Wed, Jul 31 2013 This is the fifth consecutive year [see 2008-9, 2009-10, 2010-11 and 2011-12] we say goodbye to the season with an 'out of office' post with some unseen and 'behind the scenes' moments lived in the past months. Regretfully, we're not exactly off to a beach-and-palmtree holiday, just slowing down our inbox activity as well as our posts on this blog, Facebook and Twitter. #OpenCurating, 2013, Casa del Lago, conversations, Dublin, Heman Chong, Mariana Cánepa Luna, Max Andrews, Moderations, out of office, Spring Workshop, talk, Yasmil Raymond
So happy holidays/felices vacaciones dear readers!
3 September 2012: The season started with the exciting publication of the first #OpenCurating interview with the web team of the Walker Art Center, Minneapolis, which became content partners of the interview series. "Beyond Interface: An Interview with Robin Dowden, Nate Solas and Paul Schmelzer" was the first of a series of ten publications which were released between September and April 2013. The compilation, gathers an array of voices and approaches around the challenges, expectations, and new possibilities that digital culture and social media present to contemporary art institutions. To what degree are curators, media teams, publishers and archivists concerned with a dialogue with their audiences? #OpenCurating has investigated these questions through how new forms of culture, participation and connectivity are being developed both on site and on line.
In 'Beyond Interface' Robin Dowden (Director of New Media Initiatives), Nate Solas (Senior New Media Developer) and Paul Schmelzer (Web Editor) of the Walker Art Center in Minneapolis, discuss the museum's new website, relaunched in December 2011 following a two-year conceptual reboot and complete redesign.
9 September 2012: Soon after publishing the first #OpenCurating interview, we participated in dOCUMENTA (13) series of readings based on their publications programme Readers' Circle: 100 Notes—100 Thoughts, for which we decided to read 'Lawrence Weiner IF IN FACT THERE IS A CONTEXT' (2011, Hatje Cantz). On the door steps of Fridericianum, we read Lawrence's book and played his voice reading some of the passages too. See our post on dOCUMENTA (13).
Board announcing the 19h 'Readers Circle' event.
On the steps of the Fridericianum reading Lawrence Weiner.
11–15 September 2012: During the last week of dOCUMENTA (13) Latitudes facilitated the Nature Addicts Fund Travelling Academy, organised within the framework of the 100-days-long exhibition in Kassel, Germany. Here you can watch a summary of the week-long workshop that had 15 participants (Ackroyd & Harvey, Frédérique Aït‐Touati, Geir Backe Altern, Linus Ersson, Aurélien Gamboni, Fernando García‐Dory, Mustafa Kaplan, Zissis Kotionis, Julia Mandle, Clare Patey, Érik Samakh, Åsa Sonjasdotter, Elisa Strinna, and was punctuated by the partcipation of dOCUMENTA (13) artists Maria Thereza Alves, Toril Johannessen and Claire Pentecost.
Visiting Jimmie Durham's piece at the Karlsaue Park. Photo: Nature Addicts Fund.
Group discussion with Chus Martínez, Core Agent, dOCUMENTA (13) at the Import/Export boat.
Photo: Nature Addicts Fund.
17 September–5 October: Installation and opening (27 September) of the two-part exhibition 'Latitudes Projects 2005–2012' and 'Incidents of Travel: Mexico City' as part of Casa del Lago's 'Sucursal' programme, for which self-organised, self-funded or non-profit organisations temporarily move their offices to Casa del Lago in order to expose the cultural strategies of such forms of organisation. 'Incidents of Travel: Mexico City', consisted of the invitation to Minerva Cuevas (19 September), Tania Pérez Córdova (20 September), Diego Berruecos (21 September), Terence Gower (23 September) and Jerónimo Hagerman (24 September), and to devise one-day-long tours throughout the city. More info and photos of the five tours.
E-invite to the opening of the exhibition "Latitudes. Proyectos 2005–2012 & Incidentes de viaje" at Casa del Lago.
Around Lagunilla with Minerva Cuevas. Photo: Eunice Adorno.
Visiting the Hemeroteca at the UNAM with Diego Berruecos. Photo: Eunice Adorno.
Lunch with Terence Gower at Sólo Veracruz es Bello!, Tlalnepantla Centro. Photo: Eunice Adorno.
Observing an overgrown ivy and an ash in Polanco. Photo: Eunice Adorno.
Visiting the Espacio Escultórico in the UNAM with Jerónimo Hagerman. Photo: Eunice Adorno.
Installing one of the 200+ poster pannels that composed the exhibition 'Latitudes. Proyectos 2005–2012' gathering information on +30 projects presented over the last seven years. More on Latitudes' projects here. Post-opening chelas with artists Jerónimo Hagerman and Jorge Satorre at the social cathedral of the artworld in Mexico DF: the cantina Covadonga.
8 October 2012: Release of the second #OpenCurating interview. 'Alguien dijo 'Adhocracy'?' with Barcelona-based architect, co-founder of the publishing project dpr-barcelona and blogger Ethel Baraona Pohl. Ethel was a member of the curatorial team of 'Adhocracy', the exhibition of the first Istanbul Design Biennial (13 octubre–12 diciembre 2012) which later toured to the New Museum's 'Ideas City' Festival (1–4 May 2013). Read here (in Spanish) or here (in English).
17 October 2012: Mariana Cánepa of Latitudes participates in the season of talks Cultural Professions: the Curator, at the Aula de Cultura CAM, in Murcia. An initiative of the curatorial collective 1er Escalón.
Foto: Obra Social Caja Mediterráneo.
19–21 October 2012: Following on, we participated in a two-day meeting in Witte de With, Rotterdam, in preparation for Moderation(s), a year-long programme of residencies, performances, exhibitions, workshops and research initiated by Witte de With’s director Defne Ayas and Spring Workshop founder Mimi Brown, and presided over by artist, writer and curator Heman Chong.
Photos: Witte de With.
6–9 November 2012: Trip to Munich, to see Haus der Kunst's 'Ends of the Earth – Land Art to 1974' exhibition and attend the opening of Haegue Yang's "Der Öffentlichkeit" commission.
Façade of Haus der Kunst in Munich.
Haegue Yang with Max Andrews discussing the installation process.
28 November 2012: Third #OpenCurating interview online. 'Itinerarios transversales' is the interview with Sònia López and Anna Ramos of the Museu d’Art Contemporani de Barcelona (MACBA). The new web of the museum, was launched at the beginning of 2012 and includes new features such as 'Recorridos' (Itineraries), a tool that allows visitors to create their own transversal itineraries selecting amongst the five thousand works that compose the MACBA Collection, besides videos, artist entries, podcasts, publications, amongst others. Read here (in Spanish) or here (in English).
Testing the navigation on the iPad. Looking good.
5 December 2012: Fourth #OpenCurating interview up. 'Democratizando la sociedad informacional' analyses the practice of visual artist, art theorist and web activist Daniel G. Andújar. Though the use of irony, his work has questioned the use of new communicative technologies, the democratic and egalitarian promises these media prophesy, critisising their real yet hidden intentions to control users. Read here (in Spanish).
17 December 2013: Reached the equator with #OpenCurating. Five out of ten interviews are up and running. The fifth, 'books_expanded_field' is the interview with Badlands Unlimited, a New York-based publishing house whose motto is “books in an expanded field”. Its publications and editions in paper or digital forms (e-books for iPad or Kindle) acknowledge that “historical distinctions between books, files, and artworks are dissolving rapidly”. Read here (in English).
The Walker Art Center's web continues to support the project re-publishing the interviews on their site. Read 'books_expanded_field'.
2 January 2013: Happy New Year and happy reading. Seventh #OpenCurating interview with Steven ten Thije, Research Curator at the Van Abbemuseum, in Eindhoven. In 'From One History to A Plurality of Histories', Latitudes conversed with the researcher from one the first public museums for contemporary art to be established in Europe. Under the directorship of Charles Esche since 2004, the museum has defined itself through “an experimental approach towards art’s role in society”, where “openness, hospitality and knowledge exchange are important”. Read here (in English).
7 January–11 February 2013: Curators-in-residency at Spring Workshop, Hong Kong, as part of the above mentioned 'Moderation(s)' programme. Our residency continued the artist-led tour format we initiated in Mexico City a few months earlier. Hong Kong-based artists Nadim Abbas, Yuk King Tan, Ho Sin Tung and Samson Young were invited to develop day-long itineraries, thus retelling the city and each participant’s artistic concerns through personal references and waypoints. More info and more photos of the four artist tours.
Navigating Tai Po with Ho Sing Tung, 29 January. Photo: Spring Workshop.
The residency included participating in the workshop "A Day at the Asia Art Archive" organised in collaboration with Spring Workshop and Witte de With, Rotterdam, on 31 January and concluded on February 2, with an Open Studios during which Latitudes and Heman Chong mantained a conversation about their experience in Hong Kong and their curatorial practice. [Related posts: Read the May 2013 interview between Christina Li and Latitudes here.]
2 February: Open Day at Spring. Conversation between Heman Chong and Latitudes. Photo: Spring Workshop.
During an interview and photo session for Ming Pao Weekly. Photo: Athena Wu.
19 February 2013: Public event of the #OpenCurating research at the Auditorium of MACBA, Barcelona. Latitudes in conversation with Yasmil Raymond, Curator of the Dia Art Foundation in New York. The conversation was later transcribed and published at the #7 of the series.
Yasmil Raymond during the conversation at MACBA's Auditorium. Photo: Joan Morey.
8–14 March 2013: Research trip in Dublin. Invited by Dublin City Council: The Arts Office, Latitudes visited art spaces, artists' studios and galleries in Dublin and Derry-Londonderry throughout the week. The diary included participating in the round table 'Within the public realm', alongside artist Sean Lynch and curator Aisling Prior at the Hugh Lane Dublin City Gallery [video of the talk here]; and a Curatorial talk at CCA Derry-Londonderry. During the week we were hosted by artists, curators and studio managers who took us around the Red Stables Studios; Temple Bar Gallery + Studios; Fire Station Artists' Studios; Green On Red Gallery; Kevin Kavanagh Gallery and the Project Arts Centre - Visual Arts.
Walk with our hosts Aileen Burns and Johan Lundh, co-directors of CCA Derry–Londonderry, around Kinnagoe Bay in Donegal, site of 1588 shipwreck of one of the Spanish Armada ships. Gathered plenty of material during studio visits, lunches and dinners. How do we deal with this, Ryanair? 20 March 2013: Mariana Cánepa of Latitudes visits A*Desk's HQ and talks to A*Study's partipants about some of the practical challenges that came up in recent projects, how they were negotiated and ultimately, presented.
Photo: Oriol Fondevila.
As far as press coverage, Stephanie Cardon of Boston's Big Red & Shiny featured a profile in September 2012 titled 'Meanwhile in Barcelona: Latitudes and #OpenCurating'. In the Autumn issue of D'ARS, Italian writer Saul Marcadent mentioned the (out of print, unfortunately) publication "LAND, ART: A Cultural Ecology Handbook", Latitudes edited in 2006 in the context of other ecological-oriented projects. During our March visit to Dublin, we chatted with Anne Mullee about the (then ongoing) #OpenCurating research, the conversation was soon after published in the International section of the May-June 2013 issue of The Visual Artists' News Sheet. Also in May, writer and curator Christina Li, interviewed us for the Moderation(s) blog Witness to Moderation(s), an opportunity to look back at our January residency in Hong Kong.
In the past months, Max Andrews of Latitudes has published the following texts in frieze: 'Utopia is possible' (October 2012 issue); review of Julia Montilla's exhibition "El «cuadro» de la Calleja" at Espai 13, Fundació Miró; and forthcoming, an interview with Rotterdam-based artists Klaas van Gorkum and Iratxe Jaio also for frieze, as well as two texts on the 1979 documentary film 'The Secret Life of Plants' for the final issue of the Dutch journal Club Donny!
This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter. All photos: Latitudes (except when noted otherwise in the photo caption) Sat, Mar 16 2013 2013, Derry Londonderry, Dublin, Incidents of Travel, Ireland, Natural History, Sean Lynch, seminar, seminario, studio visit, talk, tours, visiting lecturer
View of Dublin's 1816 Ha'penny Bridge nearby Temple Bar.
Invited by Dublin City Council: The Arts Office, Latitudes visited art spaces, artists' studios and galleries in Dublin and Derry-Londonderry throughout the week.
The schedule included visits to the Red Stables Studios; Temple Bar Gallery + Studios; Fire Station Artists' Studios; Green On Red Gallery; Kevin Kavanagh Gallery and Project Arts Centre - Visual Arts, as well as talks by Latitudes to students of the MA in Visual Arts Practices (MAVIS) (8 March, 3pm), and at the recently inaugurated CCA Derry~Londonderry (9 March, 7pm) as well as participation in the seminar "Within the Public Realm" at the Dublin City Gallery The Hugh Lane (12 March, 2–5pm), alongside curator Aisling Prior and the artist Sean Lynch.
Latitudes was invited to Dublin in the context of the Barcelona Mayor's visit to Dublin and the renewing of the twinning agreement between the two cities. Here a coffee table at the Lord Mayor's Mansion House displays "Atlas of the Irish Rural Landscape" and "Barcelona" books. Talking to MA in Visual Arts Practice (MAVIS) students at The Lab on 8 March. Photo: @lemuela
9 March: After +4h bus ride north, we arrive at Centre for Contemporary Art in Derry–Londonderry for a talk that evening at 7pm.View of CCA's galleries hosting the touring exhibition The Grand Domestic Revolution GOES ON (GDR), which in Derry-Londonderry "focuses on the contemporary working conditions of caregivers—primarily mothers and grandmothers—in the domestic sphere."
In the galleries, two of the London-based design collective Åbäke (Patrick Lacey, Benjamin Reichen, Kajsa Ståhl and Maki Suzuki), building a bed inspired by a 1970s design by Enzo Mari.
Aileen Burns and Johan Lundh, co-directors of CCA Derry–Londonderry, hosted a wonderful Thai pre-talk dinner.
Sunday walk around the Bloody Sunday Memorial and the Bogside area of Derry-Londonderry.
Two of the murals around Bogside.
Ernesto Che Guevara Lynch mural in Derry-Londonderry's Bogside.
With Aileen and Johan at Kinnagoe Bay in Donegal, site of 1588 shipwreck of one of the Spanish Armada ships.
11 March: Back to our temporary home in Dublin's The Red Stables in St. Anne's Park.
A windswept North Bull Island looking towards the city.
Visitor Centre at North Bull Island.
12 March: Studio visits at Temple Bar Studios + Gallery in the heart of the city.
Setting up for the 2–5pm talk at The Hugh Lane Dublin City Gallery organised by MAVIS, The Hugh Lane and Dublin City Council.
After the seminar, artists Sean Lynch and Michele Horrigan took us to see the 'failed' Richard Serra nearby the Guiness factory.
13 March: Visiting the sculpture workshop facilities of Fire Station Artists' Studios with Development Manager Liz Burns and Director Clodagh Kenny.
Studio of Martin Healy in Fire Station Artists' Studios and his work around perpetual motion.
Artist Maria Mc Kinney research on wheat weaving and straw craft techniques for her project 'Garlands'.
Karl Burke "wooden drawings" photos and renderings.
Crossing the Sean O'Casey bridge to begin a gallery tour including Green on Red Gallery, Kevin Kavanagh Gallery, The Douglas Hyde Gallery, Project Arts Space and Temple Bar Studios + Gallery, with Dublin-based critic, curator and Senior Lecturer at the School of Irish, Celtic, Folklore & Linguistics, Caioimhin MacGiolla Leith.
Group show "Material Fact" at Green On Red Gallery included works by Silvia Bächli, Paul Doran, Dennis McNulty and Gerard Byrne (photographed), one of the more well-known Irish artists.
'Detached' group show at Project Arts Centre, guest curated by The Artists' Institute director and founder Anthony Huberman, recently appointed Director of CCA Wattis in San Francisco.
Alice Channer's "Amphibians" (left) and Sunah Choi's "Abdrucke (Imprints)", 2011-13 (wall)
Gathering plenty of material during studio visits, lunches, dinners and meetings.
14 March: Morning visit to the wondrous Natural History, a 1857 building displaying "animals from Ireland and overseas, also geological exhibits from a total collection of about 2 million scientific specimens".
Ground floor gallery dedicated to dedicated to "Irish animals, featuring giant deer skeletons and a variety of mammals, birds and fish".
The minimal education department are doing a great job at dynamising the nicknamed "Dead Zoo" or "Museum of Museums": The 5 year old giraffe has her own twitter account @SpotticusNH and they will soon host a "night at the museum" event where a few kids will be able to sleep (or try to) in the museum galleries.
The stunning upper gallery was "laid out in the 19th Century in a scientific arrangement showing animals by taxonomic group. This scheme demonstrated the diversity of animal life in an evolutionary sequence." Unfortunately the second and third floor balconies have been closed due to a safety review as they do not comply with current safety regulations, which impedes visitors from seeing, amongst many other things, the museum's unique collection of glass models manufactured in Dresden in the late 19th Century by the father-and-son team of Leopold and Rudolf Blaschka.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)