Rendering of the 'Superstructure', 2011. Courtesy Jasper Niens and Thijs Ewalts.

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FRIDAY 17 FEB: 
13–14h: Tropenmuseum, Amsterdam. Delegate: Anke Bangma, Curator Contemporary Art; 
14–15h: De Vleeshal, Middelburg. Delegate: Lorenzo Benedetti, Director; 
15–16h: Casco – Office for Art, Design and Theory, Utrecht. Delegate: Yolande van de Heide, Project Coordinator; 
16–17h: Witte de With Center for Contemporary Art, Rotterdam. Delegate: Zoë Gray, Curator 2006–11; 
17–19h: Kunstverein, Amsterdam/New York/Milan. Delegates: Krist Gruijthuijsen and Maxine Kopsa, Directors, and Gabriel Lester, artist, Amsterdam.

SATURDAY 18 FEB: 
13–14h: TENT, Rotterdam. Delegate: Mariette Dölle, Artistic director and Eva González-Sancho, independent curator and former director FRAC Bourgogne, Dijon; 
14–15h: Stroom Den Haag, The Hague. Delegate: Arno van Roosmalen, Director; 
15–16h: [*] Jan van Eyck Academie, Maastricht. Delegate: Adrià Julià, artist and 2011 Researcher Fine Art; 
16–17h: Museum De Paviljoens, Almere. Delegates: Macha Roesink, Director and Annick Kleizen, Curator; 
17–18h: SKOR | Foundation for Art and Public Domain, Amsterdam. Delegate: Theo Tegelaers, Chief Curator; 
18–19h: De Hallen, Haarlem. Delegate: Xander Karskens, Curator, De Hallen and 'Focus: The Netherlands' at ARCOmadrid.

SUNDAY 19 FEB:  
13–14h: Fucking Good Art. Delegates: Rob Hamelijnck and Nienke Terpsma, artists/editors; 
14–15h: [*] Rijksakademie van beeldende kunsten, Amsterdam. Delegates: Philippe Pirotte, curator and art critic, Antwerp, and senior advisor at the Rijksakademie and Rubén Grilo, artist and current resident;
15–16h: BAK, basis voor actuele kunst, Utrecht. Delegates: Maria Hlavajova, artistic director and Rabih Mroué, artist, Beirut; 
16–17h: Expodium, Utrecht. Delegate: Bart Witte, Director; 
17–18h: W139, Amsterdam. Delegate: Tim Voss, Director and Sam de Groot, graphic designer;  
18–19h: [*] De Ateliers, Amsterdam. Delegate: Paloma Polo, artist and 2007–9 participant. 
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We are currently finalising and proof-reading the 'Amikejo' publication (see previous posts here and here), which concludes the year-long exhibition cycle at the Laboratorio 987, MUSAC (Fermín Jiménez Landa & Lee Welch's show is on view until 15 January 2012). The volume will be available in Spring 2012 and will be distributed by Mousse Publishing.

Below an excerpt of Theo Beckers's essay 'Free time: The rise and fall of a social project', commissioned by 'Amikejo' artists Iratxe Jaio and Klaas van Gorkum to complement the publication section dedicated to their multi-part project 'Producing time in between other things' (2011), which revolves around the changing values of labour and property:


"Have you ever heard the story of the African fisherman? In the early light of dawn, he would set out to sea in his little boat, fish for a few hours, return to port, sell his catch and then spend the rest of the day in the shade of a tree on the beach, contemplating the meaning of life and other pleasant thoughts. An economist from the World Bank appeared one day and asked him why he didn’t take advantage of all that spare time by fishing longer, and going further out to sea with a larger boat. This would bring in more fish and thus more profit. In the long run, this would enable the fisherman to buy more and even bigger boats, and even hire people to do the work for him. Eventually, he could make so much money that he wouldn’t need to work anymore and could afford to lie on the beach the whole day. At which the fisherman laughed and asked the economist, “Why would I go through all that trouble?” The history of Western society’s relationship with time clearly illustrates, however, that it is the economist who had the last laugh, not the fisherman."

Theo Beckers was Professor of Leisure Studies at Tilburg University and is now on the faculty of the Tilburg Sustainability Center, the Netherlands, and Visiting Professor at the Chinese Academy of Sciences, Beijing. Translated from the Dutch by Klaas van Gorkum.

Further publication details:



Title | Título 

'Amikejo'



Editor | Edita 

Latitudes



Publisher & Distributor | Publica y distribuye

Mousse Publishing and MUSAC



Format | Formato 

22,5x15,5cm, 216 pp., hardcover
 


Language | Idiomas 

English/Spanish

 

Editorial Coordination | Coordinación editorial

Latitudes and Carlos Ordás
 


Production | Producción

Bruna Roccasalva 

Graphic design | Diseño gráfico

Studio Mousse — Marco Fasolini, Fausto Giliberti, Andrea Novali, Francesco Valtolina
 
 

Texts | Textos

Giorgio Agamben, Theo Beckers, Latitudes, Prof. Peter Osborne, Georges Perec, Prof. Dr. Menno Schilthuizen, Ryszard Zelichowski
 

Translation | Traducción

Marzena Beata Guzowska (Polish—English); Klaas van Gorkum (Dutch—English); e-verba (English—Spanish)
 
   

Copy-editing | Correcciones

Latitudes

Johanna Bishop
English proof-reading of Ryszard Zelichowski’s text (unabridged version) Martin Blaszk
 
   

Distribution | Distribución

Mousse Publishing
 
 

Printing and binding | Impresión y encuadernación

Grafiche Artigianelli, Brescia
 
   

Print-run | Tiraje

1,200 copies
  


ISBN

9788896501832

Con fecha 24 de noviembre de 2011, reunidos en la Dirección general de Juventud (C. Calàbria 147, Barcelona) el jurado formado por Daniel G. Andújar, artista visual y teórico del arte, vicepresidente primero de la Asociación de Artistas Visual de Cataluña; Dora García, artista visual, Max Andrews y Mariana Cánepa, miembros de Latitudes, oficina de comisariado; Frederic Montornés, crítico de arte y comisario independiente, Javier Rodrigo, investigador y educador de Arte; Oriol Fontdevila, miembro del equipo gestor de la Sala de Arte Joven y Toni Reig, Director general de Juventud que actúa como presidente del jurado; resuelven la siguiente selección de proyectos en relación a las convocatorias de Artes visuales y Tutorial de la Sala d'Art Jove:

Proyectos de Creación:

1. Petia Cervera, Sublevación de Abril
2. Lúa Coderch, Eco, The girl With no Door on the Mouth
3. Juan Crespo, Estudios históricos
4. Eloi Dalmau, Recitales para interfono
5. Jordi Ferreiro, El traje nuevo del emperador
6. Paula Giménez, Verano 
7. Mercedes Mangrané, Piedras
8. Anna Moreno, Select the Right Location
9. Quim Packard, L’última institució
10. David Proto, Memetro
11. Barbara Sánchez, Bibliografía
12. Adrianna Wallis, Rare et Magnifique

Proyectos de Investigación:

1. Alba Aguirre, Marta Bonhora, Belen Genereco, Anna Margo, Mar Montobbio, “/”
2. Laura Benítez, Alicia Escobio, Lola Lasurt, Primer intent

Proyectos de educación:

1. Aurelio Castro Varela, Proyecciones urbanas. El 15-M y el trabajo de la ficción
2. Joanna Empain, Ricard Escudero, Simonetta Gorga, Encuentros y desencuentros entorno a la práctica artística y educativa en un proyecto expositivo con estudiantes...

Proyectos de edición:

1. Enric Farrés, Quim Packard, Grau d'Assistent d'Artista Professional
2. Ignasi Prat, El mundo de los vencedores. Las casas de los poderosos del franquismo

Tutorial:

1. José Antonio Delgado, Fito Conesa, Judit Vidiella
2. Francisco Peinado, Rachel Fendler (Cultural Nodes)
3. Andrea Rodríguez, Verónica Valentini

http://issuu.com/latitudes/docs 

In the current Mousse Magazine #31 (November 2011) you can read the interview 'Nice to Meet You – Erick Beltrán. Some Fundamental Postulates' where Max Andrews converses with the Mexican-born Barcelona-based artist, about the artist's attempt to create the terms of a dictionary of multiplicity. Their conversation ends:

"In 1997 I was asked to define my work in ten lines, and I realised that was impossible. So I said to myself, okay, let’s just make it one word! So that word was ‘edition’ and from there everything expanded and exploded as I realised my work was about the question of how you select things – what is a choice? And that is a really difficult question."