Longitudes

‘6 Hours Tide Object with Correction of Perspective’ by Jan Dibbets screened in Barcelona

Production of '6 Hours of Tide Object with Correction of Perspective' (2009) by Jan Dibbets. Photo: Paloma Polo / SKOR.

The 8-minute film ‘6 Hours Tide Object with Correction of Perspective’ by Dutch artists Jan Dibbets is currently exhibited as part of "Fingers Crossed" (pdf, Spanish), a group exhibition opening December 14, 2019, curated by Blanca de la Torre and Sue Spaid, at ADN Platform in Sant Cugat (Barcelona), on view until April 4, 2020. 

The film was produced in 2009 for ‘Portscapes’, the year-long programme producing ten new commissions in and around the Port of Rotterdam, The Netherlands, curated by Latitudes


Gerry Schum's 1969 'Land Art' series of films screened on German public TV.

Jan Dibbets’ (1941) film was ‘Portscapes’ inaugural project and was filmed on February 8, 2009. Originally filmed 40 years earlier, in February 1969, in black and white and in 16 mm, it was titled ‘12 Hours Tide Object...’. The film was originally presented in 1969 as part of Gerry Schum's seminal 'Land Art' series of artists' films screened that same year on German public TV (this programme was included in Latitudes-curated touring film programme ‘A Stake in the Mud, A Hole in the Reel. Land Art’s Expanded Field 1968–2008’ which began at the Museo Tamayo in April 2008.)

The film presents the drawing of an isosceles trapezoid in the sand using a bulldozer – the shape consequently appears as a rectangle in the resultant film due to the angle of perspective. The new 2009 realisation was filmed 40 years later to the month on the beach of the Maasvlakte, an area that was soon after forever transformed with the construction of Maasvlakte 2 – a land reclamation project, realised between 2008 and 2013, that extended Europe's largest seaport and industrial area by 2,000 hectares. 


The resulting 8 minute-long film was premiered at the FutureLand Information Centre of the Port of Rotterdam in June 2009 and during Latitudes’ participation in the New York festival NO SOUL FOR SALE – A Festival of Independents (24–28 June 2009). 


Dibbets’ film presented as part of Latitudes’ participation in the festival NO SOUL FOR SALE – A Festival of Independents, New York, 24–28 June 2009. Photo: Latitudes.


Projection of Dibbets' 1969 film as part of the itinerant film programme ‘A Stake in the Mud, A Hole in the Reel. Land Art’s Expanded Field 1968–2008’ on July 11, 2008, at the barn Hongersdijk Farmstead, Wilhelminapolder, Zeeland, The Netherlands, a programme hosted by SKOR (Foundation Art and Public Space, Amsterdam). Photo: Latitudes.

‘6 Hours Tide Object with Correction of Perspective’ was produced in collaboration with SKOR | Foundation Art and Public Space (1999–2012), an organisation which initiated, curated and developed art projects in relation to the public domain that no longer exists, realising over a thousand projects in public space in the Netherlands for over a decade. Portscapes was curated by Latitudes, culminating in a display of the projects at the Museum Boijmans van Beuningen in Rotterdam in 2010.

RELATED CONTENT:

  • Portscapes commissions
  • Portscapes exhibition at the Museum Boijmans van Beuningen
  • Making of '6 Hours of Tide Object with Correction of Perspective' (2009) by Jan Dibbets – part 1 here.
  • Making of '6 Hours of Tide Object with Correction of Perspective' (2009) by Jan Dibbets – part 2 here.

Iratxe Jaio and Klaas van Gorkum's installation ‘Work in Progress’ in the process of being acquired by ARTIUM, Vitoria-Gasteiz


Above and below: Installation views of "Work in progress" in the exhibition "The Margins of the Factory", ADN Platform, 25 January–30 April 2014. Video (14’ 22”), 739 polyurethane sculptures, and 47 moulds. Produced with support from the Eremuak program of the Basque Government and from Centrum Beeldende Kunst Rotterdam. Courtesy of the artists. Photos: Roberto Ruiz.






We are very happy to know that Iratxe Jaio and Klaas van Gorkum's installation ‘Work in Progress’ (2013) is in the process of being acquired by ARTIUM, Centro Museo Vasco de Arte Contemporáneo in Vitoria-Gasteiz, Basque Country. The piece is on display as part of the exhibition ‘ARTres. El museo como deba ser’ (March 2–August 26, 2018).

Work in Progress’ was one of the two works included in their solo exhibition "The Margins of the Factory" presented at ADN Platform in January 2014, and curated by Latitudes.






Work in Progress’ immerses itself in the manufacturing industry of Markina-Xemein, the rural Basque village where Jaio comes from. A video documents the mass-production of rubber car parts, following the pieces from the assembly line in a worker-owned factory to subcontracted workshops where informal workers finish them by hand.

Several of these workers are employed by the artists to cast hundreds of replicas of small modernist sculptures. These are displayed on mass-produced shelving to evoke the “Chalk Laboratory” of Basque sculptor Jorge Oteiza (1908–2003), a fierce critic of the commodification of art. 

 Exhibition leaflet. Pdf downloadable here.

Latitudes previously collaborated with Jaio and van Gorkum in the exhibition cycle ‘Amikejo’ presented throughout 2011 in MUSAC, León, when they exhibited ‘Producing time between other things’ (2011), a work specially produced for the occasion, and also included in the above-mentioned show "The Margins of the Factory" in 2014.

—> Photographs of the exhibition.
—> Exhibition leaflet (pdf).
—> Exhibition reviews.
—> Video on ‘Producing time between other things’ (2011)



RELATED CONTENT:

'The Margins of the Factory' on Artforum's Critics' Picks

 
If you can't read it correctly, click this link to the review by Miguel Amado.

The exhibition 'The Margins of the Factory' by Iratxe Jaio and Klaas van Gorkum is on view until 30 April at ADN Platform. There will be a breakfast and guided visit on Saturday 12 April at 10:30am. If you would like to join please contact Jordi Vernis <[email protected]>

La exposición 'Los márgenes de la fábrica' de Iratxe Jaio y Klaas van Gorkum permanecerá abierta hasta el 30 de abril en ADN Platform. El sábado 12 de abril a las 10:30am habrá un desayuno y visita guiada, si estáis interesados en asistir, por favor poneros en contacto con Jordi Vernis <[email protected]>


Related posts:
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This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter.
All photos:
Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Documentation of Iratxe Jaio and Klaas van Gorkum's exhibition "The Margins of the Factory" and the opening performance by Nathaniel R. Mann

Installation view of "Producing time in between other things" (2011). Three videos (12' 30'', 5' 22'', 36' 11''), 32 colour photographs (76x115 cm & 50x75 cm), 49 wooden legs, and MDF platforms with objects made by Jos van Gorkum between 1976 and 1996. Photo: Roberto Ruiz. Courtesy: ADN Platform.

More installation photos of the exhibition here (flickr).

The exhibition "The Margins of the Factory" (ADN Platform, Sant Cugat, 25 January–30 April 2014) presents two recent projects by the Rotterdam-based duo Iratxe Jaio & Klaas van Gorkum that are motivated by their interest in art's relationship with labour. Each explores sculptural form and manufacturing processes from the perspective of artists who have not usually made objects. Jaio & van Gorkum undertake what are in part sociological investigations by documenting the local, marginal effects of the displacement of manufacturing industries over the last two generations with the emergence of the global market. Emerging from the artists' personal history and implicating the direct effects of their own vocation as well as work they ask of others, the projects are moreover complicit in asking what kind of industriousness brings value and what political life objects might have.

The exhibition opening featured a performance by British “avant-folk” musician Nathaniel Robin Mann developed for the occasion in collaboration with Jaio & van Gorkum around the raw footage of "Work in Progress" (2013), a film by the artists showing men and women at work in the Lea Artibai region in Basque Country, where they trim rubber parts destined for the global automobile industry. 


Photos: Roberto Ruiz.
Mann interpreted the Basque popular song “Oi Peio Peio” – a dialogue between a woman worker and her cruel boss "Peio", who insists she carries on working throughout the night. He keeps telling her to carry on with the next step in the spinning process, until the sun comes up and it is too late to go to sleep. First collected in Cancionero Popular Vasco in 1918, the song was popularized by singer–songwriter Mikel Laboa, founder of “Ez Dok Amairu” (“No Thirteen”), the cultural movement of Basque poets, musicians and artists whose name was a suggestion of sculptor Jorge Oteiza.

  Nathaniel Robin Mann performing "Oi Peio Peio" during the exhibition opening of "The Margins of the Factory". Video by Iratxe Jaio & Klaas van Gorkum.

While singing, Mann manually assembled a device which broadcasted his prerecorded voice to a transistor radio, with which he then performed a moving duet. The performance is Nathan's response to the themes and issues explored in the installation of "Work in Progress", infused with his own longstanding interest in work song and traditional music.

More info:

www.lttds.org/projects/jaiovangorkum/
Download exhibition leaflet (English or Spanish):

www.lttds.org/projects/jaiovangorkum/archive/

Related posts:


This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License

Storifying the social media related to the exhibition "The Margins of the Factory" (until 30 April) at ADN Platform, Sant Cugat

We have began to storify all the social media posts related to the exhibition "Iratxe Jaio and Klaas van Gorkum: The Margins of the Factory" that opened last Saturday 25 January at ADN Platform in Sant Cugat. 

The exhibition will remain open until 30 April. If you would like to visit, please make an appointment writing to [email protected] or calling (+34) 93 451 00 64.

More information about the exhibition:  
Press Release: http://mad.ly/7b4164 (English) / http://mad.ly/657564 (Español)
Exhibition leaflet (pdf English) / Hoja de sala (pdf en Español) 

Follow
@LTTDS
@KlaasvanGorkum
#ADNPlatform 




Related content:


This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

25 January 2014: Opening of the solo exhibition 'The Margins of the Factory' by Iratxe Jaio & Klaas van Gorkum at ADN Platform, Sant Cugat del Vallès (Barcelona)

The Margins of the Factory, a solo exhibition by the Rotterdam-based duo Iratxe Jaio & Klaas van Gorkum curated by Latitudes will open on Saturday 25 January 2014, as part of ADN Galería and ADN Platform's exhibitions programme. 


Opening programme:

12h: Opening at ADN Galería (c/ Enric Granados 49, Barcelona). Exhibition: “This is not Just Fucking Business” by Carlos Aires
13:15h: Buses depart from ADN Galería towards ADN Platform (Avda. Can Roquetas, Sant Cugat del Vallès). To book a seat in the bus: [email protected] / 93 451 0064

14h: Arrival at ADN Platform and light lunch. Exhibitions: Micro-actions of Emergency #2 [Curated by Colectivo de vuelta y vuelta (Claudia Segura & Inés Jover)] and The Margins of the Factory by Iratxe Jaio & Klaas van Gorkum [Curated by Latitudes].
14:15h: 15 min. voice and instrumental performance by Nathaniel Robin Mann, as part of The Margins of the Factory
16/16:30h: Buses return from ADN Platform (Sant Cugat) towards ADN Galería (Barcelona).

The Margins of the Factory presents two recent projects by Iratxe Jaio & Klaas van Gorkum that are motivated by their interest in art's relationship with labour. Each explores sculptural form and manufacturing processes from the perspective of artists who have not usually made objects. Jaio & van Gorkum undertake what are in part sociological investigations by documenting the local, marginal effects of the displacement of manufacturing industries over the last two generations with the emergence of the global market. Emerging from the artists' personal history and implicating the direct effects of their own vocation as well as work they ask of others, the projects are moreover complicit in asking what kind of industriousness brings value and what political life objects might have.


The exhibition opening will also feature a performance by British “avant-folk” musician Nathaniel Robin Mann, developed in collaboration with Jaio & van Gorkum around the raw footage of Work in Progress and the tradition of work song. Mann interprets the Basque popular song “Oi Peio Peio” – a dialogue between a woman worker and her cruel boss, who insists that she carries on working throughout the night. First collected in Cancionero Popular Vasco in 1918, the song was popularized by singer–songwriter Mikel Laboa, founder of “Ez Dok Amairu” (“No Thirteen”), the cultural movement of Basque poets, musicians and artists whose name was a suggestion of sculptor Jorge Oteiza. 

Installation of Producing time in between other things. Courtesy of the artists. Photo: MUSAC.

Central to Producing time in between other things (2011) is a selection of wooden objects made by retired factory worker Jos van Gorkum – Gorkum’s grandfather – which the artists documented in the homes of his relations, friends and former neighbours across the Netherlands. During this process, the artists located the original lathe on which these items had been crafted and began to teach themselves woodturning. The forms which they made as they worked at learning a hobby become the means to support the display of the original objects, presented alongside three videos and photography

Still from the video "Work in Progress". Courtesy of the artists.

Work in Progress (2013) immerses itself in the manufacturing industry of Markina-Xemein, the rural Basque village where Jaio comes from. A video documents the mass-production of rubber car parts, following the pieces from the assembly line in a worker-owned factory to subcontracted workshops where informal workers finish them by hand. Several of these workers are employed by the artists to cast hundreds of replicas of small modernist sculptures. These are displayed on mass-produced shelving to evoke the "Chalk Laboratory" of Basque sculptor Jorge Oteiza, a fierce critic of the commodification of art. 

Visit adnplatform:
Avda. Can Roquetas (corner with Victor Hugo)
08173 Sant Cugat del Vallès
[email protected]
Tel. (+34) 93 451 00 64
By appointment only

Location map

Download the A3 invite-as-poster-as-leaflet of the exhibition (Spanish & English versions). 

Producing time in between other things was produced as part of the Latitudes-curated Amikejo exhibition season at MUSAC, León, in 2011, supported in part by the Mondriaan Foundation (now Mondriaan Fonds). Work in Progress was produced with support from the Eremuak program of the Basque Government and from the Centrum Beeldende Kunst Rotterdam.

Related content:  
"Focus Interview: Iratxe Jaio & Klaas van Gorkum", frieze, Issue 157, September 2013 (14 October 2013).



This is the blog of the independent curatorial office Latitudes. You can also follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Longitudes cuts across Latitudes’s projects and research with news, updates, and reportage.

Latitudes | www.LTTDS.org (except when otherwise noted).

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Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

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