Longitudes

Cover Story – December 2016: Ten years ago – Land, Art: A Cultural Ecology Handbook


The December Monthly Cover Story is now up on www.lttds.org after this month it will be archived here

"The publication Land, Art: A Cultural Ecology Handbook is ten years old. Commissioned by the Arts & Ecology programme of The Royal Society for the Encouragement of Arts, Manufactures & Commerce (RSA), in partnership with Arts Council England, this book was one of Latitudes’s first projects. Through the inspirational contributions of people as varied as Lucy Lippard, Stephanie Smith, Amy Balkin, or the late Wangari Maathai – to mention just a few – the compendium charted the twin legacies of Land Art and the environmental movement while proposing how the critical acuity of art might remain relevant in the face of the dramatic ecological consequences of human activity. The research and reflection involved set Latitudes on a course that led to several further projects engaging with ecology, explicitly or otherwise." Continue reading...

Cover Stories' are published on a monthly basis on Latitudes' homepage and feature past, present or forthcoming projects, research, exhibitions and field trips related to our activities.  

Related content:

Sharjah Biennial 8 (2007) part 2 publication with transcripts of the 3-day conference organised by Latitudes and the RSA, London



Above images of the recently published catalogue of the Sharjah Biennial 8, United Arab Emirates [25º 22’N, 55º 24’E] titled 'Still Life: Art, Ecology and the Politics of Change (Part II)' which includes installation shots of the exhibition as well as transcripts of the 3-day conference Latitudes organised in collaboration with the Royal Society of Art's Arts & Ecology programme (today the RSA Arts and Ecology Centre) back in April 2007 (+ info).

The symposium
(images here) considered today’s uses and abuses of the ‘eco-’, notions of artistic agency and critical practice, as well as the role of the public realm in today’s artistic and institutional practices. How has it become fashionable (or profitable) to be seen to be eco? How has what we mean by ecology been transformed and evolved through the uses of terms such as ‘environmental’, ‘green’, ‘ethical living’, and so on?; How do some artists desire palliative results, while others offer strategies of friction or resistance? How far are the sources of materials a consideration for artists, designers and architects? And how does this relate to wider questions of resources—water, energy, oil in the Emirate and beyond?

The symposium included focused presentations by keynote speakers such as Bruce Sterling (read his paper here), critical panels with participating artists Sergio Vega or Peter Fend as well as Van Abbemuseum director Charles Esche, or Smart Museum's
Curator of Contemporary Art Stephanie Smith as well as breakout seminars with participating artists Tomás Saraceno and Michael Rakowitz.

You can download the symposium programme, exhibition guide and view press-related materials in this archive.


'Sharjah Biennial 8. Still Life: Art, Ecology and the Politics of Change (Part II)'
568 pages, 233 x 165 mm, softcover 350g. Art Matt Card

Paper: 80g. offset wood free and 135 g. Art Matt

Publisher: Sharjah Biennial,
www.sharjahbiennial.org
ISBN 978-9948-04-328-6 Part II

Looking back – 2008 "Annual Report"


Looking back at the past year is a infectious exercise at this point in the calendar. We would like to thank everyone that has visited or taken part in our projects, from the small ones to the 3 year-long collaborations, whether from nearby or far away.

Our 2008 began as intense preparations were well underway for the group exhibition 'Greenwashing. Environment: Perils, Promises and Perplexities' at Fondazione Sandretto Re Rebaudengo, Turin (29.02 –18.05.2008) co-curated with Ilaria Bonacossa. 'Greenwashing...' presented the work of 25 artists and artists groups (11 of those produced new work). A 192 page catalogue was published by The Bookmakers Ed., Turin – you can buy a copy here (English/Italian editions).

Following 'Greenwashing...' we presented 'A Stake in the Mud, A Hole in the Reel: Land Art's Expanded Field 1968–2008', a film and video programme curated at the invitation of the Museo Tamayo in Mexico City that later toured to 8 venues between April and October: MARCO, Vigo; Stadtkino (Kunsthalle Basel), Basel, Switzerland; CAAC, Sevilla; Fundació Suñol, Barcelona; Barn Hongersdijk Farmstead, Wilhelminapolder, The Netherlands; Spike Island, Bristol, United Kingdom; Centro de Arte Dos de Mayo, Móstoles. For further information you can read an essay in the Winter 2008-9 (upcoming) issue of Art & Co magazine or download press articles and programmes here.

Before the end of the summer we were part of the jury for the Premi Miquel Casablancas, an award for Spanish artists under 36. From around 200 portfolios and projects submitted Latitudes, together with Aimar Arriola, selected four artists to participate in the exhibition later in the year: ‘La, la, la, la: on winning and losing’ (29.11.2008 – 10.01.2009).

The summer was filled with more research and work to be done, which was carried out thanks to the support and hospitality of the Deutsche Börse Residency Programme, Frankfurter Kunstverein, Germany.

The 2008-9 season began with the exciting realisation of 'The Crest of a Wave’, a four-part project by Lawrence Weiner at Fundació Suñol, Barcelona (08.10 – 15.11.08) that had a great press, radio, specialised media and TV coverage (see post 12 November); followed by the conclusion of the 3 year-long public commission by Tue Greenfort which was presented in a discrete mode alongside his Frieze Art Fair project (16-19 October). This commission was an initiative of the RSA Arts & Ecology programme, London, which has recently become the Arts & Ecology center. Soon there will be a small publication gathering the history of the commission as well visual documentation of the project.

In November, as part of Artissima 15 Latitudes presented 'X, Y, etc!', a video programme comprised of around 40 works that was inspired by Charles Fort's research methodology, the paranormal and anomalous phenomena, the uncanny and the unexplained.

And now looking a little towards what's to come in 2009 ... since May 2008 (see previous posts here and here) we have been working on 'Portscapes', a series of artists’ projects that will take place throughout 2009 alongside the construction of ‘Maasvlakte 2’, a 1,000 hectare area of reclaimed land that will extend the Port of Rotterdam, Europe's largest seaport and industrial area. Mirroring a port's function of transit and exchange 'Portscapes' will involve Rotterdam-based artists and those from countries including China, Austria, Mexico, Scotland and the US, with the aim of considering the physical and conceptual implications of the new lands of Maasvlakte 2, as well as the city-port as a distributive network across artistic, marine and mercantile registers. 'Portscapes' will be introduced during Art Rotterdam (5–8 February 2009) by a small ‘prologue’ publication designed by Ben Laloua / Didier Pascal.

Throughout 2008 we have also contributed several catalogue essays, articles, exhibition reviews, artists profiles, etc. a selection of which can be downloaded from our writing archive.

Happy New Year!

Lara Almarcegui's Wastelands

Last weekend we visited 2 of Lara Almárcegui's wastelands. One in the Rotterdam harbour (www.braakliggendterrein.nl) and the other one in Genk, Belgium. The Rotterdam wasteland (first 4 pictures) has remained untouched since 2003 and will be kept until 2018. The Genk wasteland's dates are 2004-2014 (following 12 images).



"Lara Almárcegui's work often explores neglected or overlooked sites, carefully cataloguing and highlighting each location's tendency towards entropy. Her projects have ranged from a guide to the wastelands of Amsterdam to the display, in their raw form, of the materials used to construct the galleries in which she shows. Her works are simple actions that belie the vast research process which she undertakes to achieve them." (Frieze Projects, 2006)

Tue Greenfort & Piotr Uklanski, Secession, Vienna



Piotr Uklanski 'A Retrospective' (main space) and Tue Greenfort's 'Medusa' (upper and lower galleries) at the Secession, Vienna, 20 September – 18 November 2007.

All images: Latitudes | www.lttds.org

'LAND, ART...' publication reviewed in Frieze



 Brian Dillon reviews LAND, ART: A Cultural Ecology Handbook in the summer issue (#108) of Frieze, devoted to ecology. Read the article online.

In that same issue, there is also a feature article by Latitudes' Max Andrews entitled 'The Whole Truth' featuring the work of Mierle Laderman Ukeles, Christina Hemauer & Roman Keller, Maria Thereza Alves, among others.


Jeremy Deller's Bat House Project

Jeremy Deller's Bat House Project first Design Challenge deadline is January 29th:

"London - iconic buildings and bridges, the river, nightlife, commuting, astronomical house prices. Imagine you’re a bat in London. Where do you hang out? What do you see, feel, hear, eat, need? What attracts you? What gets in your way?"


Photos of the launch of the publication 'LAND, ART: A Cultural Ecology Handbook' at the LCE, London

 All images: Latitudes | www.lttds.org

Photos of the publication 'LAND, ART: A Cultural Ecology Handbook' (RSA, 2006)

The 'LAND, ART: A Cultural Ecology Handbook' publication is finally real! Coming soon are images of the reception at the London School of Economics and Political Science last Tuesday. The book was launched by the UK's Culture Minister David Lammy during the No Way Back? conference that morning. 

You can purchase the book direct from the distributor's Cornerhouse here, or from amazon here.


All photos: Robert Justamante. Courtesy: Latitudes | www.lttds.org

'LAND, ART: A Cultural Ecology Handbook' - related links

LAND, ART: A Cultural Ecology Handbook goes to print this Wednesday. Meanwhile here are some previews from the RSA, the excellent worldchanging.com, the e-flux announcement and Cornerhouse's web, worldwide distributor of the book.

http://www.rsa.org.uk/journal/storydetails.asp?articleID=859

http://www.rsa.org.uk/journal/article.asp?articleID=837

http://worldchanging.com/archives/004385.html

Longitudes cuts across Latitudes’s projects and research with news, updates, and reportage.

Latitudes | www.LTTDS.org (except when otherwise noted).

Latitudes 2006–2019

Previous posts

Nov 2019 (4)
Oct 2019 (2)
Sep 2019 (6)
Aug 2019 (5)
Jul 2019 (1)
Jun 2019 (2)
May 2019 (3)
Apr 2019 (1)
Mar 2019 (3)
Feb 2019 (1)
Jan 2019 (3)
Dec 2018 (5)
Nov 2018 (3)
Oct 2018 (5)
Sep 2018 (7)
Aug 2018 (5)
Jul 2018 (2)
Jun 2018 (2)
May 2018 (3)
Apr 2018 (3)
Mar 2018 (2)
Feb 2018 (4)
Jan 2018 (3)
Dec 2017 (3)
Nov 2017 (3)
Oct 2017 (4)
Sep 2017 (3)
Aug 2017 (2)
Jul 2017 (2)
Jun 2017 (2)
May 2017 (2)
Apr 2017 (3)
Mar 2017 (3)
Feb 2017 (3)
Jan 2017 (2)
Dec 2016 (2)
Nov 2016 (3)
Oct 2016 (3)
Sep 2016 (2)
Aug 2016 (6)
Jul 2016 (2)
Jun 2016 (3)
May 2016 (5)
Apr 2016 (2)
Mar 2016 (2)
Feb 2016 (6)
Jan 2016 (3)
Dec 2015 (1)
Nov 2015 (1)
Oct 2015 (3)
Sep 2015 (1)
Aug 2015 (4)
Jul 2015 (5)
Jun 2015 (3)
May 2015 (3)
Apr 2015 (4)
Mar 2015 (2)
Feb 2015 (2)
Jan 2015 (2)
Dec 2014 (2)
Nov 2014 (3)
Oct 2014 (2)
Sep 2014 (2)
Aug 2014 (2)
Jun 2014 (3)
May 2014 (3)
Apr 2014 (2)
Mar 2014 (3)
Feb 2014 (1)
Jan 2014 (1)
Dec 2013 (4)
Nov 2013 (3)
Oct 2013 (6)
Sep 2013 (4)
Aug 2013 (2)
Jul 2013 (1)
Jun 2013 (3)
May 2013 (4)
Apr 2013 (2)
Mar 2013 (4)
Feb 2013 (2)
Jan 2013 (5)
Dec 2012 (5)
Nov 2012 (4)
Oct 2012 (4)
Sep 2012 (6)
Aug 2012 (4)
Jul 2012 (2)
Jun 2012 (3)
May 2012 (8)
Apr 2012 (7)
Mar 2012 (5)
Feb 2012 (5)
Jan 2012 (4)
Dec 2011 (4)
Nov 2011 (3)
Oct 2011 (6)
Sep 2011 (4)
Aug 2011 (7)
Jul 2011 (3)
Jun 2011 (8)
May 2011 (10)
Apr 2011 (6)
Mar 2011 (7)
Feb 2011 (9)
Jan 2011 (3)
Dec 2010 (8)
Nov 2010 (9)
Oct 2010 (6)
Sep 2010 (11)
Aug 2010 (6)
Jun 2010 (4)
May 2010 (5)
Apr 2010 (11)
Mar 2010 (4)
Feb 2010 (6)
Jan 2010 (7)
Dec 2009 (6)
Nov 2009 (3)
Oct 2009 (7)
Sep 2009 (11)
Aug 2009 (11)
Jul 2009 (2)
Jun 2009 (10)
May 2009 (7)
Apr 2009 (5)
Mar 2009 (6)
Feb 2009 (4)
Jan 2009 (5)
Dec 2008 (6)
Nov 2008 (5)
Oct 2008 (5)
Sep 2008 (5)
Aug 2008 (3)
Jul 2008 (3)
Jun 2008 (5)
May 2008 (4)
Apr 2008 (5)
Mar 2008 (3)
Feb 2008 (7)
Jan 2008 (5)
Dec 2007 (5)
Nov 2007 (5)
Oct 2007 (6)
Sep 2007 (8)
Aug 2007 (3)
Jul 2007 (5)
May 2007 (8)
Apr 2007 (8)
Mar 2007 (8)
Feb 2007 (3)
Jan 2007 (1)
Dec 2006 (8)
Nov 2006 (2)
Oct 2006 (6)
Sep 2006 (10)
Aug 2006 (1)
Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

More about us. Browse projects. Read Longitudes. Receive newsletters.

Contact us. 
All content
Latitudes
2005—2019