To mark Latitudes’ 20th anniversary this April 2025, we have refreshed the design of our Portfolio. The 10th edition is available in desktop, mobile, and print formats.

Looking back, our first anniversary in April 2006 was a whirlwind. We were deep in the editorial process of “LAND, ART: A Cultural Ecology Handbook” (published in December 2006), an anthology co-edited by the Royal Society of Arts and Arts Council England. Amid that hectic process, we forgot to commemorate.

Five years later, in 2010, we marked the occasion with our 22nd newsletter – our first featuring a birthday candle. At the time, we were gearing up for a road trip from Barcelona to London to take part in another milestone: Tate Modern's 10th Anniversary. To mark the occasion, artist Maurizio Cattelan and curators Cecilia Alemani and Massimiliano Gioni organised the second edition of NO SOUL FOR SALE - A Festival of Independents, which occupied Tate's Turbine Hall for a long weekend in mid-May 2010. Our journey was itself an artwork—Martí Anson, in his role as artist-cum-chauffeur, drove us to London and back as part of his project “Mataró Chauffeur Service”, ensuring we arrived in style (or rather truly tired) for the celebration.

The 2020 redesign is still mostly up today, with a few updates, such as the font.

We can't believe two decades have flown by since we decided to give it a go as freelancers. This April 2025 finds us recovering from two major exhibitions that opened this past February– two much-anticipated solo exhibitions in Madrid. The first is the survey of Mexican-born, Bilbao-based artist Jorge Satorre at the Museo Centro de Arte Dos de Mayo in Móstoles. The second is also a survey, featuring the work of Barcelona-based artist Laia Estruch, at the Museo Nacional Centro de Arte Reina Sofía. Both exhibitions are accompanied by the artists’ first monographs, covering works created from 2011 to the present. Estruch’s monograph will be available later in Spring, while Satorre’s, co-published by Museo CA2M and Caniche Editorial, is already available for purchase online (€30, including shipping within Spain) here and from Museo CA2M front desk.

Pages of “Rio [River]” (2025) copublished by Museo CA2M and Caniche Editorial. Photos: Latitudes.

Mock-up of the Spanish edition of “Laia Estruch. Hello Everyone” published by the Museo Reina Sofía. Available from Spring 2025.

Speaking of books, we’re pleased to announce that our publications are now more widely accessible. The Library and Documentation Centre of the Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain) has been added to the list of institutions where a complete (or nearly complete) collection of Latitudes publications is available for public reference.

RELATED CONTENT:

• Latitudes’ 15th anniversary and rebuilt and redesigned website, 2 May 2020
• Reduce Art Flights website refreshed, 5 February 2020
• Latitudes' redesigned portfolio – projects since 2005 (20 February 2019)
• Lawrence Weiner tote bag and sugar sachets at the McManus Museum and Galleries in Dundee (26 November 2018)
• Lawrence Weiner's THE CREST OF A WAVE tote bag in the Tate Archive and exhibited at The McManus Museum and Galleries, Dundee, 26 October 2018
• Newsletter #22 – April 2010, 8 April 2010
• Latitudes' 4th anniversary, 2 April 2009

Max Andrews’ review of Gabriel Chaile's exhibition “Contemplando es como fuimos cambiando” at Tabakalera in San Sebastian/Donostia, goes live on the frieze website.

“‘Contemplating Is How We Have Been Changing’, Tabakalera’s survey of Argentine artist Gabriel Chaile, deftly shows his ability to transform humble materials into vessels of ancestral knowledge and familial intimacy. The exhibition includes several of Chaile’s characteristic anthropomorphic and zoomorphic adobe sculptures, yet it also features a selection of impressive earlier works, and hints at new forays into film narrative and mythmaking.” Continue reading

   January 2025 cover story on www.lttds.org

Max Andrews from Latitudes (a frieze Contributing Writer) and Angel Lambo (Associate Editor of frieze) shared six highlights of Manifesta 15 for frieze.com 

The 2024 edition of the roving biennial spans 12 cities in and around the Barcelona Metropolitan area, making it one of the most ambitious in scale and reach. However, while its extensive geographical footprint is impressive, questions remain about whether the quality of the exhibitions lives up to its ambitious scope. A hotly debated topic during the opening days was whether the venues’ varying sizes complemented or engulfed the works on display, as is the example of the Tres Xemeneies (Three Chimneys), the colossal former thermal power station by the Besòs river. With over 90 participants and a wide array of interventions, events, and talks, an additional challenge lies in ensuring a cohesive experience across all locations.

Read more

RELATED CONTENT:

• Other writing on Latitudes’ website.
• Reviews, opinions, profiles and interviews published in frieze magazine. 
• 20th and concluding dispatch of “Incidents (of Travel)” from Barcelona, Spain, 26 Oct 2022
• Compositions 2015, five city-wide commissions conceived for the first Barcelona Gallery Weekend, various locations, Barcelona, 1–4 October 2015 
• Compositions 2016, five city-wide commissions conceived for the first Barcelona Gallery Weekend, various locations, Barcelona, 29 September–2 October 2016

The July–August 2024 monthly Cover Story “” is now up on our homepage: www.lttds.org (after August 2024 this story will be archived here).

“Summer is here and the Cover Story for July and August features Rosa Tharrats’ “AVOC IVIDRAM” (2024), a work that veiled the exterior of Bombon Projects during the opening of her exhibition “Refugia” earlier this year. This show is the focus of Max Andrews’s first contribution to Artforum magazine, appearing in the summer issue.” → Continue reading 

Cover Stories are published monthly on Latitudes’ homepage featuring past, present, or forthcoming projects, research, texts, artworks, exhibitions, films, objects, or field trips related to our curatorial projects and activities.

Max Andrews’s first contribution to Artforum reviews “Refugia”, the first solo exhibition of Rosa Tharrats at Bombon Projects in Barcelona, which opened on March 20, 2024. Andrews’ review coincides with the first issue under the new editorial eye of Tina Rivers Ryan, the magazine’s recently appointed editor-in-chief. 

“One could have imagined the exhibition inside as much a sanctum for a spiritual retreat for unwinding the mind/body dualism as an outré couture collection without humans, where inscrutable organic divinities dressed for auspiciousness.” 

Continue reading here.

→ RELATED CONTENT:

• Other writing on Latitudes’ website.
• Reviews, opinions, profiles and interviews published in frieze magazine.
• Panorama traces, a year on, 21 Oct 2022
• Panorama in Madrid and Córdoba, 14 June 2022
• Cover Story, February 2022: Rosa Tharrats’ Textile Alchemy, 1 Feb 2022 
• “Panorama 21: Apunts per a un incendi dels ulls”, MACBA, October 2021–February 2022