Longitudes

PUBLICS' Library in Helsinki incorporates Latitudes-edited publications


We are glad to announce that PUBLICS in Helsinki now has all Latitudes publications available for consultation in their library (with the exception of the monograph "Lara Almarcegui, Projects 1995–2010" which is out of print). Our first publication, "LAND, ART: A Cultural Ecology Handbook" (RSA/Arts Council England, 2006, also out of print), was already in their library

PUBLICS library is the third location where the whole set of Latitudes' publications reside, together with the Library of the MACBA Study Centre, Barcelona, and the Paul D. Fleck Library & Archives, The Banff Centre, Canada.

We also donated a few books we have contributed to with essays or interviews, such as "Antoni Hervàs. ‘The Mystery of Cabiria" (Ajuntament de Barcelona, 2016), "C-H-R-I-S-T-O-P-H-E-R-K-N-O-W-L-E-S SO LISTEN UP" (NoguerasBlanchard, 2017), Rasmus Nilausen, ‘Soups & Symptoms, Paintings 2011–2016’ (Ajuntament de Barcelona, 2016) and "Lara Almarcegui. Béton" (SilvanaEditoriale, 2019).



PUBLICS library is located at Sturenkatu 37-41 4b 00550 Helsinki.

Latitudes' publications available at PUBLICS Library (bibliography online):

Joan Morey: COLLAPSE
Various locations, Barcelona
September 2018–January 2019
Exhibition guide/programme guide, opuscule, poster


4.543 billion. The matter of matter
CAPC musée d'art contemporain, Bordeaux
June 2017–January 2018
Exhibition guide & symposium guide

Amikejo
Catalogue of the exhibition series, Museo de Arte Contemporáneo de Castilla y León (MUSAC), León
April 2012

United Alternative Energies
Christina Hemauer & Roman Keller
Catalogue of the exhibition, Aarhus Art Building, Centre for Contemporary Art, Århus
January 2012

Campus
Catalogue of the project, Espai Cultural Caja Madrid, Barcelona
July 2011

Also available online.

Portscapes
Catalogue of the commission series and exhibition 'Portscapes', Port of Rotterdam / Museum Boijmans Van Beuningen, Rotterdam
February 2010

Martí Anson, Mataró Chauffeur Service
Catalogue of the project, 'No Soul For Sale', Tate Modern, London
January 2011

The Last Newspaper
Catalogue of the exhibition 'The Last Newspaper', New Museum, New York
October–December 2010

Lawrence Weiner: THE CREST OF A WAVE
Booklet of the exhibition, Fundació Suñol, Barcelona
October 2008

Simon Fujiwara: The Incest Museum–A Guide
Artist book, 'Provenances', Umberto di Marino Arte Contemporaneo, Naples
May 2009

Ignasi Aballí: 没有,有 Nothing, or Something
Catalogue of the exhibition, Suitcase Art Projects, Beijing
July 2009

Ecology, Luxury & Degradation
UOVO #14
Summer 2007

Greenwashing. Ambiente: Pericoli, Promesse e Perplessità 

(Greenwashing. Environment: Perils, Promises and Perplexities)
Catalogue of the exhibition, Fondazione Sandretto Re Rebaudengo, Turin
February 2008



→ RELATED CONTENT

Cover Story–July 2018: No Burgers for Sale

Latitudes' home page www.lttds.org


The July 2018 Monthly Cover Story "No Burgers for Sale" is now up on Latitudes' homepage: www.lttds.org


"In 1983, a Burger King opened on New York’s Governors Island, then a U.S. Coast Guard base. It was the first franchise to serve beer. After scoffing a Whopper combo, officers and enlisted men could enjoy a round of golf, play bingo, go to the movies, or throw balls at the adjacent bowling alley. In 1999, this Burger King featured in issue 615 of ‘The Amazing Spider-man’. After almost two centuries operating as a federal or military facility, the Island was vacated in 1996, and the Burger King shut up shop. The remnants were photographed in 2003 by Andrew Moore and Lisa Kereszi."

No burgers were on sale though, just wooden pretzels!

—> Continue reading

—> Project photo documentation
—> After July 2018 it will be archived here.

Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial activities.



RELATED CONTENT:


  • Archive of Monthly Cover Stories
  • Cover Story—June 2018: Near-Future Artworlds Curatorial Disruption Foresight Group 4 June 2018
  • Cover Story – May 2018: "Shadowing Roman Ondák" 7 May 2018 
  • Cover Story – April 2018: "Cover Story—April 2018: Dates, 700 BC to the present: Michael Rakowitz" 3 April 2018
  • Cover Story – March 2018: "Armenia's ghost galleries" 6 March 2018
  • Cover Story – February 2018: Paradise, promises and perplexities 5 February 2018
  • Cover Story – January 2018: I'll be there for you, 2 January 2018
  • Cover Story – December 2017: "Tabet's Tapline trajectory", 4 December 2017
  • Cover Story – November 2017: "Mining negative monuments: Ângela Ferreira, Stone Free, and The Return of the Earth", 1 November 2017
  • Cover Story – October 2017: Geologic Time at Stanley Glacier 11 October 2017
  • Cover Story – September 2017: Dark Disruption. David Mutiloa's 'Synthesis' 1 September 2017
  • Cover Story – August 2017: Walden 7; or, life in Sant Just Desvern 1 August 2017
  • Cover Story – July 2017: 4.543 billion 3 July 2017
  • Cover Story – June 2017: Month Light–Absent Forms 1 June 2017
  • Cover Story – May 2017: S is for Shale, or Stuart; W is for Waterfall, or Whipps 1 May 2017
  • Cover Story – April 2017: Banff Geologic Time 3 April 2017
  • Cover Story – March 2017: Time travel with Jordan Wolfson 1 March 2017

Cover Story – June 2017: "Moth light—Absent Forms"


The June 2017 Monthly Cover Story ""Moth light—Absent Forms"" is now up on www.lttds.org after June it will be archived here

"The Latitudes-curated Exposition Internationale des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne opened at Meessen De Clercq, Brussels, in February 2011. More a series of five interlinked solo presentations than a conventional thematic group exhibition, it featured the work of Kasper Akhøj, Martí Anson, Maria Loboda, Charlotte Moth and Sarah Ortmeyer." Continue reading

Cover Stories' are published on a monthly basis on Latitudes' homepage and feature past, present or forthcoming projects, research, writing, artworks, exhibitions, films, objects or field trips related to our curatorial activities. 

RELATED CONTENT:

Latitudes hosts the MA Curating Contemporary Art students of the Royal College of Art in Barcelona


Photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption).

This morning we had an informal discussion with second-year students of the Royal College of Art's MA Curating Contemporary Art programme to present and reflect on our collaborations with three Barcelona-based artists – Martí Anson, Ignasi Aballí and Francesc Ruiz. It was an opportune moment to reconsider the old chestnut of "the artist-curator relationship" and the important role of artist advocacy and friendship in curatorial work.

Our first case study was with Martí Anson and was in the context of our participation in the 2010 iteration of 'No Soul for Sale – A Festival of Independents' at Tate Modern, coinciding with Tate's 10th anniversary. In our presentation we discussed how Martí's project "Mataró Chauffeur Service" began by the simple need for us to get to London and present our projects in the festival context, how we worked together with Martí in thinking which was the best format for the project to develop considering all the budget would have to be raised and that the invitation was limited to offering 25m2 at Tate Modern's Turbine Hall.

A year later, we invited Martí to present Joaquimandson, a project centred on researching and recuperating the fabrication of 1960s low-budget furniture designs his father produced for friends, family and clients in Mataró. A selection of the furniture was exhibited at Meessen de Clercq, Brussels, alongside works by Sarah Ortmeyer, Kasper Akhoj, Maria Loboda and Charlotte Moth


In the summer of 2009, Carol Yinghua Lu invited us to curate a new commission by Ignasi Aballí at the SUITCASE Art Project, the then project space of the Today Art Museum in Beijing. The resulting interventions in the eight display cases of the Yintai Centre, focused on absence, nothingness and invisibility, recurring concerns in Aballí's practice. A year after, we interviewed Ignasi for 'The Last Star-Ledger', the yellow issue of 'The Last Newspaper' publication we edited in the context of the New Museum show in 2010. The interview 'Rank and File' focused on his series of newspaper-cut outs from El País newspaper that he has been doing since 1997.

After a short presentation on the context of the 2009 exhibition "Sequelism part 3: Possible, Probable or Preferable Futures" at Arnolfini in Bristol, and Francesc Ruiz's stair-barrier commission, Ruiz discussed his Yayoi, Sukia and "The Green Detour" commission for Contemporary Image Collective in Cairo, and of course Francesc's weekly cartoons for the ten 'The Last Newspaper'. Here an interview with Francesc published in the third issue, 'The Last Register" and a profile of his work included in frieze magazine.

Thank you Galeria Estrany · de la Mota for the temporary gallery take over!

Related content:

  • Ignasi Aballí's exhibition catalogue 'Nothing, or Something' available now, 26 October 2009
  • flickr gallery with installation shots of "Sequelism Part 3..." 
  • Publication release: 'Mataró Chauffeur Service', a project by Martí Anson & Latitudes for 'No Soul for Sale', Tate Modern, London, May 2010, 11 March 2011
  • Ignasi Aballí at ARTIUM and Latitudes' archive (Beijing & New York),20 May 2012


This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Exhibition views: 'Exposition internationale des arts décoratifs et industriels modernes & des arts et techniques dans la vie moderne', until 16 April

'Exposition internationale des arts décoratifs et industriels modernes & des arts et techniques dans la vie moderne', February 25 – April 16, 2011, Meessen de Clercq, Brussels, Belgium

'EXPOSITION INTERNATIONALE DES ARTS DÉCORATIFS ET INDUSTRIELS MODERNES & DES ARTS ET TECHNIQUES DANS LA VIE MODERNE' With works by: Kasper AKHØJ, Martí ANSON, Maria LOBODA, Charlotte MOTH and Sarah ORTMEYER
25 February–16 April 2011
 

Meessen de Clercq, Rue de l’Abbaye 2a
B-1000 Brussels, Belgium

The Exposition Internationale des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne (International Exhibition of Modern Decorative and Industrial Arts & Art and Technology in Modern Life) presents projects by five contemporary visual artists which engage with specific instances of modernity as represented through industrial or domestic design. A world-famous tower, a street, a range of furniture, a modular display system, and textile patterns, have been metaphorically taken apart before being reconstituted, sometimes literally, through artistic practices and personal affiliations which incorporate historical research, travel, tribute and scenography, for example.

Running counter to the modernist spirit of rationality, clarity and empiricism, the artists’ often playful engagements deal with anecdotal, subjective, and frequently deliberately imprecise applications. Their projects engage with disciplines traditionally outside of the domain of the visual arts, and in doing so they invite a renegotiation of a design’s intended use, and an interest in the point at which apparent aesthetic surplus or redundancy modifies or reconstructs an object’s meaning or efficacy. The artists’ works furthermore operate with a heightened awareness or awkwardness of their being exhibited (and alongside a synthesized ‘period’ exhibition title taken from conjoining the names of the Paris Worlds’ Fairs from 1925 and 1937). Theatricality and commercial or museological display strategies are the restraints and releases, or the actual subject, of the artists’ articulations. (+ info...)

All photos: Philippe de Gobert

Publication release: 'Mataró Chauffeur Service', project by Martí Anson & Latitudes for 'No Soul for Sale', Tate Modern, London, May 2010

Cover of the publication. Photo: Save As... Publications



Published by: Save As... Publications
Edited by: Latitudes
Texts by: Martí Anson and LatitudesGraphic Design: ferranElOtro Studio
Format: 21 x 15 cm / softcover with folded poster jacket / 62pp / offset, black-and-gold
Language: English, Spanish & Catalan
Price: EUR 16,00
Print-run: 500 copies
Date of Publication: February 2011
ISBN: 978-84-936956-9-9
Availability: La Central

The publication 'Mataró Chauffeur Service' gathers documentation of the collaboration with artist Martí Anson realised on the occasion of Latitudes' participation in the London edition of 'No Soul for Sale' (14–16 May 2010), for which the artist set up his own chauffeur company and drove the curatorial duo from Barcelona to Tate Modern's Turbine Hall and back. (+ info...)

"Martí Anson drove a car up from Spain and parked in the Tate to double as a screening room for Latitudes projects" 

– Janine Armin, The New York Times

"An interactive art-taxi" 

– Martin Coomer, Hotline

"Mr. Anson has designed the car and his chauffeur’s uniform." 

– Carol Vogel, The New York Times

"La oficina curatorial Latitudes colaborará con el artista catalán Martí Anson … para trasladar su coche tuneado como un 'Spanish cab' hasta Londres y empleando la Sala de Turbinas como aparcamiento" 

– Javier Díaz-Guardiola, ABC.es

"…ha fet el viatge en un espectacular model cedit per la marca BMW que el propi Anson ha redissenyat perquè recordés a l’estil original dels taxis de Mataró dels anys 60 (daurat i negre)" 

– www.capgros.com

"Anson daba a pensar sobre el rol camaleónico del artista, y sobre el intercambio de servicios que se da entre diferentes agentes dentro de la industria del arte." 

– Cristina Garrido, Diari de Tarragona

"Martí Anson ha hecho de chófer de una supuesta compañía de taxis (ha creado logo y tarjetas de visita) y cubierto por carretera-ferry el trayecto Barcelona-Londres en plena crisis por la nube volcánica (…) Lo suyo es ficción, pero recuerda que durante los días de bloqueo europeo por las cenizas del volcán islandés, había compañías de taxi que ofrecían el Barcelona-Londres por 4.700 euros." 

– Emili J. Blasco, ABC blog

"Latitudes viene realizando un trabajo que ha logrado concitar el interés de la comunidad artística y el público a partir de proyectos que se instalan más allá de las fronteras de lo artístico … Una vez en Londres, el taxi y unas mesitas y sillas a modo de camping harán de stand en el que se podrán ver los proyectos que ha realizado la oficina así como proyecciones de video de artistas jóvenes" 

 – Javier Hontoria, El Cultural
 

Photos: Latitudes | www.lttds.org (except when noted otherwise)

Newsletter #31 - March/Marzo 2011



FORTHCOMING IN APRIL 2011...

'Amikejo: Iratxe Jaio & Klaas van Gorkum',
Laboratorio 987, 2011 season guest curated by Latitudes, MUSAC, León. 9 April - 12 June 2011. Opening: 9 April

EXHIBITIONS CURRENTLY ON VIEW...


Guest curators of the Laboratorio 987 2011 season, MUSAC, León: inaugural exhibition 'Amikejo: Pennacchio Argentato', on view until 27 March 2011 – see installation views here.

'Christina Hemauer & Roman Keller: United Alternative Energies', Aarhus Art Building, Århus, Denmark, on view until 3 April 2011
– see installation views here.

'Exposition Internationale des Art Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne' showing works by Kasper Akhøj; Martí Anson; Maria Loboda; Charlotte Moth and Sarah Ortmeyer. Meessen De Clercq, Brussels, Belgium, on view until 16 April 2011 - see installation views here


Latitudes' web www.lttds.org
Facebook page here
Twitter here
Flickr photosets here
Youtube Latitudes Channel
Previous newsletters here

Installing 'Exposition Internationale des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne' at Meessen De Clercq


Opening: Thursday 24 February 2011, 6–9pm.
With works by Kasper Akhøj (1976, Copenhagen, Denmark. Lives in New York, US); Martí Anson (1967, Mataró, Spain. Lives there); Maria Loboda (1979, Kraków, Poland. Lives in London, UK); Charlotte Moth (1975, Carshalton, UK. Lives in Paris, France) and Sarah Ortmeyer (1980, Frankfurt am Main, Germany. Lives there).

The Exposition International des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne (International Exhibition of Modern Decorative and Industrial Arts & Art and Technology in Modern Life) presents projects by five contemporary visual artists which engage with specific instances of modernity as represented through industrial or domestic design. A world-famous tower, a street, a range of furniture, a modular display system, and textile patterns, have been metaphorically taken apart before being reconstituted, sometimes literally, through artistic practices and personal affiliations which incorporate historical research, travel, tribute and scenography, for example. (+ info...)


Meessen De Clerq
Abdijstraat 2a Rue de l'Abbaye
1000 Brussels, BELGIUM
Tuesday to Saturday 11am – 6pm
T: +32 (0) 2 644 34 54
E: [email protected]
W: www.meessendeclercq.be


Installation pictures: Latitudes | www.lttds.org

Publication release: 'Mataró Chauffeur Service', a project by Martí Anson and Latitudes for 'No Soul for Sale: A Festival of Independents'


[ENG]

Photo Gallery | Press coverage | Short Video | web 'No Soul for Sale'

Edited by:
Martí Anson and Latitudes
Published by
: Save As... Publications
Texts by: Martí Anson and Latitudes
Graphic Design: ferranElOtro Studio
Format: 210 x 150 mm softcover with folded poster jacket / 59pp / offset, black-and-gold
Language: English, Spanish & Catalan
Print-run
: 500 copies
Printer: Cevagraf SCCL; Gràfiques Macià
Date of Publication
: January 2011
Price: €16 via La Central
ISBN: 978-84-936956-9-9


The publication 'Mataró Chauffeur Service' gathers documentation of the collaboration with artist Martí Anson realised on the occasion of Latitudes' participation in the London edition of 'No Soul for Sale', for which the artist set up his own chauffeur company and drove the curatorial duo from Barcelona to Tate Modern and back.  

(+ info... )

Project kindly supported by:

Sponsorship-in-kind by:

[ES]

Galería de fotos | Covertura prensa | Video | web 'No Soul for Sale'

Editado por: Latitudes
Publicado por: Save As... Publications
Textos: Martí Anson y Latitudes
Diseño gráfico: ferranElOtro Studio
Formato: 210 x 150 mm tapa rústica y poster semicubierta / 59pp / offset, negro y dorado
Idiomas: Edición trilingue Inglés, Español y Catalán
Tiraje
: 500
Imprenta: Cevagraf SCCL; Gràfiques Macià
Fecha publicación
: enero 2011
Precio: €16 a través de La Central
ISBN: 978-84-936956-9-9


La publicación 'Mataró Chauffeur Service', documenta la colaboración entre Latitudes y Martí Ansonel pasado Mayo en ocasión de la participación en la edición londinense de 'No Soul for Sale'. Para la ocasión, Anson inició su propia empresa de chófer ‘Mataró Chauffeur Service’ y condujo al dúo curatorial de Barcelona a Tate Modern y de regreso. 

(+ info...) 

Proyecto cuenta con el apoyo de:

Con el patrocinio de:


'Mataró Chauffeur Service' – Return journey London-Portsmouth-(ferry)-Santander-Barcelona-Mataró

Return journey: London to Portsmouth, 24h ferry sailings to Santander, and the last 700km from Santander–Barcelona–Mataró.

Leaving London...
The GPS tells us that after 140km we are nearby Portsmouth...
Waiting to check in with Brittany Ferries, to get our car ID and our cabin keys...

Cap Finistere ferry...
24h later...sunshine in Santander

making our way towards Bilbao...

Refueling...

Paying at the toll point...

Nearing Zaragoza...

700km later...nearing Barcelona (were Latitudes got dropped off).

All images: Latitudes | www.lttds.org

Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

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Latitudes
2005—2019