Latitudes mentioned in the GCC post announcing the Active Members 2024.

Max Andrews and Mariana Cánepa Luna of Latitudes are among the 120 Members who have successfully achieved individual Active Membership 2024 with the Gallery Climate Coalition (GCC). 

This marks the third consecutive year that Latitudes members have renewed their individual Active Membership. To renew our individual Active status (guidelines here), we continued implementing environmental sustainability best practices in line with GCC’s guidelines, focusing on near-term tangible actions, and met three of the following criteria:

1. Measure Impact: Submit a 12-Month Carbon Report, OR Major Project Carbon Report, OR Climate Impact Report. 

2. Take Action: Demonstrate Climate Action OR Environmental Responsibility Rider.

3. Publicly Commit: Sign and Publish an Environmental Responsibility Statement.

4. Review and Reflect: Submit a minimum 500-word narrative that elaborates on your application and your climate efforts from the past year.

Each of us completed a CO2e report. Our joint carbon emissions were 16.18 tCo2e in 2019 (our baseline year), progressively reducing to 3.66 tCo2e (2022); 1.91 tCo2e (2023) and 1.63 tCo2e (2024). Our carbon footprint reporting includes emissions across various aspects of our operations: air and surface travel (long-distance and regional trains, coach, taxi, car, metro, bus and ferry), accommodation (hotel, self-catered properties), energy consumption (electricity and gas), and, since 2024, digital usage (web hosting, cloud storage, sent emails and video calls). We use the GCC Carbon Calculator to conduct annual audits and ensure consistent and accurate reporting.

Year summary of Max's CO2 Annual Report

Year summary of Mariana's CO2 Annual Report

To mark Latitudes’ 20th anniversary this April 2025, we have refreshed the design of our Portfolio. The 10th edition is available in desktop, mobile, and print formats.

Looking back, our first anniversary in April 2006 was a whirlwind. We were deep in the editorial process of “LAND, ART: A Cultural Ecology Handbook” (published in December 2006), an anthology co-edited by the Royal Society of Arts and Arts Council England. Amid that hectic process, we forgot to commemorate.

Five years later, in 2010, we marked the occasion with our 22nd newsletter – our first featuring a birthday candle. At the time, we were gearing up for a road trip from Barcelona to London to take part in another milestone: Tate Modern's 10th Anniversary. To mark the occasion, artist Maurizio Cattelan and curators Cecilia Alemani and Massimiliano Gioni organised the second edition of NO SOUL FOR SALE - A Festival of Independents, which occupied Tate's Turbine Hall for a long weekend in mid-May 2010. Our journey was itself an artwork—Martí Anson, in his role as artist-cum-chauffeur, drove us to London and back as part of his project “Mataró Chauffeur Service”, ensuring we arrived in style (or rather truly tired) for the celebration.

The 2020 redesign is still mostly up today, with a few updates, such as the font.

We can't believe two decades have flown by since we decided to give it a go as freelancers. This April 2025 finds us recovering from two major exhibitions that opened this past February– two much-anticipated solo exhibitions in Madrid. The first is the survey of Mexican-born, Bilbao-based artist Jorge Satorre at the Museo Centro de Arte Dos de Mayo in Móstoles. The second is also a survey, featuring the work of Barcelona-based artist Laia Estruch, at the Museo Nacional Centro de Arte Reina Sofía. Both exhibitions are accompanied by the artists’ first monographs, covering works created from 2011 to the present. Estruch’s monograph will be available later in Spring, while Satorre’s, co-published by Museo CA2M and Caniche Editorial, is already available for purchase online (€30, including shipping within Spain) here and from Museo CA2M front desk.

Pages of “Rio [River]” (2025) copublished by Museo CA2M and Caniche Editorial. Photos: Latitudes.

Mock-up of the Spanish edition of “Laia Estruch. Hello Everyone” published by the Museo Reina Sofía. Available from Spring 2025.

Speaking of books, we’re pleased to announce that our publications are now more widely accessible. The Library and Documentation Centre of the Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain) has been added to the list of institutions where a complete (or nearly complete) collection of Latitudes publications is available for public reference.

RELATED CONTENT:

• Latitudes’ 15th anniversary and rebuilt and redesigned website, 2 May 2020
• Reduce Art Flights website refreshed, 5 February 2020
• Latitudes' redesigned portfolio – projects since 2005 (20 February 2019)
• Lawrence Weiner tote bag and sugar sachets at the McManus Museum and Galleries in Dundee (26 November 2018)
• Lawrence Weiner's THE CREST OF A WAVE tote bag in the Tate Archive and exhibited at The McManus Museum and Galleries, Dundee, 26 October 2018
• Newsletter #22 – April 2010, 8 April 2010
• Latitudes' 4th anniversary, 2 April 2009

We are pleased to announce that Max Andrews and Mariana Cánepa Luna of Latitudes have successfully qualified to be in the first cohort of Active Members of the Gallery Climate Coalition (GCC). To achieve this status we had to demonstrate that our organisation had implemented environmental sustainability best practices in line with GCC’s guidelines.

This initiative marks an evolution in GCC’s strategy from awareness raising and community building to one focusing on the near-term tangible progress of members following three key actions:

• Completing a CO2e report or audit (our 2019 and 2022 emissions are published here).
• Establishing and maintaining a Green Team (Latitudes is also on the Founding Committee of GCC Spain).
• Publishing an Environmental Responsibility Statement.

As part of the initiative, GCC provides qualifying members with a badge (see below) to recognise and celebrate the actions taken. These badges are year-stamped and members have to re-submit annually to retain the latest Active designation. 

Active Membership is neither a certification of sustainability nor a claim that we are doing things perfectly and have all the answers — none of us are at this point. Yet it does entail transparency in the assessment, reporting, and reduction of climate impact, the setting of targets in line with science, and the search for working solutions.

We encourage everyone to visit the Gallery Climate Coalition website to learn more about the initiative and how to get involved.

Moreover, Latitudes is part of the Founding Committee of the recently formed volunteer team, GCC Spain. To get involved, please contact: espana@galleryclimatecoalition.org

Active Membership Press Release, 10 May 2023.

RELATED CONTENTS:

• Latitudes’ Environmental Policy Statement – Extended version here.
• Cover Story, March 2023: Art, Climate, and New Coalitions, 1 Mar 2023
• Gallery Climate Coalition (GCC) en el Estado español, 25 January 2023
• Latitudes’ essay “Un suelo para las historias del arte del futuro” [Soil for Future Art Histories] in TBA21’s catalogue “Futuros Abundantes / Abundant Futures”, 22 Jan 2023
• “‘Minor’ Ornithologies” podcast conducted by Max Andrews of Latitudes for TBA21 on st_age, 27 Sep 2022
• 18 marzo 2021, 18:30h: Mesa redonda “Transformación geológica y construcción artificial” con Lara Almarcegui y Juan Guardiola, 8 Mar 2021
• Lead Faculty, Geologic Time, Banff International Curatorial Institute, Visual + Digital Arts Department, Banff Centre for Arts and Creativity, Banff, Canada, 11 September–6 October 2017
• Group exhibition, “4.543 billion. The matter of matter”, CAPC musée d’art contemporain Bordeaux, France, 29 June 2017–7 January 2018
• Editors, “Lara Almarcegui. Projects 1995–2010”, Archive Books, 2011
• Solo exhibition, “Christina Hemauer & Roman Keller: United Alternative Energies”, Kunsthal Aarhus, Århus, Denmark, 22 January–3 April 2011
• Public realm commissions, Portscapes, Port of Rotterdam, the Netherlands, throughout 2009
• Custodians, Reduce Art Flights (RAF) website (2008–ongoing)
• Touring film programme, “A Stake in the Mud, A Hole in the Reel. Land Art’s Expanded Field 1968–2008”, Museo Tamayo, Mexico City, and other venues, April–October 2008
• Group exhibition “Greenwashing. Perils, Promises and Perplexities”, Fondazione Sandretto Re Rebaudengo, Torino, February–May 2008
• Convenors, “Art, Ecology and the Politics of Change”, 3-day symposium during the Sharjah Biennial 8, 5–7 April 2007
• Editors, “UOVO #14: Ecology, Luxury and Degradation”, 2007
• Editor, “LAND, ART: A Cultural Ecology Handbook” (2006)
• Curator, Tue Greenfort, Arts & Ecology public realm commission in London, 2005–2008.

El 22 de febrero de 2023 a las 16h tendrá lugar una sesión informativa sobre la Gallery Climate Coalition (GCC) en el Exhibitors’ Lounge de ARCOmadrid. 

El encuentro lanza un nuevo grupo semiautónomo y voluntario afincado en el Estado español, GCC Spain – que se suma a los grupos de trabajo alineados con los objetivos de GCC existentes en Berlín, Italia, Los Ángeles, Londres y Taiwán – e inicia su andadura con el fin de desarrollar y compartir buenas prácticas y recursos medioambientales específicos para profesionales del sector artístico español.

Gallery Climate Coalition (GCC) es una organización sin ánimo de lucro que agrupa a distintos agentes del sector artístico en Europa que ofrece directrices de sostenibilidad medioambiental para el sector de las artes visuales. La membresía es totalmente gratuita (actualmente cuenta con +800 miembros de 40 países), tan sólo exige un compromiso sincero y firme con la misión y los fines de la asociación.

Preocupados por reducir y compensar el impacto medioambiental que nuestro sector genera, los principales objetivos de la coalición son facilitar una reducción de las emisiones de gases de efecto invernadero del sector de las artes visuales en un mínimo del 50% para 2030 (en línea con el objetivo del Acuerdo de París de mantener el calentamiento global por debajo de 1.5 °C) y promover prácticas de deshechos cero. 

Información → https://galleryclimatecoalition.org

Contacto → espana@galleryclimatecoalition.org

CONTENIDOS RELACIONADOS:

• Latitudes’ essay “Un suelo para las historias del arte del futuro” [Soil for Future Art Histories] in TBA21’s catalogue “Futuros Abundantes / Abundant Futures”, 22 Jan 2023
• “‘Minor’ Ornithologies” podcast conducted by Max Andrews of Latitudes for TBA21 on st_age, 27 Sep 2022
• Cover Story, September 2021: Erratic behaviour—Latitudes in conversation with Jorge Satorre, 31 Aug 2021 
• 18 marzo 2021, 18:30h: Mesa redonda “Transformación geológica y construcción artificial” con Lara Almarcegui y Juan Guardiola, 8 Mar 2021
• Lead Faculty, Geologic Time, Banff International Curatorial Institute, Visual + Digital Arts Department, Banff Centre for Arts and Creativity, Banff, Canada, 11 September–6 October 2017
• Group exhibition, “4.543 billion. The matter of matter”, CAPC musée d’art contemporain Bordeaux, France, 29 June 2017–7 January 2018
• Editors, “Lara Almarcegui. Projects 1995–2010”, Archive Books, 2011
• Solo exhibition, “Christina Hemauer & Roman Keller: United Alternative Energies”, Kunsthal Aarhus, Århus, Denmark, 22 January–3 April 2011
• Public realm commissions, Portscapes, Port of Rotterdam, the Netherlands, throughout 2009
• Custodians, Reduce Art Flights (RAF) website (2008–ongoing)
• Touring film programme, “A Stake in the Mud, A Hole in the Reel. Land Art’s Expanded Field 1968–2008”, Museo Tamayo, Mexico City, and other venues, April–October 2008
• Group exhibition “Greenwashing. Perils, Promises and Perplexities”, Fondazione Sandretto Re Rebaudengo, Torino, February–May 2008
• Convenors, “Art, Ecology and the Politics of Change”, 3-day symposium during the Sharjah Biennial 8, 5–7 April 2007
• Editors, “UOVO #14: Ecology, Luxury and Degradation”, 2007
• Editor, “LAND, ART: A Cultural Ecology Handbook” (2006)
• Curator, Tue Greenfort, Arts & Ecology public realm commission in London, 2005–2008

December 2022 cover story on www.lttds.org

The December 2022 monthly Cover Story “The Melt Goes On Forever. David Hammons and DART Festival” is now up on our homepage: www.lttds.org

“Latitudes has been collaborating with Dart, the documentary film festival that focuses exclusively on contemporary art, since its inception in 2017. Its sixth edition has just taken place in Barcelona at Sala Phenomena, Cinemes Girona, and MACBA (24-30 November).” Continue reading 

After December 2022 this story will be archived here.

Cover Stories are published on a monthly basis on Latitudes’ homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.

The April 2022 monthly Cover Story “Mix & Match: Laia Estruch at PUBLICS” is now up on our homepage: www.lttds.org

“On 17 March 2022, the first event of a year-long “Parahosting” collaboration between Latitudes and PUBLICS took place in Helsinki. The Parahosting programme of PUBLICS began in 2018, and it has grown into a key method of decentering the authorship of the curatorial agency through a flexible, evolving, expanding, and sometimes messy, practice of working together.” Continue reading

→ After April 2022 this story will be archived here.

Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.

The September 2021 monthly Cover Story “Erratic behaviour—Latitudes in conversation with Jorge Satorre” is now up on our homepage: www.lttds.org

“In 2008 the Port of Rotterdam in the Netherlands, the largest in Europe, began a dramatic project to extending its land by 20% into the sea. Known as Maasvlakte 2, the construction involved bringing more than 5 million tons of rock from Scandinavia for the construction of dikes and dams, alongside a programme of ecological offsetting. ”

→ Continue reading

→ After September 2021 this story will be archived here.

Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.