Longitudes

PUBLICS' Library in Helsinki incorporates Latitudes-edited publications


We are glad to announce that PUBLICS in Helsinki now has all Latitudes publications available for consultation in their library (with the exception of the monograph "Lara Almarcegui, Projects 1995–2010" which is out of print). Our first publication, "LAND, ART: A Cultural Ecology Handbook" (RSA/Arts Council England, 2006, also out of print), was already in their library

PUBLICS library is the third location where the whole set of Latitudes' publications reside, together with the Library of the MACBA Study Centre, Barcelona, and the Paul D. Fleck Library & Archives, The Banff Centre, Canada.

We also donated a few books we have contributed to with essays or interviews, such as "Antoni Hervàs. ‘The Mystery of Cabiria" (Ajuntament de Barcelona, 2016), "C-H-R-I-S-T-O-P-H-E-R-K-N-O-W-L-E-S SO LISTEN UP" (NoguerasBlanchard, 2017), Rasmus Nilausen, ‘Soups & Symptoms, Paintings 2011–2016’ (Ajuntament de Barcelona, 2016) and "Lara Almarcegui. Béton" (SilvanaEditoriale, 2019).



PUBLICS library is located at Sturenkatu 37-41 4b 00550 Helsinki.

Latitudes' publications available at PUBLICS Library (bibliography online):

Joan Morey: COLLAPSE
Various locations, Barcelona
September 2018–January 2019
Exhibition guide/programme guide, opuscule, poster


4.543 billion. The matter of matter
CAPC musée d'art contemporain, Bordeaux
June 2017–January 2018
Exhibition guide & symposium guide

Amikejo
Catalogue of the exhibition series, Museo de Arte Contemporáneo de Castilla y León (MUSAC), León
April 2012

United Alternative Energies
Christina Hemauer & Roman Keller
Catalogue of the exhibition, Aarhus Art Building, Centre for Contemporary Art, Århus
January 2012

Campus
Catalogue of the project, Espai Cultural Caja Madrid, Barcelona
July 2011

Also available online.

Portscapes
Catalogue of the commission series and exhibition 'Portscapes', Port of Rotterdam / Museum Boijmans Van Beuningen, Rotterdam
February 2010

Martí Anson, Mataró Chauffeur Service
Catalogue of the project, 'No Soul For Sale', Tate Modern, London
January 2011

The Last Newspaper
Catalogue of the exhibition 'The Last Newspaper', New Museum, New York
October–December 2010

Lawrence Weiner: THE CREST OF A WAVE
Booklet of the exhibition, Fundació Suñol, Barcelona
October 2008

Simon Fujiwara: The Incest Museum–A Guide
Artist book, 'Provenances', Umberto di Marino Arte Contemporaneo, Naples
May 2009

Ignasi Aballí: 没有,有 Nothing, or Something
Catalogue of the exhibition, Suitcase Art Projects, Beijing
July 2009

Ecology, Luxury & Degradation
UOVO #14
Summer 2007

Greenwashing. Ambiente: Pericoli, Promesse e Perplessità 

(Greenwashing. Environment: Perils, Promises and Perplexities)
Catalogue of the exhibition, Fondazione Sandretto Re Rebaudengo, Turin
February 2008



→ RELATED CONTENT

Iratxe Jaio and Klaas van Gorkum's installation ‘Work in Progress’ in the process of being acquired by ARTIUM, Vitoria-Gasteiz


Above and below: Installation views of "Work in progress" in the exhibition "The Margins of the Factory", ADN Platform, 25 January–30 April 2014. Video (14’ 22”), 739 polyurethane sculptures, and 47 moulds. Produced with support from the Eremuak program of the Basque Government and from Centrum Beeldende Kunst Rotterdam. Courtesy of the artists. Photos: Roberto Ruiz.






We are very happy to know that Iratxe Jaio and Klaas van Gorkum's installation ‘Work in Progress’ (2013) is in the process of being acquired by ARTIUM, Centro Museo Vasco de Arte Contemporáneo in Vitoria-Gasteiz, Basque Country. The piece is on display as part of the exhibition ‘ARTres. El museo como deba ser’ (March 2–August 26, 2018).

Work in Progress’ was one of the two works included in their solo exhibition "The Margins of the Factory" presented at ADN Platform in January 2014, and curated by Latitudes.






Work in Progress’ immerses itself in the manufacturing industry of Markina-Xemein, the rural Basque village where Jaio comes from. A video documents the mass-production of rubber car parts, following the pieces from the assembly line in a worker-owned factory to subcontracted workshops where informal workers finish them by hand.

Several of these workers are employed by the artists to cast hundreds of replicas of small modernist sculptures. These are displayed on mass-produced shelving to evoke the “Chalk Laboratory” of Basque sculptor Jorge Oteiza (1908–2003), a fierce critic of the commodification of art. 

 Exhibition leaflet. Pdf downloadable here.

Latitudes previously collaborated with Jaio and van Gorkum in the exhibition cycle ‘Amikejo’ presented throughout 2011 in MUSAC, León, when they exhibited ‘Producing time between other things’ (2011), a work specially produced for the occasion, and also included in the above-mentioned show "The Margins of the Factory" in 2014.

—> Photographs of the exhibition.
—> Exhibition leaflet (pdf).
—> Exhibition reviews.
—> Video on ‘Producing time between other things’ (2011)



RELATED CONTENT:

Last chance to read the August 2016 Monthly Cover Story "Fermínlandia"


Last chance to read the August 2016 Monthly Cover Story "Fermínlandia" on www.lttds.org (after August 2016 it will be archived here)

"
Five years ago, in August 2011, Fermín Jiménez Landa initiated the surrender, conquest and defence of a small nameless island using the power of music. With the help of local fishermen he had taken a portable generator, two tripod-mounted loudspeakers, and an mp3 player out into the Aegean Sea and planted the equipment on this uninhabited Greek island. Its new national anthem played again and again until the batteries ran out. You can just make out the two loudspeakers sitting atop the grassy rock in this photograph by Fermín." Continue reading...

Cover Stories' are published on a monthly basis on Latitudes' homepage to highlight past, present or forthcoming projects, research, exhibitions or field trips related to our activities. 


Related content:
  • Archive of Cover Stories.
  • Cover Story, July 2016: Through the grapevine – Rasmus Nilausen’s Soups & Symptoms 3 July 2016
  • Last days! Cover Story and exhibition of José Antonio Hernández-Díez: techno-pop, death and resurrection (20 June 2016)
  • Cover Story, May 2016: Material histories – spilling the beans at the CAPC musée d’art contemporain de Bordeaux (10 May 2016)
  • Cover Story, March 2016: José Antonio Hernández-Díez: The sacred heart of the matter (3 March 2016
  • Cover Story, February 2016: Sarah Ortmeyer, Towering allusions (9 Febrero 2016)

Latitudes' limited edition tote bags presented in the Asia Art Archive's exhibition "A short history of the art book bag (and the things that go in them)"


We are delighted that from August 24 (and until October 24), Latitudes' limited edition tote bags by Lawrence Weiner, Haegue Yang, Ignasi Aballí and Mariana Castillo Deball, will be presented in Hong Kong as part of Asia Art Archive (AAA)'s exhibition 15th anniversary programme "15 Invitations | a short history of the art book bag".

Organised by AAA Public Programmes Curator Ingrid Chu, the show explores the international phenomenon of the 'art book bag' in "a short history of the art book bag (and the things that go in them)". The exhibition features 'the things that go in them'—art publications, magazines, and related ephemera—alongside a vast array of these popular totes in the AAA Library. Chu has invited artists, curators, art book fair organisers, and print and online publishers to provide insight into the changing modes of knowledge production and circulation, and their influence on the recent art of Asia through Field Notes.

Latitudes' totes are presented under 'Sites for Art', the first of five categories that structure the show – others being 'Carriers of Knowledge', 'Markers of Access', 'Badges of Dissent', 'Goods of Desire'). Courtesy of Asia Art Archive.
 
Each Latitudes' tote is accompanied by a publication that relates to each artist: Lawrence Weiner will contain the leaflet of his 2008 exhibition at Fundació Suñol, Haegue Yang will include the publication which features an essay by Max Andrews' of Latitudes; Ignasi Aballí's tote will include his 2009 publication 'Nothing, Or Something' inside and Mariana Castillo Deball will have 'Amikejo', the exhibition catalogue of the 2011 cycle one of which presented works by Castillo Deball and Irene Kopelman.

Installation view of a short history of the art book bag (and the things that go in them) exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.

Zine for "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.
 
 Installation view of 'Carriers of Knowledge' section in "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.
 
 Installation view of 'Badges of Dissent' section in "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.

 Installation view of 'Goods of Desire' section in "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.



RELATED CONTENT:

Lead Facilitators, Curating Lab 2014–Curatorial Intensive, National University of Singapore (11–14 June), symposium (14 June, 15–17h) and field trip to Hong Kong (16–20 June)
30 May 2014

A day at Hong Kong's Asia Art Archive, 31 January 2013, 8 July 2013

"Archive as Method: An Interview with Chantal Wong, Hammad Nasar and Lydia Ngai" of the Asia Art Archive, Hong Kong. Final #OpenCurating interview 1 May 2013
 
Latitudes' Open Day at Spring Workshop on 2 February 2013 9 February 2013

 
Archive of social media posts related to "Incidents of Travel" tours and photo-documentation. 



This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos:
Latitudes | www.lttds.org 


25 January 2014: Opening of the solo exhibition 'The Margins of the Factory' by Iratxe Jaio & Klaas van Gorkum at ADN Platform, Sant Cugat del Vallès (Barcelona)

The Margins of the Factory, a solo exhibition by the Rotterdam-based duo Iratxe Jaio & Klaas van Gorkum curated by Latitudes will open on Saturday 25 January 2014, as part of ADN Galería and ADN Platform's exhibitions programme. 


Opening programme:

12h: Opening at ADN Galería (c/ Enric Granados 49, Barcelona). Exhibition: “This is not Just Fucking Business” by Carlos Aires
13:15h: Buses depart from ADN Galería towards ADN Platform (Avda. Can Roquetas, Sant Cugat del Vallès). To book a seat in the bus: [email protected] / 93 451 0064

14h: Arrival at ADN Platform and light lunch. Exhibitions: Micro-actions of Emergency #2 [Curated by Colectivo de vuelta y vuelta (Claudia Segura & Inés Jover)] and The Margins of the Factory by Iratxe Jaio & Klaas van Gorkum [Curated by Latitudes].
14:15h: 15 min. voice and instrumental performance by Nathaniel Robin Mann, as part of The Margins of the Factory
16/16:30h: Buses return from ADN Platform (Sant Cugat) towards ADN Galería (Barcelona).

The Margins of the Factory presents two recent projects by Iratxe Jaio & Klaas van Gorkum that are motivated by their interest in art's relationship with labour. Each explores sculptural form and manufacturing processes from the perspective of artists who have not usually made objects. Jaio & van Gorkum undertake what are in part sociological investigations by documenting the local, marginal effects of the displacement of manufacturing industries over the last two generations with the emergence of the global market. Emerging from the artists' personal history and implicating the direct effects of their own vocation as well as work they ask of others, the projects are moreover complicit in asking what kind of industriousness brings value and what political life objects might have.


The exhibition opening will also feature a performance by British “avant-folk” musician Nathaniel Robin Mann, developed in collaboration with Jaio & van Gorkum around the raw footage of Work in Progress and the tradition of work song. Mann interprets the Basque popular song “Oi Peio Peio” – a dialogue between a woman worker and her cruel boss, who insists that she carries on working throughout the night. First collected in Cancionero Popular Vasco in 1918, the song was popularized by singer–songwriter Mikel Laboa, founder of “Ez Dok Amairu” (“No Thirteen”), the cultural movement of Basque poets, musicians and artists whose name was a suggestion of sculptor Jorge Oteiza. 

Installation of Producing time in between other things. Courtesy of the artists. Photo: MUSAC.

Central to Producing time in between other things (2011) is a selection of wooden objects made by retired factory worker Jos van Gorkum – Gorkum’s grandfather – which the artists documented in the homes of his relations, friends and former neighbours across the Netherlands. During this process, the artists located the original lathe on which these items had been crafted and began to teach themselves woodturning. The forms which they made as they worked at learning a hobby become the means to support the display of the original objects, presented alongside three videos and photography

Still from the video "Work in Progress". Courtesy of the artists.

Work in Progress (2013) immerses itself in the manufacturing industry of Markina-Xemein, the rural Basque village where Jaio comes from. A video documents the mass-production of rubber car parts, following the pieces from the assembly line in a worker-owned factory to subcontracted workshops where informal workers finish them by hand. Several of these workers are employed by the artists to cast hundreds of replicas of small modernist sculptures. These are displayed on mass-produced shelving to evoke the "Chalk Laboratory" of Basque sculptor Jorge Oteiza, a fierce critic of the commodification of art. 

Visit adnplatform:
Avda. Can Roquetas (corner with Victor Hugo)
08173 Sant Cugat del Vallès
[email protected]
Tel. (+34) 93 451 00 64
By appointment only

Location map

Download the A3 invite-as-poster-as-leaflet of the exhibition (Spanish & English versions). 

Producing time in between other things was produced as part of the Latitudes-curated Amikejo exhibition season at MUSAC, León, in 2011, supported in part by the Mondriaan Foundation (now Mondriaan Fonds). Work in Progress was produced with support from the Eremuak program of the Basque Government and from the Centrum Beeldende Kunst Rotterdam.

Related content:  
"Focus Interview: Iratxe Jaio & Klaas van Gorkum", frieze, Issue 157, September 2013 (14 October 2013).



This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Conferencia dentro del ciclo "Oficios de la cultura", Aula Cultura OBS Caja Mediterráneo, c/ Salzillo 7, Murcia, 17 de octubre, 20h. Entrada gratuita.

Publicación del ciclo expositivo 'Amikejo' (Mousse Publishing, 2012).
  
Mariana Cánepa Luna de Latitudes discutirá el rol del comisario a partir de tres proyectos recientes de Latitudes. Estos casos de estudio trazan enfoques de índole editorial (The Last Newspaper, New Museum, Nueva York (2010)); como organización participante (las dos ediciones del festival No Soul for Sale: A Festival of Independents en X Initiative, Nueva York (2009) y en Tate Modern (2010)); y en un ciclo expositivo anual ('Amikejo', MUSAC, León (2011)).

Este ciclo de conferencias mensuales analiza las diferentes profesiones que operan en el campo del arte contemporáneo, presentando aspectos que caracterizan la labor del crítico, el comisario, el productor cultural, el investigador y los responsables de espacios independientes. + info...


Ciclo co-dirigido por Ana G. Alarcón, Isabel Durante y Pablo Lag, componentes del grupo curatorial Primer Escalón


Fotodocumentación de la conferencia aquí.


'The Last Newspaper' exhibition catalogue, New Museum, New York, 2010–11.

Lecture within the cycle "Cultural Professions", Aula de Cultura Caja Mediterráneo, Murcia, 17 October, 20h. Free.



Mariana Cánepa Luna of Latitudes will discuss the role of the curator in the context of three of Latitudes' recent projects. These case studies trace Latitudes' approach in an editorial context (The Last Newspaper, New Museum, New York (2010)); a year-long exhibition series ('Amikejo', MUSAC, León (2011)) and as an invited organisation (the two editions of No Soul for Sale: A Festival of Independents in X Initiative, New York (2009) and Tate Modern (2010)).

This cycle of monthly conferences centres on different professions within contemporary art, discussing aspects that characterise the practice of a cultural producer, a critic, a curator, a researcher and a member of an independent art space.
+ info...

Cycle co-directed by Ana G. Alarcón, Isabel Durante and Pablo Lag, from the curatorial group
Primer Escalón.

UPDATE: Photodocumentation of the lecture here. 

All photos: Latitudes | www.lttds.org


Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Latitudes' "out of office" photo album 2011–2012

This is the fourth consecutive year (see 2009-10, 2010-11 and 2011-12 posts) we say goodbye to the 2011–12 season with an 'out of office' post with some unseen and 'behind the scenes' moments lived in the past 11 months. 

Happy holidays/felices vacaciones readers! More Latitudes' via Facebook (http://www.facebook.com/LTTDS) and Twitter (@LTTDS). 

– Latitudes | www.lttds.org


22 September 2011: Back to the future. transfering the mp3 file of the new anthem commissioned by Fermín Jiménez Landa onto a cassette. Images of their show here.

21 September 2011: Lee Welch and Fermín Jiménez Landa talk about their show to MUSAC's staff.

21 September 2011: Newly framed works by Lee Welch (top left) and photos by Fermín Jiménez Landa (right).

22 September 2011: Watching concrete dry (Lee Welch and Fermín Jiménez Landa's exhibition plinths/bordermarks).

23 September 2011: Final rehearsal of La Cena band in the Laboratorio 987 space. Opening performance of 'Himno Nacional' here.

 Permission to parade through the streets and squares of León's centre on the 24th September.

  24 September 2011: Fermín Jiménez Landa (camera) Lee Welch (video recording) the "Himno Nacional" 'pasacalles' parade around the streets of León.
 12 October 2011: Finding 'The Last Newspaper' displayed at Walter König's bookstore while browsing for nice books during Frieze Art Fair, London.

13 November 2011: Jorge Satorre fixing one of the posters of the show, before we take off to discuss his and Erick Beltráns' project 'Modelling Standard', an interview that was published in the February issue of Atlántica magazine.

January 2012: Testing, testing... 'The Dutch Assembly' programme available for smartphones.

 18 January: "Café con...Latitudes". Informal talk with Hangar artists-in-residence. Photo: Hangar. Latitudes has been part of Hangar's Programming Comitee between 2010–13.

31 January 2012: Premis GAC 2012 award ceremony at MACBA's atrium. Mariana Cánepa of Latitudes' was part of this year's jury.

2 February 2012: "...y desde el 'backstage'" (leer aquí) de Vanessa Graell en el suplemento 'Tendències', El Mundo.

6 February 2012: Demonstration to pressure politicians to change their minds about stopping the plan for the Canòdrom to be the future Centre of Contemporary Art in Barcelona. The windows were whitewashed as it is done with unused facilities.

Artists whitewashing the Canòdrom windows. 

 12 February 2012: "Mataró Chauffeur Service" mangled at Matadero, Madrid.

13 February 2012, ARCOmadrid: Installing vinyls and posters for each of the The Dutch Assembly hourly talks, readings, artists presentations, performances, book launches, in conversations and screenings throughout the five days of the fair. See list here (and some audiorecordings). Download full programme details here.

'The Dutch Assembly' was well connected.


13 February 2012: The Dutch Assembly 'Superstructure' space by Jasper Niens and Thijs Ewalts. On the picture, the choir performance 'Care' by Rory Pilgrim, presented by De Hallen, Haarlem.


16 February 2012: Latitudes introducing Ann Demeester, Director, and Nathalie Hartjes, coordinator of the Gallerist Programme at De Appel, presented a round table discussion with (left to right): Jeanine Hofland (Jeanine Hofland Contemporary Art, Amsterdam), Rebeca Blanchard (NoguerasBlanchard, Barcelona) and Helga de Alvear (Helga de Alvear, Madrid) around the profession of the gallerist. Photo: Haco de Ridder.

Álvaro Calleja profiles The Dutch Assembly: "Un Puente entre dos naciones'/'a bridge between two nations" en el  ABCDArco, 16 February 2012.


February: At last...Lara Almarcegui's monograph is here! Edited by Latitudes. 

 16 March: Good morning Sharjah! Part one of the March Meeting report here.

Sharjah lunch with curator and 'El Cultural' critic, Javier Hontoria.

17 March: Latitudes' presentation on residencies (for artists and curators) during Sharjah's fifth March Meeting, which focused on 'Working with Artists and Audiences on Commissions and Residencies'. Latitudes' panel titled "Minding the Gap: the Critical Role of Smaller Organisations" had presentations by Hu Fang (Vitamin Creative Space, China) and Daniella Rose King (MASS Alexandria, Egypt), and was chaired by Samar Martha (ArtSchool Palestine, Palestine). More photos here. Photo: Posted during the conference on the Twitter account of @lamyaalsuwaidi

Glitzy souvenirs from Dubai, anyone? See more images of Dubai's trip.

 23 March 2012: Last day in the Emirates. Visiting Sheikh Zayed Grand Mosque in Abu Dhabi, one of the world's largest mosques. Read more on our trip to the Emirates on the blog (part 1, part 2 and part 3). 

 29 March (29M): General Strike in Spain. Many more demonstrations to come...

22 April: One of this year's exhibitions highlights: Xavier Le Roy's "Retrospective" at Fundació Antoni Tàpies, Barcelona. On the finissage, children almost stole the show joining performers.


Here, father (performer) and son, performing together in the finissage.

10 April 2012: The happy moment of receiving copies of a Amikejo, a book we have been working on most of the winter. See images of the book here.

31 May: Manifesta 9 curator Cuauhtémoc Medina with artist Jeremy Deller. See Latitudes' photo report of Manifesta 9.

31 May: With Lara Almarcegui while she explains her work included in Manifesta 9, Genk. (see more pictures of Manifesta 9, here).

2 June: Visit to the drielandenpunt for a remote book launch. This is the apex of the triangle-shaped borders of what was Amikejo.

2 June: Friends that come to a booklaunch in a remote place, the drielandenpunt ("Three-Country Point") in Dutch, or Dreiländereck ("Three-Country Corner") in German, or Trois Frontières ("Three Borders") in French." More images here. Photo: Klaas van Gorkum

 6 June 2012: Welcome to Germany! Brussels–Kassel train journey. A little German snack at Köln's Hauptbahnhof.

 6 June: A German, a Dane and and English man meet and greet in a square. (gallerist Johann König, artist Tue Greenfort and Max Andrews' of Latitudes in Friedrichtplatz, Kassel). See Latitudes' documenta (13) photo report here.

7 June: Launch of Maria Loboda's book at Karlsaue Park with music, smoke and a pyramid of ice with 750 litres of champagne. See Latitudes' documenta (13) photo report here.

9 June: "Spain is dead" sign posted opposite Kassel's Fridericianum the day Spanish Ministry of Economy De Guindos, announced the financial "bail out".
8 June 2012: Chance meeting with Mr Weiner and Mr Weiner's tote bag in Kassel, good memories of our 2008 'The Crest of a Wave'.

15 June: Visiting lecturers, Máster en Arte, Museología y Crítica Contemporáneas, Universidad de Santiago de Compostela. The session was preceded by an evening conference at CGAC on "The Curatorial Contract: Analogies and case studies". Photo: Pedro de Llano.

 16 June: Almejas, berberechos and cold beer in Santiago de Compostela. Galicia calidade! 



 19 July: iPad-photodocumenting Haegue Yang's piece produced for "Sense and Sustainability", Urdabai Arte 2012.

 Tangle of 2012 press and work passes.

All photos: Latitudes | www.lttds.org (except when noted otherwise in the caption of the photo). 

Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

2 June 2012: Book launch and exploration of former Amikejo

On June 2, after having visited Manifesta 9, we took the route towards the Belgian city of Kelmis-La Calamine, nearby the German and Dutch border, where we planned to launch the 'Amikejo' publication (Mousse Publishing, 2012) later that day.
Entrance to Kelmis-La Calamine. Trying to match today with the archive material included in the publication.

"The International Office for Travelling Merchants (‘Senpaga Internacia Oficejo por Komerco-Vojagxistoj’) was located in the Bergerhoff Hotel." (Hotel Bergerhoff was located on Luikerstraat, formerly Hasardstraat, in the place which today accommodates the ‘Select’ Café in Kelmis.)" in Ryszard Żelichowski, "Neutral Moresnet and Amikejo – The Forgotten Children of the Congress of Vienna", one of the texts in 'Amikejo' (Mousse Publishing, 2012. Edited by Latitudes). 

"There were as many as 135 registered Esperantists in a population then numbering four thousand. The Esperantists enjoyed the right to have two free Esperanto lessons in a primary school on Kerkstraat, which was a present to the city from the Vieille Montagne mining company. [Mr Charles] Schriever gave four lessons of Esperanto a week for children in his house on Kapelstraat, where there was a book shop with literature in Esperanto. The house also functioned as an office for the local Esperanto group and the venue for its meetings. The Esperantists’ guest houses were marked with a green star on their facades and the caption ‘Esperanta Gasttablo’; some of them survive to this day. 

What is now Park Hotel in Kelmis, built in 1843, was once the Vieille Montagne Director’s villa. Situated in a beautiful private park and with a huge ball-room, it was presented to the Esperantists by Charles Timmerhaus, the penultimate Director of the company, in 1907." in Ryszard Żelichowski, "Neutral Moresnet and Amikejo – The Forgotten Children of the Congress of Vienna", one of the texts in 'Amikejo' (Mousse Publishing, 2012. Edited by Latitudes). 

Finding our way around Kelmis-La Calamine. 
 Welcome to Kelmis–La Calamine.
Façade of the Geuldalmuseum, Göhltalmuseum or Musée de la Vallée de la Gueule (how confusing) on Maxst. 9, Kelmis/Neu-Moresnet, Belgium. Info here. A copy of the publication 'Amikejo' (Mousse Publishing, 2012. Edited by Latitudes) was donated to the museum's archive on our visit.
 Detail of the topological map of the area. In red the Drielandenpunt, towards Aachen, where we'd be going after visiting the museum.
Map of the triangular-shapped territory of Neutral Moresnet (Amikejo) in yellow and green.
First floor: Introduction to Neutral Moresnet, the first Esperanto state. Those who spoke Esperanto wore a green star (verda stelo). In the picture avid Esperantists Dr. Wilhelm Molly and french professor Gustave Roy, who in 1908 founded the first esperanto state (Amikejo, place of friendship in Esperanto) in Neutral-Moresnet. Summary of its history here.
 Wonderful panels explaining the history of Amikejo, its streets, founders, borders, flag, postcards, maps, stamps, coins, certificates, letters, lyrics of the anthem, coat of arms...
One of the original border markers.
Views of Kelmis–La Calamine and its surroundings.
Flora and fauna of the mining area.
All sorts of graphics and mineral samples of the Limburg mining area.
Stone and mineral samples displayed on pink silk, on yellow and baby blue.
Driving towards Vaals and the Drielandenpunt and going under the viaduct.
Arrived. "The Vaalserberg is also the location of the tripoint between Germany, Belgium and the Netherlands and its summit is therefore referred to as Drielandenpunt ("Three-Country Point") in Dutch, or Dreiländereck ("Three-Country Corner") in German, or Trois Frontières ("Three Borders") in French." (from Wikipedia).
 A small mention of Neutral Moresnet (1815–1919, which in 1908 changed its name to Amikejo). Between this period, the location was a quadripoint, bordering also Neutral Moresnet. See progress of the borders here.
The Drielandenpunt today.
Vaalserberg ("Mount Vaals") is 322.7 metres hill and the highest point in the European part of the Netherlands. It used to be like this.
Visitors reading about the drienlandenpunt's history and geographical situation.
 Tower from where one can observe Germany, The Netherlands and Belgium from on high.
Behind the publication the land where Amikejo was. This might be better understood here.
The 'Amikejo' book resting on the Drielandenpunt (the apex of the triangle-shaped borders of what was Amikejo). The green lines mark the borders of Germany (whole top), The Netherlands (triangle to the left) and Belgium (to the right). 
 All images: Latitudes | www.lttds.org

Conferencia "El contrato curatorial: analogías y casos de estudio". Jueves 14 Junio a las 20h, CGAC, Santiago de Compostela

 'The Last..." los diez números semanales que conforman el catálogo final de la exposición "The Last Newspaper" (New Museum, 2010). 
Foto: Latitudes | www.lttds.org

| ES |

"El contrato curatorial: analogías y casos de estudio" analiza modelos extraídos de personajes de la cultura popular así como la terminología legal que pueden ayudarnos a definir algunos de los códigos éticos y profesionales que se establecen entre artistas y comisarios. A través del proyecto editorial 'The Last Newspaper' realizado por Latitudes en el New Museum en el 2010, se especulará sobre dicha relación y sobre como ésta dialoga con el público como participante del proceso curatorial. 

Conferencia organizada en colaboración con el Máster en Arte, Museología y Crítica Contemporáneas, Universidad de Santiago de Compostela, donde Latitudes será profesor invitado el viernes 15 Junio, y donde discutirá algunos de sus proyectos incluídos No Soul for Sale (en X Initiative y en Tate Modern), Portscapes, Campus y Amikejo

CGAC (Centro Galego de Arte Contemporánea)
Rúa Valle Inclán s/n
15704 Santiago de Compostela
T: 981 546619 


Commissioner Gordon calls Batman: the institutional alliance with those operating outside the law.

| UK |

 The lecture "The curatorial contract: analogies and case studies" draws from popular culture and legal terminology to help define some of the ethical and professional codes at work between artists and curators. Through the editorial project 'The Last Newspaper' developed by Latitudes at the New Museum in 2010, the presentation will speculate on this relationship and how it dialogues with the public-as-participant.

Conference organised in collaboration with the Máster en Arte, Museología y Crítica Contemporáneas where on June 15, Latitudes will be visiting lecturers and discuss a range of their projects including No Soul for Sale (at X Initiative and at Tate Modern), Portscapes, Campus and Amikejo.

CGAC (Centro Galego de Arte Contemporánea)
Rúa Valle Inclán s/n
15704 Santiago de Compostela
T: 981 546619 


All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)

Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Newsletter #44 – June 2012


In June

Launch of the publication 'Amikejo' at the border tri-point (drielandenpunt) where the Netherlands, Belgium and Germany meet, Saturday 2 June, 17h.

Lecture "The curatorial contract: analogies and case studies", Centro Galego de Arte Contemporaneo (CGAC), Thursday 14 June, 20h, and visiting lecturers, Máster en Arte, Museología y Crítica Contemporáneas, Universidad de Santiago de Compostela, Friday 15 June.

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Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

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