Medina, curator of 'Dominó Caníbal', on Friday 22 January, 6pm at CENDEAC.
Below images of the artist during his recent site visits to Murcia and surroundings. 


 As PAC 2010 curator Cuauhtémoc Medina has stated “my starting point is the operation of the game of dominoes, which is a very widespread transcultural point of production. (...) From the ideological use of the so-called “domino effect” brings to mind the terrors of the Cold War and beyond”. Here "the creative process depends on observation and interaction with the previous moves, instead of viewing itself as the production of some unique and conclusive image." (1)


The ongoing creative process taking place in Sala Verónicas will be filmed in real time and on view at the PAC MURCIA website (www.pacmurcia.es).

As with the previous PAC in 2008 (see Latitudes' posts here and here) a series of activities are running parallel to PAC 2010: a seminar organised in collaboration with CENDEAC (Centro de Documentación y Estudios Avanzados de Arte Contemporáneo), a programme of exhibitions in art galleries in the region and series residences for artists from Murcia in Europe and America.

Coinciding with this edition of PAC, the
European Biennial for Contemporary Art Manifesta 8 will also take place in Murcia and open on October 1st . The event is curated by three collectives Alexandria Contemporary Art Forum (Egypt), Chamber of Public Secrets (Denmark, Italy, Lebanon) and Tranzit (Austria, Czech Republic, Hungary and Slovakia) (see Latitudes post here and here) with the "aim to engage with Europe’s present-day boundaries with Northern Africa and its interrelations with the Maghreb region." (2)

'Dominó Caníbal'
, January–December 2010, Sala Verónicas, Murcia
Artists: Jimmie Durham (January 22nd) Cristina Lucas (March 26th), Bruce High Quality

Foundation (May 21st), Kendell Geers (July 9th) Tania Bruguera (September 24th),
Rivane Neuenschwander (November 12th) and Francis Alÿs (December 17th).
Curator: Cuauhtémoc Medina
Project Management: Carlos Urroz
Production: PAC Murcia is an initiative of the Department of Education and Culture of the Región de Murcia through its Directorate General of Fine Art and Cultural Goods.
Organiser: Department of Culture & Tourism, Region of Murcia
Press & Communication: Urroz Proyectos, T + 34 915 648 856, [email protected], www.urrozproyectos.com
Project website: www.pacmurcia.es

UPDATE - images of Jimmie Durham's installation. Photos: La Lobera
(1) Curatorial text, available on http://www.pacmurcia.es
(2) Manifesta website
Images: Graphic identity of 'Dominó Caníbal', portraits of Jimmie Durham during his site visits to Murcia and surroundings and interior of Sala Verónicas (Photos: La Lobera). Courtesy PAC Murcia 2010.

Newsletter #19 – January 2010


Newsletter #19 – January 2010
English | Español


Portscapes exhibition reception 5th February, 8pm, at the Museum Boijmans Van Beuningen, Rotterdam. Exhibition runs between 30 January – 25 April 2010.
Latitudes in the press: article by Teresa Sesé, 'De profesión, comisario, 'La Vanguardia', 2 January 2010, pp. 38-39. Read full article here (in Spanish).
If you would like to read previous newsletters, click here.
Check also our Latitudes' at www.lttds.org/blog for further news.
Facebook fan page here
Flickr photosets here

Latitudes en La Vanguardia artículo 'De profesión, Comisario'

lavanguardia2enero2010-web

"Reflexiones entorno a una figura cada vez más influyente en el mundo del arte", artículo por Teresa Sesé, La Vanguardia, 2 Enero 2010, pp. 38-39. Incluye comentarios de Cuauhtémoc Medina, Tania Pardo, Valentín Roma, Rafael Doctor, Rosa Martínez, Latitudes (Max Andrews & Mariana Cánepa Luna) y Chus Martínez.

Longitudes cuts across Latitudes’s projects and research with news, updates, and reportage.

Latitudes | www.LTTDS.org (except when otherwise noted).

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Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

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2005—2020