Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

Montse Badia sobre GCC Spain en la revista Bonart #198

Foto: María Gracia de Pedro.

(...) “Con el objetivo de proporcionar guías de actuación para trabajar en términos de responsabilidad ambiental desde el mundo del arte, nace Gallery Climate Coalition, una entidad sin ánimo de lucro que trabaja desde Nueva York, Los Ángeles, Taiwán, Londres, Berlín, Italia y desde hace unos meses también desde España, impulsada por Carolina Grau y Latitudes, entre otros. [1]

Y como nada mejor que los datos para visualizar lo que puede ser cambiado, la página web de GCC (www.galleryclimatecoalition.org) ofrece una calculadora que indica la cantidad de CO2 que producimos al realizar un viaje de trabajo, organizamos un transporte, imprimimos documentos o trabajamos desde casa.”

Montse Badia, “‘Green Teams’ vs ‘green washing’”, Bonart #198, Septiembre 2023–Febrero 2024, p. 31.

[1] A fecha de mayo 2023, el Comité de GCC Spain está conformado por María Gracia de Pedro (Badr El Jundi Gallery); Carolina Grau (Comisaria independiente); Lucía Mendoza y Laura Carro (Galería Lucía Mendoza); Cecilia Durán (Galería Senda); Carmen Huerta (TAC7); Nicky Ure (UreCulture); Max Andrews y Mariana Cánepa Luna (Latitudes).


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Latitudes qualifies as Active Members of the Gallery Climate Coalition (GCC)

We are pleased to announce that Max Andrews and Mariana Cánepa Luna of Latitudes have successfully qualified to be in the first cohort of Active Members of the Gallery Climate Coalition (GCC). To achieve this status we had to demonstrate that our organisation had implemented environmental sustainability best practices in line with GCC’s guidelines.

This initiative marks an evolution in GCC’s strategy from awareness raising and community building to one focusing on the near-term tangible progress of members following three key actions:

As part of the initiative, GCC provides qualifying members with a badge (see below) to recognise and celebrate the actions taken. These badges are year-stamped and members have to re-submit annually to retain the latest Active designation. 

Active Membership is neither a certification of sustainability nor a claim that we are doing things perfectly and have all the answers — none of us are at this point. Yet it does entail transparency in the assessment, reporting, and reduction of climate impact, the setting of targets in line with science, and the search for working solutions.

We encourage everyone to visit the Gallery Climate Coalition website to learn more about the initiative and how to get involved.

Moreover, Latitudes is part of the Founding Committee of the recently formed volunteer teamGCC Spain. To get involved, please contact: [email protected]

Active Membership Press Release, 10 May 2023.


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Latitudes’ (extended) Environmental Policy Statement

“Postpetrolistic Internationale” choir performance by Christina Hemauer & Roman Keller on Maasvlakte, Rotterdam, 8 November 2009. Commissioned and produced by the Port of Rotterdam as part of “Portscapes”, with support and advice from SKOR and curated by Latitudes. Courtesy: SKOR / Photo: Paloma Polo.

Latitudes recently published an Environmental Policy Statement on the website, below is an extended version which we invite you to read:

Since its beginning in 2005, Latitudes’ curatorial practice has critically engaged with environmental concerns through contemporary art. This has included curating ambitious group exhibitions including 4.543 billion. The Matter of Matter” at the CAPC musée d’art contemporain de Bordeaux in 2017, and Greenwashing” at the Fondazione Sandretto Re Rebaudengo in 2008, or solo shows such as “Christina Hemauer & Roman Keller: United Alternative Energies” at Kunsthall Århus in 2011, as well as convening the three-day symposium “Art, Ecology and the Politics of Change” for the Sharjah Biennial 8 in 2007. 

Cover of “LAND, ART: A Cultural Ecology Handbook” edited by Max Andrews, and coordinated by Mariana Cánepa Luna. Published and commissioned by the Royal Society of Art in partnership with the Arts Council England, 2006. Photo: Robert Justamente.

Spread of UOVO magazine #14, a 500-page issue + two CDs guest edited by Latitudes, 2007. Photo: Alexis Zavialoff.

Cover and back cover of the exhibition catalogue “Greenwashing” (Archive Books, 2008), Fondazione Sandretto Re Rebaudengo, Torino. The 192-page full-colour catalogue embraced environmentally-conscious design with a degree of irony, each of the book's thirteen sections was printed on a different 'eco-paper' such as Shiro Alga Carta (produced by harvesting algae from the Venetian lagoon), KeayKolour Recycled Honey or Shiro Tree Free Naturale, alongside their corresponding eco-credentials. Photo: Latitudes. 

Pages of Lara Almarcegui's first monograph “Lara Almarcegui. Projects 1995–2010” (Archive Books, 2011) covering 15 years of her artistic practice, with commissioned texts by Cuauhtémoc Medina and Lars Bang Larsen, and an introduction by Latitudes. Photo: Latitudes.

Latitudes edited the landmark publication “Land, Art: A Cultural Ecology Handbook” in 2006, the 500-page green issue of UOVO magazine in 2007, and Lara Almarcegui’s first monograph in 2011, as well as writing texts including a catalogue essay for TBA21’s exhibition “Abundant Futures” entitled “Soil for Future Art Histories” (2023), and presenting the lecture “Curating in the Web of Life” for Garage Museum of Contemporary Art’s exhibition “The Coming World: Ecology as the New Politics 2030–2100” (2019). 

View of “Ocells perduts” (Stray Birds) (2021) by Laia Estruch in the exhibition “Panorama 21. Apunts per a un incendi dels ulls” (“Panorama 21: Notes for an Eye Fire”), MACBA Museu d'Art Contemporani de Barcelona, 22 October 2021–27 February 2022. Curated by Hiuwai Chu and Latitudes. Produced by MACBA Museu d'Art Contemporani de Barcelona with the support of PUBLICS, Helsinki. Research supported by a Premis Ciutat de Barcelona 2020 grant from the Barcelona City Council. Photo: Roberto Ruiz. 

In terms of related public-realm commissions, we worked with Danish artist Tue Greenfort for The Royal Society of Arts’ pioneering Arts & Ecology programme (2005–2008) and curated ten public art projects around Europe’s largest seaport, the Port of Rotterdam (“Portscapes” in 2009–2010). We have also organised thematic curatorial residencies around geological agency (“Geologic Time”, Banff Centre, 2017) and a touring film programme on the legacy of Land Art (“A Stake in the Mud a Hole in the Reel”, 2008–2009).

Last but not least, since 2008 we have been custodians of the website of RAF/Reduce Art Flights, a reference resource about the campaign initiated by the late Gustav Metzger (1926–2017).

RAF/Reduce Art Flights website reduceartflights.lttds.org

Latitudes’ environmental impact is small, yet we acknowledge that the largest impact comes from flights and the disproportionate mobility practices of the sector we work in. We believe that art and culture have a role to play in bringing about ambitious change, applying best practices and setting a positive example to position the climate crisis at the centre of the political and social debate.

In January 2023 we became individual members of the Gallery Climate Coalition (GCC) and began to work with colleagues to set up the Spanish volunteer team, GCC España, that meets regularly to track progress on environmental targets and actions

Making of Jan Dibbets’ film “6 Hours Tide Object with Correction of Perspective” (1969–2009). Commissioned and produced by the Port of Rotterdam as part of “Portscapes”, with support and advice from SKOR, curated by Latitudes. Documentation included in the multi-part publication box “Portscapes” designed by Ben Laloua / Didier Pascal, launched with the opening of the exhibition “Portscapes” at the Museum Boijmans van Beuningen in Rotterdam, 2010. Photo: Latitudes.

Editors of Rotterdam-based magazine Fucking Good Art were ‘embedded’ in the port's Yangtzehaven for a month in the summer of 2009 from where they produced ‘Portscapes_ON AIR Station Maasvlakte’, a series of audio walks, field recordings and conversations with guests from different disciplines for the “Portscapes” website. Photo courtesy: FGA.

We will measure and publish our carbon footprint every year to comply with the GCC targets and commitments of reducing carbon emissions by 50% by 2030 (when compared to a 2019 baseline). Rather than purchasing carbon offsets, and following GCC guidelines on this matter, we are also setting aside a fund (€50 per tonne of emitted CO2 per year) to be spent on low-carbon purchasing options that would otherwise be unaffordable. Our intention is to eliminate unwarranted air travel, and we do not take flights when there is an alternative rail or sea route that takes less than 7 hours. The latter policy follows one adopted by the Ajuntament de Barcelona (the City Council) in 2020.

Latitudes requests external collaborators opt for train or alternative low-carbon transit and freight options in line with GCC’s guidelines (as well as Gustav Metzger’s RAF/Reduce Art Flights campaign) and this is reflected in work contracts. We hope to lead by example in implementing a sustainability strategy in the planning of exhibitions from an early stage, and whenever curating projects we always try to build the minimum necessary temporary architecture and ensure that any exhibition-related production is entirely locally tuned. We ask that collaborators use no plastic or other single-use materials when transporting works or for events.

Hike with “Geologic Time” participants to Stanley Glacier in Kootenay National Park, as part of the residency programme curated by Latitudes at the Banff Centre for Arts and Creativity, Banff, Canada, 11 September–6 October 2017. Photo: Latitudes.

Latitudes’ website runs on sustainable energy. According to websitecarbon.com (see stats below), LTTDS.org produces 16.76kg of C02 equivalent per year, roughly the amount of carbon that one tree would absorb in the same time, and it consumes 44kWh of energy (equivalent to 280km in an electric car). 

In our personal lives, we prioritise the 5 Rs: Refusing, Reducing, Reusing, Repurposing and Recycling. We do not own a car and use public transport networks. Other practical actions we undertake include periodically donating household or clothing items to charity organisations that offer support to vulnerable communities in our neighbourhood (including Fundació Roure and El Trampolí). And last but not least, since 2013 Latitudes banks with an ethical bank which finances initiatives that contribute to ecological, social and cultural change.

Left-sided entrance to the exhibition “4.543 billion. The Matter of Matter” with the participation of over thirty artists and the presentation of over a hundred works, CAPC musée d’art contemporain de Bordeaux, June 2017–January 2018. Photos: Latitudes / RK. 


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Cover Story, March 2023: Art, Climate, and New Coalitions

  March 2023 cover story on www.lttds.org

The March 2023 monthly Cover Story “Art, Climate and New Coalitions” is now up on our homepage www.lttds.org

“The terminology of environmental consciousness and carbon emissions has shifted significantly in recent decades, from talk of the greenhouse effect to global warming and sustainable development, and now from climate change to the climate emergency.  → Continue reading (after March 2023 this story will be archived here).

Cover Stories are published on a monthly basis on Latitudes’ homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.


  • Archive of Monthly Cover Stories
  • Cover Story, February 2023: Soil for Future Art Histories, 2 Feb 2023
  • Cover Story, January 2023: Claudia Pagès’ ‘Gerundi Circular’, 2 Jan 2023
  • Cover Story, December 2022: “The Melt Goes On Forever. David Hammons and DART Festival, 1 December 2022
  • Cover Story, November 2022: Jorge Satorre’s Barcelona, 1 Nov 2022
  • Cover Story, October 2022: Stray Ornithologies—Laia Estruch, 3 Oct 2022
  • Cover Story, September 2021: Erratic behaviour—Latitudes in conversation with Jorge Satorre, 31 August 2021
  • Cover Story, July–August 2022:  Incidents (of Travel) from Seoul, 1 July 2022
  • Cover Story, June 2022: Cyber-Eco-Feminist Incidents in Attica, 1 June 2022
  • Cover Story, May 2022: Things Things Say in print, 2 May 2022
  • Cover Story, March 2022: The passion of Gabriel Ventura, 1 March 2022
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Gallery Climate Coalition (GCC) en el Estado español

El 22 de febrero de 2023 a las 16h tendrá lugar una sesión informativa sobre la Gallery Climate Coalition (GCC) en el Exhibitors’ Lounge de ARCOmadrid

El encuentro lanza un nuevo grupo semiautónomo y voluntario afincado en el Estado español, GCC Spain – que se suma a los grupos de trabajo alineados con los objetivos de GCC existentes en Berlín, Italia, Los Ángeles, Londres y Taiwán – e inicia su andadura con el fin de desarrollar y compartir buenas prácticas y recursos medioambientales específicos para profesionales del sector artístico español.

Gallery Climate Coalition (GCC) es una organización sin ánimo de lucro que agrupa a distintos agentes del sector artístico en Europa que ofrece directrices de sostenibilidad medioambiental para el sector de las artes visuales. La membresía es totalmente gratuita (actualmente cuenta con +800 miembros de 40 países), tan sólo exige un compromiso sincero y firme con la misión y los fines de la asociación.

Preocupados por reducir y compensar el impacto medioambiental que nuestro sector genera, los principales objetivos de la coalición son facilitar una reducción de las emisiones de gases de efecto invernadero del sector de las artes visuales en un mínimo del 50% para 2030 (en línea con el objetivo del Acuerdo de París de mantener el calentamiento global por debajo de 1.5 °C) y promover prácticas de deshechos cero. 

Contacto → [email protected]


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