Longitudes

Lawrence Weiner's THE CREST OF A WAVE tote bag in the Tate Archive and exhibited at The McManus Museum and Galleries, Dundee

Limited edition tote bag designed by Lawrence Weiner in 2015. Photo: Latitudes.

We're delighted to share that Latitudes' limited edition tote bag, exclusively designed by Lawrence Weiner to commemorate Latitudes' 10th anniversary in 2015, is now part of Tate Archive.


Latitudes' donation is presented as part of Tate's "ARTIST ROOMS: Lawrence Weiner" exhibition, on view from November 2, 2018, at The McManus Museum and Galleries in Dundee, Scotland, until February 17, 2019.

ARTIST ROOMS is a touring collection of over 1,600 works of modern and contemporary art. The collection is displayed in museums and galleries across the UK and is jointly owned by the National Galleries of Scotland and Tate.


Photos: Latitudes.


Weiner's tote silkscreening process. Photo: Print Workers.

The Dundee presentation will include the limited edition tote bag and three sugar sachets with the striking typographic rendition of the statement "A CLOTH OF COTTON WRAPPED AROUND A HORSESHOE OF IRON TOSSED UPON THE CREST OF A WAVE" in Catalan, Spanish, and English, the latter first commissioned in 2008 as part of Weiner's solo exhibition at the Fundació Suñol, Barcelona.

A booklet of the exhibition, the invitation card, and an audio rendition of the statement (the track can be listed to here) based on a track by Ned Sublette and The Persuasions are also featured in Dundee.

(Above and below) Installation of Lawrence Weiner's "THE CREST OF A WAVE" at Fundació Suñol, Barcelona, October–November 2008. Photo: Latitudes.

Weiner with his work at the Fundació Suñol. Photo: Jean-Pierre Moulis.

One part of Lawrence Weiner's ‘THE CREST OF A WAVE’ project at the Fundació Suñol in 2008 consisted in an ephemeral sculpture distributed a few days prior to the exhibition opening. 300,000 7-gram sachets of sugar were printed and distributed throughout the most emblematic cafes around Barcelona. Photo: Latitudes.

100,000 sugar sachets ready for distribution. Photo: Latitudes.

Front and back of the 7-gram sugar sachet with Weiner's statement. 
(Above and below) The last element of the project manifested as an intimate event realised by the sea during the opening week: an iron horseshoe was wrapped in a cotton cloth and was tossed upon a wave’s crest. Photos: Jean-Pierre Moulis.


"Influential conceptual artist, Lawrence Weiner uses language as his medium. His text work takes many forms, but the core principle remains the same – his ideas should not be confined to the gallery but taken up by the viewer.

Adopting this principle, The McManus has worked with the artist to present his texts in different forms. One cycle of wall texts will be presented in Scots – translated by distinguished author James Robertson. Texts, a selection of posters, drawings, artist books, and ephemera will also be installed within museum displays around the building – the text resonating alongside Dundee’s rich collections of natural history, archaeology, world cultures, industrial machinery and the spectacular architecture of The McManus itself." (text from Tate's website)


Latitudes' full set of artists' totes were exhibited in 2015 at the Asia Art Archive in Hong Kong as part of Ingrid Chu's 15th-anniversary programme "15 Invitations | a short history of the art book bag". Photo: Asia Art Archive.

RELATED CONTENT:

Latitudes' limited edition tote bags presented in the Asia Art Archive's exhibition "A short history of the art book bag (and the things that go in them)"


We are delighted that from August 24 (and until October 24), Latitudes' limited edition tote bags by Lawrence Weiner, Haegue Yang, Ignasi Aballí and Mariana Castillo Deball, will be presented in Hong Kong as part of Asia Art Archive (AAA)'s exhibition 15th anniversary programme "15 Invitations | a short history of the art book bag".

Organised by AAA Public Programmes Curator Ingrid Chu, the show explores the international phenomenon of the 'art book bag' in "a short history of the art book bag (and the things that go in them)". The exhibition features 'the things that go in them'—art publications, magazines, and related ephemera—alongside a vast array of these popular totes in the AAA Library. Chu has invited artists, curators, art book fair organisers, and print and online publishers to provide insight into the changing modes of knowledge production and circulation, and their influence on the recent art of Asia through Field Notes.

Latitudes' totes are presented under 'Sites for Art', the first of five categories that structure the show – others being 'Carriers of Knowledge', 'Markers of Access', 'Badges of Dissent', 'Goods of Desire'). Courtesy of Asia Art Archive.
 
Each Latitudes' tote is accompanied by a publication that relates to each artist: Lawrence Weiner will contain the leaflet of his 2008 exhibition at Fundació Suñol, Haegue Yang will include the publication which features an essay by Max Andrews' of Latitudes; Ignasi Aballí's tote will include his 2009 publication 'Nothing, Or Something' inside and Mariana Castillo Deball will have 'Amikejo', the exhibition catalogue of the 2011 cycle one of which presented works by Castillo Deball and Irene Kopelman.

Installation view of a short history of the art book bag (and the things that go in them) exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.

Zine for "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.
 
 Installation view of 'Carriers of Knowledge' section in "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.
 
 Installation view of 'Badges of Dissent' section in "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.

 Installation view of 'Goods of Desire' section in "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.



RELATED CONTENT:

Lead Facilitators, Curating Lab 2014–Curatorial Intensive, National University of Singapore (11–14 June), symposium (14 June, 15–17h) and field trip to Hong Kong (16–20 June)
30 May 2014

A day at Hong Kong's Asia Art Archive, 31 January 2013, 8 July 2013

"Archive as Method: An Interview with Chantal Wong, Hammad Nasar and Lydia Ngai" of the Asia Art Archive, Hong Kong. Final #OpenCurating interview 1 May 2013
 
Latitudes' Open Day at Spring Workshop on 2 February 2013 9 February 2013

 
Archive of social media posts related to "Incidents of Travel" tours and photo-documentation. 



This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos:
Latitudes | www.lttds.org 


Storify of Curating Lab 2014 Overseas Field Trip to Hong Kong, 16–20 June 2014







This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos:
Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Lead Facilitators, Curating Lab 2014–Curatorial Intensive, National University of Singapore (11–14 June), symposium (14 June, 15–17h) and field trip to Hong Kong (16–20 June)

Curating Lab 2012. Courtesy: NUS Museum.

Alongside artist, curator and writer Heman Chong, Latitudes will lead the first phase of Curating Lab 2014 (11–14 June), a curatorial intensive in which 15 participants engage with the practice of exhibition-making through lectures and tutorials concluding with a field trip to Hong Kong (16–20 June).

Curating Lab 2014 is an eight month-long programme offering final year students, recent graduates and young curators exposure into contemporary curatorial perspectives and practices. Organised by NUS Museum with support from Singapore's National Arts Council, participants are firstly involved in a week-long curatorial intensive completed with an overseas field trip to Hong Kong. This first phase is followed by internship assignments to contemporary art spaces in the city (July–December 2014), and concludes with a final exhibition project in January 2015.


Courtesy: NUS Museum.

Curating Lab 2014 will focus on contemporary art and curatorial practices that engage with the exhibition as a site of knowledge production; one that is multifarious, relational and participatory providing scopes for intents and slippages, opened to interpretative articulations and re-articulations, subjected to varying contexts of exhibition-making and the very audiences that perform and shapes its production. Lectures and workshops will be led by Heman Chong and Latitudes to explore concepts of knowledge production in the realms of art, fiction, journalism, theory and other possibilities. 

As part of Curating Lab 2014's curatorial-intensive, the public symposium "When Does an Exhibition Begin and End?" on 14 June (3–5pm, Level 5 of the National Library Building), will bring together Singapore-based artists and curators Shabbir Hussain Mustafa (Curator, National Gallery Singapore), artist Charles Lim; Anca Rujoiu and Vera Mey (Curators, CCA — Centre for Contemporary Art, Singapore) and artist Shubigi Rao, to discuss their recent and ongoing projects. Addressing the format of the exhibition in terms of duration and process, the symposium will consist of two complimentary sessions that will reflect on the exhibition's capacity to articulate its own making and incorporate its own history. In the same way that the Internet has untethered television from fixed schedules and newspapers from print deadlines, the symposium will further ponder on how the exhibition and today's art institutions are undergoing similar transformations.

"When Does an Exhibition Begin and End?" will count on the engagement of Curating Lab 2014 participants who will be live-tweeting proceedings, mapping concepts of the discussions, and devising an approach to documenting and reporting the day for those not physically present.

The symposium is convened and moderated by Heman Chong and Latitudes.

The Asia Art Archive (AAA) library. Courtesy: Asia Art Archive.








Following on the Curatorial-Intensive, the overseas Field Trip to Hong Kong (16–20 June) aims to expose participants to international curatorial practices and situate their curatorial processes within the region. Participants will be visiting a range of private and public spaces such as Spring Workshop, Asia Art Archive, Para/Site and M+ Museum.

Follow:
#CuratingLab2014



This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos:
Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

A day at Hong Kong's Asia Art Archive, 31 January 2013

A few months ago, on January 31, an 8-hour internet-free workshop took place at the Asia Art Archive, Hong Kong. The workshop had the objective of harvesting quotes from amongst the thousands of books, artists correspondence, articles, exhibition invitations that are available at the archive, that made reference to three main subjects: "Influence" (on references, legacy, canalisation), "Itinerary" (on events, time, place, location) or "Moderation" (on collaboration, group dynamics, strategies for participation, partnerships).  

The workshop was led by artist/writer and Moderation(s) moderator Heman Chong, together with curatorial duo Latitudes, and counted with the participation of two Incidents of Travel artists' Nadim Abbas and Yuk King Tan, as well as with Spring Workshop founder Mimi Brown and Chantal Wong, Head of Strategy & Special Projects at Asia Art Archive.

The results of these processes or 'entry points' will be presented later this year (date TBA) on a temporary shelf within the Asia Art Archive, where a host of bookmarks, Post-it notes, and jottings placed within books and documents will reveal the traces of an extended interpersonal conversation

On a related note, and following on from that experience, Latitudes mantained a conversation with the above mentioned Chantal Wong, as well as with Hammad Nasar (Head of Research and Programmes) and Lydia Ngai (Head Librarian) of the Asia Art Archive in the context of Latitudes' #OpenCurating research project. The conversation was published at the end of April, as the concluding chapter of a series of ten interviews conducted since August 2012 with artists, editors, curators, archivists and new media specialists on how the internet and the ongoing expectation for new forms of interaction between publics is changing contemporary art museums programmes. 
 
Workshop participants (left to right) Artist Nadim Abbas; curators Max Andrews and Mariana Cánepa Luna of Latitudes; artist, writer and Moderation(s) moderator Heman Chong, artist Yuk King Tan, Spring Workshop founder Mimi Brown; Head of Strategy & Special Projects at Asia Art Archive, Chantal Wong; and Athena Wu, Programme Manager at Spring Workshop.





View of Sheung Wan area from the Asia Art Archive. Photo: Latitudes.
A quick database search before jumping onto the bookshelves.
Reading, selecting, highlighting, noting down... Photo: Mimi Brown.
Workshop participants amongst Asia Art Archive's library stacks.
Related contents:
(1 May 2013) "Archive as Method: An Interview with Chantal Wong, Hammad Nasar and Lydia Ngai" of the Asia Art Archive, Hong Kong. Final #OpenCurating interview. 
Soundscapes of "Incidents of Travel";
Storify "Incidents of Travel";
Flickr album of the four tours of "Incidents of Travel".



All photos: Spring Workshop (except when noted otherwise).

"Archive as Method: An Interview with Chantal Wong, Hammad Nasar and Lydia Ngai" of the Asia Art Archive, Hong Kong. Final #OpenCurating interview.


"Archive as Method: An interview with Chantal Wong, Hammad Nasar and Lydia Ngai" of the Asia Art Archive in Hong Kong, is available on ISSUU to view on screen and is also downloadable. It is also available as pdf format via Latitudes' web. 

…And last, but certainly not least, our #OpenCurating research concludes with an interview with three members of the amazing Asia Art Archive in Hong Kong.
 

Asia Art Archive (AAA) was founded in 2000 with the mission of documenting, securing and making easily available information on the history of contemporary art in Asia within an international context. Based in the Sheung Wan district of Hong Kong, the non-profit organisation holds hundreds of thousands of physical and digital items. AAA aims to stimulate dialogue and critical thinking about how the region’s art histories are told and to “facilitate understanding, research, and writing in the field, enrich existing global narratives, and re-imagine the role of the archive”. Through its website – aaa.org.hkAAA offers access to a wealth of digital material including scanned images, correspondence, artists’ personal documents, audio and video of performance art, artist talks, lectures, and events. A broad range of initiatives including the journal Field Notes, research grants, residencies, symposia, exhibitions and teaching workshops address the core of AAA’s commitment “to create a collection belonging to the public, existing not in an enclosed space, but in a space that is open and productive, generating new ideas and works that continually reshape the Archive itself”.

Follow:
@LTTDS 
#OpenCurating 
@AsiaArtArchive
   
ABOUT #OPENCURATING

What "old rules" about art programming, production and distribution has the internet broken? What challenges, expectations, and new possibilities does digital culture and social media present to contemporary art institutions? To what degree are curators, media teams, publishers and archivists concerned with a dialogue with their audiences? #OpenCurating has investigated these questions through how new forms of culture, participation and connectivity are being developed both on site and on line.

The research was structured around three elements. Ten new interviews were produced and published as free digital editions as well as via Issuu; a Twitter thread was moderated around the hashtag #OpenCurating; and a public conversation (transcribed as interview #7) between Latitudes and Yasmil Raymond, Curator of Dia Art Foundation, New York, was held on 19 February 2013 at the Auditorium of the Museu d'Art Contemporani de Barcelona (MACBA).


#OpenCurating was a research project by Latitudes produced through La Capella. BCN Producció 2012 of the Institut de Cultura de Barcelona. 









 
Content partners: Walker Art Center

 




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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Longitudes cuts across Latitudes’s projects and research with news, updates, and reportage.

Latitudes | www.LTTDS.org (except when otherwise noted).

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Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

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