Longitudes

Report from New York: Gramcsi Monument, visiting critics at ISCP, Carol Bove at The High Line and galleries route

Visit to Thomas Hirschhorn's "Gramcsi Monument", a project produced by Dia Art Foundation at Forest Houses, in south Bronx. Some recent articles on the project are available via Artfagcity's "How Do People Feel About the Gramsci Monument?" and a summary with more reviews via the Gallerist.
 

On the 4th and 12th of September we were 'visiting critics' at the International Studio & Curatorial Program (ISCP) in Bushwick, Brooklyn. The first round included seven visits to the studios of Sofie Thorsen, Niko Luoma, Ramiro Chaves, Mojé Assefjah, Shigeyuki Kihara, Javier Barrios and Tobias Dostal. In the second round (12 visits), we visited Paulien Oltheten (participant in our 2009 project "Portscapes"), Henrjeta Mece, Deva Graf, Bernard Williams, Hugues Reip, Ruth Campau, Tricia Middleton, Savas Bovraz, Sasa Tkacenko, I-Chen Kuo, Mónica Ferreras and Petr Sprincl and collaborator Marie Hájková. A selection of images below.

Back in 2006, Max Andrews of Latitudes edited the publication and wrote the catalogue essay for an exhibition at Victoria Miro Gallery in London of Danish artist John Kørner, also a current resident at ISCP.


(Above) Studio visit with Danish-born, Vienna-based artist Sofie Thorsen.
 (Above) Studio visit with Finnish artist Niko Luoma.
 (Above) Studio visit with Argentinian-born, Mexico City-based artist Ramiro Chaves.
 (Above) Studio visit with Dutch artist Paulien Oltheten.
 (Above) Studio visit with Kurdist-born Turkish-based artist Savas Bovraz, recipient of the 2013 Victor Fellowship of the Hasselblad Foundation.
(Above) Studio visit with Chicago-based artist Bernard Williams.
 (Above) Studio visit with Berlin-based artist Tobias Dostal, creator of this magic trick
you'll be amazed!
  (Above) Studio visit with Canadian artist Tricia Middleton.

On September 11, we joined a tour along the northernmost part of The High Line (the as yet unopened section from 34th to 30th street). Alongside Carol Bove's works (read New Yorker review here), and despite the infernal temperatures, there were amazing views of New York's midtown, soon to disappear with the forthcoming construction of Hudson Yards

 

On Friday 13, we visited a few Chelsea galleries, starting at 18th street with a bombastic show by Matthew Day Jackson show at Hauser Wirth. A concise review of the exhibition in this New Yorker article.
(Above) Ho Chi Minh City and Los Angeles-based collective The Propeller Group at Lombard Freid.

(Above) An overview of 1960s–2000s work by the late John McCracken occupied David Zwirner's spaces.
(Above) Phil Collins at Tanya Bonakdar.


 (Above) "Some Dreamers of the Golden Dream" a cross-generational group show with works by Ed Ruscha, Alex Israel, Alex Hubbard, Julie Becker, Lutz Bacher, and Rachel Harrison— at Greene Naftali Gallery.


(Above) The always great Annette Kelm presents 2013 photographs at Andrew Kreps – on view until November 2nd.


(Above) Claudia Wieser's mirrors, ceramics, wooden sculptures, geometric prints at Marianne Boesky


Barbara Gladstone Gallery showed Damián Ortega's 25 twisted steel sculptures which cast the alphabet with their shadows.


At Metro Pictures, David Maljkovic's show includes the animation "Afterform" – on view until October 19.


(Above) Wonderful photographic work by Leslie Hewitt at Sikkema Jenkins – on view until 5 October. Another short view of the exhibition on this New Yorker article.


(Above) Bortolami Gallery presented paintings by Morgan Fisher based on color swatches from a prefab house company owned by artist father.

(Above and below) Pablo Helguera's "Librería Donceles" at Kent Fine Art (210 11th Avenue, 2nd floor). "Librería Donceles" is an itinerant bookstore of 10,000 used books in Spanish, of virtually every subject, and the only Spanish-language used-book store in the city. On view until 8 November. 


In the Lower East Side, Simon Preston presented one of the best shows in town centered around the new film 'Provenance' (2013) by Chicago-born artist Amy Siegel. The 40min. film documents the interior of homes of avid collectors in New York, London, Belgium and Paris that have furnished their homes with 1950s tables, chairs, settees and desks originally conceived by Le Corbusier and Pierre Jeanneret, for several buildings in Chandigarh, India. Go see it, ends 6 October.


This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter
All photos: Latitudes (except when noted otherwise in the photo caption)

"Host and Ambassador: A Conversation with Yasmil Raymond" Curator of Dia Art Foundation, New York. Seventh in the #OpenCurating research series


Yasmil Raymond has been the curator of Dia Art Foundation in New York since 2009. Previously, between 2004–9, she worked at the Walker Art Center in Minneapolis. At Dia she has organised exhibitions and projects with artists including Jean-Luc Moulène, Yvonne Rainer, Ian Wilson, Robert Whitman, Koo Jeong A, Franz Erhard Walther and Trisha Brown. She is currently working on the retrospective Carl Andre: Sculpture as Place, 1958–2010, due to open in May 2014, as well as on Gramsci Monument, a project by Swiss artist Thomas Hirschhorn that begins this July.
The published text [available via Latitudes' web on pdf and ISSUU format] is a transcription of a conversation between Raymond and Latitudes that took place on 19 February 2013 at the auditorium of the Museu d’Art Contemporani de Barcelona (MACBA), as the public event of Latitudes’ #OpenCurating research. The conversation begins with an overview of this research, followed by a brief introduction to Dia and its projects since 1974. It incorporates “crowd-sourced” questions that were received via Twitter and Facebook, including from Raymond’s current and former work colleagues, and concludes with questions from the audience.  

Interview with Yasmil Raymond available via Latitudes' web as a pdf and in ISSUU format.

 



ABOUT #OPENCURATING

Drawing on the emerging practices of so-called 'Open Journalism' – which seek to better collaborate with and use the ability of anyone to publish and share#OpenCurating is a research project that investigates how contemporary art projects may function beyond the traditional format of exhibition-and-catalogue. #OpenCurating is concerned with new forms of interaction between publics – whether online followers or physical visitors – with artworks and their production, display and discursive context.

The project is articulated around a series of ten new interviews with curators, artists, writers and online strategists published as a free digital edition [read here the published ones so far], a Twitter discussion moderated around the hashtag #OpenCurating and an public conversation with Dia Art Foundation curator which took place at MACBA on the 19 February.

#OpenCurating is a research project by Latitudes produced through La Capella. BCN Producció 2012 of the Institut de Cultura de Barcelona. 










Content partners: Walker Art Center

 




All photos above: Joan Morey

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

#OpenCurating: "Latitudes in conversation with Yasmil Raymond", Curator, Dia Art Foundation, New York. Tuesday 19 February, 19:30h. Auditori MACBA, Barcelona

Dia Art Foundation curator, Yasmil Raymond. Photo: Lina Bertucci

| ENG |
 
"Latitudes in conversation with Yasmil Raymond" 

Tuesday 19 February 2013, 19:30h
Auditori MACBA, Barcelona
Free admission. Limited seating. With simultaneous translation.

This event is part of Latitudes' ongoing #OpenCurating research, which analyses the implications of Web 2.0, participation and transparency for contemporary art production and programming. The core of #OpenCurating is formed through a series of interviews, freely available online, most recently with Steven ten Thije (Van Abbemuseum, Eindhoven), Sònia López and Anna Ramos (MACBA, Barcelona), and Badlands Unlimited (New York).

The conversation with Dia Art Foundation's curator Yasmil Raymond will address Dia's historical identity, the evolving role of the curator, and Raymond's vision in commissioning and preserving art projects. The dialogue will be later transcribed and published as the seventh interview of the #OpenCurating research series.

The evening will incorporate "crowd-sourced" questions by the public previously solicited via Twitter (hashtag #OpenCurating) and Facebook (http://www.facebook.com/LTTDS).

Yasmil Raymond has been Curator at the Dia Art Foundation since 2009, where she has organized exhibitions and projects with artists such as Jean-Luc Moulène (2012); Yvonne Rainer (2011-12); Koo Jeong A (2010-11); Franz Erhard Walther (2010-2012); and Trisha Brown (2009-10). Prior to joining Dia, Raymond worked at the Walker Art Center (2004–2009) in Minneapolis where she organized solo exhibitions with Tomás Saraceno (2009), Tino Sehgal (2007) and group exhibitions including Abstract Resistance (2010); Brave New Worlds (2007, co-curated with Doryun Chong). Raymond studied at The School of the Art Institute of Chicago (1999) and the Center for Curatorial Studies, Bard College (2004).

As a non-profit institution founded in 1974, the Dia Art Foundation is renowned for initiating, supporting, presenting, and preserving art projects. Between 1987 and 2004, the Dia Center for the Arts in Chelsea, New York, saw presented site-specific exhibitions and projects including those by Robert Gober, Jenny Holzer, Jorge Pardo and Pierre Huyghe. Dia:Beacon opened in 2003 in upstate New York, as the home for Dia’s distinguished collection of art from the 1960s to the present. Dia Art Foundation maintains long-term, site-specific projects including Walter De Maria’s The New York Earth Room (1977) and The Broken Kilometer (1979), Max Neuhaus’s Times Square (1977), Joseph Beuys’s 7000 Eichen (7000 Oaks) (1988), and Dan Flavin’s untitled (1996), all in Manhattan; the Dan Flavin Art Institute in Bridgehampton, New York; De Maria’s The Vertical Earth Kilometer (1977) in Kassel, Germany; Robert Smithson’s Spiral Jetty (1970) in the Great Salt Lake, Utah; and De Maria’s The Lightning Field (1977) in Quemado, New Mexico. Currently Dia is developing a project space on West 22nd Street in New York City.


#OpenCurating is a research project by Latitudes produced through BCN Producció 2012. La Capella, Barcelona City Council.   


 






Content partner: Walker Art Center, Minneapolis / walkerart.org





Related posts:
"Host and Ambassador: A Conversation with Yasmil Raymond" Curator of Dia Art Foundation, New York. Seventh in the #OpenCurating research series (7 March 2013)


| ES |

"Latitudes conversa con Yasmil Raymond"

Martes 19 de febrero, 19:30h
Auditori MACBA, BarcelonaEntrada gratuita. Aforo limitado. Con traducción simultánea.  

Este evento es parte del proyecto de investigación #OpenCurating de Latitudes, enfocado en el análisis de las implicaciones de la web 2.0, así como la expectación de participación y transparencia, en la producción y programación de arte contemporáneo. El núcleo de #OpenCurating consiste en una serie de diez entrevistas, disponibles en línea y gratuitas, con artistas, comisarios y escritores tales como Steven ten Thije (Van Abbemuseum, Eindhoven), Sònia López and Anna Ramos (MACBA, Barcelona), y Badlands Unlimited (Nueva York).  

La conversación con la comisaria del Dia Art Foundation, Yasmil Raymond se centrará en la identidad histórica del Dia, la evolución del rol del comisario y la visión de Raymond en el encargo y el comisariado de proyectos artísticos. La charla será posteriormente transcrita y se publicará como la séptima entrevista en la serie #OpenCurating .

La sesión incorporará preguntas previamente enviadas por el público a través de Twitter (@LTTDS con hashtag #OpenCurating) y Facebook (http://www.facebook.com/LTTDS).

Yasmil Raymond ha sido Comisaria del Dia Art Foundation en Nueva York desde el 2009, donde ha organizado exposiciones y proyectos de artistas como Jean-Luc Moulène (2012); Yvonne Rainer (2011–12); Ian Wilson (2011–13); Robert Whitman (2011); Koo Jeong A (2010-11) (2010-11); Franz Erhard Walther (2010-2012); y Trisha Brown (2009–10). Anteriormente Raymond trabajó en el Walker Art Center en Minneapolis, donde organizó exposiciones individuals de Tomás Saraceno (2009), Tino Sehgal (2007) y exposiciones colectivas como Abstract Resistance (2010); Statements: Beuys, Flavin, Judd (2008); y Brave New Worlds (2007, co-comisariada con Doryun Chong). Raymond estudió en The School of the Art Institute of Chicago (1999) y cursó un máster en el Center for Curatorial Studies, Bard College (2004).

Como institución sin ánimo de lucro fundada en el año 1974, el Dia Art Foundation es conocida por haber iniciado, apoyado, presentado y preservado proyectos artísticos. Entre 1987 y 2004, el Dia Center for the Arts en Chelsea, Nueva York, presentó exposiciones y proyectos site-specific de Robert Gober, Jenny Holzer, Jorge Pardo y Pierre Huyghe, entre otros. Dia: Beacon abrió sus puertas en 2003 en el norte del estado de Nueva York, como sede de la distinguida colección de arte desde la década de 1960 hasta la actualidad. Dia Art Foundation mantiene proyectos a largo plazo en sitios específicos tales como The New York Earth Room (1977) y The Broken Kilometer (1979) ambos de Walter De Maria; Times Square (1977) de Max Neuhaus, 7000 Eichen (7000 Oaks) (1988) de Joseph Beuys; untitled (1996) de Dan Flavin, todos en Manhattan; el Dan Flavin Art Institute in Bridgehampton, Nueva York; The Vertical Earth Kilometer (1977) de Walter De Maria en Kassel, Alemania; Spiral Jetty (1970) de Robert Smithson en Great Salt Lake, Utah; y The Lightning Field (1977) Walter De Maria  en Quemado, Nuevo Mexico. En la actualidad, Dia está desarrollando un espacio para proyectos en la calle West 22nd de Nueva York. 

#OpenCurating es un proyecto de investigación de Latitudes producido por La Capella. BCN Producció 2012 del Institut de Cultura de Barcelona. 


 







Content partner: Walker Art Center, Minneapolis / walkerart.org





Contenido relacionado:"Host and Ambassador: A Conversation with Yasmil Raymond" Curator of Dia Art Foundation, New York. Seventh in the #OpenCurating research series (7 de marzo 2013)




This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter
All photos: Latitudes | www.lttds.org (except when noted otherwise in individual photo captions).  
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Longitudes cuts across Latitudes’s projects and research with news, updates, and reportage.

Latitudes | www.LTTDS.org (except when otherwise noted).

Latitudes 2006–2019

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Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

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2005—2019