Longitudes

Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

Latitudes’ "out of office": wrap up of the 2020-21 season

‘Keep the faith’ banner hanging at the entrance of La Escocesa studio facilities. All photos by Latitudes (unless otherwise noted in the photo caption).

This end of the season post is the thirteenth of the series – see 2008-92009-102010-112011-122012–132013–142014–152015–162016–172017–182018–19, 2019–20 posts. Unlike past years, there was no clear beginning to the 2020–21 season. As many of us experienced, the pandemic put our work and life plans on hold, at worst cancelled. August is usually a strange month for freelancers (at least in our sector and in these southern latitudes), as nothing much happens work-wise. Yet it can be a blessing if one has other activities to push through, such as writing or research, as hardly any work e-mails come into the inbox – even e-flux’s periodicity is reduced!— but it’s also a fearful period for income. 

We have been lucky to be able to work throughout this year on two group exhibitions: ‘Things Things Say’ at the Centre d'Art Contemporani de Barcelona Fabra i Coats (October 2020–January 2021) and the forthcoming ‘Notes for an Eye Fire’ at Museu d'Art Contemporani de Barcelona (MACBA) opening October 21, 2021, which has not only kept us afloat but also made it possible for us to work within our immediate context in times when travel has not been possible or even desired. Here's our 2020-21 from behind the scenes:

5 August 2020: Max’s (Contributing editor, frieze magazine since 2015) review of Daniel G. Andújar show at La Virreina coincided with the new launch of frieze redesigned website.


13 August 2020: Eulàlia Rovira sends us a view of the improvised recording studio she managed to set up at home in order to become the voice of the exhibition ‘Things Things Say’. We are deeply thankful to her for her flexibility and endurance in recording our texts in three languages deep in the summer heat and in the small hours of the night to avoid neighbourhood noises. #ThingsThingsSay


28 August 2020: 
Early meetings with Hiuwai Chu (Curator, MACBA) in preparation for the first Museu d'Art Contemporani de Barcelona's 
Panorama, a new series of recurring group shows focusing on the contemporary regional artistic scene [face masks were momentarily removed for the photo op!]. 
#PanoramaMACBA


31 August 2020: Between June and December 2020, Max was Editor of Season 01 of st_age and of TBA21’s social media. Pictured a "new normality" zoom with TBA21 team across Madrid and Vienna offices, plus team members in Prague, London, Ibiza, Barcelona, etc.  


7 September 2020: After months of communicating by phone and email with Pere Fernàndez Bori, president of the Friends of Fabra i Coats, we are finally able to meet IRL as he showed us around the association offices and archives. We are very thankful to Pere and the Friends of Fabra i Coats for their time and willingness to lend us materials for the exhibition at the Fabra i Coats: Contemporary Art Center of Barcelona. 



7 September 2020: First meeting with Rasmus Nilausen in the museum galleries. #PanoramaMACBA


9 September 2020:
Meeting with Laia Estruch to discuss her participation in MACBA’s Panorama 21. #PanoramaMACBA


15 September 2020: Conversation between Lola Lasurt and Rosa Maria Subirana Torrent, moderated by Ángel Calvo Ulloa, as part of Lasurt’s solo exhibition ‘Children's Games’ at La Capella. The conversation focused on Subirana’s meticulous inventory of the holdings of the first collections of contemporary art donated to the city as coordinator of Miró Year, which included the organisation of Joan Miró’s 1968 retrospective on the grounds of the former Hospital de la Santa Creu, the current venue of La Capella. Video here (Catalan and Spanish). Lasurt’s project was tutored by Latitudes as part of the 2020–21 season of Barcelona Producció.



23 September 2020: Self-timer selfie during our first studio visit with Marria Pratts in L’Hospitalet. #PanoramaMACBA


24 September 2020: As a culmination of Lasurt’s solo exhibition ‘Children’s Games’ at La Capella, and as part of Jordi Ferreiro’s mediation programme Exedra εξέδρα, Lasurt offered to paint a “transitional object” and to display it in a balcony of a neighbour of the Ciutat Vella district. In this case, the transitional object is a train from the cartoon series ‘A little engine that could’ (1991) that Meritxell used to watch on VHS with her grandparents as a child.


Photos: Eva Carasol.

28 September 2020: New episode of Incidents (of Travel) from Cabo Rojo, Puerto Rico went live! In the latest ‘Incidents (of Travel)’ dispatch from Cabo Rojo, in the southwestern corner of Puerto Rico, and on week 23 of lockdown, Sofía Gallisá and Marina Reyes begin a day together by driving to the Cabo Rojo Salt Flats where Sofía researched her film ‘Assimilate & Destroy I’ (2018). 

Incidents (of Travel) is an online project produced by KADIST that explores different corners of the world through chartered day-long travel itineraries as a form of artistic encounters and an extended conversation between a curator and an artist. #IncidentsofTravel


29 September 2020: First video call with El Palomar (Mariokissme and R. Marcos Mota). #PanoramaMACBA


1 October 2020: Beginning of installation of ‘Things Things Say’. Arrival of the works by Stuart Whipps, Sarah Ortmeyer and Annette Kelm at Fabra i Coats. Arterri team transported the pieces from Berlin, Dunkerque and Birmingham to the art centre and were assisted by JBM Muntatges i produccions crew on-site to accommodate the works in the exhibition space. 




A socially distant download of Stuart Whipps's car. 






JBM Muntatges i produccions crew constructing walls.

Painting by J. Roscolor.


Jordà 14 transported the tables and chairs lent by the twenty generous lenders from Barcelona who agreed to participate in Haegue Yang’s ‘VIP’s Union’.

Condition reports by conservator Beatriz Montoliu assisted by two crew members of JBM Muntatges i produccions.

(↑↓ Above and two below) Wall texts and vinyl production by DPR Producció i Exposicions.


JBM Muntatges i produccions’ tools stash in front of Annette Kelm’s photographs.

Cleaning up around Sarah Ortmeyer’s ‘SABOTAGE’. 

17 October 2020: New restrictions against the spread of COVID-19 begin – bars and restaurants would end up closing for a month. The exhibition doors opened with little fanfare at Fabra i Coats although we were grateful that some familiar faces come to join us on this sunny autumn day. 

With curators Veronica Valentini, Andrea Rodriguez and Anna Manubens (curator of Wendelien van Oldenborgh's exhibition on the first and second floor).

19 October 2021: Max’s (Contributing editor, frieze magazine since 2015) review of Eulàlia Rovira’s exhibition ‘Esmorteir l'esmorteït’ at EtHALL, L’Hospitalet de Llobregat (Barcelona) publishes on frieze online.


21 October 2020: 365 days left to open Panorama at MACBA. Co-curators are already in sync! #PanoramaMACBA

Hiuwai and Mariana taking a break after two Zoom conversations.

Revising the Danish Arts Council funding application that thankfully granted support for Rasmus Nilausen’s work to be produced and presented in the forthcoming Panorama 21.

26 October 2020: Video call with Laia Estruch and MACBA’s Eva Font, Hiuwai Chu. #PanoramaMACBA


27 October 2020:
First Teams with MACBA’s communication and press departments. #PanoramaMACBA



30 October 2020: New restrictions apply in Catalonia against the spread of COVID-19 provoking the cancellation of all the activities programmed for ‘Things Things Say’, most importantly the one-time screening of Adrià Julià’s ‘Popcorn’ (2012) at Zumzeig Cinema on November 6 – finally able to be rescheduled and screened on January 8, 2021. Guided tours planned for La Nit dels Museus on November 14 (as well as tours planned for November 25, rescheduled for December 9), all have been cancelled, as well as the weekend free tours of the exhibitions at Fabra i Coats: Contemporary Art Centre of Barcelona

Adrià Julià, ‘Popcorn’ [Palomita], (2012). Vídeo HD, color, sonido. 90 min. Cortesía del artista.


13 November 2020: Continuing with online conversation-studio visits, this time with Arash Fayez#PanoramaMACBA



23 November 2020: Site visit of Laia Estruch to MACBA to discuss options for her sculptural intervention for Panorama 21. #PanoramaMACBA



24 November 2020: Second round of photo documentation of the exhibition ‘Things Things Say’ / ‘Cosas que las cosas dicen’ / ‘Coses que les coses diuen’ at Fabra i Coats: Centre d'Art Contemporani de Barcelona, with photographer Eva Carasol

Photo documentation of the show.


26 November–8 December 2020: One more year, we collaborate with DART Festival 2020 as jury members awarding the best national and international documentary: ‘Tierras construídas’ by Arturo Dueñas (España, 2019. 81 min. Castellano) and ‘The Proposal’ by Jill Magid (México, 2019. 82 min. Inglés). We are accompanied by film critic Quim Casas, and visual artist Jordi Colomer.


1 December 2020: Visiting Stella Rahola’s studio at Piramidón, with fantastic views over the city. #PanoramaMACBA



4 December 2020: Follow up meetings with Rosa Tharrats, Ruta de Autor and Eulàlia Rovira in preparation for the exhibition ‘Panorama 2021’ at the Museu d'Art Contemporani de Barcelona (MACBA). The Head of General services gives us a tour around the building to areas usually not accessible to the public (photography not allowed) to be able to imagine the original structural design by its architect Richard Meier, to remember how the original walls have changed over the years, and paying attention to the scars left from previous exhibitions – aka ‘cadavers’ amongst museum staff. #PanoramaMACBA



Photo: Eulàlia Rovira.


7 December 2020: Follow up meeting with Arash Fayez at the museum. #PanoramaMACBA


10 December 2020: Recording a guided visit of the exhibition ‘Things Things Say’ on view at Fabra i Coats: Centre d'Art Contemporani de Barcelona as a proxy to the three cancelled guided visits of the show. 

Photo: Mónica López.
 
21 December 2020: Meeting with Toni Hervàs to discuss his ongoing research around Paral·lel. #PanoramaMACBA


22 December 2020: New episode of Incidents (of Travel) from Singapore, following a tour set up by artists Fyerool Darma and Nurul Huda Rashid, and a report by curator Kathleen Ditzig. Incidents (of Travel) is an online project produced by KADIST that explores different corners of the world through chartered day-long travel itineraries as a form of artistic encounters and an extended conversation between a curator and an artist. 


2 January 2021: Always great to visit Rasmus Nilausen’s studio in L’Hospitalet and smell fresh oil paint. 
#PanoramaMACBA



8 January 2021: Screening and Q&A of Adrià Julià’s feature film ‘Popcorn’ (2012 90') at cinema Zumzeig, part of the exhibition ‘Things Things Say’ ending on January 17, 2021. 


9 January 2021: Catching up with Hiuwai in the metro on our way back from Fabra i Coats Centre d’Art Contemporani. #PanoramaMACBA


13 January 2021: 
Àngels Ponsa, Minister of Culture of the Generalitat de Catalunya, visited the exhibition ‘Things Things Say’ (centre, sitting in the chair she loaned from Palau Marc, home of the Minister of Culture of the Government of Catalonia, as part of Haegue Yang’s piece ‘VIPs Union’ (2001–ongoing), accompanied by Joana Hurtado Matheu, art centre director (right) and Max and Mariana of Latitudes (left). 


17 January 2021: Things Things Say’ ends today. Lots of Instagram stories over the last week from visitors. Check social networks archive. Weeks after we learn that 1926 people visited the exhibition over the past three months which, considering pandemic restrictions, is great news. #ThingsThingsSay
18 January 2021: Dismantling of ‘Things Things Say’ exhibition. Always sad to say goodbye to works that have been so present in our minds over the last months. It is unavoidable to think about what remains of a show once it’s gone. In times of COVID-19, this feeling is intensified as fewer people might have had the opportunity to visit, regardless of the circumstances. #ThingsThingsSay


JBM Muntatges i produccions crew and Bea Montoliu (conservation) wrapping up the furniture loaned to form Haegue Yang's piece ‘VIP’s Union’ (2001-2020).




Lifting up the protective glass on Stuart Whipps’s table.



19 January 2021: Videoconference with Antoni Hervàs to talk about his contribution to Panorama 21. #PanoramaMACBA


21 January 2021: Video call with Rosa Tharrats to discuss details of her forthcoming installation at the museum. Around this date, Gabriel Ventura and the editorial Documents Documenta, kindly agreed to give us permission to borrow the title of their latest publication for the Panorama series: ‘Notes for an Eye Fire’, for which we are very grateful. 
#PanoramaMACBA


22 January 2021: Ruta de Autor tell us to meet nearby the Torre de les Aigües del Besòs, a water deposit built in 1882 by Pere Falqués and offering stunning panoramic views over the city – and a Blinky Palermo piece Himmelsrichtungen in the entrance space. The tower is the headquarters of the Arxiu Històric de Poblenou#PanoramaMACBA








25 January 2021: Visiting the Centre d’Estudis i Documentació (CED) with Eulàlia Rovira, looking at maps, project proposals and photos of how MACBA was envisioned and ultimately built in the late 80s and early 90s. #PanoramaMACBA

Photo: Hiuwai Chu


Suitable photo albums from the former Panorama photo lab around town.

26 January 2021: Site visit with Claudia Pagès to MACBA to discuss her forthcoming participation in ‘Panorama 21: Apunts per a un incendi dels ulls’ (Notes for an Eye Fire). #PanoramaMACBA


27 January 2021: Once ‘Things Things Say’ is over and the galleries are empty once again. Eulàlia Rovira films ‘A Knot Which is Knot’ (2020-21), her contribution to the recently closed exhibition based on research done throughout the exhibition period, which will premiered a few days later, on February 15. 

Photo: Eulàlia Rovira

29 January 2021: Online meeting with Bendita Gloria to go through the materials of the forthcoming publication of ‘Things Things Say’, the exhibition that just ended a few days ago at Fabra i Coats.

1 February 2021: Consecutive meetings with Toni Hervàs, Aleix Plademunt and Marria Pratts to discuss their projects on-site, alongside Eva Font (architecture department) and Berta Cervantes (Exhibition, Project Assistant). #PanoramaMACBA




9 February 2021: Live streamed press conference announcing the 2021–22 season of the Museu d'Art Contemporani de Barcelona (MACBA). ‘Panorama 21. Apunts per a un incendi dels ulls’ is finally public. #PanoramaMACBA




12 February 2021: Panorama 21 wefie after a meeting with Rasmus Nilausen in Gràcia. #PanoramaMACBA


15 February 2021: Eulàlia Rovira’s video ‘A Knot Which is Knot’, 2020 (video, 12min 21 sec, audio in Catalan) is premièred on Fabra i Coats’ YouTube channel. ‘A Knot Which is Knot’ is the result of an investigation that began with the opening ‘Things Things Say’ (Fabra i Coats: Contemporary Art Center of Barcelona17 October 2020-17 January 2021), an exhibition curated by Latitudes, which is made public once it has closed and the exhibition galleries are once again empty. 

Ver vídeo (12' 21'', audio in Catalan) 


16 February 2021: First tech checks in the exhibition galleries with Rafa Marcos of El Palomar and MACBA’s A/V technician Miquel Giner, followed by a group meeting with Claudia Pagès to go catch up on her project. 
#PanoramaMACBA




19 February 2021: Opening of Lara Almarcegui’s exhibition ‘Graves’ (Gravel) at the Centre d'Art La Panera in Lleida (on view until 30 May 2021). As part of the opening day events, Lara invited visitors to experience the quarry operated by Sorigué in La Plana del Corb, which stopped its operations for a day. 

Latitudes contributed a text on her new installation and on March 18 at 6:30pm, participated in a round table online discussion with the artist and Juan Guardiola. Due to mobility restrictions between municipalities, we couldn’t attend the opening.

View of Lara Almarcegui’s exhibition ‘Graves’ (Gravel) at the Centre d'Art La Panera in Lleida. Photo: Jordi V. Pou.


22 February 2021: Video call catch up with Adrian Schindler (currently in residency at Casa Velázquez in Madrid until June 2021) to discuss his production for Panorama 21, followed by an in-person studio visit with Arash Fayez in Raval. #PanoramaMACBA

Trying to figure out the volume of works in the exhibition space.


2 March 2021: Running some tests of Aleix Plademunts work in the exhibition space while it’s empty between shows. #PanoramaMACBA




3 March 2021: Check-in meeting with Eulàlia Rovira on her ongoing research for her Panorama 21 contribution followed by a site visit by Stella Rahola to check natural light. #PanoramaMACBA





8 Març 2021: Laia Estruch visit to discuss the production of her work in the middle of the installation of Felix Gonzalez-Torres show. #PanoramaMACBA


13 March 2021: First trip outside of the city in exactly a year (tomorrow is the first anniversary of the declaration of the first state of alarm in Spain). Invited by the Centre d’Art La Panera in Lleida, we were able to attend the opening of David Bestué’s ‘Pastoral’ solo exhibition and Lara Almarcegui’s ‘Graves’ (for which we recently contributed the text of the exhibition). Forthcoming a frieze review of the exhibition by Max in the September 2021 issue.

(Above and below) Lara Almarcegui, ‘Gravera’ (2021), vídeo, 10 min. Cámara: Daniel Lacasa; y ‘Rocas y materiales de la Cordillera de los Pirineos’ (2021). Cortesía de la artista.


(Above and below) Installation view of David Bestué’s ‘Pastoral’ at the Centre d'Art la Panera, Lleida.


18 March 2021: Online conversation with Lara Almarcegui and Juan Guardiola on the occasion of Almarcegui’s solo show ‘Graves’ at Centre d’Art La Panera in Lleida.

During the conversation with Lara Almarcegui. 

23 March 2021: Catch up with a provider for Laia Estruch’s installation and discussion of Panorama’s identity with graphic designer and ‘Panorama 21’ participant, Ana Domínguez. #PanoramaMACBA



29 March 2021: Morning meeting with Rasmus Nilausen and pm meeting with Gabriel Ventura and Rosa Tharrats to discuss the progress of their respective contributions for Panorama 21, titled after Gabriel’s latest book poem ‘Apunts per a un incendi dels ulls’ (Notes for an Eye Fire). #PanoramaMACBA



7, 14, 21 and 28 April 2021: Four reading groups are programmed this month as part of Adrian Schindler’s project to be presented as part of MACBA's inaugural Panorama exhibition in October 2021. These open-format groups constituted the last step before the production of his film Tetuan, Tetuán, تطوان , the first chapter of which will be shot in Barcelona in late Spring 2021. 

The reading group “A quienes la inspiraron y no la leerán: Goytisolo, Marruecos y el Otro” (To those who inspired it and will not read it: Goytisolo, Morocco and the Other) proposes a critical approach to the theoretical and fictional work of Spanish writer Juan Goytisolo (1931–2017), influenced by Morocco. Contrasting his ambition to deconstruct the islamophobic literary tradition with the fantasies that inhabit his novels, we will address issues such as the construction of the image of the Other in Spain, the ghosts of the colonial project and the tensions inherent to decolonial works developed by white cultural agents. Participants read excerpts from the novels Reivindicación del conde Don Julián (1970), Juan sin tierra (1975) and Makbara (1980), as well as from the essay collection Crónicas Sarracinas (1981). The sessions were carried out with Salma Amzian, Núria Gómez Gabriel and iki yos piña narváez funes, who contributed to examining Goytisolo’s contradictions and potentialities through other literatures and epistemologies. The meetings took place in the Parc de la Ciutadella, near a colonial monument and an orientalist sculpture. #PanoramaMACBA


2 April 2021: Video call with Claudia Pagès to check in the development of her project while at the Rijksakademie in Amsterdam. #PanoramaMACBA


7 April 2021: MACBA’s 2021-22 exhibition programme is up. Just over 6 months to the opening. #PanoramaMACBA


9 Abril 2021: Catch up meetings with Ruta de Autor and Nyamnyam (from Montpellier). #PanoramaMACBA



12 April 2021: Publications meeting with Ana Domínguez. #PanoramaMACBA



13 April 2021: Meeting with Adrian Schindler at the museum’s offices to discuss the production of his work for MACBA’s ‘Panorama’. #PanoramaMACBA


15 April 2021: Monthly catch up with the communication department with dazzling spreadsheets, followed by a visit to Stella Rahola Matutes's project at the Mies van der Rohe Pavilion. Curators’ outfits merging – too many hours together ;-) #PanoramaMACBA




22 April 2021: Design briefing with MACBA’s communication team, Marta Reus and Carla Ventosa, and Panorama 21 designers Ana Domínguez and Lara Coromina, about the exhibition. #PanoramaMACBA


30 April 2021: Meeting with Arash Fayez and walk through the museum galleries with Ana Domínguez and Lara Coromina, designers of the first edition of MACBA’s Panorama
#PanoramaMACBA



4 May 2021: Plotting with Antoni Hervàs and Marc Vives, with the valuable help of Eva Font. Tip of the day: always bring a tape measure when doing a site visit! #PanoramaMACBA

Photo: Hiuwai Chu



7 May 2021: Balcony break in between meetings with Eulàlia Rovira and Ruta de Autor#PanoramaMACBA

Photo: Hiuwai Chu



8 May 2021: Presentation of Agustín Ortiz Herrera’s research ‘To name, to own. Critique of taxonomic practice’ project and publication at the Gabinet Salvador (Institut Botànic de Barcelona), one of the best-preserved examples of a cabinet of curiosities. Agustín’s research is one of the three projects Latitudes mentored throughout 2019–20 as part of the Barcelona Producció season at La Capella.

Representation of the cabinet of curiosities by the Danish naturalist and antiquarian Ole Worm in 1655. Salvador Library, Botanical Institute of Barcelona.

11 May 2021: Recording the teaser to be launched with the announcement of the participants in the inaugural Panorama exhibition. #PanoramaMACBA



12 May 2021: Review of David Bestué’s exhibition ‘Pastoral’ at the Centre d’Art la Panera, Lleida, published online at frieze.com



12 May 2021: Visiting Ana Dominguez studio and lunch with her and Lara Coromina to discuss the elements of the exhibition graphics. #PanoramaMACBA


Some artist portraits for the exhibition website.

13 May 2021: A new
 dispatch of the ‘Incidents (of Travel)’ online series is live on incidents.kadist.org this time from Amsterdam, the Netherlands, where curator Àngels Miralda narrates a day navigating COVID restrictions with Salim Bayri. + info

17 May 2021: Jitsi catch up with nyamnyam (Iñaki Álvarez and Ariadna Rodríguez) and Pedro Pineda. #PanoramaMACBA


20 May 2021: Catch up with Eulàlia Rovira at the museum. #PanoramaMACBA


21 May 2021:
Birdwatching with Laia Estruch around the Vall del Llobregós and the plains north of Santa Maria de Montmagastrell, in preparation for her upcoming project ‘Ocells perduts’ to be premiered in MACBA’s ‘Notes for an Eye Fire’ exhibition. 
#PanoramaMACBA


22 May 2021: Laia Estruch rehearsing at El Graner. #PanoramaMACBA


Foto: Hiuwai Chu.

28 May 2021: Catch up with Ruta de Autor at the museum. #PanoramaMACBA

Photo: Hiuwai Chu.

1 June 2021: Work meeting at Rasmus Nilausen’s studio in L’Hospitalet. #PanoramaMACBA


4 June 2021: Final presentation of the graphic image of Panorama 21 by Studio Ana Dominguez. #PanoramaMACBA


7 June 2021: Meeting at TMDC in La Verneda with Pedro Pineda and nyamnyam (Ariadna Rodríguez & Iñaki Álvarez). #PanoramaMACBA



Photo: Hiuwai Chu.



8 June 2021: Visiting Rosa Tharrats and Gabriel Ventura in Cadaqués and visit Rosa’s two-person exhibition in the Museu de l’Empordà, Figueres. #PanoramaMACBA

View of the two-person exhibition ‘Tura Sanglas/ Rosa Tharrats: Un diàleg artistic. Subjectivitat de la material, poètica de l’objecte’, curated by Laura Cornejo at Museu de l’Empordà.  

‘Les babes de la molsa’ (2020) by Rosa Tharrats.

‘Els ancestres de les anênomes’ (2020) by Rosa Tharrats.

Photo: Ivo Wald.




Photo: Ivo Wald.

Meetings by the shore.

10 June 2021: Visiting Marria Pratts’ studio L’Hospitalet. #PanoramaMACBA


17 June 2021: Meeting with Arash Fayez and Rosa Tharrats and the MACBA team. #PanoramaMACBA



18 June 2021: Round of meetings with nyamnyam followed by Ruta de Autor and Stella Rahola at the museum. #PanoramaMACBA




20 June 2021: Recording the 8th and last episode of the podcast series ‘Quasi Veu’ in the lobby of Fabra i Coats – released 2 July 2021. In the first part of the +2h programme, Mariana discussed some aspects of ‘Things Things Say’, the exhibition Latitudes curated last fall at the Fabra i Coats: Centre d’Art Contemporani.


22 June 2021: Adrian Schindler filming Tetuan, Tetuán, تطوان  at Plaça Tetuan. Schindler's project will be presented as part of MACBA’s inaugural Panorama exhibition in October 2021. #PanoramaMACBA



1 July 2021: Announcement of ‘Notes for an Eye Fire’ participants, launch of the web with the graphic image of the Panorama exhibition series: Ana Domínguez, El Palomar (Mariokissme & R. Marcos Mota), Laia Estruch, Arash Fayez, Antoni Hervàs, Rasmus Nilausen, nyamnyam (Ariadna Rodríguez & Iñaki Álvarez) with Pedro Pineda, Claudia Pagès, Aleix Plademunt, Marria Pratts, Stella Rahola Matutes, Eulàlia Rovira, Ruta de autor (Aymara Arreaza R. & Lorena Bou Linhares), Adrian Schindler, Rosa Tharrats, Gabriel Ventura, and Marc Vives. #PanoramaMACBA


6 July 2021: Online catch up with public programmes’ Tonina Cerdà and Alicia Escobio. #PanoramaMACBA


14–16 July 2021:
Press trip to visit the newly opened Hauser & Wirth, at the Illa del Rei, Maó (Menorca). Max Andrews will review Mark Bradford’s show ‘Masses and Movements’ for frieze







Carlos Cruz-Diez at Galería Cayón, Maó. 

17 July 2021: Rough cut screening of Adrian Schindlers filmTetuan, Tetuán, تطوان  to be premiered as part of MACBA’s inaugural Panorama exhibition in October 2021. #PanoramaMACBA

Photo: Hiuwai Chu.

26 July 2021: Visiting Toni Hervàs at La Escocesa alongside MACBA’s team Alex Castro, Eva Font and Berta Cervantes (conservation, architecture and coordination). #PanoramaMACBA






→ RELATED CONTENTS:

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Cover Story–March 2021: Eulàlia Rovira's ‘A Knot Which is Not’ (2020–21)


Latitudes' homepage www.lttds.org

The March 2021 monthly Cover Story ‘Eulàlia Rovira. A Knot which is Not’ is now up on our homepage: www.lttds.org

“This video was developed during and departing from the exhibition Things Things Say, and was inspired by the history of the space which hosted it. It comprises a live reading in Catalan by Eulàlia Rovira that was filmed, without the presence of an audience, in the galleries of Fabra i Coats: Contemporary Art Centre of Barcelona immediately following the end of the exhibition and the de-installation of the works of art.

→ After March 2021 this story will be archived here.

Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.


→ RELATED CONTENTS
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Estreno del vídeo “A knot which is not” [Un nus que no ho és] (2020–21) de Eulàlia Rovira

(📷 ↑↓) Eulàlia Rovira, “A knot which is not” [Un nudo que no lo es], 2020–21. Vídeo, 12:21min. Audio en catalán. Cortesía de la artista.

[CAT] 

Avui a les 18h (CET) s'estrena el nou vídeo d'Eulàlia Rovira “A knot which is not” [Un nus que no ho és] (2020-21), al canal Youtube de Fabra i Coats

El vídeo és fruit d’una recerca que l'artista va iniciar amb la inauguració de l’exposició “Coses que les coses diuen” (17 d’octubre de 2020 – 17 de gener de 2021), comissariada per Latitudes a Fabra i Coats: Contemporary Art Centre of Barcelona, i que es fa pública un cop s’ha clausurat i les sales del centre d'art són novament buides. El vídeo podrà veure's en qualsevol moment després de l'emissió en directe.

“Si bé la línia recta és còmplice de l’abaratiment i l’estandardització de molts productes, a on ens du la corba, o encara millor, el nus? Donant girs a les històries de la mateixa fàbrica tèxtil de la Fabra i Coats i als objectes que en sortien, la llengua que ens parla exercita paraules que les mans semblen haver deixat de reconèixer.” –  Eulàlia Rovira


[ES] 

Hoy a las 18h (CET) se estrena el nuevo vídeo de Eulàlia Rovira “A knot which is not” [Un nudo que no lo es] (2020-21), en el canal Youtube de Fabra i Coats.

El vídeo es fruto de una investigación que la artista inició con la inauguración de “Cosas que las cosas dicen” (17 de octubre de 2020–17 de enero de 2021), la exposición comisariada por Latitudes en Fabra i Coats: Centre d’Art Contemporani de Barcelona, y que se hace pública una vez ha finalizado y las salas expositivas están nuevamente vacías. El vídeo podrá verse en cualquier momento después de la emisión en directo. 

“Si bien la línea recta es cómplice del abaratamiento y la estandaritzación de muchos productos, ¿adónde nos lleva la curva, o aún mejor, el nudo? Dando giros a las historias de la propia fábrica textil de la Fabra i Coats y a los objetos que de ella salían, la lengua que nos habla ejercita palabras que las manos parecen haber dejado de reconocer.” – Eulàlia Rovira


[UK] 

Today at 6pm (CET) Eulàlia Rovira's new video “A Knot which is Not” [Un nudo que no lo es] (2020-21) is premiered on the YouTube channel of Fabra i Coats.

“A Knot which is Not” is the result of Rovira's research that began with the opening of “Things Things Say” (17 October 2020–17 January 2021), curated by Latitudes at Fabra i Coats: Contemporary Art Centre of Barcelona, and made public once the exhibition finished and the art centre galleries are empty once again. The video will be available for viewing at any time after the live broadcast. 

“Whilst the straight line is complicit in the price decrease and standardisation of many products, where does the curve, or better still, the knot, lead us? Putting a new spin on the stories of the Fabra i Coats textile factory and the objects found there, the language they speak to us uses words that our hands seem to have stopped recognising.” – Eulàlia Rovira

→ CONTENIDO RELACIONADO:
  • ‘Things Things Say’ en las redes sociales
  • Reseñas: Exposición ‘Cosas que las cosas dicen’ en Fabra i Coats: Centre d'Art Contemporani de Barcelona, 11 January 2021 
  • Trailer and photo documentation of the exhibition ‘Things Things Say’, 4 Nov 2020
  • 6 de noviembre, 17:45h: Proyección ‘Popcorn’ [Palomita] (90', 2012) de Adrià Julià en el Zumzeig Cinema, 29 Oct 2020
  • Exhibition ‘Things Things Say’, Fabra i Coats: Contemporary Art Center of Barcelona, 17 October 2020–17 January 2021, 9 Oct 2020

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6 de noviembre, 17:45h: Proyección ‘Popcorn’ [Palomita] (90', 2012) de Adrià Julià en el Zumzeig Cinema

Adrià Julià, ‘Popcorn’ [Palomita], (2012). Vídeo HD, color, sonido. 90 min. Cortesía del artista.


Actividad cancelada debido a las restricciones para frenar el incremento de casos de COVID-19 en Catalunya. Nueva fecha: 8 de enero 2021, a las 18h


6 de noviembre 2020, a las 17:45h
Proyección ‘Popcorn’ [Palomita] (90', 2012) de Adrià Julià
Entrada gratuita por orden de llegada. Sesión única. 
Sin inscripción previa. Aforo limitado.

El largometraje ‘Popcorn’ de Adrià Julià fue realizado en el 2012 a partir de una grabación pre-existente realizada para demostrar la capacidad de una cámara ultrarápida. El estallido a velocidad reducida de un grano de maíz ha sido prolongado extendiendo la película original de doce segundos hasta una duración de noventa minutos. ‘Popcorn’ es también una película de terror en que la violencia industrial y la supremacía cultural asoman más allá de un gesto aparentemente tan trivial como tomarse un aperitivo relajante y poco calórico.

La proyección en el Zumzeig forma parte de la exposición ‘Cosas que las cosas dicen’ comisariada por Latitudes en Fabra i Coats: Centre d’Art Contemporani de Barcelona y que, además de la obra de Julià incluye escultura, fotografía, film y voz de Annette Kelm, James N. Kienitz Wilkins, Sarah Ortmeyer, Eulàlia Rovira, Francesc Serra i Dimas, Stuart Whipps, Haegue Yang, además de cosas significativas procedentes del fondo de los Amigos de la Fabra i Coats. Se puede visitar hasta el 17 de enero 2021.

Adrià Julià (Barcelona, 1974) vive y trabaja en Los Angeles y Bergen, donde es profesor en la facultad de KMD de la Universidad de Bergen. A través de instalaciones, cine, vídeo, fotografía, performance y publicaciones Julià examina los medios de representación y recepción de eventos con una dimensión personal y colectiva, y los modos en los que estos negocian la memoria, la resistencia, el desplazamiento y la supervivencia. Sus exposiciones individuales más recientes han tenido lugar en Pinacoteca de São Paulo (2019); Tabakalera, San Sebastián (2017–18); Fundació Miró de Barcelona (2017); Project Art Center, Dublín (2011) y ha participado en exposiciones colectivas en el Museo Nacional Centro de Arte Reina Sofia, Madrid (2016–17); The Metropolitan Museum of Art, Nueva York (2015–16); Witte de With, Rotterdam (2011); Seoul Museum of Art, Seúl, Corea (2010); 7th Mercusur Biennial, Porto Alegre, Brasil (2009); Lyon Bennial, Lyon (2007). Ha presentado performances en Current LA (2019) y la 29º Bienal de São Paulo (2010); y recibido becas de la Fundación Botín (2015), de la American Academy de Berlín (2015), de California Community Foundation Fellowship for Visual Artists (2010), de American Center Foundation (2007) y en 2002 recibió el Premio Altadis.

→ Audioguía narrada por la artista Eulàlia Rovira (CAT, ES, ENG)

c. Béjar, 56
08014 Barcelona

c. Sant Adrià, 20
08030 Barcelona 


→ RELATED CONTENTS:

  • Cosas que las cosas dicen, Fabra i Coats: Centre d'art contemporani de Barcelona, Barcelona, 17 octubre 2020–17 enero 2021
  • CAMPUS: Semana #4, 25–29 Julio. Sesión de trabajo final con Adrià Julià e inauguración exposición (29 Julio, 19.30–21h), 25 Jul 2011
  • Campus, Espai Cultural Caja Madrid, Barcelona, 2011

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Exhibition ‘Things Things Say’, Fabra i Coats: Contemporary Art Center of Barcelona, 17 October 2020–17 January 2021



The group show ‘Things Things Say’ (Coses que les coses diuen) and the solo exhibition ‘Tone Tongue Mouth’ (‘to llengua boca’) by Dutch artist Wendelien van Oldenborgh open concurrently at Fabra i Coats: Centre d’Art Contemporani de Barcelona on Saturday 17 October 2020 from 12 pm.

Things Things Say
Fabra i Coats: Centre d’Art Contemporani de Barcelona
17 October 2020 – 17 January 2021
Curated by Latitudes


An exhibition with works by Adrià Julià (1974, lives in Barcelona and Bergen), Annette Kelm (1975, lives in Berlin), James N. Kienitz Wilkins (1983, lives in New York), Sarah Ortmeyer (1980, lives in Vienna), Eulàlia Rovira (1985, lives in Barcelona), Francesc Serra i Dimas (1877–1967, Barcelona), Stuart Whipps (1979, lives in Birmingham), Haegue Yang (1971, lives in Berlin and Seoul), as well as meaningful things from the Friends of Fabra i Coats archive.

Do you trust things to write human history? Do things’ lives matter? Can a pebble destroy an empire if the emperor chokes at dinner? Would the pebble stand accused? Do you really think that if you stare at something long enough, it will reveal its secrets? Have you ever wondered why there is a hole in a donut? Did you ever own a pair of dungarees? Does a desire to write about a small car indicate some fear of its inadequacy? Does popcorn hold firm opinions? Is the key key? Are you familiar with the Luddites? Have you heard the expressions “how long is a piece of string?”, or “exceptional typical”?

The exhibition ‘Things Things Say’ springs from the past of Fabra i Coats as an industrial complex once dedicated to the manufacturing of cotton thread. The factory represented the first merger between a Catalan company and a foreign multinational and the first in Spain to offer its workers paid holidays. The exhibition evokes this novel and curious kind of place, a place comprised of many places and people, vastly different scales, temporalities, and values. Things, and spectres of things, that might at first seem exceptionally normal, apparently obsolete, or inert, each bring often-extraordinary stories or offer telling evidence, temporarily becoming new protagonists in the art centre community.

In the setting of the bygone factory, the works in the exhibition introduce a perspective on how the modern world has been shaped through complex and contentious relationships between humans and the web of life. Taking on the popular XVIII century genre of the ‘it-narrative’ in English literature and the approach of ‘object journalism’ against a background of world history and ecology, ‘Things Things Say’ and the exhibition ‘4.543 billion. The Matter of Matter’ (CAPC musée d’art contemporain de Bordeaux, 2017–18) are imagined as a diptych: two folds with the same hinge that tacks back-and-forth between deep time and microhistory, natural history and the history of capitalism.

Fabra i Coats: Contemporary Art Center of Barcelona
c. Sant Adrià 20
08030 Barcelona
(+34) 932 566 155
[email protected]
https://www.barcelona.cat/fabraicoats/centredart

Opening hours:
Tuesday to Saturdays, 12 to 8 pm
Sunday and Holidays, 11 to 3 pm
Free guided tours every Saturday at 18 pm and Sundays at 12:30 pm
Limited capacity. Pre-registration at [email protected]


RELATED CONTENT:

  • Save the date: 19 September 2018 at 7 pm, opening Joan Morey ‘COLLAPSE. Desiring machine, working machine’, Centre d'Art Contemporani de Barcelona - Fabra i Coats 3 September 2018
  • Photo report: Trip to Berlin Gallery Weekend 2018 and Cologne 9 May 2018
  • Works by Stuart Whipps in the exhibition ‘4.543 billion. The matter of matter’, CAPC musée d'art contemporain de Bordeaux, 2017–18.
  • Work by Stuart Whipps at the Musée des Beaux-Arts, Bordeaux
  • Work and performance by Eulàlia Rovira and Adrian Schindler included in ‘Cream Cheese and Pretty Ribbons!’, Galerie Martin Janda, Vienna, 2018.
  • Latitudes in conversation with Haegue Yang, Fundació Tàpies, Barcelona, 3 May 2017.
  • Tote by Haegue Yang for Latitudes' 10º anniversary, 2015.
  • Work by Sarah Ortmeyer in the exhibition 'Exposition internationale des arts décoratifs et industriels modernes & des arts et techniques dans la vie moderne', Meessen de Clercq, Brussels, 2011.
  • Work by Haegue Yang in the exhibition ‘Sequelism Part 3: Possible, Probable, or Preferable Futures’, Arnolfini, Bristol, 2009.

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Cover Story—October 2018: "I can’t take my eyes off you: Eulàlia Rovira and Adrian Schindler"

Latitudes' home page www.lttds.org

The October 2018 Monthly Cover Story "I can’t take my eyes off you: Eulàlia Rovira and Adrian Schindler" is now up on Latitudes' homepage: www.lttds.org


"Eulàlia Rovira and Adrian Schindler’s new performance, "One motif says to the other: I can’t take my eyes off you" took place on 14th September as part of the Latitudes-curated Cream cheese and pretty ribbons! at Galerie Martin Janda, Vienna, an exhibition that also features the talents of David Bestué, Sean Lynch, and Batia Suter. The exclamatory title of the exhibition (which continues until 13 October as part of the curated_by festival synthesises two of the satirist Karl Kraus’s similes for what, writing in 1910, he considered the cultural polarity of monotonous functionality on the one hand and frivolous adornment on the other. Kraus lampooned both the sobriety of Germanic culture and the good taste of Romance culture, yet judged an even greater taboo was to be found in Vienna’s dressing up of the former with the latter." 

—> Continue reading
—> After October it will be archived here.



Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial activities.


RELATED CONTENT:

  • Archive of Monthly Cover Stories
  • Performance “One motif says to the other: I can’t take my eyes off you” by Eulàlia Rovira and Adrian Schindler in the exhibition ‘Cream cheese and pretty ribbons!’, 17 September 2018
  • Cover Story–September 2018: Harald Szeemann’s travel sculpture, 10 September 2018
  • Cover Story–August 2018: Askeaton Joyride, 2 August 2018
  • Cover Story–July 2018: No Burgers for Sale 2 July 2018
  • Save the date: 13 September, 6–9pm. Latitudes-curated exhibition ‘Cream cheese and pretty ribbons!’, Galerie Martin Janda, Vienna, 21 June 2018
  • Cover Story—June 2018: Near-Future Artworlds Curatorial Disruption Foresight Group, 4 June 2018
  • Cover Story – May 2018: Shadowing Roman Ondák, 7 May 2018 
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Performance “One motif says to the other: I can’t take my eyes off you” by Eulàlia Rovira and Adrian Schindler in the exhibition ‘Cream cheese and pretty ribbons!’

All photos: Latitudes.

On September 14, Eulàlia Rovira and Adrian Schindler presented the performance ‘One motif says to the other: I can’t take my eyes off you’ in the context of the exhibition ‘Cream Cheese and Pretty Ribbons!’, curated by Latitudes at Galerie Martin Janda in Vienna.

The new performance comprised a series of sartorial compositions, music clips, and readings from memory that were inspired by the belts, buckles, chains, harnesses, and tassels that appear on luxury silk scarf designs by brands such as Hermès, as well as the vogue for tattoos appropriating tribal patterns. A companion series of five photographic prints are derived from the intertwining designs of the latter textiles. 


Rovira and Schindler also present another work in the exhibition. "The Feet Fixed to the Ground Betray no Impatience" (2016) features a camera-phone film based around a Barcelona park bench, as well as its sculptural reproduction. This model of street furniture is known as the ‘Romantic double’, and it inspires a narrative and a sequence of gestures that evoke the masterplans that opened up cramped European cities in the 19th-Century as well as ongoing impulses to organise public space and orchestrate the gaze. 

Eulàlia Rovira & Adrian Schindler, born 1985 & 1989, live in Barcelona.


The exhibition ‘Cream cheese and pretty ribbons!’ brings together works by David Bestué, Sean Lynch, Eulàlia Rovira & Adrian Schindler, and Batia Suter to reflect on the apparent dichotomy between the utilitarian versus the functional, and the artful, refined, decorative, adorned, of good taste. The artworks in the exhibition have managed to find a way to escape this apparent dichotomy in how they treat form and content, using wit and storytelling, and engaging with seemingly mundane things in a magical way.

Cream cheese and pretty ribbons!’ is part of the curated_by Vienna gallery festival inviting international curators. In 2018 the festival examines Vienna's systems and contradictions, life between the baroque and present times.

+ info

Share:
#CreamCheeseAndPrettyRibbons 
#CuratedbyVienna 


RELATED CONTENT:
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Save the date: 13 September, 6–9pm. Latitudes-curated exhibition ‘Cream cheese and pretty ribbons!’, Galerie Martin Janda, Vienna

Sean Lynch, Still from “A Blow by Blow Account of Stonecarving in Oxford” (2013–14). Slide projection with voiceover (19’), stone carving, rubble, photographs, museum artefacts, printed matter. Courtesy of the artist.
In his 1910 essay attacking the writing of Heinrich Heine "Heine und die Folgen” (Heine and the consequences), Viennese satirist Karl Kraus (1874–1936) identified two modes of what he called "intellectual vulgarity", an excess of content on the one hand and an excess of form on the other. "The one experiences only the material side of art", he writes, "It is of German origin. The other experiences even the rawest of materials artistically. It is of Romance origin." (In other words, French.) "To the one, art is an instrument; to the other, life is an ornament…”. 

Kraus thought that what he saw as the specifically Viennese development of dressing up Germanic culture with decorative elements imported from Romance culture was a bullshit ornamentation of the utilitarian.


Eulàlia Rovira and Adrian Schindler, ‘The Feet Fixed to the Ground Betray No Impatience’ (Els peus fixats al terra delatant cap impaciència) (2016), installation view at Fireplace, Barcelona. Courtesy the artists.

Opening on September 13, 6–9pm, at Galerie Martin Janda in Vienna (and on view until October 14), the exhibition ‘Cream cheese and pretty ribbons!’ curated by Latitudes brings together works by David Bestué, Sean Lynch, Eulàlia Rovira & Adrian Schindler, and Batia Suter to reflect on the apparent dichotomy between the utilitarian versus the functional, and the artful, refined, decorative, adorned, of good taste. The artworks in the exhibition have managed to find a way to escape this apparent dichotomy in how they treat form and content, using wit and storytelling, and engaging with seemingly mundane things in a magical way.


Given that Kraus conjures up a world of robust public debate, whether on the pages of newspapers or in the cafés, the exhibition space has been devised as a kind of uncanny street scene.  


Façade of Galerie Martin Janda. Photo by Anna Konrath.

Cream cheese and pretty ribbons!’ is part of the curated_by Vienna gallery festival inviting international curators. In 2018 the festival examines Vienna itself, its systems and contradictions, life between the baroque and present times.

+ info

#CreamCheeseAndPrettyRibbons 
#CuratedbyVienna 



RELATED CONTENT:
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