17 Oct 2012 2012, galleries, Jan Mot, kurimanzutto, LABOR, Mariana Castillo Deball, MUAC, museo tamayo, México, Paloma Polo, Pierre Huyghe, Proyectos Monclova, Rirkrit Tiravanija, Terence Gower, Wilfredo Prieto
Following Latitudes recent trip to Mexico City for our project at Casa del Lago (see a slideshow of the five tours we realised around the city with artists Minerva Cuevas, Tania Pérez Córdova, Jerónimo Hagerman, Diego Berruecos, and Terence Gower), here's a run through of some of the other museum and gallery exhibitions which we had time to see in the city. LABOR and kurimanzutto both opened on the 20th September. LABOR's solo exhibition of Terence Gower (one of the five artists invited by Latitudes as part of the 'Incidents of Travel' project documented at Casa del Lago). His 'Ottagono' exhibition presented new and old works "that extended the artist investigation into the realm of abstract art" (quote from the press release), including the 2010 video "New Utopias", "Noguchi Galaxy" (2012), the sculpture group "Display Modern (Hepworth)" (2007) as well as paintings on photographs "Latin American Architecture" (2012), amongst others.
The Museo Experimental El Eco also had a book launch that evening, and upstairs the project "FRANCE FICTION: Vinimos a soñar" by Paris-based curator Jennifer Teets could be seen. kurimanzutto began the 2012-13 season with Untitled 2012, (All those years at No. 17E London Terrace), a collaboration between visual artist Rirkrit Tiravanija and musician Arto Lindsay, for which the artist recreated Lindsay's New York flat and copied around 2000 CDs and books he has had in storage in New York. Lindsay played the following day at Cine Tonalá and hung out in his new plywood mexican home the following week recording music and talking with visitors. Also, in the project space, was Paloma Polo's 'Posición Aparente' (recently exhibited as part of Reina Sofia's Fisuras programme). On view until 3 November. ( gob. Rafael Rebollar 94, Col. San Miguel Chapultepec, 11850 México D.F.) http://www.kurimanzutto.com
During installation we escaped for a lunch break and a visit to the recently extended Museo Tamayo Arte Contemporáneo in the Bosque de Chapultepec. The Tamayo hosted an impressive roster of exhibitions: two group shows and three solo presentations, besides a selection of Tamayo's work: 'Primer Acto' (a group show on the idea of inauguration and the opening act), 'El mañana ya estuvo aquí' (a group show with works around the idea of retrospective visions of the future of modernity), Ryan Gander's 'Boing, boing, squirt'; Pierre Huyghe's 'El día del ojo' (a three part piece consisting of a permanent sculpture of a fish tank with blind fish and volcanic rocks; a selection of works from the Museo Tamayo y del Museo de Arte Prehispánico "Rufino Tamayo" in Oaxaca; and a publication) and the project 'Nueva Matemática' by Michael Stevenson.
Wilfredo Prieto's red carpet welcomes visitors.
SUPERFLEX's visitor counter outside the museum.
Central courtyard with Pierre Huyghe's fish tank with blind fish and volcanic rocks (background and below); a selection of works from the Museo Tamayo y del Museo de Arte Prehispánico "Rufino Tamayo" in Oaxaca.
The day after our Casa del Lago opening we visited the Museo Universitario Arte Contemporáneo (MUAC) which had shows of Edgardo Aragón ("Por amor a la resistencia"), an impressive Teresa Margolles piece, "La Promesa", following the focus of her long-term investigation on Ciudad Juárez as a political and social context, and "Ejercicios de Resistencia" by Nicolás Paris. Downstairs there was an archival display of Felipe Ehrenberg's collection fund.
Façade of the museum in the University (UNAM) campus.
Entrance foyer and lower level.
Stairs to the restaurant, auditorium and library.
At MUCA-Roma we visited the group show "Colección: El crimen fundacional, crítica del museo' curated by first graduating students in the Curatorial Programme of UNAM's Art History degree, which included Mariana Castillo Deball's piece 'It rises or falls depending on whether you're coming or going. If you are leaving, it's uphill; but as you arrive it's downhill' (2006), presented in 2007 in the Latitudes'-curated exhibition 'Extraordinary Rendition'. The piece revisits a popular legend around the looting and transportation of the colossal stone statue of Tláloc to the National Museum of Anthropology in Mexico City in a series of lithographs. Our final stop was Proyectos Monclova, which has relocated to a new and much larger space in Colima 55 (Col. Roma) with a solo show of architect Eduardo Terrazas (best known for his graphic design for Mexico's 1968 olympics realised in collaboration with Lance Wyman and Manuel Villazón.) Terrazas was concurrently exhibiting some works at the Casa Luis Barragán. The final gallery space was screening a fantastic slideshow with the 1968 work "Imagen México" accompanied with a soundtrack of 1969 songs. The exhibition finished on 29 September. See video of the opening here (via Vernissage TV) and a recent newspaper article.
Façade of the gallery.
Central gallery space.
Some of Terraza's works on view in the central space.
1970-1972 works on view in the back gallery space.
Showroom nearby the gallery offices.On Saturday 29th there was a tour (Ruta de Galerias, see video by Vernissage TV) around San Miguel Chapultepec and Tacubaya art spaces (participants included: Archivo Diseño y Arquitectura, Casa Luis Barragán, Central Art Projects, Galería de Arte Mexicano, Gallé Antigüedades, Jan Mot, kurimanzutto, Labor, Estacionamientos San Miguel Chapultepec, and Fundación Alumnos47). We started the day at the Museo de Arte Moderno, with a launch of the publication "History of the World" and in conversation between L.A.-born Guadalajara-based artist Eduardo Sarabia and Patrick Charpenel, collector and director of the Colección Jumex.
The tour was followed by a quick burger lunch at Café Zena in the corner of Gob. Potasio Pérez de Tagle and Antonio de León. ...and then back to kurimanzutto, where Arto Lindsay was having a conversation with Carlos Icaza, discussing a selection of his books and CDs, talking about the changes in music technology and supports (from vinyl to CDs), mexican, brazilian and japanese musicians.
From there we visited Jan Mot's space (Gob. José Ceballos 10, Col. San Miguel Chapultepec, 11850 México D.F. www.janmot.com), which presented Manon de Boer's "One, two, many", recently also presented for dOCUMENTA (13) (see Latitudes' comprehensive blog post here). On view at until 17 November. On our final evening in Mexico City we went to Sala Arte Público Siqueiros, where cuban artist Wilfredo Prieto celebrated the beginning his 45-day project "Dejándole algo a la suerte" (Leaving something to chance, until 12 November). For the duration of the exhibition Prieto occupies the upper gallery of the SAPS which has been turned into a studio from where he develops and conceptualises works to be presented on a daily basis on the lower gallery space (see here for those who have already taken place). On October 4th, the (non) opening day, the project began with 'Dos Tiempos': the encounter of a hare (named Raúl) and a terapin (Anastasia).All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
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25 Sep 2012 Casa del Lago, Diego Berruecos, Jerónimo Hagerman, Minerva Cuevas, México, Tania Pérez Córdova, Terence Gower, tour
Alongside 'Projects 2005–2012' – a visual index of the thirty projects of Latitudes realized since 2005 – Latitudes has originated 'Incidents of Travel' from its temporary office in Casa del Lago's La Sucursal. Artists Minerva Cuevas, Tania Pérez Córdova, Jerónimo Hagerman, Diego Berruecos, and Terence Gower have been invited to develop day-long tours for Latitudes, articulating the city and their artistic practice through routes and waypoints in the metropolitan area. Documented and mapped in La Sucursal, the project aims to explore the chartered itinerary as a format of artistic encounter with the capacity to bypass the convention of the studio visit through highly specific views of the city.
Minerva observing the murals by Marion Greenwood at the Mercado Abelardo L. Rodríguez.
View from Minerva's studio roof (Torre Latinoamericana on the horizon).
Browsing the 'Mexican Art Section' at a bookstore on Calle Donceles.
The route proposed by Minerva Cuevas focused on the concept of the public and its socio-economic associations. The tour began in the Plaza de las Tres Culturas in Tlatelolco, continued to the Tepito and Lagunilla neighbourhoods, and from there visited nearby markets, public squares in the historic centre of Mexico City. It concluded with a visit to the Torre Latinoamericana, a symbol of modernity of the city in the 1950s. Throughout the course of the journey, rural elements that constitutes an integral part of the city are highlighted.
Exploring Insurgentes with Tania Pérez Córdova and photographer Eunice Adorno.
Browsing Av. Insurgentes's lottery stands, copy & pawn shops, wedding outlets, tacos stands...
View of nearly collapsing 19 floor "Canadá" building on Av. Insurgentes.
The tour proposed by Tania Pérez Córdova traced the route of a stretch of Avenida de los Insurgentes – the longest avenue of Mexico City which extends from the Mexico-Pachuca to the Mexico-Cuernavaca highways. The tour focused on certain points up and down this thoroughfare, becoming a mental journey with the daily commute of the artist as its starting point.
Av. Universidad 1601. When Miguel de la Madrid left the Mexican Presidency in 1988, this apartment block was fitted with angled concrete blinds in order to block residents' views of his garden and house across the road.
Tacos of maciza (like pulled pork) and chicharrón (fried pork rind) made by Don Tomás at El Venadito, Avenida Universidad near the corner of Miguel Angel de Quevedo.
Murals and canvases on "Freud, the revolution and its elements" by Vlady at the Biblioteca Nacional Lerdo de Tejada. The library gathers the archive of the Secretaria de Hacienda y Crédito Público. Its collection is one of the most important archives in Latin America dating from the 18th Century onwards and focusing on economics.
Diego Berruecos's tour encompassed several points in the city where he found the raw material for his ongoing investigation PRI: Genealogy of a Party. The itinerary takes in the Hemeroteca of the UNAM, where he photocopied obituaries relating to the 2007 sudden death Monica Pretelini, wife of the then governor of the State of Mexico, Enrique Peña Nieto. From there, brunch was enjoyed at El Venadito, which, according to the artist, "serves the best carnitas tacos in the city". This is a regular spot for the artist and is next to a major building in his research, which inspired one of the most interesting branches of his artistic genealogy: the series 'Architecture of Power'. This building is located in front of the home of the recently deceased Miguel de la Madrid Hurtado, 52nd president of Mexico. Finally, a visit to the Biblioteca Miguel Lerdo de Tejada and the Library of Congress, and end at El Sella restaurant "which serves the best chamorro in the city".
Estación de metro La Raza - Túnel de las ciencias: a metro transfer turned into an educational experience.
Unidad Habitacional el Rosario: a 1972 condominium with its characteristic cube-shapped 'zotehuelas' (windowless cantilevered kitchen patios).
Torres de Satélite - a 1958 collaboration between architect Luis Barragán and sculptor Mathias Goeritz in Ciudad Satélite, northern part of Naucalpan, Mexico City.
Terence Gower's tour, 'Urban Models (Zacatenco to Tlalnepantla)' looked at universalist urbanism models in the northern sectors of Mexico City. The tour started at the 1963 campus of the Instituto Politécnico Nacional, an expression of order and building technology that perhaps hadn't quite arrived in Mexico at the time of its construction. The tour next visited two housing complexes: Unidad Habitacional El Rosario was from the post-war building boom that produced complexes like Tlatelolco, employing the urbanistic principals of density and land-use of Le Corbusier and the Athens Charter. The second, the Unidad Habitacional de San Buenaventura, is a recent "cookie-cutter" style private development in which identical houses are built in rows that blanket the landscape. Similar to the Politécnico scheme, these recent developments are attempts at imposing order on the chaos of Mexico City. Finally the tour visits Satélite, a low-density suburban-US style development that has generated its own unique culture. Lunch was at Solo Veracruz es Bello, and concluded with a visit to Metro La Raza.
"Copa de oro" and ivy in Casa Barragán, México.
Colourful trajineras in Xochimilco take tourists and city residents alongside the 170km canals and chinampas (artificial islands, a vestige of Xochimilco's pre-Hispanic past).
Black lava flow, lush greenery, concrete and red crushed tezontle at the incredible Espacio Escultórico at the UNAM. A 1978-1980 collaborative work by Federico Silva, Mathias Goeritz, Helen Escobedo, Manuel Felguérez, Hersúa y Sebastián.
Jerónimo Hagerman's visit delved into some situations, phenomena or cases in which he finds a particular, intense and emotional relationship between Mexico City, its inhabitants, with the outdoors, the wilderness and the nonhuman nature. The tour visited public and private spaces of different kinds, starting with the house-studio of architect Luis Barragán, followed by a tree invaded by ivy in colonia Polanco, the Espacio Escultórico of the UNAM, and a food tour around the chinampas (artificial islands) in Xochimilco. The day ended with a drink at Bellini, the WTC revolving restaurant which offers panoramic views of the city and a night visit to the Mercado de Jamaica.
All photos: Latitudes | www.lttds.org
17 Sep 2012 2012, Casa del Lago, Diego Berruecos, Jerónimo Hagerman, La Sucursal, latitudes, Minerva Cuevas, México, Tania Pérez Córdova, Terence Gower, tour
Casa del Lago. Photo: Fabiola Iza
| UK |
Opening: Thursday 27 September, 19.30h
Latitudes has been invited to participate in La Sucursal (The Branch), one of the programme strands of Casa del Lago for which self-organised, self-funded or non-profit organisations temporarily move their offices to Casa del Lago in order to expose the cultural strategies of such forms of organisation. Casa del Lago. Photo: Fabiola Iza
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Inauguración: Jueves, 27 de septiembre, 19.30h
ha sido invitada a participar en La Sucursal
, una de las cinco plataformas que estructuran la programación de Casa del Lago
en la que iniciativas autoorganizadas o sin fines de lucro, utilizan el espacio de Casa del Lago
como una sucursal de operaciones, una suerte de oficina temporal, con el fin de exponer sus propias estructuras de organización.