Fri, Jun 16 2017
2017, 4543 billion, CAPC Bordeaux, Curatorial Practice, curatorial writing, deep time, Faculty, fieldwork, research, residency, Sean Lynch, seminar, The Banff Center, Workshop
Julius von Schoppe (1795–1868), Illustration of giant stone near the
Rauenschen Mountains near Furstenwalde, 1827, Lithograph, von Tempeltey.
Between September 11 and October 6, 2017, ten artists, researchers, writers and curators from around the world will ponder geological formations and stratigraphy,
minerals, and resource extraction to speculate about a more expansive,
slower and longer-term view of art, exhibitions, and institutions. The spectacular Rocky Mountains will not only be the backdrop, but the active participants.
Through fieldwork, seminars, and independent study, 'Geologic Time' participants will be “thinking with” geology (beyond the depiction of landscape) as a potential way to consider non-conventional, deep-time perspectives on curating, exhibition making, programming, and fieldwork within contemporary art.
Lead faculty: Latitudes
Guest Faculty: Sean Lynch
"Geologic Time" is a thematic residency programme of the Banff International Curatorial Institute, Visual + Digital Arts organised by the Banff Centre for Art and Creativity in Alberta, Canada. Within the framework of the residency Latitudes curated the group exhibition "4.543 billion. The matter of matter" at the CAPC musée d’art contemporain de Bordeaux, France, on view until January 7, 2018.
View of the Banff Centre campus. Photo: Latitudes.
- "4.543 billion. The matter of matter" in pictures.
- Guest Faculty of the Thematic Residency 'Blueprint for Happiness' at The Banff Centre, Canada, 27 July–8 August 2015 16 July 2015
- Cover Story – April 2017: Banff Geologic Time 3 April 2017
- Cover Story – December 2016: Ten years ago – Land, Art: A Cultural Ecology Handbook 5 December 2016
- Cover Story – May 2016: Material histories – spilling the beans at the CAPC musée d’art contemporain de Bordeaux 10 May 2016.
- Second research trip to Bordeaux 16 July 2016
Fri, Feb 19 2016
2016, Athens Biennale, Near Future Artworlds, public art, report, rethinking institutions, seminar, video documentation
Latitudes in the international
Summit 'Synapse 1' at New Rex of the National Theatre of Greece. 'Session
II: Rethinking Institutions', November 18, 2015. Photo: Athens Biennale.
Documentation of two recent presentations by Latitudes in Athens and Donostia–San Sebastián is now online.
Entitled Omonoia (‘concord’ in Greek), the Athens Biennale 2015–17 is directed by Massimiliano Mollona
and will grow over the next two years with the help of anthropologists,
researchers, activists, academics, artists and civic organisations. In
November 2016, Omonoia launched with the summit Synapse 1: Introducing a laboratory for production post-2011. Latitudes
participated in the “Rethinking Institutions” session alongside Maria
Hlavajova (founder and artistic director of BAK, Utrecht); political
economist Leo Panitch; Emily Pethick, director of The Showroom, London;
Documenta 14 Artistic Director Adam Szymczyk; public services expert
Hilary Wainwright, and Amalia Zepou, Athens Vice Mayor for Civil Society
and Municipality Decentralization.
By way of introduced we discussed the “Near-Future Artworlds Curatorial Disruption Foresight Group”, the forum for megatrends and the future of institutions of contemporary art that has taken place in May 2015 at the Vessel / MADA (Monash Art Design and Architecture) 2015 International Curatorial Retreat in Bari, Italy; in August at Kadist Art Foundation, San Francisco, and in November at Eastside Projects, Birmingham, UK. We followed this with some geological speculation that in “digging deeper” both literally and figuratively, we perhaps find new institutional models. How do we think about artworks and institutions in terms of tens of thousands of years, for example.
See the video here (in English).
Also in November, Latitudes led the workshop “Beyond The Roundabout, or How Public Is Public Art?” for consonni/LaPublika at Tabakalera. As part of this Latitudes gave a public lecture. The workshop addressed the work of artists who conceptualize or actualize their works against a backdrop of vast stretches of time or topological change. In the public lecture we made various transects through our curatorial projects determined by the public sphere, raw materials and their transformation. “From the zinc which led to an Esperanto micro-nation, to the air of a Beijing shopping centre, or the dead trees of printed news, Latitudes will join some traits and ideas around ‘human resources’, extractive modernity, obsolescence and the carbon cycle.”
Hear the audio here (in Spanish).
lecture organised by consonni as part of LaPublika. Tabakalera,
Donostia–San Sebastián. Wednesday, November 11, 2015. Photo: Consonni.|