Longitudes

‘Thinking like a drainage basin’ essay in the catalogue of the exhibition ‘Lara Almarcegui. Béton’


(Above and below) Installation views of the exhibition ‘Béton’ by Lara Almarcegui at the CAIRN centre d'art, Digne-les-Bains, 2019. All photos: François-Xavier Emery.

Lara Almarcegui's exhibition ‘Béton’ opened on April 5 at CAIRN Centre d'art, in Digne-les-Bains, France, and will be on view until June 30th, 2019.

Latitudes has collaborated in the bilingual catalogue ‘Lara Almarcegui. Béton’ (French/English) recently published by Silvana Editoriale on the occasion the exhibition, with the new essay ‘Thinking like a drainage basin’. The publication includes an introduction by Giulia Pagnetti (curator of the exhibition and director of CAIRN Centre d'art), a second essay titled ‘Lara Almarcegui's building sites’ by Natacha Pugnet, and a conversation between the artist and Winfried Dallmann (Associate Professor, Department of Geosciences, UiT The Arctic University of Norway, Tromsø) titled ‘Earth Calculation’.



As Latitudes' writes in the essay (...) ‘As part of her most recent project for CAIRN Centre d’art, Almarcegui has produced ‘Roches et Materiaux du Bassin de la Bléone’ (2019), an inventory of the different types of geological matter comprising the entire drainage basin of the Bléone river from its source near Prads-Haute-Bléone to its confluence with the Durance at Chateau-Arnaux, a terrain of some 906 km2.

In discussing how storytelling might integrate with environmental science, anthropologist Julie Cruikshank poses the rhetorical question, “are glaciers ‘good to think with’?”[1] She suggests that glaciers and glacial stories be allowed to disrupt and exceed conceptual fields and dominant frameworks of knowledge. Ecologist Aldo Leopold coined the term “to think like a mountain” in his 1949 book ‘A Sand County Almanac’, proposing that history could be narrated, or indeed art could be made, from the point of view of non-human actors. Are drainage basins good to think with? What might it entail to think like the rocks and topological forms that funnel water into a river in the Alpes-de-Haute-Provence département in southeastern France?’



‘Lara Almarcegui. Béton’
April 2019, 48 pages, 24 x 17 cm
Texts by Natacha Pugnet, Latitudes and an interview between the artist and Winfried Dallmann. 
French/English 
Published by Silvana Editoriale
March 2019
Edited by CAIRN centre d'art
ISBN 9788836640904
Purchase here for 10 Euros.

RELATED CONTENT:
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  • Review – ‘Domènec. Y la tierra será el paraíso', adn galería, Barcelona, frieze.com, 13 March 2019
  • Opinion – ‘Frank Zappa’s Genre-Defying ‘Civilization Phaze III’’, frieze, January-February 2019, Issue 200, and frieze.com, 14 January 2019
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  • Catalogue essay – ‘The Kørner Problem’, in the monograph ‘John Kørner', ed. by Maria Nipper. Published by Roulette Russe, 2017. 19 February 2018

Public programme of the exhibition "4.543 billion. The Matter of Matter" at the CAPC musée d'art contemporain de Bordeaux

First public event on 30 June to the Salle des Collections de l'Unité de Formation de Biologie, Université de Bordeaux. This and following photos: Latitudes.


On December 14 at 2pm, the mediation department of the CAPC will lead a guided visit to Ilana Halperin’s "The Rock Cycle" (2017) intervention at the Salle des Collections de l'Unité de Formation de Biologie, Université de Bordeaux. 

The event is the third visit (earlier ones took place on October 19 and November 16) programmed in the context of her participation in the exhibition ‘4.543 billion. The matter of matter’ on view at the CAPC musée d'art contemporain de BordeauxThe next (and final one) will be taking place on January 4, three days before the exhibition closes on January 7, 2018. 

These events are free. Booking is recommended via Léo Correa [email protected] T. (+33) 05 56 00 81 60.


Ilana Halperin’s new project for the exhibition '4.543 billion' deals with geological intimacy and vivacity, and the uncanny fact that something as apparently inert and certain as the stone walls of the CAPC building were once marine life from a tropical ocean of the Oligocene epoch, around 32 million-years-ago. This Calcaire à Astéries (asteriated limestone) characteristic of Bordeaux takes its name from the countless tiny fossil organisms of the genus asterias (a type of sea star) that can be found in the stone alongside fossil mollusks and coral.

Halperin addresses stone, not as dead matter or a mere resource, but as a story-laden substance that both surpasses and partners in humans’ view of the world. 'The Rock Cycle' incorporates the reading of a letter and the hosting of a number of the artist’s geological sculptures within the displays of the zoology collection of the University of Bordeaux. These ‘curios’ originated as fragments of sea-weathered brick from the Isle of Bute in western Scotland, as well as waterjet-cut sandstone, that the artist left for three months in Fontaines Pétrifiantes in Saint-Nectaire. For generations, the mineral-rich waters that percolate through the rock at this site in central France have been used to create sculptures using the same process by which stalactites form, only one hundred times faster. Objects become rapidly encrusted with new layers of stone. 


—Latitudes 
[Excerpt from the exhibition guide]


Three other events have been programmed in the context of the exhibition.

Visit with Terence Gower (participating artist) and Prof. Bruno Cahuzac. Photo: CAPC musée/Département des publics.

8 November 2017, 5:30–7pm
Jam Session #1—Guided tour by Terence Gower (participating artist) and Prof. Bruno Cahuzac (UFR Sciences de la Terre et de la Mer, Université de Bordeaux Montaigne).

Guests during “The Return of the Earth: Ecologising art history in the Anthropocene” event. Photo: Latitudes.

15 November 2017, 4:30–8pm
The Return of the Earth: Ecologising art history in the Anthropocene”—Lecture by Jean-Baptiste Fressoz, a conversation between Xavier Ribas and Ângela Ferreira, debate convened by Latitudes. Free access. Simultaneous translation English-French.



During Jam Session #2 event. Photo: CAPC musée/Département des publics.

6 December 2017, 5:30–7pm
Jam Session #2—Guided tour by Isabelle Kanor (Head association "Le Labo de Lettres” dealing with cultural issues in the Antilles and colonization), and Charlotte Bouvier and Rémi Cazamajour (Inélia, company that supplied the solar panels feeding the video installation "Ancient Lights" (2015) by Nicholas Mangan). Sign up: Stéphane Mallet, [email protected]


Photo: Latitudes/RK.

The exhibition ‘4.543 billion’ is the contribution of the CAPC musée to the cultural season Paysages Bordeaux 2017. Between September 11–October 6, 2017, and within the exhibition framework, Latitudes led the month-long residency programme ‘Geologic Time’ at Banff Centre for Arts and Creativity, Alberta, Canada.

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Cover Story—October 2017: Geologic Time at Stanley Glacier

October 2017 Monthly Cover Story on http://www.lttds.org


The October 2017 Monthly Cover Story "Geologic Time at Stanley Glacier" is now up on www.lttds.org – after this month it will be archived here

"We are looking for glimpses of life as it was over half a billion years ago. In sight of the snout of the Stanley Glacier in Kootenay National Park, lie deposits of Burgess Shale, a rock famous for its exceptional preservation of hitherto unknown, and frankly bizarre, soft-bodied marine creatures." Continue reading  

Cover Stories' are published on a monthly basis on Latitudes' homepage and feature past, present or forthcoming projects, research, writing, artworks, exhibitions, films, objects or field trips related to our curatorial activities. 

RELATED CONTENT:

“Thinking with” geology at the Banff Centre for Arts and Creativity


Greetings from the Banff Centre in the Canadian Rockies!

For the next four weeks, Latitudes will be Lead Faculty of the residency programme "Geologic Time" organised by the Banff International Curatorial Institute (BICI) at the Banff Centre for Arts and Creativity

Curators, artists and writers Justy Phillips & Margaret Woodward (A Published Event) based in Hobart; Sema Bekirovic, based in Amsterdam; Caitlin Chaisson based in Vancouver; Becky Forsythe, based in Reykjavik; Chloe Hodge, based in London; Shane Krepakevich, based in Toronto; Caroline Loewen, based in Calgary; Penelope Smart, based in St. John's, Newfoundland; and Camila Sposati, based in Sao Paulo, are here for a month to discuss geological formations and timescales, while speculating about a more expansive and longer-term view of art, exhibitions, and their institutions. 

Through fieldwork, seminars, and independent study, 'Geologic Time' we will be thinking with geology as a potential way to consider non-conventional, deep-time perspectives on curating, exhibition making, programming, and fieldwork within contemporary art.

Programme on Banff's website.

On September 12, 4 pm, Latitudes will give a lecture presenting their practice at the Jeanne & Peter Lougheed Building 204. Everyone is welcome!

"Geologic Time" is a thematic residency programme of the Banff International Curatorial Institute (BICI), Visual + Digital Arts organised by the Banff Centre for Art and Creativity in Alberta, Canada. Within the framework of the residency, Latitudes curated the group exhibition "4.543 billion. The matter of matter" at the CAPC musée d’art contemporain de Bordeaux, France, on view until January 7, 2018.  


Entrance to one of the two wings of the exhibition "4.543 billion. The matter of matter" at the CAPC musée d’art contemporain de Bordeaux, France, on view until January 7, 2018. Photo: Latitudes / RK.

RELATED CONTENT:

Cover Story – July 2017: "4.543 billion"


The July 2017 Monthly Cover Story "4.543 billion" is now up on www.lttds.org after July it will be archived here

"4.543 billion. The matter of matter recently opened at the CAPC musée d’art contemporain de Bordeaux, and features the work of more than thirty artists. Curated by Latitudes, the exhibition looks at histories of art as fragments in geological time. The portentous mood of this gallery hinges on combustion and history violently formed through the fundamental reordering of the relations between humans and the rest of nature." Continue reading

Social media archive related to the exhibition.
Photo gallery of the exhibition.

Cover Stories' are published on a monthly basis on Latitudes' homepage and feature past, present or forthcoming projects, research, writing, artworks, exhibitions, films, objects or field trips related to our curatorial activities. 

RELATED CONTENT:

Longitudes cuts across Latitudes’s projects and research with news, updates, and reportage.

Latitudes | www.LTTDS.org (except when otherwise noted).

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Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

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