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Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

Cover Story, January 2022: “Rasmus’ Doubts”

Installation view of Rasmus Nilausen's "Theatre of Doubts" (2021) in the exhibition “Apunts per a un incendi dels ulls”, MACBA Museu d'Art Contemporani de Barcelona (22 October 2021–27 February 2022). Photo: Roberto Ruiz.

The January 2022 monthly Cover Story “Rasmus’ Doubts” is now up on our homepage: www.lttds.org

Hermetic philosopher Giulio Camillo built his Theatre of Memory in Venice in around 1530. Inverting the perspective of ancient theatre, a single spectator could stand on a central “stage” to look out at a wooden auditorium of seven rows of seven pictures. 

 Continue reading

→ After January 2022 this story will be archived here.

Cover Stories are published on a monthly basis on Latitudes' homepage (www.lttds.org) featuring projects, research, writing, artworks, exhibitions, films, objects, and field trips related to past, ongoing or forthcoming endeavours.


→ RELATED CONTENTS
  • Archive of Monthly Cover Stories
  • Cover Story, December 2021: Between Meier and Meller: Toni and Pau at the Teatre Arnau, 1 Dec 2021
  • Cover Story, November 2021: Notes for an Eye Fire, 2 Nov 2021
  • Cover Story, October 2021: Fear and Loathing in Lebanon, 1 Oct 2021
  • Cover Story, September 2021: Erratic behaviour—Latitudes in conversation with Jorge Satorre, 31 August 2021
  • Cover Story–July-August 2021: Panorama: a wide view from a fixed point, 2 July 2021
  • Cover Story–June 2021: ‘Fitness food: Salim Bayri’s Amsterdam’, 1 June 2021
  • Cover Story–May 2021: RAF goes viral, 2 May 2021
  • Cover Story—April 2021: Cover Story – April 2021: Lara Almarcegui at La Panera, 2 Apr 2021
  • Cover Story—March 2021: Eulàlia Rovira's ‘A Knot Which is Not’ (2020–21), 1 mar 2021 
  • Cover Story—February 2021: ‘Straits Time: narrative smuggling in Singapore’, 1 Feb 2021
  • Cover Story–January 2021: ‘Things Things Say’: VIP's Union’, 1 Jan 2021
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Cover Story, December 2021: Between Meier and Meller: Toni and Pau at the Teatre Arnau

  

December 2021 cover story on www.lttds.org


The December 2021 monthly Cover Story “Between Meier and Meller: Toni and Pau at the Teatre Arnau” is now up on our homepage: www.lttds.org

Antoni Hervàs’ La Meiers / La Mellers (2021) is a two-part artwork created for the exhibition Apunts per a un incendi dels ulls (Notes for an Eye Fire) (at MACBA, Barcelona, until 27 February 2022) and inspired by Barcelona’s Teatre Arnau.

 Continue reading

→ After December 2021 this story will be archived here.

Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.


→ RELATED CONTENTS

  • Archive of Monthly Cover Stories
  • Cover Story, November 2021: Notes for an Eye Fire, 2 Nov 2021
  • Cover Story, October 2021: Fear and Loathing in Lebanon, 1 Oct 2021
  • Cover Story, September 2021: Erratic behaviour—Latitudes in conversation with Jorge Satorre, 31 August 2021
  • Cover Story–July-August 2021: Panorama: a wide view from a fixed point, 2 July 2021
  • Cover Story–June 2021: ‘Fitness food: Salim Bayri’s Amsterdam’, 1 June 2021
  • Cover Story–May 2021: RAF goes viral, 2 May 2021
  • Cover Story—April 2021: Cover Story – April 2021: Lara Almarcegui at La Panera, 2 Apr 2021
  • Cover Story—March 2021: Eulàlia Rovira's ‘A Knot Which is Not’ (2020–21), 1 mar 2021 
  • Cover Story—February 2021: ‘Straits Time: narrative smuggling in Singapore’, 1 Feb 2021
  • Cover Story–January 2021: ‘Things Things Say’: VIP's Union’, 1 Jan 2021
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Programa público de “Apuntes para un incendio de los ojos”, MACBA, hasta el 27 febrero 2022

Vistas de la exposición. Fotos: Miquel Coll.


El programa público de la exposición “Apuntes para un incendio de los ojos” (
MACBA, 22 octubre 2021–27 febrero 2022) incluye visitas comentadas, recorridos performativos, visitas cantadas, ensayos abiertos y encuentros. 

Actividades gratuitas. Con inscripción previa. Plazas limitadas.

Cada domingo, 12 h: Visitas comentadas de la exposición a cargo de pli-é collective.

18 noviembre 2021, 18:30 h: Hablemos de... Apuntes para Apuntes con los curadores de la exposición.

20 noviembre 2021, 18:30 h: Ensayo abierto de Ocells perduts (2021) de Laia Estruch
, artista de la exposición.

2 diciembre 2021, 18:30 h: Hablemos de... Cabaret con Antoni Hervàs, artista de la exposición. El itinerario continuará fuera del museo y finalizará en el Teatre Arnau.

9 diciembre 2021, 18:30 h: Hablemos de... Anecdotes to be forgotten (2021). Un recorrido performativo a cargo de Arash Fayez
, artista de la exposición.

20 diciembre 2021, 18:30 h: 
Ensayo abierto de Ocells perduts (2021) de Laia Estruch, artista de la exposición.

13 enero 2022, 18:30 h: Hablemos de... Passió i cartografia per a un incendi dels ulls
, una visita cantada a cargo de Gabriel Ventura y Pere Martínez.

29 enero 2022, 10 h: Sistematurgia de A quatre potes
. Encuentro en la sala del museo con nyamnyam y Pedro Pineda, Lídia Guitart, Curro Claret, Ingrid Guardiola, el equipo curatorial y grupo de participantes de los talleres.

29 enero 2022, 18:30 h: 
Ensayo abierto de Ocells perduts (2021) de Laia Estruch, artista de la exposición.

26 febrero 2022, 18:30 h: 
Ensayo abierto de Ocells perduts (2021) de Laia Estruch, artista de la exposición.

Ensayo de Ocells Perduts (2021) de Laia Estruch. Foto: Eva Font/Latitudes.

Ocupando la segunda planta del MACBAApuntes para un incendio de los ojos reúne obras obras encargadas para la ocasión y producciones recientes realizadas por 17 artistas afincados en Barcelona y alreadedores. La exposición presenta pintura, la escultura, obra en papel, la videoinstalación, la performance, la fotografía y el textil, y se podrá visitar hasta el 27 de febrero 2022.

Apuntes para un incendio de los ojos evoca una potente metáfora que nos lleva a cuestionar el predominio de lo visual y nos alienta a explorar una definición expandida del ver que implique al resto de nuestros sentidos mediante nuevos modos de navegar el mundo, de recordar y de producir conocimiento. La forma ocular adquiere vida propia en la imaginación de esta muestra evocando los panoramas del siglo xviii, y representa los lazos que el museo establece a su alrededor y viceversa, en una época en que quizá reconsideremos qué lugar deberíamos ocupar en el mundo.

Participantes: Ana Domínguez, El Palomar (Mariokissme & R. Marcos Mota), Laia Estruch, Arash Fayez, Antoni Hervàs, Rasmus Nilausen, nyamnyam (Ariadna Rodríguez & Iñaki Álvarez) con Pedro Pineda, Claudia Pagès, Aleix Plademunt, Marria Pratts, Stella Rahola Matutes, Eulàlia Rovira, Ruta de autor (Aymara Arreaza R. & Lorena Bou Linhares), Adrian Schindler, Rosa Tharrats, Gabriel Ventura y Marc Vives.

Apuntes para un incendio de los ojos” está curada por Hiuwai Chu y Latitudes, y coordinada por Berta Cervantes.

Archivo redes sociales

Museu d'Art Contemporani de Barcelona (MACBA)
Plaça dels Àngels 1
08001 Barcelona

#PanoramaMACBA
#apuntsperaunincendidelsulls
#macbaBCN


→ CONTENIDOS RELACIONADOS:

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Cover Story, November 2021: Notes for an Eye Fire

 

November 2021 cover story on www.lttds.org


The November 2021 monthly Cover Story “Notes for an Eye Fire” is now up on our homepage: www.lttds.org

There are days when an event, by the logic of the unforeseen, makes a cut in history and a different world is born. The MACBA exhibition ‘Apunts per a un incendi dels ulls’ (Notes for an Eye Fire) welcomes us after the global reset with a new generation.

 Continue reading

→ After November 2021 this story will be archived here.

Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.


→ RELATED CONTENTS

  • Archive of Monthly Cover Stories
  • Cover Story, October 2021: Fear and Loathing in Lebanon, 1 Oct 2021
  • Cover Story, September 2021: Erratic behaviour—Latitudes in conversation with Jorge Satorre, 31 August 2021
  • Cover Story–July-August 2021: Panorama: a wide view from a fixed point, 2 July 2021
  • Cover Story–June 2021: ‘Fitness food: Salim Bayri’s Amsterdam’, 1 June 2021
  • Cover Story–May 2021: RAF goes viral, 2 May 2021
  • Cover Story—April 2021: Cover Story – April 2021: Lara Almarcegui at La Panera, 2 Apr 2021
  • Cover Story—March 2021: Eulàlia Rovira's ‘A Knot Which is Not’ (2020–21), 1 mar 2021 
  • Cover Story—February 2021: ‘Straits Time: narrative smuggling in Singapore’, 1 Feb 2021
  • Cover Story–January 2021: ‘Things Things Say’: VIP's Union’, 1 Jan 2021
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Opening of the exhibition "Notes for an Eye Fire" at MACBA


The exhibition Notes for an Eye Fire opens on 21 October 2021 at the Museu d'Art Contemporani de Barcelona (MACBA) and will remain on view until 27 February 2022.

Notes for an Eye Fire is the first exhibition of a new series of triennial transdisciplinary projects entitled Panorama, focusing on artistic practices in and around Barcelona. As the “notes” of the title suggests, this group exhibition attempts to jot down, to lay out and to connect without seeking to be in any way definitive.

Notes for an Eye Fire brings together a group of specially commissioned works and recent productions being shown in Barcelona for the first time. It comprises a wide range of disciplines, including painting, sculpture, works on paper, video installation, performance, photography and textiles, and is driven by a desire to defend and verify the making of on-site exhibitions as experiences that envelop us as whole sensing bodies in space.

Participants: Ana Domínguez, El Palomar (Mariokissme & R. Marcos Mota), Laia Estruch, Arash Fayez, Antoni Hervàs, Rasmus Nilausen, nyamnyam (Ariadna Rodríguez & Iñaki Álvarez) with Pedro Pineda, Claudia Pagès, Aleix Plademunt, Marria Pratts, Stella Rahola Matutes, Eulàlia Rovira, Ruta de autor (Aymara Arreaza R. & Lorena Bou Linhares), Adrian Schindler, Rosa Tharrats, Gabriel Ventura, and Marc Vives.

Exhibition leaflet (pdf)
Exhibition website
Social media archive

Museu d'Art Contemporani de Barcelona (MACBA)
Plaça dels Àngels 1
08001 Barcelona

#PanoramaMACBA
#apuntsperaunincendidelsulls
#macbaBCN


RELATED CONTENT:

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Latitudes’ "out of office": wrap up of the 2020-21 season

‘Keep the faith’ banner hanging at the entrance of La Escocesa studio facilities. All photos by Latitudes (unless otherwise noted in the photo caption).

This end of the season post is the thirteenth of the series – see 2008-92009-102010-112011-122012–132013–142014–152015–162016–172017–182018–19, 2019–20 posts. Unlike past years, there was no clear beginning to the 2020–21 season. As many of us experienced, the pandemic put our work and life plans on hold, at worst cancelled. August is usually a strange month for freelancers (at least in our sector and in these southern latitudes), as nothing much happens work-wise. Yet it can be a blessing if one has other activities to push through, such as writing or research, as hardly any work e-mails come into the inbox – even e-flux’s periodicity is reduced!— but it’s also a fearful period for income. 

We have been lucky to be able to work throughout this year on two group exhibitions: ‘Things Things Say’ at the Centre d'Art Contemporani de Barcelona Fabra i Coats (October 2020–January 2021) and the forthcoming ‘Notes for an Eye Fire’ at Museu d'Art Contemporani de Barcelona (MACBA) opening October 21, 2021, which has not only kept us afloat but also made it possible for us to work within our immediate context in times when travel has not been possible or even desired. Here's our 2020-21 from behind the scenes:

5 August 2020: Max’s (Contributing editor, frieze magazine since 2015) review of Daniel G. Andújar show at La Virreina coincided with the new launch of frieze redesigned website.


13 August 2020: Eulàlia Rovira sends us a view of the improvised recording studio she managed to set up at home in order to become the voice of the exhibition ‘Things Things Say’. We are deeply thankful to her for her flexibility and endurance in recording our texts in three languages deep in the summer heat and in the small hours of the night to avoid neighbourhood noises. #ThingsThingsSay


28 August 2020: 
Early meetings with Hiuwai Chu (Curator, MACBA) in preparation for the first Museu d'Art Contemporani de Barcelona's 
Panorama, a new series of recurring group shows focusing on the contemporary regional artistic scene [face masks were momentarily removed for the photo op!]. 
#PanoramaMACBA


31 August 2020: Between June and December 2020, Max was Editor of Season 01 of st_age and of TBA21’s social media. Pictured a "new normality" zoom with TBA21 team across Madrid and Vienna offices, plus team members in Prague, London, Ibiza, Barcelona, etc.  


7 September 2020: After months of communicating by phone and email with Pere Fernàndez Bori, president of the Friends of Fabra i Coats, we are finally able to meet IRL as he showed us around the association offices and archives. We are very thankful to Pere and the Friends of Fabra i Coats for their time and willingness to lend us materials for the exhibition at the Fabra i Coats: Contemporary Art Center of Barcelona. 



7 September 2020: First meeting with Rasmus Nilausen in the museum galleries. #PanoramaMACBA


9 September 2020:
Meeting with Laia Estruch to discuss her participation in MACBA’s Panorama 21. #PanoramaMACBA


15 September 2020: Conversation between Lola Lasurt and Rosa Maria Subirana Torrent, moderated by Ángel Calvo Ulloa, as part of Lasurt’s solo exhibition ‘Children's Games’ at La Capella. The conversation focused on Subirana’s meticulous inventory of the holdings of the first collections of contemporary art donated to the city as coordinator of Miró Year, which included the organisation of Joan Miró’s 1968 retrospective on the grounds of the former Hospital de la Santa Creu, the current venue of La Capella. Video here (Catalan and Spanish). Lasurt’s project was tutored by Latitudes as part of the 2020–21 season of Barcelona Producció.



23 September 2020: Self-timer selfie during our first studio visit with Marria Pratts in L’Hospitalet. #PanoramaMACBA


24 September 2020: As a culmination of Lasurt’s solo exhibition ‘Children’s Games’ at La Capella, and as part of Jordi Ferreiro’s mediation programme Exedra εξέδρα, Lasurt offered to paint a “transitional object” and to display it in a balcony of a neighbour of the Ciutat Vella district. In this case, the transitional object is a train from the cartoon series ‘A little engine that could’ (1991) that Meritxell used to watch on VHS with her grandparents as a child.


Photos: Eva Carasol.

28 September 2020: New episode of Incidents (of Travel) from Cabo Rojo, Puerto Rico went live! In the latest ‘Incidents (of Travel)’ dispatch from Cabo Rojo, in the southwestern corner of Puerto Rico, and on week 23 of lockdown, Sofía Gallisá and Marina Reyes begin a day together by driving to the Cabo Rojo Salt Flats where Sofía researched her film ‘Assimilate & Destroy I’ (2018). 

Incidents (of Travel) is an online project produced by KADIST that explores different corners of the world through chartered day-long travel itineraries as a form of artistic encounters and an extended conversation between a curator and an artist. #IncidentsofTravel


29 September 2020: First video call with El Palomar (Mariokissme and R. Marcos Mota). #PanoramaMACBA


1 October 2020: Beginning of installation of ‘Things Things Say’. Arrival of the works by Stuart Whipps, Sarah Ortmeyer and Annette Kelm at Fabra i Coats. Arterri team transported the pieces from Berlin, Dunkerque and Birmingham to the art centre and were assisted by JBM Muntatges i produccions crew on-site to accommodate the works in the exhibition space. 




A socially distant download of Stuart Whipps's car. 






JBM Muntatges i produccions crew constructing walls.

Painting by J. Roscolor.


Jordà 14 transported the tables and chairs lent by the twenty generous lenders from Barcelona who agreed to participate in Haegue Yang’s ‘VIP’s Union’.

Condition reports by conservator Beatriz Montoliu assisted by two crew members of JBM Muntatges i produccions.

(↑↓ Above and two below) Wall texts and vinyl production by DPR Producció i Exposicions.


JBM Muntatges i produccions’ tools stash in front of Annette Kelm’s photographs.

Cleaning up around Sarah Ortmeyer’s ‘SABOTAGE’. 

17 October 2020: New restrictions against the spread of COVID-19 begin – bars and restaurants would end up closing for a month. The exhibition doors opened with little fanfare at Fabra i Coats although we were grateful that some familiar faces come to join us on this sunny autumn day. 

With curators Veronica Valentini, Andrea Rodriguez and Anna Manubens (curator of Wendelien van Oldenborgh's exhibition on the first and second floor).

19 October 2021: Max’s (Contributing editor, frieze magazine since 2015) review of Eulàlia Rovira’s exhibition ‘Esmorteir l'esmorteït’ at EtHALL, L’Hospitalet de Llobregat (Barcelona) publishes on frieze online.


21 October 2020: 365 days left to open Panorama at MACBA. Co-curators are already in sync! #PanoramaMACBA

Hiuwai and Mariana taking a break after two Zoom conversations.

Revising the Danish Arts Council funding application that thankfully granted support for Rasmus Nilausen’s work to be produced and presented in the forthcoming Panorama 21.

26 October 2020: Video call with Laia Estruch and MACBA’s Eva Font, Hiuwai Chu. #PanoramaMACBA


27 October 2020:
First Teams with MACBA’s communication and press departments. #PanoramaMACBA



30 October 2020: New restrictions apply in Catalonia against the spread of COVID-19 provoking the cancellation of all the activities programmed for ‘Things Things Say’, most importantly the one-time screening of Adrià Julià’s ‘Popcorn’ (2012) at Zumzeig Cinema on November 6 – finally able to be rescheduled and screened on January 8, 2021. Guided tours planned for La Nit dels Museus on November 14 (as well as tours planned for November 25, rescheduled for December 9), all have been cancelled, as well as the weekend free tours of the exhibitions at Fabra i Coats: Contemporary Art Centre of Barcelona

Adrià Julià, ‘Popcorn’ [Palomita], (2012). Vídeo HD, color, sonido. 90 min. Cortesía del artista.


13 November 2020: Continuing with online conversation-studio visits, this time with Arash Fayez#PanoramaMACBA



23 November 2020: Site visit of Laia Estruch to MACBA to discuss options for her sculptural intervention for Panorama 21. #PanoramaMACBA



24 November 2020: Second round of photo documentation of the exhibition ‘Things Things Say’ / ‘Cosas que las cosas dicen’ / ‘Coses que les coses diuen’ at Fabra i Coats: Centre d'Art Contemporani de Barcelona, with photographer Eva Carasol

Photo documentation of the show.


26 November–8 December 2020: One more year, we collaborate with DART Festival 2020 as jury members awarding the best national and international documentary: ‘Tierras construídas’ by Arturo Dueñas (España, 2019. 81 min. Castellano) and ‘The Proposal’ by Jill Magid (México, 2019. 82 min. Inglés). We are accompanied by film critic Quim Casas, and visual artist Jordi Colomer.


1 December 2020: Visiting Stella Rahola’s studio at Piramidón, with fantastic views over the city. #PanoramaMACBA



4 December 2020: Follow up meetings with Rosa Tharrats, Ruta de Autor and Eulàlia Rovira in preparation for the exhibition ‘Panorama 2021’ at the Museu d'Art Contemporani de Barcelona (MACBA). The Head of General services gives us a tour around the building to areas usually not accessible to the public (photography not allowed) to be able to imagine the original structural design by its architect Richard Meier, to remember how the original walls have changed over the years, and paying attention to the scars left from previous exhibitions – aka ‘cadavers’ amongst museum staff. #PanoramaMACBA



Photo: Eulàlia Rovira.


7 December 2020: Follow up meeting with Arash Fayez at the museum. #PanoramaMACBA


10 December 2020: Recording a guided visit of the exhibition ‘Things Things Say’ on view at Fabra i Coats: Centre d'Art Contemporani de Barcelona as a proxy to the three cancelled guided visits of the show. 

Photo: Mónica López.
 
21 December 2020: Meeting with Toni Hervàs to discuss his ongoing research around Paral·lel. #PanoramaMACBA


22 December 2020: New episode of Incidents (of Travel) from Singapore, following a tour set up by artists Fyerool Darma and Nurul Huda Rashid, and a report by curator Kathleen Ditzig. Incidents (of Travel) is an online project produced by KADIST that explores different corners of the world through chartered day-long travel itineraries as a form of artistic encounters and an extended conversation between a curator and an artist. 


2 January 2021: Always great to visit Rasmus Nilausen’s studio in L’Hospitalet and smell fresh oil paint. 
#PanoramaMACBA



8 January 2021: Screening and Q&A of Adrià Julià’s feature film ‘Popcorn’ (2012 90') at cinema Zumzeig, part of the exhibition ‘Things Things Say’ ending on January 17, 2021. 


9 January 2021: Catching up with Hiuwai in the metro on our way back from Fabra i Coats Centre d’Art Contemporani. #PanoramaMACBA


13 January 2021: 
Àngels Ponsa, Minister of Culture of the Generalitat de Catalunya, visited the exhibition ‘Things Things Say’ (centre, sitting in the chair she loaned from Palau Marc, home of the Minister of Culture of the Government of Catalonia, as part of Haegue Yang’s piece ‘VIPs Union’ (2001–ongoing), accompanied by Joana Hurtado Matheu, art centre director (right) and Max and Mariana of Latitudes (left). 


17 January 2021: Things Things Say’ ends today. Lots of Instagram stories over the last week from visitors. Check social networks archive. Weeks after we learn that 1926 people visited the exhibition over the past three months which, considering pandemic restrictions, is great news. #ThingsThingsSay
18 January 2021: Dismantling of ‘Things Things Say’ exhibition. Always sad to say goodbye to works that have been so present in our minds over the last months. It is unavoidable to think about what remains of a show once it’s gone. In times of COVID-19, this feeling is intensified as fewer people might have had the opportunity to visit, regardless of the circumstances. #ThingsThingsSay


JBM Muntatges i produccions crew and Bea Montoliu (conservation) wrapping up the furniture loaned to form Haegue Yang's piece ‘VIP’s Union’ (2001-2020).




Lifting up the protective glass on Stuart Whipps’s table.



19 January 2021: Videoconference with Antoni Hervàs to talk about his contribution to Panorama 21. #PanoramaMACBA


21 January 2021: Video call with Rosa Tharrats to discuss details of her forthcoming installation at the museum. Around this date, Gabriel Ventura and the editorial Documents Documenta, kindly agreed to give us permission to borrow the title of their latest publication for the Panorama series: ‘Notes for an Eye Fire’, for which we are very grateful. 
#PanoramaMACBA


22 January 2021: Ruta de Autor tell us to meet nearby the Torre de les Aigües del Besòs, a water deposit built in 1882 by Pere Falqués and offering stunning panoramic views over the city – and a Blinky Palermo piece Himmelsrichtungen in the entrance space. The tower is the headquarters of the Arxiu Històric de Poblenou#PanoramaMACBA








25 January 2021: Visiting the Centre d’Estudis i Documentació (CED) with Eulàlia Rovira, looking at maps, project proposals and photos of how MACBA was envisioned and ultimately built in the late 80s and early 90s. #PanoramaMACBA

Photo: Hiuwai Chu


Suitable photo albums from the former Panorama photo lab around town.

26 January 2021: Site visit with Claudia Pagès to MACBA to discuss her forthcoming participation in ‘Panorama 21: Apunts per a un incendi dels ulls’ (Notes for an Eye Fire). #PanoramaMACBA


27 January 2021: Once ‘Things Things Say’ is over and the galleries are empty once again. Eulàlia Rovira films ‘A Knot Which is Knot’ (2020-21), her contribution to the recently closed exhibition based on research done throughout the exhibition period, which will premiered a few days later, on February 15. 

Photo: Eulàlia Rovira

29 January 2021: Online meeting with Bendita Gloria to go through the materials of the forthcoming publication of ‘Things Things Say’, the exhibition that just ended a few days ago at Fabra i Coats.

1 February 2021: Consecutive meetings with Toni Hervàs, Aleix Plademunt and Marria Pratts to discuss their projects on-site, alongside Eva Font (architecture department) and Berta Cervantes (Exhibition, Project Assistant). #PanoramaMACBA




9 February 2021: Live streamed press conference announcing the 2021–22 season of the Museu d'Art Contemporani de Barcelona (MACBA). ‘Panorama 21. Apunts per a un incendi dels ulls’ is finally public. #PanoramaMACBA




12 February 2021: Panorama 21 wefie after a meeting with Rasmus Nilausen in Gràcia. #PanoramaMACBA


15 February 2021: Eulàlia Rovira’s video ‘A Knot Which is Knot’, 2020 (video, 12min 21 sec, audio in Catalan) is premièred on Fabra i Coats’ YouTube channel. ‘A Knot Which is Knot’ is the result of an investigation that began with the opening ‘Things Things Say’ (Fabra i Coats: Contemporary Art Center of Barcelona17 October 2020-17 January 2021), an exhibition curated by Latitudes, which is made public once it has closed and the exhibition galleries are once again empty. 

Ver vídeo (12' 21'', audio in Catalan) 


16 February 2021: First tech checks in the exhibition galleries with Rafa Marcos of El Palomar and MACBA’s A/V technician Miquel Giner, followed by a group meeting with Claudia Pagès to go catch up on her project. 
#PanoramaMACBA




19 February 2021: Opening of Lara Almarcegui’s exhibition ‘Graves’ (Gravel) at the Centre d'Art La Panera in Lleida (on view until 30 May 2021). As part of the opening day events, Lara invited visitors to experience the quarry operated by Sorigué in La Plana del Corb, which stopped its operations for a day. 

Latitudes contributed a text on her new installation and on March 18 at 6:30pm, participated in a round table online discussion with the artist and Juan Guardiola. Due to mobility restrictions between municipalities, we couldn’t attend the opening.

View of Lara Almarcegui’s exhibition ‘Graves’ (Gravel) at the Centre d'Art La Panera in Lleida. Photo: Jordi V. Pou.


22 February 2021: Video call catch up with Adrian Schindler (currently in residency at Casa Velázquez in Madrid until June 2021) to discuss his production for Panorama 21, followed by an in-person studio visit with Arash Fayez in Raval. #PanoramaMACBA

Trying to figure out the volume of works in the exhibition space.


2 March 2021: Running some tests of Aleix Plademunts work in the exhibition space while it’s empty between shows. #PanoramaMACBA




3 March 2021: Check-in meeting with Eulàlia Rovira on her ongoing research for her Panorama 21 contribution followed by a site visit by Stella Rahola to check natural light. #PanoramaMACBA





8 Març 2021: Laia Estruch visit to discuss the production of her work in the middle of the installation of Felix Gonzalez-Torres show. #PanoramaMACBA


13 March 2021: First trip outside of the city in exactly a year (tomorrow is the first anniversary of the declaration of the first state of alarm in Spain). Invited by the Centre d’Art La Panera in Lleida, we were able to attend the opening of David Bestué’s ‘Pastoral’ solo exhibition and Lara Almarcegui’s ‘Graves’ (for which we recently contributed the text of the exhibition). Forthcoming a frieze review of the exhibition by Max in the September 2021 issue.

(Above and below) Lara Almarcegui, ‘Gravera’ (2021), vídeo, 10 min. Cámara: Daniel Lacasa; y ‘Rocas y materiales de la Cordillera de los Pirineos’ (2021). Cortesía de la artista.


(Above and below) Installation view of David Bestué’s ‘Pastoral’ at the Centre d'Art la Panera, Lleida.


18 March 2021: Online conversation with Lara Almarcegui and Juan Guardiola on the occasion of Almarcegui’s solo show ‘Graves’ at Centre d’Art La Panera in Lleida.

During the conversation with Lara Almarcegui. 

23 March 2021: Catch up with a provider for Laia Estruch’s installation and discussion of Panorama’s identity with graphic designer and ‘Panorama 21’ participant, Ana Domínguez. #PanoramaMACBA



29 March 2021: Morning meeting with Rasmus Nilausen and pm meeting with Gabriel Ventura and Rosa Tharrats to discuss the progress of their respective contributions for Panorama 21, titled after Gabriel’s latest book poem ‘Apunts per a un incendi dels ulls’ (Notes for an Eye Fire). #PanoramaMACBA



7, 14, 21 and 28 April 2021: Four reading groups are programmed this month as part of Adrian Schindler’s project to be presented as part of MACBA's inaugural Panorama exhibition in October 2021. These open-format groups constituted the last step before the production of his film Tetuan, Tetuán, تطوان , the first chapter of which will be shot in Barcelona in late Spring 2021. 

The reading group “A quienes la inspiraron y no la leerán: Goytisolo, Marruecos y el Otro” (To those who inspired it and will not read it: Goytisolo, Morocco and the Other) proposes a critical approach to the theoretical and fictional work of Spanish writer Juan Goytisolo (1931–2017), influenced by Morocco. Contrasting his ambition to deconstruct the islamophobic literary tradition with the fantasies that inhabit his novels, we will address issues such as the construction of the image of the Other in Spain, the ghosts of the colonial project and the tensions inherent to decolonial works developed by white cultural agents. Participants read excerpts from the novels Reivindicación del conde Don Julián (1970), Juan sin tierra (1975) and Makbara (1980), as well as from the essay collection Crónicas Sarracinas (1981). The sessions were carried out with Salma Amzian, Núria Gómez Gabriel and iki yos piña narváez funes, who contributed to examining Goytisolo’s contradictions and potentialities through other literatures and epistemologies. The meetings took place in the Parc de la Ciutadella, near a colonial monument and an orientalist sculpture. #PanoramaMACBA


2 April 2021: Video call with Claudia Pagès to check in the development of her project while at the Rijksakademie in Amsterdam. #PanoramaMACBA


7 April 2021: MACBA’s 2021-22 exhibition programme is up. Just over 6 months to the opening. #PanoramaMACBA


9 Abril 2021: Catch up meetings with Ruta de Autor and Nyamnyam (from Montpellier). #PanoramaMACBA



12 April 2021: Publications meeting with Ana Domínguez. #PanoramaMACBA



13 April 2021: Meeting with Adrian Schindler at the museum’s offices to discuss the production of his work for MACBA’s ‘Panorama’. #PanoramaMACBA


15 April 2021: Monthly catch up with the communication department with dazzling spreadsheets, followed by a visit to Stella Rahola Matutes's project at the Mies van der Rohe Pavilion. Curators’ outfits merging – too many hours together ;-) #PanoramaMACBA




22 April 2021: Design briefing with MACBA’s communication team, Marta Reus and Carla Ventosa, and Panorama 21 designers Ana Domínguez and Lara Coromina, about the exhibition. #PanoramaMACBA


30 April 2021: Meeting with Arash Fayez and walk through the museum galleries with Ana Domínguez and Lara Coromina, designers of the first edition of MACBA’s Panorama
#PanoramaMACBA



4 May 2021: Plotting with Antoni Hervàs and Marc Vives, with the valuable help of Eva Font. Tip of the day: always bring a tape measure when doing a site visit! #PanoramaMACBA

Photo: Hiuwai Chu



7 May 2021: Balcony break in between meetings with Eulàlia Rovira and Ruta de Autor#PanoramaMACBA

Photo: Hiuwai Chu



8 May 2021: Presentation of Agustín Ortiz Herrera’s research ‘To name, to own. Critique of taxonomic practice’ project and publication at the Gabinet Salvador (Institut Botànic de Barcelona), one of the best-preserved examples of a cabinet of curiosities. Agustín’s research is one of the three projects Latitudes mentored throughout 2019–20 as part of the Barcelona Producció season at La Capella.

Representation of the cabinet of curiosities by the Danish naturalist and antiquarian Ole Worm in 1655. Salvador Library, Botanical Institute of Barcelona.

11 May 2021: Recording the teaser to be launched with the announcement of the participants in the inaugural Panorama exhibition. #PanoramaMACBA



12 May 2021: Review of David Bestué’s exhibition ‘Pastoral’ at the Centre d’Art la Panera, Lleida, published online at frieze.com



12 May 2021: Visiting Ana Dominguez studio and lunch with her and Lara Coromina to discuss the elements of the exhibition graphics. #PanoramaMACBA


Some artist portraits for the exhibition website.

13 May 2021: A new
 dispatch of the ‘Incidents (of Travel)’ online series is live on incidents.kadist.org this time from Amsterdam, the Netherlands, where curator Àngels Miralda narrates a day navigating COVID restrictions with Salim Bayri. + info

17 May 2021: Jitsi catch up with nyamnyam (Iñaki Álvarez and Ariadna Rodríguez) and Pedro Pineda. #PanoramaMACBA


20 May 2021: Catch up with Eulàlia Rovira at the museum. #PanoramaMACBA


21 May 2021:
Birdwatching with Laia Estruch around the Vall del Llobregós and the plains north of Santa Maria de Montmagastrell, in preparation for her upcoming project ‘Ocells perduts’ to be premiered in MACBA’s ‘Notes for an Eye Fire’ exhibition. 
#PanoramaMACBA


22 May 2021: Laia Estruch rehearsing at El Graner. #PanoramaMACBA


Foto: Hiuwai Chu.

28 May 2021: Catch up with Ruta de Autor at the museum. #PanoramaMACBA

Photo: Hiuwai Chu.

1 June 2021: Work meeting at Rasmus Nilausen’s studio in L’Hospitalet. #PanoramaMACBA


4 June 2021: Final presentation of the graphic image of Panorama 21 by Studio Ana Dominguez. #PanoramaMACBA


7 June 2021: Meeting at TMDC in La Verneda with Pedro Pineda and nyamnyam (Ariadna Rodríguez & Iñaki Álvarez). #PanoramaMACBA



Photo: Hiuwai Chu.



8 June 2021: Visiting Rosa Tharrats and Gabriel Ventura in Cadaqués and visit Rosa’s two-person exhibition in the Museu de l’Empordà, Figueres. #PanoramaMACBA

View of the two-person exhibition ‘Tura Sanglas/ Rosa Tharrats: Un diàleg artistic. Subjectivitat de la material, poètica de l’objecte’, curated by Laura Cornejo at Museu de l’Empordà.  

‘Les babes de la molsa’ (2020) by Rosa Tharrats.

‘Els ancestres de les anênomes’ (2020) by Rosa Tharrats.

Photo: Ivo Wald.




Photo: Ivo Wald.

Meetings by the shore.

10 June 2021: Visiting Marria Pratts’ studio L’Hospitalet. #PanoramaMACBA


17 June 2021: Meeting with Arash Fayez and Rosa Tharrats and the MACBA team. #PanoramaMACBA



18 June 2021: Round of meetings with nyamnyam followed by Ruta de Autor and Stella Rahola at the museum. #PanoramaMACBA




20 June 2021: Recording the 8th and last episode of the podcast series ‘Quasi Veu’ in the lobby of Fabra i Coats – released 2 July 2021. In the first part of the +2h programme, Mariana discussed some aspects of ‘Things Things Say’, the exhibition Latitudes curated last fall at the Fabra i Coats: Centre d’Art Contemporani.


22 June 2021: Adrian Schindler filming Tetuan, Tetuán, تطوان  at Plaça Tetuan. Schindler's project will be presented as part of MACBA’s inaugural Panorama exhibition in October 2021. #PanoramaMACBA



1 July 2021: Announcement of ‘Notes for an Eye Fire’ participants, launch of the web with the graphic image of the Panorama exhibition series: Ana Domínguez, El Palomar (Mariokissme & R. Marcos Mota), Laia Estruch, Arash Fayez, Antoni Hervàs, Rasmus Nilausen, nyamnyam (Ariadna Rodríguez & Iñaki Álvarez) with Pedro Pineda, Claudia Pagès, Aleix Plademunt, Marria Pratts, Stella Rahola Matutes, Eulàlia Rovira, Ruta de autor (Aymara Arreaza R. & Lorena Bou Linhares), Adrian Schindler, Rosa Tharrats, Gabriel Ventura, and Marc Vives. #PanoramaMACBA


6 July 2021: Online catch up with public programmes’ Tonina Cerdà and Alicia Escobio. #PanoramaMACBA


14–16 July 2021:
Press trip to visit the newly opened Hauser & Wirth, at the Illa del Rei, Maó (Menorca). Max Andrews will review Mark Bradford’s show ‘Masses and Movements’ for frieze







Carlos Cruz-Diez at Galería Cayón, Maó. 

17 July 2021: Rough cut screening of Adrian Schindlers filmTetuan, Tetuán, تطوان  to be premiered as part of MACBA’s inaugural Panorama exhibition in October 2021. #PanoramaMACBA

Photo: Hiuwai Chu.

26 July 2021: Visiting Toni Hervàs at La Escocesa alongside MACBA’s team Alex Castro, Eva Font and Berta Cervantes (conservation, architecture and coordination). #PanoramaMACBA






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Cover Story July–August 2021: a wide view from a fixed point

July–August 2021 cover story on www.lttds.org


The July–August 2021 monthly Cover Story “A wide view from a fixed point” is now up on our homepage: www.lttds.org

Panorama is a new series of exhibitions at the Museu d’Art Contemporani de Barcelona (MACBA) dedicated to contemporary art practices in, around, and from Barcelona. Curated by Hiuwai Chu and Latitudes, the first edition will open its doors on 22 October 2021 under the title Apunts per a un incendi dels ulls (Notes for an Eye Fire) after the recent poetry collection by Gabriel Ventura.”

 Continue reading

→ After July 2021 this story will be archived here.

→ Follow: #IncidentsofTravel 

Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.


→ RELATED CONTENTS
  • Archive of Monthly Cover Stories
  • Cover Story–June 2021: ‘Fitness food: Salim Bayri’s Amsterdam’, 1 June 2021
  • Cover Story–May 2021: RAF goes viral, 2 May 2021
  • Cover Story—April 2021: Cover Story – April 2021: Lara Almarcegui at La Panera, 2 Apr 2021
  • Cover Story—March 2021: Eulàlia Rovira's ‘A Knot Which is Not’ (2020–21), 1 mar 2021 
  • Cover Story—February 2021: ‘Straits Time: narrative smuggling in Singapore’, 1 Feb 2021
  • Cover Story–January 2021: ‘Things Things Say’: VIP's Union’, 1 Jan 2021
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Participants announced of MACBA's “Panorama 21. Notes for an Eye Fire”


Panorama 21: Notes for an Eye Fire
Museu d'Art Contemporani de Barcelona (MACBA)
Exhibition: 22 October 2021–27 February 2022
Private view: 21 October 2021


With the participation of Ana Domínguez, El Palomar (Mariokissme & R. Marcos Mota), Laia Estruch, Arash Fayez, Antoni Hervàs, Rasmus Nilausen, nyamnyam (Ariadna Rodríguez & Iñaki Álvarez) with Pedro Pineda, Claudia Pagès, Aleix Plademunt, Marria Pratts, Stella Rahola Matutes, Eulàlia Rovira, Ruta de autor (Aymara Arreaza R. & Lorena Bou Linhares), Adrian Schindler, Rosa Tharrats, Gabriel Ventura, and Marc Vives.

MACBA is launching a new series of exhibitions entitled Panorama, with a focus on contemporary art practices in and around Barcelona. With an emphasis on collaborative practices and presenting diverse perspectives, each edition of Panorama will be led by a different curatorial team, composed of a member of the MACBA team together with an independent curator or collective.

Occupying the entire top floor of the Meier Building, the first edition of Panorama, will open with the group exhibition Notes for an Eye Fire, curated by Hiuwai Chu (MACBA) and LatitudesAs the “notes” of the title suggests, this exhibition attempts to jot down, to lay out and to connect without seeking to be in any way definitive.

The group show is not driven by one overarching subject, yet the works on display weave together diverse and interconnected themes that have emerged from the curators’ studio visits and conversations with the artistic community, whether addressing the self-image of the city, notions of reparation and belonging, gender dissidence, or our relationship with non-human life.

Notes for an Eye Fire brings together works that have been specially commissioned for the occasion, along with recent productions—all being shown in Barcelona for the first time. It comprises a wide range of disciplines, including painting, sculpture, works on paper, video installation, performance, photography, and textiles, and is driven by a desire to defend and verify the making of on-site exhibitions as experiences that envelop us as whole sensing bodies in space.

The title, borrowed from a 2020 book of poetry by Gabriel Ventura, conjures up a powerful metaphor that provokes a questioning of the dominance of vision, urging us to explore an expanded definition of seeing that engages our other senses and entails new ways of navigating the world, of remembering and of producing knowledge.

This broader consideration of the sensorial in the exhibition has developed in parallel to an exploration of the conceptual and historical underpinning of the panorama itself. The word panorama was coined in the 18th century to describe vast 360-degree paintings housed in purpose-built cylindrical buildings. Looking out from a raised platform, the public enjoyed a commanding view that was nevertheless a disorientating visual experience. Long before the invention of cinema and the proliferation of screens that now characterises contemporary life for many of us, the panorama was the virtual reality headset of its time and became mass entertainment in Europe at a time when travel had not been possible due to the Napoleonic wars. Barcelona hosted three such panoramas during the Universal Exposition of 1888.

The circular form of the eye takes on a life of its own in the exhibition’s imagination, whether through projects that address theatre or performance, the spatial relationship between stage and auditorium, or the loop as narrative. Such perspectives and scales also encircle how the museum establishes a connection with its neighbourhood, and vice versa, in a time in which we are perhaps all questioning and seeing again what our own place in the world might be. 


PUBLIC PROGRAMMES, WEB and PUBLICATION

The public programming around Notes for an Eye Fire will be a mix of in-person and online activities, from workshops, performances and events in the exhibition galleries to in-person and online conversations between participating artists.

The exhibition will also have an expanded presence on the museum’s website, which will feature a webpage dedicated to each artist with complementary material of varied formats related to their artistic practice and production. The website will be updated with new content throughout the exhibition period.

A publication, designed by Ana Domínguez, will be released in Spring 2022 and will include a conversation between the curators, a text by Gabriel Ventura, and texts about the participating artists, accompanied by reproductions of their work.

Panorama is an exhibition organised and produced by MACBA Museu d’Art Contemporani de Barcelona. Its inaugural edition, “Notes for an Eye Fireis curated by Hiuwai Chu (Head of Exhibitions, MACBA) and Latitudes (Max Andrews and Mariana Cánepa Luna), and coordinated by Berta Cervantes.

#PanoramaMACBA #apuntsperaunincendidelsulls 📝🔥👁👁



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Press Release: Co-curators of the exhibition “Panorama 21: Notes For An Eye Fire”, Museu d'Art Contemporani de Barcelona, 22 October 2021–27 February 2022

↑ Robert Mitchell, “Plans, and Views in Perspective, with Descriptions of Buildings Erected in England and Scotland; and ... an Essay to Elucidate the Grecian, Roman and Gothic Architecture. (Plans, Descriptions Et Vues En Perspective, Etc.)”, 1801, London. Held at the British Library


PRESS RELEASE

Museu d'Art Contemporani de Barcelona (MACBA)
Plaça dels Àngels 1
08001 Barcelona
www.macba.cat

“Panorama 21: Notes For An Eye Fire”
22 October 2021–27 February 2022
Opening: 21 October 2021

Panorama 21: Notes For An Eye Fire” is a project that aims to reaffirm the commitment of the Museu d'Art Contemporani de Barcelona (MACBA) to the vitality of local production, by supporting site-specific creation and reconsidering what it can offer – and how it can be best used – through a new generation of artists and audiences. Conceived as a long-term commitment by the museum to support local practices, this is an initiative that aspires to make an enduring contribution to the resilience of Barcelona’s cultural ecosystem.

Panorama 21: Notes For An Eye Fire”, which takes its title from the third book of poems by Gabriel Ventura (“Apunts per a un incendi dels ulls”, Documents Documenta, 2020), will be co-curated by Hiuwai Chu (Curator, MACBA) together with Latitudes, the curatorial duo formed in 2005 by Max Andrews and Mariana Cánepa Luna. This type of collaborative work aims to widen institutional practices and bring independent perspectives, through a scheme that it is hoped will be maintained in the future. 

Occupying the entire second floor of MACBA’s Meier Building, it will consist of a group exhibition featuring a number of newly realised projects alongside recently produced works. Moreover, Hiuwai Chu and Latitudes conceive this inaugural edition as a curatorial, editorial and communication channel where in-venue displays encompass a wider spectrum of online programming, publishing, streaming and engagement with MACBA’s users beyond the Museum walls. 

Borrowing from the practices of an increasingly socially engaged generation of artists, “Panorama 21: Notes For An Eye Fire” is not guided by a top-down thematic focus. Instead, it is growing in a cumulative and responsive way from a ground-up perspective on Barcelona, the region and its imaginary. It aspires to amplify the voices of artists and cultural producers that are working in unprecedentedly challenging times.

The project will draw from the panoramic notion of a wide view seen from a fixed point, as well as the innovation that was the origin of the word itself – a neologism coined by the Irish artist Robert Barker from the Greek pan (all), and horama (view) to describe his paintings of Edinburgh, Scotland, at the end of the eighteenth century. Long before the invention of cinema and the proliferation of screens that now characterise contemporary life for many of us, panoramas offered one of the most surprising and popular visual spectacles. 

A panorama was an immersive combination of painting, theatre and architecture. A vast 360° depiction of a city, landscape or battle scene that was presented in a purpose-built circular building. Viewers entered through a tunnel and emerged onto a platform at the centre of the structure and into a startling wrap-around experience. Panoramas could offer a vicarious form of travel. The first such presentation opened to the public in London in 1791, yet the invention really took off in Europe during the following two decades when international travel was severely restricted due to the Napoleonic Wars. Barcelona’s 1888 Universal Exposition presented no less than three panoramas in the city, representing views of the fabled peaks of Montserrat, the Siege of Plevna and the Battle of Waterloo. 

Resonating with the trans-disciplinarity of these display devices, and their desire to inform and captivate, “Panorama 21: Notes For An Eye Fire” nevertheless turns the page on their seamless vista of past conflicts and decisive victories, to imagine instead a structure for supporting a fertile and diverse landscape of many complex artistic positions of the present. 

@macba_barcelona
#PanoramaMACBA
#macbaBCN
#apuntsperunindencidelsulls


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Cover Story – March 2017: Time travel with Jordan Wolfson


The March 2017 Monthly Cover Story "Time travel with Jordan Wolfson" is now up on www.lttds.org after March it will be archived here.  

"The film that lends its image to this month’s cover story – Jordan Wolfson’s Landscape for Fire, 2007 – was featured in the Latitudes-curated film programme A Stake in the Mud, A Hole in the Reel. Land Art’s Expanded Field 1968–2008, which premiered in April 2008 at the Museo Tamayo, Mexico City, before touring several venues in Spain, Switzerland, the Netherlands and the U.K. 

Landscape for Fire responded to a 1972 film of the same name by Anthony McCall in which the British artist, best known for his “solid light” works, attempted to integrate performance, installation, sculpture and images in movement. Thirty-five years on, Jordan had re-staged this work of the past as though it were a ritual, the repetition of which invoked the almost mystical aura that often surrounds the art of the late 1960s and early 1970s." Continue reading by clicking the grey bar underneath the image

Cover Stories' are published on a monthly basis on Latitudes' homepage and feature past, present or forthcoming projects, research, writing, artworks, exhibitions, films, objects or field trips related to our curatorial activities, and are archived here.


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