Longitudes

Cover Story–May 2018: "Shadowing Roman Ondák"

Latitudes' home page www.lttds.org

The May 2018 Monthly Cover Story "Shadowing Roman Ondák" is now up on Latitudes' homepage: www.lttds.org

This month we revisit Roman Ondák’s exhibition ‘Some Thing’ at The Common Guild, Glasgow, in 2013, during which Latitudes was invited to give a talk. Roman’s show comprised a series of composite works in display cases. Early still-life paintings and pencil drawings from his student days in Slovakia in the 1980s were coupled with the actual objects depicted – a chair, a length of rope, a helmet, a vase (a detail of "Shadow, 1981/2013" is the work above), and so on, which were placed in a deadpan way on top of them.

—> Continue reading
—> After May it will be archived here.

Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial activities.



RELATED CONTENT:



Commentary text on Roman Ondák now available via The Common Guild' website


Compilation of commentary texts. Photo: The Common Guild.

The Common Guild regularly commissions artists, writers and curators a series of short texts to accompany their ongoing exhibitions programme. These commentaries are uploaded as pdfs on their website, and can be printed and easily compiled – see image as a suggestion for how to do this. 

Latitudes' commentary text on Roman Ondák's work and exhibiton "Some Thing" (12 October – 14 December 2013) has just been uploaded and can be found as a pdf here. The text follows Latitudes' talk on 21 November 2013 (audio here).

Commentary text can be downloadable as a pdf here.



This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption).
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Report from Glasgow: Lecture at The Common Guild and studio and gallery visits

Late last month we made a trip to Glasgow at the invitation of The Common Guild to give a lecture about the work of Roman Ondák, who currently has an exhibition there (until 14 December). We took the opportunity to stay a few days in Glasgow to see exhibitions and do some studio visits with the many artists who call the city home. A big thank you to Kitty Anderson and Katrina Brown for the invitation and hospitality.

Tea and biscuits with our talk at The Common Guild.
In our lecture on the evening of 21 November we talked about some key works by Ondák – including SK Parking (2001) and The Stray Man (2006) – suggesting how fin-de-siècle Vienna provides a lens with which to focus on its negotiation of both the cliché of "life as art" and the grim stereotype of "the everyday" in the former Eastern Europe. 

Ondák's show at The Common Guild filled the galleries of its present home in a Victorian townhouse near Kelvingrove Park with a series of works in vitrines which couple early still-life paintings and drawings by the Slovakian artist alongside the actual objects depicted. A chair, a length of rope, a twig, a vase, and so on, become caught in a humorous riddle about reality and its representation and when the "real" work of an artist can be said to have begun.


Roman Ondák at The Common Guild.
The previous day we'd visited the studio of the amazing filmmaker Luke Fowler, who was about to go to Huddersfield for their Contemporary Music festival and a collaboration with David Toop. We also met with Corin Sworn, who was one of the three artists representing Scotland at the 2013 Venice Biennial, though in fact none of them was actually Scottish. Scotland + Venice 2013 – whose final week was during our visit to Glasgow – was conceived and produced by The Common Guild. (We were also delighted to be able to meet the great filmmaker Duncan Campell, another of the Venice artists later in the week).

We'd also had time to check out the eclectic Hunterian Museum (the oldest museum in Scotland), Aaron Angell & Jack Bilbo's show at SWG3 Gallery, as well as The Modern Institute's two venues. At the Aird's Lane branch was a show by furniture designer Martino Gamper while the Osborne Street HQ, a former bathhouse, has a show by Chris Johanson.


The Modern Institute Aird's Lane: Martino Gamper.
The Modern Institute at Osborne Street: Chris Johanson.
Aaron Angell & Jack Bilbo's show at SWG3 Gallery.
In the south of the city, we were glad to be able to visit Tramway, the multi-use arts venue that's been running since the late 1980s and now also hosts the Scottish Ballet, as well as a huge exhibition space with an important history of shows. It hosted an impressive show by Lucy Skaer entitled "Exit, Voice and Loyalty", as well as a "House Style" a series of commissions made in response to Roundabout a series of film from the 1960s and 1970s designed to promote Britain as a progressive world leader to south and south-east Asian audiences. 

Lucy Skaer at Tramway: Exit, Voice and Loyalty takes its title from economist Albert O. Hirschman’s essay on how change comes about through dissent.
Lucy Skaer: tenmoku glazed ceramics.
Lucy Skaer: works based on ticket punch holes.
House Style, curated by Panel: film by Rob Kennedy.
Thanks to Kyla McDonald at Glasgow Sculpture Studios we visited their fantastic high-spec fabrication facilities – which include a ceramics studio, wood and metal-shop and media suites – and met with a number of artists based their. Claire Barclay had just completed a commission with Artlink commemorating the bicentenary of the Royal Edinburgh Hospital. We talked with Lauren Gault about her show at Generator Projects in Dundee, and Sarah Forrest about her recent Margaret Tait Residency in Orkney. Alex Impey told us about his interest in Michael Baxandall's "Period Eye" and Sarah Tripp had just finished edited 24 Stops, a work commissioned by Camden Arts Centre. 

Claire Barclay's studio at GSS.
Lauren Gault's studio at GSS with blue-glazed ceramic forms.
Moreover, Glasgow Sculpture Studios have an exhibition space which was hosting a show by Haegue Yang entitled Journal of Bouba/kiki, the result of a residency and Haegue's evident delight in exploring some new fabrication techniques. 


Haegue Yang's exhibition at GSS included these macramé mobiles.
Haegue Yang at GSS. Yang's residency resulted in a number of new technical innovations, included a motorized system for a new Venetian-blind installation and these ceramic hand gestures.
Finally we were happy to spend time with Carles Congost, who by Catalan coincidence, opened an exhibition at CCA Glasgow on Friday 22 November. Curated by Emma Brasó with works by Congost and Henry Coombes, "Man of the Year" runs until 26 January next year.
Fear Your Talent: Carles Congost in the shadows!

This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Lecture on Roman Ondák at The Common Guild, Glasgow, 21 November, 6pm.

Roman Ondák, 'Shadow', 1981/2013 (Detail). Oil painting on MDF, glass, display case; 141x50x50 cm; Courtesy of the artist.

| UK |
  
Lecture on Roman Ondák at The Common Guild, Glasgow, 21 November, 6pm.

Coinciding with Roman Ondák's (Žilina, Slovakia, 1966) exhibition 'Some Thing' at The Common Guild (12 October – 14 December 2013), Latitudes will offer its thoughts on the work of the artist. Latitudes has presented Ondák’s work and written about his practice for various publications including Tate ETC.

Latitudes will talk about some key work by Roman Ondák – including SK Parking (2001) and The Stray Man (2006) – suggesting how fin-de-siècle Vienna provides a lens with which to focus on its negotiation of both the cliché of "life as art" and the grim stereotype of "the everyday" in the former Eastern Europe.

The talk will be recorded and later available on the website of The Common Guild.

Places are free but limited. 

Call +44 (0)141 428 3022 or email to book: [email protected]
21 Woodlands Terrace, Glasgow, G3 6DF

Roman Ondák, SK Parking, 2001. Slovakian Skodas were parked behind the Secession building in Vienna for two months. Event and installation at Secession, Vienna. 
Courtesy of Martin Janda, Vienna.

| ES | 

Ponencia sobre Roman Ondák en The Common Guild, Glasgow, 21 noviembre, 18h.

Coincidiendo con la exposición 'Some Thing' de Roman Ondák (Žilina, Slovakia, 1966) en The Common Guild (12 October – 14 December 2013), Latitudes dará una charla sobre la obra del artista. Latitudes ha presentado su obra y escrito sobre su práctica artística en publicaciones como Tate ETC.


Latitudes hablará sobre algunos trabajos clave de Roman Ondák incluyendo SK Parking (2001) y The Stray Man (2006) que sugieren como el fin-de-siècle vienés ofrece un lente que nos permite analizar cómo su trabajo negocia constantemente el cliché de la "vida como arte" y el sombrío estereotipo de "lo cotidiano" en la antigua Europa del Este.

La conversación será grabada y disponible a través de la web de The Common Guild.

Acceso libre, aunque limitado. 
Reservas: +44 (0)141 428 3022 o [email protected]
21 Woodlands Terrace, Glasgow, G3 6DF



This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Longitudes cuts across Latitudes’s projects and research with news, updates, and reportage.

Latitudes | www.LTTDS.org (except when otherwise noted).

Latitudes 2006–2019

Previous posts

Nov 2019 (4)
Oct 2019 (2)
Sep 2019 (6)
Aug 2019 (5)
Jul 2019 (1)
Jun 2019 (2)
May 2019 (3)
Apr 2019 (1)
Mar 2019 (3)
Feb 2019 (1)
Jan 2019 (3)
Dec 2018 (5)
Nov 2018 (3)
Oct 2018 (5)
Sep 2018 (7)
Aug 2018 (5)
Jul 2018 (2)
Jun 2018 (2)
May 2018 (3)
Apr 2018 (3)
Mar 2018 (2)
Feb 2018 (4)
Jan 2018 (3)
Dec 2017 (3)
Nov 2017 (3)
Oct 2017 (4)
Sep 2017 (3)
Aug 2017 (2)
Jul 2017 (2)
Jun 2017 (2)
May 2017 (2)
Apr 2017 (3)
Mar 2017 (3)
Feb 2017 (3)
Jan 2017 (2)
Dec 2016 (2)
Nov 2016 (3)
Oct 2016 (3)
Sep 2016 (2)
Aug 2016 (6)
Jul 2016 (2)
Jun 2016 (3)
May 2016 (5)
Apr 2016 (2)
Mar 2016 (2)
Feb 2016 (6)
Jan 2016 (3)
Dec 2015 (1)
Nov 2015 (1)
Oct 2015 (3)
Sep 2015 (1)
Aug 2015 (4)
Jul 2015 (5)
Jun 2015 (3)
May 2015 (3)
Apr 2015 (4)
Mar 2015 (2)
Feb 2015 (2)
Jan 2015 (2)
Dec 2014 (2)
Nov 2014 (3)
Oct 2014 (2)
Sep 2014 (2)
Aug 2014 (2)
Jun 2014 (3)
May 2014 (3)
Apr 2014 (2)
Mar 2014 (3)
Feb 2014 (1)
Jan 2014 (1)
Dec 2013 (4)
Nov 2013 (3)
Oct 2013 (6)
Sep 2013 (4)
Aug 2013 (2)
Jul 2013 (1)
Jun 2013 (3)
May 2013 (4)
Apr 2013 (2)
Mar 2013 (4)
Feb 2013 (2)
Jan 2013 (5)
Dec 2012 (5)
Nov 2012 (4)
Oct 2012 (4)
Sep 2012 (6)
Aug 2012 (4)
Jul 2012 (2)
Jun 2012 (3)
May 2012 (8)
Apr 2012 (7)
Mar 2012 (5)
Feb 2012 (5)
Jan 2012 (4)
Dec 2011 (4)
Nov 2011 (3)
Oct 2011 (6)
Sep 2011 (4)
Aug 2011 (7)
Jul 2011 (3)
Jun 2011 (8)
May 2011 (10)
Apr 2011 (6)
Mar 2011 (7)
Feb 2011 (9)
Jan 2011 (3)
Dec 2010 (8)
Nov 2010 (9)
Oct 2010 (6)
Sep 2010 (11)
Aug 2010 (6)
Jun 2010 (4)
May 2010 (5)
Apr 2010 (11)
Mar 2010 (4)
Feb 2010 (6)
Jan 2010 (7)
Dec 2009 (6)
Nov 2009 (3)
Oct 2009 (7)
Sep 2009 (11)
Aug 2009 (11)
Jul 2009 (2)
Jun 2009 (10)
May 2009 (7)
Apr 2009 (5)
Mar 2009 (6)
Feb 2009 (4)
Jan 2009 (5)
Dec 2008 (6)
Nov 2008 (5)
Oct 2008 (5)
Sep 2008 (5)
Aug 2008 (3)
Jul 2008 (3)
Jun 2008 (5)
May 2008 (4)
Apr 2008 (5)
Mar 2008 (3)
Feb 2008 (7)
Jan 2008 (5)
Dec 2007 (5)
Nov 2007 (5)
Oct 2007 (6)
Sep 2007 (8)
Aug 2007 (3)
Jul 2007 (5)
May 2007 (8)
Apr 2007 (8)
Mar 2007 (8)
Feb 2007 (3)
Jan 2007 (1)
Dec 2006 (8)
Nov 2006 (2)
Oct 2006 (6)
Sep 2006 (10)
Aug 2006 (1)
Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

More about us. Browse projects. Read Longitudes. Receive newsletters.

Contact us. 
All content
Latitudes
2005—2019